Architectural History and Criticism Commons^™

Adaptive (Re)Purpose Of Industrial Heritage Buildings In Massachusetts A Modular Strategy For Building A Community, Riya D. Premani

Masters Theses

A significant portion of a building’s carbon emission comes from the materials used to construct it, primarily through fabrication and assembly. According to the World Green Building Council, this is called embodied carbon, and it makes up to 49% of the total emissions from global construction. Thus, new energy-efficient buildings can take from 10-80 years of time to offset just the carbon used in construction. Combined with such amounts of construction and demolition waste, new construction can be viewed as a wasteful or even destructive practice. Adaptive reuse presents a promising alternative method for creating new space, without the emissions …

The Design Of Consequences, Yuqi Tang

Masters Theses

Young professionals entering the architecture industry face an imminent and abrupt realization of the disparity between their academic training and the reality of what a career in practice entails.

The architectural industry has long been susceptible to criticism for unpaid internships and overtime. The issue stems from an ambiguity of architectural practice as neither a service or an outcome product, isolating the perception of our work from constructors, lawyers, doctors and even artists, and making it difficult for design labor to be commodified, or for the value of design labor to be asserted, consolidated and fiscalized1. This thesis aims to …

Myths, Legends, And Landscapes, Oromia Jula

Masters Theses

The concept of myth-making in architecture involves the use of narratives, symbolism, and cultural references to shape the meaning and experience of built spaces. These myths hold significance beyond the distinction between fiction and reality; they exist to provide explanations and hold great influence over our lives. Understanding a place and its identity requires an exploration of the narratives and beliefs associated with it, as they directly shape the physical environment. By embracing and incorporating these mythologies, designers and planners can create meaningful and authentic spaces that resonate deeply with people.

Communities, being socially constructed, rely on unifying narratives that …

Water Relations, Understanding Our Relationship To Water: Through Research, Diagrams, And Glass, Tian Li

Masters Theses

As I observe the different ways human civilization interacts with water, I reflect on how I have interacted with it personally, in Califronia and Hawai’i. I also learn about the largest water-controlling infrastructure in China and its effects on the land and people. In Providence, I notice the infrastructure around the canal that keeps the water in. This relationship to water is unique to a post-colonial world where water is a commodity in which we spectate. What relationships did people have with water before we polluted the waters and created all this concrete infrastructure around it?

Through listening to Lorén …

Illusion Of Consumption, Architectural Rebellion: Unraveling The Maze Of Consumption, Xinjie Xiang

Masters Theses

Consumerism was born in the industrial age, and has been criticized since that time, but it still exists and flourishes in new forms with the information age. Consumption affects values and life, spurring economic growth and causing ecological crises. Therefore, a critical discussion of consumerism must continue.

This thesis proposes a space within an existing mall that raises people's awareness to be vigilant against the control of consumerism by exposing how marketing packages goods and manipulates people's psychology to guide consumption. An ideal mall to host this program is the Changsha International Finance Square, a large mixed-use building in the …

From Vault To Platform （Democratizing Museums Through The Lens Of The Metaverse））, Zhaoyang Cui

Masters Theses

The modern history of art viewing moves from private collections to public museums, and the modern museum arises with an intention to encourage a broad range of visitors. However, if we look at the reality of museum access, especially in the digital era, when the methods of attaining knowledge and information have grown ever stronger, it is easy to notice the single-direction circuit of information in the operation of museums from curators to the public, which seems outdated in the times of social media, AI and metaverse. Even if a broad range of visitors enter the museum, the information they …