Interior Architecture Commons^™

Insidevisible Cities: Transcending Substance, Zarya Vrabcheva

Interiority

The interior, as one of the most human and sensual forms of architecture, is an intimate connection with the built environment and a powerful tool in provoking and altering the human mind, stimulating its curiosity, desires and solutions by way of visible and ambient matter. I aspire to explore the sense of interiority as betweenness, a space of transition in which both the human and the architecture body transcend from one state to another through empathetic interaction. Empathy, besides the ability to feel and experience someone else’s emotions and mental state, also depicts our capacity to feel and experience situations, …

Indeterminate Duration, James Carey

Interiority

Interiority, in relation to my practice, is the inherent curiosity to the notions of process, time and duration. It is a practice of mark making, marking time, making time, and time making; foregrounding duration and marking an occurrence. My technique is one of working responsively to interiors, allowing particular temporal conditions to surface within specific sites and situations. The marks – whether they be on a canvas, a house, a building, or within a gallery – materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time. This paper discusses an artist …

Sensorial Interior: Museum Diorama As Phenomenal Space, Sarah Edwards

Interiority

Museum dioramas are widely recognised as historic visual tropes used to frame the grandeur of the outside world within an interior viewing space. With the development of digital technologies, data projection and soundscape have increasingly replaced diorama production as a means to transform these once static-animal-posed-in-painted- habitat with immersive interiors that engage the visual and aural senses alike. Andre Breton proposes that two modes of consciousness exist: an exterior world of facts and an interior world of emotions. These interiors and exteriors produce an interface and exchange. An invitation to respond to the interior of RMIT University’s First Site gallery …

Unreliable Guides: Introducing, Mapping And Performing Interiors, Edward Hollis

Interiority

Whether as teachers listening to students, as designers ‘pitching’ designs to clients, or critics writing about historical spaces, we use speech and gesture to describe interiors. We assume that the interior does not speak on it’s own, but must be spoken for. How do designers, curators, and guides talk interiors into existence? How, more generally should we speak of the interior? This paper will explore this issue through reflection on three encounters between space, speech and gesture in the form of guided tours of historic interiors. It will frame these questions with four contexts: firstly, the evolution of the historical …

Interiority And The Conditions Of Interior, Mark Pimlott

Interiority

Interiority pertains to the individual’s inner life, rich and set in opposition to the pressures of the world. This interiority has been allied with notions of the exclusive space or refuge of the interior. As a realm of privacy and subjectivity, of projections and receptions, the interior has come to be considered as a realm that, although profoundly affected by infiltrations of the world without, is ‘responsive’ to the individual at its centre. As such, it is a realm of illusions. However, there is another order of interior, a condition of interior, wherein spaces, settlements and territories are ideological realms …

Quasi-Materials And The Making Of Interior Atmospheres, John Stanislav Sadar

Interiority

In The Architecture of the Well-Tempered Environment, Reyner Banham presents a parable in which, having come across an amount of wood, a nomadic tribe must decide how to use it to keep warm overnight: build a structure or build a fire (and burn the wood as fuel). The first of these uses the materials directly to create an amenable interior condition using the tangible materiality of geometric construction. The second, however, generates heat from combustion, thereby creating an intangible, graduated, thermal interiority, which one can draw deeper into, by moving closer to the fire, or recede from, by moving away. …

Tanahku Indonesia: Celebrating The Indigenous Interior, Mikhael Johanes, Arif Rahman Wahid

Interiority

Tanahku Indonesia was a week-long, architecture and interior design exhibition showing local earth-based materials to reveal their potential as an integral part of Indonesia’s creative economy development. Curated by Yandi Andri Yatmo and Paramita Atmodiwirjo, the exhibition was held in dia.lo.gue Artspace in Central Jakarta, Indonesia from 8 to 12 November 2017. This exhibition attempted to reveal the materiality of earth-based materials across a broad spectrum, which was not limited to the physical presence of the materials, but more as a reflection of knowledge that was grounded on the deep understanding of their context. This multifaceted exhibition showed various earth-based …

Urban Interiority And The Spatial Processes Of Securitisation In Medellin: A Speculation On The Architectures Of Reassurance, Christina Deluchi

Interiority

Medellín, Colombia, a city best known for its violent history and subsequent radical transformation, hosts multiple political forces of varying degrees of legitimacy. In this context, architecture was mobilised as a physical weapon in the city’s urban regions. As an extension of this architectural condition, the city’s landscape has repeatedly been appropriated and repurposed to enforce state and criminal agency. Medellín’s cultural geography became increasingly unstable as both real and imagined threats lingered in the spaces of every day – apartment towers, gated communities, supermarkets, TV and radio, imbued with violent operational spatial logics.

In detecting processes of regulation, protection, …

Tracing The Progression Of Inhabitation Through Interior Surface In Semarang Old Town, Aa Ayu Suci Warakanyaka, Yandi Andri Yatmo

Interiority

The capacity of the interior to adapt and transform through time has made the interior space bears the consequences from its past occupancies. The trails of the past are imprinted within the layers of interior surfaces. This paper argues that by utilising the idea of Anthropocene, these surfaces could become the medium to trace the inhabitation processes that happen throughout the life of the building, whether it was in the past, in the present or to predict the future. In particular, this paper attempts to explore and speculate on the progression of inhabitations through the interior surfaces of the buildings …

Editorial: Multiple Perspectives On Interiority, Paramita Atmodiwirjo

Interiority

This journal challenges the emergence of various perspectives in defining and developing further design research agenda and promotes multidisciplinary dialogue in exploring the idea of interiority. It also hopefully becomes the trigger for extending the practice of design - architecture, interior design, spatial design and other relevant design fields - to address more appropriately the social, cultural and behavioural aspects of the space inhabitation.

Adventures In Space

SIGNED: The Magazine of The Hong Kong Design Institute

A new way of approaching the design of office space, seamlessly combined with up-to-date technology, has been quietly revolutionising to the way we work

French Wallpaper Decors: Papiers Peints In Homes Of The American South, Christine Speare

MA Theses

French wood-block printed wallpaper is a very unique mural art form, yet often neglected. With this historical lack of attention, few academics have devoted themselves to the study of the topic, especially in the United States; and yet, wallpaper can reveal so much about past styles, settings, and collectors. Due to the historical changes in fashion, natural aging, weather, war, and neglect, a considerably limited number of collections continue to hang in situ in the American South in relation to the abundant examples found in the Northeast that have been better documented. Yet, the South’s historic affinity for all that …

Designing School Community: Changing Inner-City Middle School Culture Through Interiors, Rachel A. Ramey

Theses and Dissertations

While the knowledge of disrepair in inner-city schools is fairly common, the impact that school facilities are having on students and faculty is not as widely known. More recently, the closing of inner city schools has greatly increased across the United States; Reduction in public school enrollment from 2006-2013: Detroit -63%, Cleveland -32%, Indianapolis -27%, D.C. -23%, L.A. -23%,etc. (Journey For Justice Alliance,2014).

Due to budget cuts, threat of school closings from poor facility conditions, large class size, and pressure to raise test scores, inner city schools struggle to keep teachers (Journey For Justice Alliance,2014). Poor teacher retention along with …

Performative Design, Lenita Ann Eldhose

Theses and Dissertations

The field of design is one that holds the power to empower, bridge gaps, inform, evolve and revolutionize human thoughts. To gain a higher understanding of the correlation of anthropometrics and ergonomics in an embodied space relative to the discipline of dance connecting one’s mind and body. The need for a space that instills a sense of freedom for artists to experience and execute their art and to reside alongside their mentors and traveling artists. The need for a space that can bring the diverse cultures that live in and around Richmond together through an expressive form of art. Providing …

Design And Planned Obsolescence. Theories And Approaches For Designing Enabling Technologies, Matteo Zallio, Damon Berry

Articles

We are currently living in a decade where smart objects and Internet of Things (IoT)-based devices are becoming part of daily life in different contexts. This research seeks to investigate and verify, by using a formal literature review methodology, the most visible aspects of technological development, within the Industry 4.0 and IoT scenario, in relation to the theories of the so called “Planned Obsolescence”.

This study covers a defined number of works on Design theories and practices on how to face the issue of built-in obsolescence of devices in the era of the Connected Devices. The majority of the works …

Delivering Design Fundamentals Using Relevant Learning Theories In The Delivery Of An Interior Design Project At Third Level, Tracey Dalton

Articles

This is a reflection on teaching practice, focussing on design process in a BA Honours in Design – Interior and Furniture, in Dublin Institute of Technology (DIT). An intrinsic case study approach (Stake 1995) was taken for this research, which focussed on the use of the learning theories in the delivery of an undergraduate interior design project brief. A third year commercial office design project has been used to assess teaching and learning styles. This article will show that, in terms of delivery, in a typical third level interior design project in DIT, the process incorporates all of the learning …

Pamela Garcia Senior Interior Design Exhibit 2017, Pamela Garcia

Interior Design Senior Projects

Design Philosophy

My, design philosophy is based on the belief that every space should reflect the needs and personality of those in it. A well-designed space should embody a timeless, functional design while having a unique interior that is comfortable, livable, and nurturing. Every space should include natural elements to express the nurturing qualities of the earth and should increase the mental and physical wellness of those occupying it. It is not enough to have a luxurious space; instead a well-designed interior must give the user a sense of comfort and livability along with being aesthetically beautiful. It is of …

Meagan Mcnabb Senior Design Exhibit 2017, Meagan Mcnabb

Interior Design Senior Projects

Interior design is more than meets the eye; It has the power to change the world if done properly. That is why sustainability is such an important aspect to incorporate as much as possible.

My design philosophy is grounded in the idea that the final product should support a safe and healthy environment for whoever inhabits the space. Having a balance of functionality, comfort, and luxury is something I also strive for in all my designs.

Three factors inspire my design choices; The natural beauty of our world, the clients style, and the purpose for the space. These three factors …

Sara Rodriquez Senior Interior Design Exhibit 2017, Sara Rodriquez

Interior Design Senior Projects

Design Philosophy

As an interior designer my main focus is to design an environment that will enhance the quality of life and culture of the occupants and still be aesthetically pleasing. A design philosophy varies from designer to designer but our end goal is all the same; we care about the health, safety, and welfare of the occupants that will inhabit the space as well as the beauty of the space. I am hoping to pursue hospitality design so my personal design philosophy is to create a beautiful yet function environment that has the comfort of home combined with a …

Hayley Breshears Senior Interior Design Exhibit 2017, Hayley Breshears

Interior Design Senior Projects

MY DESIGN PHILOSOPHY

Midway through my college career, I began working as an assistant to an Independent Living Specialist. He is very active in assisting disabled individuals find and receive the resources they need to live independently. He had me drawing floor plans to show his disabled clients how to follow the concept of "Aging in Place." The concept basically means that a home should function for the length of a life, childhood to old age. By incorporating simple elements such as 3-foot doors, walls enforced for handrails, and at least one entrance without a step you can eliminate some …

Zoe Foster Senior Interior Design Exhibit 2017, Zoe Foster

Interior Design Senior Projects

Design Philosophy

I value design as a tool to create spaces that help my client live more comfortable lives. First, I believe that to create a better tomorrow we need to construct sustainably today to preserve our remaining resources. Secondly, I believe that spaces should be designed universally so that they support the client throughout the lifespan. Lastly, I believe that both sustainable and universally designed spaces should reflect imagination and beauty; everyone is entitled to good design.

Abigail Gearld Senior Interior Design Exhibit 2017, Abigail Gearld

Interior Design Senior Projects

DESIGN PHILOSOPHY

I believe that every interior should embrace a simple, sophisticated, and refreshing environment. Everything I create should meet the clients style and personal needs. By designing an atmosphere that reflects an individuals personality and enhances the functionality of the space, the user is left with a fun and organized environment that is truly their own unique home.

Haley Gibbert Senior Interior Design Exhibit 2017, Haley Gibbert

Interior Design Senior Projects

DESIGN PHILOSOPHY

"Interior Design is not always what we see on TV. The beauty of this career is much more than aesthetics like people think. Design is all about the process behind the results. Great design considers the function and human use. The future and sustainability should always be considered in design because the goal is to create spaces that can be used for years and years to come. To become a great designer, one must consider the wants of the client before the wants of oneself. As a designer, the goal is to design spaces that are livable and …

Brittany Rathbun Senior Interior Design Exhibit 2017, Brittany Rathbun

Interior Design Senior Projects

DESIGN PHILOSOPHY

Design is creating a space that is sustainable, serviceable, and stylish. Design reflects where clients have been and what inspires them. There are countless styles from which people may choose to reflect who they are. The designs must be innovative and efficient throughout the design process to manage client requests with good design practice. The result is a space that is not only aesthetically pleasing and functional but good for their health, and for the environment.

Jared Ragsdale Senior Interior Design Exhibit 2017, Jared Ragsdale

Interior Design Senior Projects

“Inspiration for design comes from within. Without passion, a design is nothing but ordinary.”

-Jared Ragsdale

Brittni Ring Senior Interior Design Exhibit 2017, Brittni Ring

Interior Design Senior Projects

Philosophy Statement

In the creative side of the world, it is fairly common for one to be “innovatively altered” and “unusual” if a designer or an artist. As designers, we are imaginative individuals that recognize a level of emotion beyond the structure needed to design for function and safety. The strong connection to emotion is what compel us through our design process. Designers are alike for which we do not design for ourselves; we create for others. Some designers and artists may be “unusual” and “strangely different” but it is not a flaw. This is part of the individual nature …

Dalila Ventura Senior Interior Design Exhibit 2017, Dalila Ventura

Interior Design Senior Projects

Design Philosophy

IN THE WISE WORDS OF ROBIN SIEGERMAN, “DESIGN IS ABOUT MAKING PEOPLE HAPPY, EITHER FUNCTIONALLY, AESTHETICALLY OR EMOTIONALLY.” OUR PERSONAL SPACE CAN REFLECT WHAT WE FEEL ON THE INSIDE BUT ALSO WHO WE ARE AS PEOPLE. MY DESIGN PHILOSOPHY IS TO CREATE AN AURA FROM WHICH NO INDIVIDUAL EVER WANTS TO ESCAPE. I WILL ACCOMPLISH THIS THROUGH SMART AND SIMPLE PLACEMENT OF SPACES, COLORS AND TEXTURES. I WANT EACH SPACE, HOME, AND OFFICE TO HAVE ITS OWN LIFE THAT EMBRACES THE HUMAN WHO OCCUPIES IT. MY DESIGNS WILL BE SIMPLE BUT SIGNIFICANT AND HARMONIZE THE MOOD WITH THE …

Madison Stewart Senior Interior Design Exhibit 2017, Madison Stewart

Interior Design Senior Projects

No abstract provided.

Veronica Gilliams Senior Interior Design Exhibit 2017, Veronica Gilliams

Interior Design Senior Projects

Design Philosophy

I believe that design should provide creative solutions to suit the needs of others. Designers should observe and understand the problems and approach it in a creative perspective. Not only should it be designed for present, but also the future. By thinking long term, I believe that a designer is preparing for what can happen. A well thought out design should be timeless yet be unique, functional and comfortable. I also believe that simplicity is key to design. Adding a lot of elements can overpower the main focus of the design. Designers should not only collaborate with other, …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Asanoha, Alyssa Chin

Pattern Research Project

2017 Pattern Research Project

Alyssa Chin - Asanoha

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Alyssa Chin, VCU Interior Design BFA 2020, selected the Asanoha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Asanoha is a traditional pattern of Japan and its …