Architectural History and Criticism Commons^™

The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead

Architecture Undergraduate Honors Theses

Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …

Paolo Soleri And Arcology: An Analytical Comparison To Frank Lloyd Wright And Louis Kahn, Henry Millard

Architecture Undergraduate Honors Theses

The city proposals of Paolo Soleri, he called them arcologies, are monumental and complex geometric megastructures intended to project great heights above desert horizons. These proposals purposefully abandon conventional notions of the city.

Soleri was physically isolated in his remote Arizona urban laboratory, Arcosanti, and philosophically detached from the professional urban design community. His proposals were often too easily understood as foreign and radical dystopian architectural metaphors meant to provoke thought more than to project an actual future. There is limited discourse on Soleri and this tends to isolate him in a vacuum, ignoring possible connections or parallels in his …