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Articles 661 - 690 of 867
Full-Text Articles in Architecture
The Gojo, Kalkidan Tesfaye, Filimon Teshome, Hundaol Girma
The Gojo, Kalkidan Tesfaye, Filimon Teshome, Hundaol Girma
ATL
Honorable Mention
Inspired by the Sidama of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We believe that Africa is the most diverse continent in the world, and with all the different cultures, architecture can be practiced with much more creative expression than the rest of the world.
What did you find most interesting or challenging during the research and development of your prototype?
African spaces are the reflection of nature, and so it was interesting to design something that is in a direct connection with nature.
Why do you believe …
Amai, Gratio Ray, Kevin Yamaputra, Cynthia Javanny
Amai, Gratio Ray, Kevin Yamaputra, Cynthia Javanny
ATL
Honorable Mention
Inspired by the people and culture of Zimbabwe.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We are interested to involving ourselves to design prototype of modern architecture of Africa by research on the cultural and philosophical approach.
Why do you believe African home-owners will be interested in building a home such as the one you have submitted today?
We offer a compact living with a flexible space to hold a social activities and emphasizing a sustainability system in water usage.
What did you find most interesting or challenging during …
Noktecture, Ojile Ameh Godswill
Noktecture, Ojile Ameh Godswill
ATL
Honorable Mention
Inspired by the Nok terracotta.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I am of the opinion that original African culture has not been fully portrayed especially in our Architecture, at least that is the reason we still run helter-skelter using / adopting Roman classical forms of cornices (concrete fascia), entablatures in a bit to coining ours. I believe if we could only make move to look inwards; there is richness in African originality that if harnessed would yield unfathomable impact. CPDI Africa is a platform we have craved …
The Mena, Julia Mauser, Girum Solomon, Minasie Terefe
The Mena, Julia Mauser, Girum Solomon, Minasie Terefe
ATL
Honorable Mention
Inspired by the art of the Konso people of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Our Africa is a continent with unparalleled cultural richness and stories to be told. However, what we are witnessing today is only the smallest fraction of the vast potential we have got. So much resource just sitting by, time moving fast and we seem to be stuck in the present while the whole world speeding pass by us. Instead of laying back and complaining we took it upon ourselves to do something …
Desert Wave, Omelchenko Alisa, Ksenia Bilyk
Desert Wave, Omelchenko Alisa, Ksenia Bilyk
ATL
Honorable Mention
Inspired by the vernacular architecture of Northern Nigeria.
What did you find most interesting or challenging during the research and development of your prototype?
The most unexpected thing was the huge variety of African architectural typology and forms. Just like any other culture typical for certain area it has its recognizable features, but having examined it deeply we cognized its diversity.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We have always been captivated by Africa’s ancient history and its authentic design, multifaceted culture and the ability to observe it …
Northern Pafta, Gebrekidan G. Debre
Northern Pafta, Gebrekidan G. Debre
ATL
Honorable Mention
Inspired by the culture of the Konso people of Ethiopia.
What inspired you to enter this competition to create a modern architectural language for Africa?
For the past three years I was working on research called Ethioplugin Add-on Library at my campus (EiABC). There the objective, was digitalizing the heritages of Ethiopia such as furniture and fixtures, patterns and textures, construction details, so that they will be accessible by the professionals like interior designers, architects electronically. This made me familiar with working on cultural elements and extracting designed product out of them. I was excited (about the competition) …
Shebaxumite, Liuel Hizikias Ketema
Shebaxumite, Liuel Hizikias Ketema
ATL
Honorable Mention
Inspired by the Axumite people of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The evolution of African architecture has almost come to a standstill due to western influence. The potential of construction materials used in African designs have a far greater utility in their specific climates or natural conditions as opposed to western materials. It‘s easy to say my inspiration came from my deep passion to explore the potential of African construction materials for what they are truly worth.
What did you find most interesting or challenging during …
Tata, Tan Boon Chiou
Tata, Tan Boon Chiou
ATL
Honorable Mention
Inspired by the vernacular architecture of the Benin people.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The culturally rich and diverse nature of the African continent has always fascinated me. The long history of construction skills and know-how displayed by different ethnic groups that reflect the harmonious symphony with the various landscapes and terrains have and would continue to exert the potentials to inspire the architecture of the next generations. For example, the use of fractal geometries, which is native to various tribes of the continent, serves an important …
K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi
K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi
ATL
Honorable Mention
Inspired by the Karamojong people of Northern Uganda.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Studio Manyatta was created with this very vision in mind. As a team of young designers from various design disciplines, and inspired by the Karamojong one of Africa's most intriguing cultures, we set out to explore what kind of environments Africa would have created with minimal influence from the colonization era. This competition was a chance to carry out his goal on a larger platform.
Why do you believe African homeowners will be interested …
The Ije, Izuchukwu M. Amadi
The Ije, Izuchukwu M. Amadi
ATL
Honorable Mention
Inspired by the pyramids of Egypt.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The need to promote and create an indigenous African architectural language using our local materials, methods and also to express the rich heritage of the African people both in design and life style.
What did you find most interesting or challenging during the research and development of your prototype?
The most challenging point of my research was how to use recycled pet bottle for the facade cladding in another innovative way, having used it for my …
Afar Sidama, Amanuale Brook
Afar Sidama, Amanuale Brook
ATL
Honorable Mention
Inspired by the Afar and Sidama people of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I am interested in vernacular African architecture especially from my home region, Eastern Africa. Its obvious Vernacular architecture is dear to me. How the people have evolved from historical and diverse socio-cultural, climatic conditions and civilizations. Our built environment is a good way to appreciate our progress.
What did you find most interesting or challenging during the research and development of your prototype?
My research into how people survive in the most uninhabitable …
Assita, Jun Yanagimuro, Hayashi Yoichiro, Ignacio Darras
Assita, Jun Yanagimuro, Hayashi Yoichiro, Ignacio Darras
ATL
Honorable Mention
Inspired by the culture of the Burkina Faso.
Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?
In our design, as mentioned before, we focused in one main aspect: giving new perspectives around their existing ways of constructing. We believe to have got in contact with very main aspects of their construction that needed a change and many others that didn´t so, at least for now, we gave priority to the ones we think they should be changed/improved for a better quality of living, of their …
The Irele, Adeyemi Akande
The Irele, Adeyemi Akande
ATL
Honorable Mention
Inspired by the art and architecture of the Yoruba and Hamer people.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I have been tremendously overtaken by the desire to explore a modern cultural identity and outlook for contemporary Africa. A visual identity that MUST stem out of the continent‘s deepest philosophy and interpretation of self. So to find the CPDI competition was a perfect platform for me to finally begin to articulate all the ideas I have been brewing for some time. The CPDI‘s ideology perfectly mirrored my most profound …
Cetiana, Nahom Bekele
Cetiana, Nahom Bekele
ATL
Honorable Mention
Inspired by the people and nations of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
This competition is a chance for young Africans to build their own future, I for that matter was highly inspired to set my footprint on the history of Africa to be made!
What did you find most interesting or challenging during the research and development of your prototype?
The biggest challenge was the availability of accurately recorded historic data. It made the research more intensive
Why do you believe African homeowners will be interested …
Fusion Point, Zuhra Zuhair
Fusion Point, Zuhra Zuhair
ATL
Honorable Mention
Inspired by African cultural identity and modern convenience.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Architecture in Africa today is a receding echo of our heritage. Africa's history and culture is rich and diverse, yet we often live in environments with imported architecture that don't reflect Africa's heritage and our identities. Architecture is the creation of spaces subjective to context, identity and the basics of life. Through architectural design that considers Africa's cultural context, history and materiality, a comprehensive, thoughtful and sustainable architecture can be developed for Africa.
What …
The Omo, Roman Gorshkov
The Omo, Roman Gorshkov
ATL
Honorable Mention
Inspired by the Omo River in Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
A unique opportunity to celebrate people of Africa and their culture by providing a beautiful design of their future home.
What did you find most interesting or challenging during the research and development of your prototype?
The most challenging aspect of this project, but also one of the most fascinating things was the vast diversity of different cultures and ways people live in Africa that makes it hard to design but provides an ocean of …
Tata Fu, Seni Dara
Tata Fu, Seni Dara
ATL
3rd Prize Winner
Inspired by the cultures of Togo and Benin, West Africa.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I participated in this competition because I am a young architect trained in Africa and who has always been lead to think about the traditional African architecture. The development of local architecture has always been a major concern in my training and my career.
What did you find most interesting or challenging during the research and development of your prototype?
The most interesting was certainly the search for elements of character, …
Ifa House, Eduardo Soto
Ifa House, Eduardo Soto
ATL
2nd Prize Winner
Inspired by the culture of the Yoruba people.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The inspiration to enter the CPDI Africa 2015 competition came from the desire to learn more about my own culture and my passion for modern architectural design. My cultural heritage is a blend of Spanish, African, and indigenous Taíno races. These three races contributed to the formation and traditions of the Puerto Rican culture. The CPDI Africa 2015 competition gave me the opportunity to learn more about my African heritage while exploring modern …
The Inna, My Dao Le Hong
The Inna, My Dao Le Hong
ATL
1st Prize Winner
Inspired by the people and culture of Mali.
What inspired you to enter this special competition to create a modern architectural language for Africa?
African architecture always inspired me with amazing earthen architecture throughout the continent. This competition is a valuable chance for me to study and understand more about the architecture of the continent, it is also a chance for me to express my ideas about modern architectural language for Africa.
What did you find most interesting or challenging during the research and development of your prototype?
The most interesting is when researching for an image …
Competition Project Brief, Cpdi Africa
Competition Project Brief, Cpdi Africa
ATL
Project Brief for the 2015 CPDI Africa Design Competition.
Introduction To The Special Issue, Nmadili Okwumabua
Introduction To The Special Issue, Nmadili Okwumabua
ATL
Introduction to the Special Issue of ATL on the CPDI Africa Design Competition 2015 by organizer, Nmadili Okwumabua.
Editor's Introduction, Jesse Benjamin
Editor's Introduction, Jesse Benjamin
ATL
Editor's introduction to the inaugural issue of ATL.
Foreword, David Hughes
Foreword, David Hughes
ATL
Foreword to ATL Volume 1, Number 1 by David Hughes, renowned architect and professor.
Bucknell Building And Sustainability Discussion, 2016, Jennifer Thomson
Bucknell Building And Sustainability Discussion, 2016, Jennifer Thomson
Bucknell: Occupied
Jennifer Thomson, assistant professor of History at Bucknell University, discusses sustainable planning at Bucknell with four guests: Elaine Lac, a student at Bucknell; Amanda Wooden, professor of Environmental Studies; Steve Buonopane, associate professor of Civil and Environmental Engineering; and Dina El-Mogazi, director of the Center for Sustainability and the Environment. The discussion centers around the planning of Academic East, campus advocacy efforts, and actions and commitments.
Shifting The Tide: Transit-Oriented Development And Active Transportation Planning In Los Angeles, Forrest Chamberlain, William W. Riggs
Shifting The Tide: Transit-Oriented Development And Active Transportation Planning In Los Angeles, Forrest Chamberlain, William W. Riggs
Focus
Los Angeles (LA) has the reputation of an auto dependent city. Although the region is served by a robust public transportation system, the majority of the population commutes by automobile and has developed in sprawling manner leading to poor air quality, traffic congestion and unsafe streets. Despite this, in recent years, the LA region has made significant headway in reversing sprawl and automobile use. This has included encouraging greater land use densities around transit stations, coupled with investments to active transportation systems. This article presents an overview of the historical context of automobile dependency in Los Angeles, the current transit-oriented …
James Joyce's Model Dublin, Barry Sheehan
James Joyce's Model Dublin, Barry Sheehan
Academic Articles
“You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space.” (Joyce,1986, p.31).
James Joyce wrote about Dublin from a position of exile. He created a model Dublin, one in which he mixed people and places, events and activities, real and imagined and combined them into a city that suited his own ends.
This imagined city has been examined remotely in a multiplicity of ways, and by people in a way that the real city has not. One can ask whether it is Dublin at all? …
Complicated Ideology Is Costing The State Its Social Housing., Lorcan Sirr
Complicated Ideology Is Costing The State Its Social Housing., Lorcan Sirr
Media
Credit should always be given where it’s due. Noel Dempsey therefore deserves a paragraph in Irish housing history for his innovative move in 2000, when, as environment minister, he decreed that developers must set aside one unit for social or affordable housing for every four they build.
Airborne Lidar Acquisition, Post-Processing And Accuracy-Checking For A 3d Webgis Of Copan, Honduras, Jennifer Von Schwerin, Heather Richards-Rissetto, Fabio Remondino, Maria Grazia Spera, Michael Auer, Nicolas Billen, Lukas Loos, Laura Stelson, Markus Reindel
Airborne Lidar Acquisition, Post-Processing And Accuracy-Checking For A 3d Webgis Of Copan, Honduras, Jennifer Von Schwerin, Heather Richards-Rissetto, Fabio Remondino, Maria Grazia Spera, Michael Auer, Nicolas Billen, Lukas Loos, Laura Stelson, Markus Reindel
Department of Anthropology: Faculty Publications
Archaeological projects increasingly collect airborne LiDAR data to use as a remote sensing tool for survey and analysis. Publication possibilities for LiDAR datasets, however, are limited due to the large size and often proprietary nature of the data. Fortunately, web-based, geographic information systems (WebGIS) that can securely manage temporal and spatial data hold great promise as virtual research environments for working with and publishing LiDAR data. To test this and to obtain new data for archaeological research, in 2013, the MayaArch3D Project (www.mayaarch3d.org) collected LiDAR data for the archaeological site of Copan, Honduras. Results include: 1) more accurate archaeological maps, …
Miguel Zamora Senior Interior Design Exhibit 2016, Miguel Zamora
Miguel Zamora Senior Interior Design Exhibit 2016, Miguel Zamora
Interior Design Senior Projects
I have been a designer all my life, examining objects and structures by the very small details that make them what they are. I love to create, reinvent, and modify any project that comes into my hands. I love how things work and are put together. I’ve always wanted to create designs that would make the public think in how they live their lives and how to treat the world around them. I want to be a designer that changes the world and helps those who can’t help themselves. I want to make the world a better place to live …
Sarah Scarborough Senior Interior Design Exhibit 2016, Sarah Scarborough
Sarah Scarborough Senior Interior Design Exhibit 2016, Sarah Scarborough
Interior Design Senior Projects
“Design must be unique to those who occupy the space, while being completely functional for specific needs. Design ought to reflect individuality and should always be fun.”
-Sarah Scarborough