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Architectural History and Criticism Commons

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Articles 1 - 11 of 11

Full-Text Articles in Architectural History and Criticism

Buildings With Brain Power: Library Architecture In Neural Terms., Hannah Bennett Aug 2014

Buildings With Brain Power: Library Architecture In Neural Terms., Hannah Bennett

Hannah Bennett

The connection between neuroscience and the built environment is a fairly new interdisciplinary field and one in which both fields, in their respective pursuits, have worked to understand the relationship between design choices, human behavior, and biological processes. Taken together and applied in tandem, these two activities have potential to vastly improve the effectiveness of buildings designed with the healthcare facilities, laboratories, or elementary schools, all of which share objectives of healing and intellectual cultivation. This paper will extend the dialogue to library design, perhaps the most representationally loaded expression of “mental space.” The library has seen profound changes in …


One Illustration In Ralph Hawkins, How Israel Became A People: The Early Israelite Settlement In Canaan, Rhonda Root Dec 2012

One Illustration In Ralph Hawkins, How Israel Became A People: The Early Israelite Settlement In Canaan, Rhonda Root

Rhonda Root

No abstract provided.


Colonial Architecture And Urbanism In Africa: Intertwined And Contested Histories, Fassil Demissie Dec 2011

Colonial Architecture And Urbanism In Africa: Intertwined And Contested Histories, Fassil Demissie

Fassil Demissie

No abstract provided.


Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton Feb 2007

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …


The Sanctuary Of Apollo Hypoakraios And Imperial Athens, Peter Nulton Dec 2002

The Sanctuary Of Apollo Hypoakraios And Imperial Athens, Peter Nulton

Peter E. Nulton Ph.D.

The Cave Sanctuary of Apollo on the North Slope of the Acropolis at Athens was investigated in 1896-97 and produced a rich collection of inscriptions relating to the cult. These inscriptions are published in full for the first time in this work. The author discusses the history of the cult. Far from being of great antiquity as readers of Euripides' "Ion" have long assumed, the cult was instituted in the time of Augustus when "The Athenians thought it fitting that their archons swear an oath that upheld tradition in connection to Apollo Patroos, but simultaneously honored their 'new Apollo'", the …


Prehistoric Modernity: The Architecture Of Frank Gehry, Ian Rae Dec 2002

Prehistoric Modernity: The Architecture Of Frank Gehry, Ian Rae

Ian Rae

No abstract provided.


George Herbert And The Architecture Of Anglican Worship, Clifford Davidson Dec 2001

George Herbert And The Architecture Of Anglican Worship, Clifford Davidson

Clifford Davidson

Rpt. in Selected Studies, 220–43.


Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen Dec 1987

Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen

Kresten Jespersen

A suggested use of Owen Jones's great encyclopedia of ornament for the contemporary architectural studio. the article is the outcome of a course given for the students in the Undergraduate Architecture Program by Prof. Kent Bloomer and myself in 1984.


Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen Dec 1986

Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen

Kresten Jespersen

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architecture. Based on formal laws rather than theories of classical or naturalistic imitation, conventionalization can be seen as being explicitly modern. Moreover, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.


An Agentive Model Of Person-Environment Relations, Nicholas Patricios Oct 1978

An Agentive Model Of Person-Environment Relations, Nicholas Patricios

Nicholas Patricios

Three fundamentally different positions regarding the conceptualization of person‐environment relations are briefly discussed. An argument is made for the transactional‐constructivist position which regards the nature of what we take to be the environment as that which is only apprehended through the minds and actions of persons. The transformational process of this view of person‐environment relations, that of environmental knowing‐action, is elaborated upon in some detail. The transactional‐constructivist position, however, is transformed into an agentive one by adopting from the three basic images of persons that have been identified that of a person as agent. Consequently in the agentive process of …


The Conceptual Determinants Of Two Archetypal City Forms, Nicholas Patricios Dec 1973

The Conceptual Determinants Of Two Archetypal City Forms, Nicholas Patricios

Nicholas Patricios

The two urban spatial forms analyzed from a cosmological point of view are the circular and the orthogonal. The circular symbolism of the Near Eastern cities is considered first followed by the Plato's theoretical city of Atlantis and then the ideal cities of the Renaissance architects. Circular cities of the 19th century, those of the Utopian Socialists, had in contrast an ideological basis. In addition to the practical basis for the orthogonal layout conceptual influences are evident in the grid cities of the ancient Greeks, in the Spanish Laws of the Indies, and those cities designed later to express the …