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African American Opera Singers, 1850-1950: Ambition, Uplift, And Performance, Elena Arredondo Farel
African American Opera Singers, 1850-1950: Ambition, Uplift, And Performance, Elena Arredondo Farel
Arts & Sciences Electronic Theses and Dissertations
This dissertation explores African American engagement with opera in the United States between the 1850s—when Elizabeth Taylor Greenfield, dubbed the “Black Swan,” drew comparisons to white superstar Jenny Lind—and the 1940s, when Black singers began to access “white” stages such as the Metropolitan. I foreground how musicians who knew they would never receive a fair hearing acted not just as singers, but as entrepreneurs, managers, composers, and collaborators in order to create careers for themselves. In order to do so, these singers navigated a complex set of aspirations and realities. Black opera singers engaged with ideologies of racial uplift, contemporary …
Representations Of The Cuban Revolution In The American Gaze: The Case Of African-American Activists, Orlando Luis Pardo Lazo
Representations Of The Cuban Revolution In The American Gaze: The Case Of African-American Activists, Orlando Luis Pardo Lazo
Arts & Sciences Electronic Theses and Dissertations
For more than six decades, the Cuban Revolution has been the object of representation by foreign authors―historians, anthropologists, sociologists, political scientists, and also poets and writers. After the triumph of Fidel Castro on January 1, 1959, his revolution captured the imagination of U.S. intellectuals and activists. Many of them traveled to Cuba to become witnesses of the radical transformations that were taking place there. In my dissertation, I suggest that visiting Cuba was important for them to authenticate their views. Writing from Castro’s Cuba lent legitimacy to their narratives, with which they hoped to influence U.S. public opinion.My focus is …