Interior Architecture Commons^™

Where My Memory Settles, Rachel Kobb

Masters Theses

My memory is blurry but ever present in an atmospheric state. Through my investigations of memory and sensorial experience, this thesis is an attempt to understand how the body recalls the spaces I have spent the most time: my various homes through life.

The output of this thesis is a paper installation that layers and translates spatial qualities of my past homes. The home is not a neutral container, but instead a space that should support a sense of retreat and security. Drawing upon Gaston Bachelard’s zones of experience, I explore how a domestic space is moved through distinct zones. …

Between Nature And Architecture : A Dialogue Of Five Elements, Niexiangyi He

Masters Theses

Rooted in classical Chinese cosmology, the Daoist Five Elements (Wood, Fire, Earth, Metal, and Water) describe dynamic cycles of mutual generation (sheng)—in which one element produces or supports another—and restraint (ke)—in which elements regulate or limit one another to maintain balance. Rather than a system of symbolic representation, these interactions outline a relational model of equilibrium based on interdependence and continuous transformation. Wood, Fire, Earth, Metal, and Water can inform a contemporary design framework for interior and architectural practice. It interprets these cycles as a form of spatial logic that guides material selection, structural organization, environmental modulation, and experiential sequencing, …

Soft Bodies, Hard Frames, Emily Zhang

Masters Theses

Silk is delicate yet strong, responsive to light and air, dependent on living processes and careful labor. These qualities position silk not only as a material object, but as an instrument capable of organizing space. Rather than functioning solely as a surface or decorative textile, silk can operate as a spatial generator, shaping enclosure, movement, and environmental conditions.

For centuries, domestic courtyard houses in the Jiangnan region, located south of the Yangtze River, evolved alongside sericulture, forming spaces that were attuned to the environmental and material requirements of silk. Architectural elements such as courtyards, screened openings, flexible interiors, and canal-directed …

Jadughar: The House Of Magic, Dhruvi A. Shah

Masters Theses

Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …

Fetishismus:Facism, Sodomy, And The Exhibition, Matthew P. Gershovich

Masters Theses

Fetishismus examines the contemporary dislocation between homosexuality and queerness. Homosexuality is the biological, innate quality of same-sex attraction. Queerness is rooted in deviance, perversion, and sociologically attached to the “other.” Although almost always used in an explicitly homosexual connotation, “queerness” is not entirely contingent on the physical engagement of homosexual acts. In historical usage, queer is used as a pejorative adjective, implying a lack of masculinity with the intent to invoke repulsion. In contemporary parlance the two are treated as synonymous. This intertwined relationship relies on the forced lack of social and spatial belonging that is rooted in a foundational …

The Birdwatching Pause: Reframing Campus Life Through Everyday Bird Encounters, Katherine Zeng

Masters Theses

Birdwatching, typically framed as a leisure pursuit removed from everyday life, becomes here the organizing logic for a three-site campus route of restorative pause. The thesis departs from the assumption that nature must be sought out and instead asks what happens when the birds already present in urban space are made legible through design.

Three existing RISD buildings anchor the project, each organized around a distinct mode of encounter. At Carr Haus Café, a furniture-scaled insertion creates conditions for attentional reset through passive listening rather than active looking. At North Hall, a semi-open balcony garden introduces incidental, distanced contact with …

Returning To The Hand, Tatum Dodd

Masters Theses

Historical preservation is traditionally understood as the act of protecting objects and buildings from change, reinstating and stabilizing the past so they may endure into the future. When preservation seeks to freeze and resolve the past, it separates it from the reality of our multi-layered histories and the traces of labor, repair, and care unfolding across generations. Through a human-centered lens that allows one to touch, uncover, and redefine, we are able to relate to our built environments through an ethical practice of care, inviting new avenues of dialogue and engagement with our past.

Recording traces of the hand within …

Strata: Portraits Of The Alvarado & The Southwest, Kayla R. Duncan

Masters Theses

History isn't the past; it is a continuing unfolding of the moment, yet we cannot feel time. We see traces of age through patina on copper, the wrinkles on a face from decades of laughter, or the holes in your favorite shirt. Similarly within architecture, what remains: ruins and fragments serve as layers that indicate the passage of time. In what ways are these layers exposed? Hidden? Erased? How do we determine what layers are worthy to be erased, maintained, or glorified as use of a structure or place continues to evolve through time?

The history of Albuquerque spans the …

The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing

Masters Theses

Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.

This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …

Breathing Structures: Hygroscopicity Of Fibers., Nawal Urooj

Masters Theses

Cities like Singapore, Mumbai, Karachi, and regions of Ghana experience persistently hot and humid climates. In these regions, humidity in built environments significantly affects both human comfort and the durability of building materials. Yet traditional mechanical dehumidification strategies are energy-intensive, environmentally taxing, and socially uneven in their accessibility. We must challenge the existing systems for thermal comfort, the inefficient role Architecture plays in it, and the socio-economic politics associated with thermal comfort in developing countries.

Karachi, a coastal city in the south of Pakistan, has extremely high relative humidity and high temperatures throughout most of the year. In this region, …

Where The Walls Came Down: Reimagining The Disaster-Induced Modern Ruin, Zhenmi Tang

Masters Theses

In contemporary society, large-scale destructive events are continuously generating a new architectural condition: the modern ruin. Unlike historical ruins shaped and legitimized through time, the remnants left by war, wildfires, and other natural disasters remain embedded in lived reality and collective memory. These environments are not distant artifacts of the past, but recently inhabited spaces whose material presence and social meaning remain active. However, prevailing reconstruction practices tend to prioritize complete demolition and site clearance, followed by rebuilding on restored empty ground. While this approach provides reliability in terms of safety, engineering, and regulation, it often interrupts the material and …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

After Yellow Horse: From Passive Shelter To A Self-Sustaining Cycle, Xinyuan Liu

Masters Theses

Spatial flexibility—specifically, the ability of a single building to shift between therapeutic and productive use—offers a critical alternative to the institutional passivity of conventional care facilities, repositioning architecture as an active agent in both the financial sustainability of nonprofit organizations and the social recovery of their patients.

During my time volunteering at Yellow Horse Equine Therapy Center in Ashaway, Rhode Island, the core contradictions of the traditional equine therapy model became visible firsthand. Yellow Horse had operated for years on goodwill and volunteers. The daily reality of the facility was one of persistent understaffing: barn chores, groundskeeping, and routine maintenance …

Feeling Through Space:Designing Emotion In Space Through Alice In Wonderland, Xuanyu Yang

Masters Theses

Emotion is the most direct bridge between human experience and architectural space, but design often treats feelings as a side product. This thesis challenges that idea by asking a specific question: can a designer intentionally use spatial qualities to move a person through a defined emotional sequence? And if so, can that process be documented clearly enough to become a repeatable method?

To test this, the project designs a spatial version of Lewis Carroll’s Alice in Wonderland as an immersive theater experience. The narrative is not told through text, performance, or screen, but entirely through the physical qualities of a …

Lace Memory Lab, Xinyu Han

Masters Theses

Lace, originally developed from European religious garments, has long been treated as a decorative and secondary textile craft. With its delicate hand-weaving, intricate patterns, and lightweight quality, lace has been widely used in clothing and furniture, it has always remained at the edge of spatial design. This thesis focuses on lace as a material memory, exploring how its characteristics can be translated into architectural language and integrated into the spatial practice of adaptive reuse of old buildings. When I think of lace, I notice the similar nature of its craftsmanship and spatial concepts.

What happens when lace is no longer …

Providence Puzzle:Exhibition Design As Urban Spatial Practice, Ye Chen

Masters Theses

Providence is a city shaped by past industrial production, immigrant communities, artistic practice, waterfront renewal, and urban redevelopment. Its identity exists not only in historical remnants, but also in the cultural atmosphere created through the ongoing interaction between past and present. Former factories, river infrastructure, neighborhood streets, public parks and scenes of everyday life together form an urban narrative that continues to evolve. Yet existing methods of presenting Providence’s history and culture remain limited to informational signage, commemorative markers, or one-directional communication, offering little incentive for people to stop, read, explore, or actively engage. As a city rich in both …

Fallen Leaves:The Unseen, Forgotten, Presences That Live In Us, Juhee Cho

Masters Theses

The fallen leaf is a material figure of the unseen, forgotten moments that have made us and holds us still while remaining outside our sight. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unavailable to the eye, yet known by the body. As a proof of this, the leaf’s transformation reveals itself not to the mind, but to the hand. The curling fiber wears out, the deepening brown, …

Domesticating Duration, Xiaoyu Lan

Masters Theses

Inspired by the novel Einstein's Dreams by Alan Lightman, this thesis explores the subjective human perception of time. To break away from the monotonous product display model of traditional retail, the design transforms a four-story building into a novel experiential showroom infused with avant-garde exhibition qualities. Using the "home" as a narrative thread, the design guides visitors through everyday domestic scenes—the bedroom, living room, bathroom, and dining room. These spaces are deconstructed into four distinct experiences of temporal flow: Pause, Fast-Forward, Slow-Motion, and Rewind. Guided by Peter Zumthor's Atmospheres and referencing relevant artworks, the design translates the abstract concept of …

The Amplifier: Small Spaces, Loud Futures, Szewai Hong

Masters Theses

Once nicknamed “Rock City,” Allston, MA has long been a creative hub known for its grassroots music culture. Historically the neighborhood has been home to many independent music spaces, nurturing generations of musicians. Relentless real estate development, the expansion of nearby institutions and ongoing inflation, has made the neighborhood increasingly unaffordable for the creatives and forced many to leave, diluting the once vibrant music community. Simultaneously, the shift toward digital music consumption has contributed to the disappearance of physical spaces where people once gathered to discover, discuss, and experience music collectively.

This thesis responds to these circumstances through an intervention …

Healing In The Flow: Reimagining Public Well-Being Through The Adaptive Reuse Of The Heritage Park Visitor Center, Yaqi Zhang

Masters Theses

This thesis proposes the adaptive reuse of the Heritage Park Visitor Center in Fall River, Massachusetts, as a community oriented environment for rest, care, and social connection along the Taunton River waterfront. Although the park provides public access to nature, the existing building does not support everyday forms of well being such as pause, reflection, quiet recovery, or informal gathering. In many public spaces across New England, wellness remains separated from civic life and is often treated as private, specialized, or secondary.

In response, the project rethinks self care not as a private luxury, but as a shared spatial condition …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

Aer, Qiyi Cai

Masters Theses

I began this project from a recurring perception: that simple, everyday elements carry distinct and often unexpected qualities. For me, the number six is green and tastes like grapes; the number two feels deep blue. Even bottled water from different brands seems to possess specific forms of character, some sharp, some rounded, some soft like cotton. I first encountered the word synesthesia in elementary school writing classes, where it was introduced as a literary device frequently used in classical poetry and prose. For instance, a gentle rain might be described as “soft as pastry,” translating a visual phenomenon into tactile …

Household Hegemon: Domestic And Affective Traces Of Us Influence In Mexico In The 1950s And 1990s, Edgar Solórzano

Masters Theses

“Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s” is a collection of personal essays, historical research, and fictional texts that examine the impact of US-American soft power on Mexican society. This project expands and deepens the research and work developed during my two-year MFA in Sculpture at RISD, evolving material investigations into a comprehensive written and visual record of the 1950s post-WWII boom and the 1990s post-NAFTA transition. These two decades not only represent the most significant in terms of American influence but also the years in which my parents and I …

Rural Dreams, Zongda Wu

Masters Theses

With the rapid development of urbanization in China, people's connection with nature has weakened, leading to an increasingly common phenomenon of nature-deficit disorder. The high-paced, information-saturated lifestyle of cities has further reduced people’s sensitivity to natural rhythms. This is especially true for the younger generation, who are accustomed to fast, dense information flows and find it difficult to slow down and engage meaningfully with nature, even when visiting rural areas.

This study uses the ruins of Puji Temple, located about 50 miles from downtown Beijing, to explore how spatial design can offer urban youth opportunities to reconnect with nature while …

Cohabitation At Threshold: Carpenter House Reimagined For Multispecies Living, Zhixiao Yang

Masters Theses

With the rapid growth of the human population, we are encroaching further into wildlife habitats, particularly those surrounding urban environments. This accelerating urbanization leads to biodiversity loss, the degradation of ecological services essential to human health and well-being, and a diminishing connection between city dwellers and the natural world.

Today, urban planners, architects, economists, and other advocates for the future of humanity and the health of the planet are actively questioning how we might build greener, more resilient cities. While much of the focus has been on large-scale interventions — such as the use of sustainable materials, the creation of …

Unseen, But There, Xinyu Dong

Masters Theses

Pedestrians often arrive at the Michael S. Van Leesten Memorial Bridge in a hurry—rushing through daily routines—only to slow down or stop at its center. Here, they are drawn by the openness of the view, the rhythm of the wind, and a sense of pause that floats above the surface of the Providence River.

This thesis is an ongoing experiment in direct, sensory experience. It centers on this pedestrian bridge not just as a site of circulation, but as a space of unintentional stillness and layered perception. While many passersby are drawn to its scenic beauty, few pause to consider …

Buddha, Resituated, Min Sun

Masters Theses

The Asian Arts Room at the Metropolitan Museum of Art presents significant cultural artifacts in a minimalist, neutral environment that disconnects them from their original historical and spatial contexts. By proposing display techniques that emphasize the origin and background of objects, it asks whether audiences from diverse cultural backgrounds can be enabled to connect empathetically with and learn from the heritage represented by these objects displayed out of context.

This thesis explores how exhibition design can reframe decontextualized artifacts to restore cultural meaning. By unpacking the room chronologically and geographically, and drawing from the spatial language of the Yungang Grottoes, …

Stranded In Time: Reawakening The Crook Point Bascule Bridge Through Temporality, Zhipeng Wang

Masters Theses

Many urban structures fall into a “stranded” state—physically present, yet socially invisible. The Crook Point Bridge in Providence is a prime example: a decommissioned piece of industrial infrastructure, too large and symbolically heavy to vanish entirely, yet gradually fading from public awareness. This thesis explores how temporary, experience-driven interventions can reawaken the social relevance of such neglected spaces. Rather than proposing a fixed future, the project seeks to prompt public reconsideration through fleeting spatial experiences that require no irreversible transformation. The first intervention utilizes balloons—fragile, inflated, and inevitably collapsing—to embody the theme of accelerated disappearance, echoing how memories fade faster …

Silent Witnesses: Reconnecting Landscape Through Lost Narratives, Abeer Aljohani

Masters Theses

In the heart of the vast Arabian desert, a forgotten tale of tragic love unfolds. Aja and Salma, figures from two different tribes in pre-Islamic Arabia, embody a romance that has long faded into obscurity. The two mountain ranges in Hail, Saudi Arabia, bear their names, standing as silent witnesses to a love story that ends in tragedy—one in which each is killed on separate peaks. Over time, the story has faded, leaving a gap between the landscape and its cultural significance. Could a narrative-based tourism experience revive this link, blending the mountains’ natural beauty with their forgotten story?

This …

A Seat At The Table: Expanding The Narrative Of Period Rooms, Jade Mcpike

Masters Theses

A period room represents the interior design and decorative art of a particular historical social setting, typically found in museums. Unlike the white cube gallery, period rooms offer immersive spaces that provide visitors a glimpse into domestic life and the experiences of those who lived in that moment. Stepping into a period room is like traveling back in time, where every piece of furniture and decoration tells us something about the past.

However, despite their immersive qualities, these rooms often lack broader historical context, misrepresenting socio-economic, political, and cultural dynamics of the periods they attempt to depict. They often glorify …