Arts and Humanities Commons^™

Backdrop To A Musical Revolution: Urban Uprisings, Black Power And The Vietnam War Shatter The Politics Of Respectability In Popular Music, Mark Naison

Occasional Essays

No abstract provided.

Intro To Jazz, Jon De Lucia

Open Educational Resources

OER Based Syllabus for MUS 145 Intro to Jazz course at City College. Covers the history and development of jazz along with basic music fundamental vocabulary.

Law Library Blog (February 2021): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana

Publications and Research

Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.

Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 685. Research material collected by Ray B. Buckberry, Jr. related to Ernest Hogan, an African American musician from Bowling Green, Kentucky, who is sometimes credited as one of the pioneers of ragtime music. He composed and wrote lyrics for numerous musical pieces for minstrel shows and published sheet music.

Black And White Notes: Segregation, Integration, And Urban Renewal Through Pittsburgh's Locals 60 And 471, Nathan Seeley

FIU Electronic Theses and Dissertations

This dissertation explores Pittsburgh’s Locals 60, 471, and 60-471 of the American Federation of Musicians (AFM) from the late nineteenth century to the mid-1960s. Local 60 was founded in 1896 for white musicians and Local 471 in 1908 for black musicians. While other studies of the AFM take a “top-down” approach, this study examines these Locals from the “bottom-up.” In doing so, it re-examines the causal relationship between music/musicians and the social, political, and economic conditions intersecting with them. This dissertation is built upon seventy-two interviews conducted between former Local 471 members in the 1990s, photographs from Teenie Harris Collection …

Jesse Routte: Using Style To Signify Injustice, Emma Nordmeyer

Race, Ethnicity, & Religion

Jesse Routte, first African-American student to graduate Augustana, made national headlines in 1947 for wearing a turban on a visit to Alabama. In this paper, I explore how Routte's stylistic choices uprooted and questioned the racism of the Jim Crow era.

A “Hip-Hop” Broadway Masterpiece Or A Misrepresentation Of Hip Hop Culture, Dani E. Kupersmith

Student Publications

In February of 2015, a music sensation hit the streets of New York City and started a revolution across the country. The renowned Lin Manuel Miranda; composer, musician and actor, debuted his six-year creation - an integration of hip hop music into the world of Broadway through the sensational story of Alexander Hamilton. Based off of Ron Chernow’s 2004 biography of Alexander Hamilton, this entirely musical production details the story of the poor immigrant who came to America with big ideas and wrote his way to being a predominate figure in American history (Miranda, 2016). Impressive choreography is combined with …

Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol

Music and Worship Student Presentations

Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun into respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, another album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; of this there …

Kendrick Lamar And Hip-Hop As A Medium For Social Change, Diego A. Rocha

Student Publications

This paper provides a context and then analysis of Kendrick Lamar's albums as they relate to advocating and affecting social change. The purpose is to show through example how hip-hop (and music in general) can act as an avenue towards creating positive change for oppressed peoples.

Prince Rogers Nelson: From "Dirty Mind" To Devout Jehovah's Witness, Cassandra Chaney Phd

Faculty Publications

Prince Rogers Nelson (born: June 7, 1958) was an American singer, songwriter, multi-instrumentalist, record producer, and actor. He was a musical innovator and known for his eclectic work, flamboyant stage presence, extravagant dress and makeup, and wide vocal range. When he passed unexpectedly on April 21, 2016, he had built an immensely successful career that spanned over 30 years. Although Prince is widely known for his highly sexual behavior, we know less about his spiritual beliefs as well as how these beliefs influenced his public persona and private life. Through the lens of social identity theory, this manuscript will examine …

Brame, Lawrence R. (Fa 861), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 861. Collection consists of Negro spirituals collected from individuals in Kentucky. Song lyrics are provided along with the names of sources who provided each song. This project was conducted by Lawrence R. Brame for a folk studies class at Western Kentucky University.

Braithwaite, John, Bronx African American History Project

Oral Histories

Summarized by Concetta Gleason

John Braithwaite moved with his family fromManhattaninto theBronxontoKelly Streetin 1945 when he was two years old. His parents learned of theBronxandKelly Streetfrom their friends. Braithwaite’s parents and many of his neighbors were fromBarbados. The neighborhood and schools were very diverse with Italians, Jews, Spanish and blacks (both from the South and the Caribbean), and that did not change until the Cross-Bronx Expressway divided theBronxin half. The family was associated with St. Margaret’s Protestant Episcopal Church. His family has a great love for the arts; his father was a tailor, but painting was his passion, his older …

Sprouse, Mario, Bronx African American History Project

Oral Histories

Mario Sprouse, born October 10^th, 1948 in Spanish Harlem, is a well-known musician,arranger, composer, and musical director. His parents immigrated to the United States from the Dominican Republic in 1929, and would meet in Harlem and begin their family after the war.

His parents worked hard to provide for their children, but always had a passion for music, which they would instill upon Mario and his siblings. After moving to the Bronx in 1950, the family would begin living on Ritter Place, where each household showcased musical ability, and stars such as Maxine Sullivan, lived just down the …

Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic

Literature

More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life.

The route …

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

The Dirty Third: Contributions Of Southern Hip Hop To The Study Of Regional Variation Within African American English, Jennifer Bloomquist, Isaac Hancock

Africana Studies Faculty Publications

While there is well documented evidence of certain supra-regional features in African American English (AAE) phonology and morphosyntax (for example, see Labov 1972; Rickford 1999; Baugh 2000; Green 2002), recent trends in the study of linguistic variation suggest that the homogeneity of the variety has been largely overstated (Mallinson & Wolfram 2002; Friedland 2003; Wolfram 2003). For the most part, contemporary AAE influences on mainstream language have originated from varieties spoken in the northeast and on the west coast which have evolved independently of one another over the past forty years, and which vary in significant ways from southern AAE; …

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …

Cruse, Harrison Jr., Bronx African American History Project

Oral Histories

Interviewee: Harrison Cruse, Jr.

Interviewer: Mark Naison

Summarized by Sheina Ledesma

Harrison Cruse, Jr. was born on August 10, 1935 in Morningside Heights, Harlem. His mother’s family was originally from Virginia and North Carolina but decided to move north during the 1920’s after experiencing an increasingly racist and violent climate due to activity by the Ku Klux Klan. His father was African American and Native American and had grown up on an Indian reservation with his mother in Roanoke Virginia. His father served in the First World War and later joined the Northwestern Railroad where he worked for many years. …

Kontihene, Bronx African American History Project

Oral Histories

Interviewee: Kontihene

Interviewer: Dr. Jane Edward, Kojo Ampa, Kareem Salifu, Dr. Mark Niason

Summarized by Sheina Ledesma

Kontihene is a Ghanaian Hip Hop musician who has lived in the Bronx since 2004. Kontihene describes his own music as being Afro-Pop or Hip-Life because it combines lively beats with traditional Ashanti folk music from Ghana. Kontihene grew up in Ghanaian town called Kumasi with his parents and two sisters. His love for music developed at a very young age. By age ten he was already writing poems and songs that discussed his family life. Encouraged and mentored by a local musician …

Hip-Hop Futurism: Remixing Afrofuturism And The Hermeneutics Of Identity, Chuck Galli

Honors Projects

Examines the phenomenon of futuristic hip-hop works and explores the Afrofuturist, surrealist, and postmodern cultural practices of the African diaspora which informed these works.

Hip Hop Is Dead: The Rhetoric Of Hip Hop, Kalyana Champlain

Senior Honors Projects

There is no doubt that Hip Hop has become a most influential international force. This animal has had many faces: two of these faces have been as a political tool as displayed by Public Enemy, and as a therapeutic release-- as I discovered while in AmeriCorps interning at AS220 for a program called Hip Hop 220, in which we took underprivileged youth and helped them to channel their energy through this art form. However, there is a dark side to this culture that includes extreme misogyny, self- sabotage, hatred, and an unhealthy obsession with status. As I reflected on these …

Ua1c7 Departmental Photos, Wku Archives

WKU Archives Collection Inventories

Images showing everyday activities of university departments.

Scroggins, Renee, Bronx African American History Project

Oral Histories

Interviewer: Andrew Tiedt

Interviewee: Renee Scroggins

Date of interview: 3 February 2006

Summarized by: Craig Teal, 17 March 2007

Renee Scroggins, member of the punk/funk group, ESG, was born in Bronx, New York in the Moore Projects. Located on Jackson Avenue and 149^th Street, the projects started to deteriorate within a couple of years of it being built. Renee calls this time the ‘drug era’ and recalls a lot of bad situations being present because of the poor economic situation of the people that lived there. Renee went to elementary school at PS 35 on Morris Avenue where her …

Brindle, Donna, Bronx African American History Project

Oral Histories

Interviewers: Mark Naison and Natasha Lightfoot

Interviewee: Donna Brindle

Date: May 23, 2005

Summarized by Leigh Waterbury

Donna Brindle was born in 1953 in the Bronx and lived on Intervale Avenue until around the age of 11. Her parents initially moved to the Bronx because other friends of theirs were, and those socializations became an important part of Donna’s upbringing. Both of her parents were musicians, her father was a concert pianist and one of the founders of The Symphony of the New World in the 1950‘s. Her parents were also politically active. Her mother worked with NAACP as well …

Allen. Ray, Bronx African American History Project

Oral Histories

Interviewee: Mr. Ray Allen

Interviewer: Dr. Mark Naison

Date: June 29, 2004

Summarized by: Estevan Román

Mr. Ray Allen is (was) an actor, singer and an organizer of theater and education programs in the Bronx. He is an African American of Caribbean descent, born on the island of Curacao, which is a part of the Netherland Antilles. His mother, Evelyn, was from the island of Anguilla. He moved to the Bronx on December 9^th, 1968 at the age of 14. He came after his father had passed away from a heart attack and Ray and his second sister …

Bonneau, Jackie Smith, Bronx African American History Project

Oral Histories

Interviewee: Jacqueline Smith Bonneau

Interviewers: Mark Naison, Robert Gumbs, Robin Kelley

Transcriber: Patricia Wright

Date of Interview: February 5, 2004

Summarized By: Eddie Mikus

Jacqueline Smith Bonneau is a resident on Lyman Place who has resided in the Bronx since the 1940s. She is especially notable due to the fact that she is the niece of Thelonius Monk, a famous musician. As such, she is able to provide a personal insight into Monk’s life.

Bonneau moved to Lyman Place from Home Street when she was a young child. She was the daughter of a Pullman porter and a woman who …

Brathwaite, Kwame, Bronx African American History Project

Oral Histories

112^th interview of the Bronx African American History Project

Interviewers: Dr. Mark Naison, Maxine Gordon

Interviewee: Kwame Brathwaite

The interview took place May 17, 2002

Summarized by Concetta Gleason 11-29-06

Kwame Brathwaite, a longtime activist, photographer and expert on the history of jazz in NYC was originally born in Harlem, and his family moved to the Bronx in 1943 when he was five years old. Brathwaite's parents are both from Barbados, but they met in Brooklyn. His father was a tailor who owned several Dry Cleaning businesses, which kept him constantly busy, and his mother was a homemaker who …

Spiritual, Blues, And Jazz People In African American Fiction, A Yemisi Jimoh, Phd

Afro-American Studies Faculty Publication Series

No abstract provided.