Architecture Commons^™

Syracuse University School Of Architecture Lecture Poster - Spring 2002, Syracuse Architecture

School of Architecture Lectures Series

Poster for Lecture.

Bs News

Building Services Engineering

No abstract provided.

Rehabilitation Of Rectangular Simply Supported Rc Beams With Shear Deficiencies Using Cfrp Composites, Ahmed Khalifa, Antonio Nanni

Civil, Architectural and Environmental Engineering Faculty Research & Creative Works

The present study examines the shear performance and modes of failure of rectangular simply supported reinforced concrete (RC) beams designed with shear deficiencies. These members were strengthened with externally bonded carbon fiber reinforced polymer (CFRP) sheets and evaluated in the laboratory. The experimental program consisted of twelve full-scale RC beams tested to fail in shear. The variables investigated within this program included steel stirrups, and the shear span-to-effective depth ratio, as well as amount and distribution of CFRP. The experimental results indicated that the contribution of externally bonded CFRP to the shear capacity was significant. The shear capacity was also …

From The Executive Director, Lynne Lowery

The Historic Huntsville Quarterly

No abstract provided.

Joe Watson's Restoration Of The 1887 Goldsmith-Donovan House, Frances Osborn Robb

The Historic Huntsville Quarterly

No abstract provided.

History Of The 1887 Goldsmith-Donovan House, Donna Castellano

The Historic Huntsville Quarterly

No abstract provided.

The Historic Huntsville Quarterly Of Local Architecture And Preservation: A Model Restoration: The 1887 Goldsmith-Donovan House, Vol.28, No.1, Spring 2002, Historic Huntsville Foundation

The Historic Huntsville Quarterly

No abstract provided.

Historic Huntsville Foundation 2002 Award Winners, Historic Huntsville Foundation

The Historic Huntsville Quarterly

No abstract provided.

Interview With Gerry And Kermit Moore, Carol Ashburn Roach

The Historic Huntsville Quarterly

No abstract provided.

Mixed Media March 15, 2002, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The March 15, 2002 issue includes articles on American values, upcoming shows at Providence's Living Room club, a Michael Moore lecture at the Avon Cinema, the American Film Institute's Conservatory, a RISD student who drums for the band "Live Jazz," an encounter with a Guatemalan hotel worker, the Folsom Street Fair in San Francisco, film reviews, and a sneaker store called "Expressions," along with the comics [Untitled] by Joe Tesauro, "Meow" by Maris, "Emo for Boys" and "Emo for Girls" by Rob Dobi, "Ghost Frog" by Evan Larson, "CLIFF" by …

Smart Growth And Land Acquisition Priorities, New England Environmental Finance Center

Land Conservation

It is well-known and generally accepted that all undeveloped land in New England cannot forever be protected from development; nor would this be a desirable goal, as continued economic development and population growth are near certainties. For these and other reasons, private land trusts and government agencies generally use explicit criteria to prioritize their land acquisition activities and prospects.

Much land protection in New England and elsewhere, however, has occurred without substantial attention to such land use needs as fostering the best locations for where people will live, businesses will locate, and infrastructure will be built to avoid degrading resources. …

A Cumulative Studio Design Sequence: Students Learning Within The Context Of Their Own Work, Valerie S. Goodwin

Proceedings of the 18th National Conference on the Beginning Design Student

This paper describes a series of beginning design studio projects developed over the span of five years.To varying degrees, beginning architecture students in these studios are asked to explore different types of connections between quilting and architecture. The concept for this series relies on the use of projects that build on each other and are divided into discreet manageable parts. Each represents an incremental step in the overall learning process. The threads of this project sequence are based on the process of abstraction, manipulation, and transformation. Pedagogical issues are carried forward into each successive project and are layered with specific …

Listening To The Past: Persuasive Stories And The Beginning Design Student, Nathaniel Coleman

Proceedings of the 18th National Conference on the Beginning Design Student

Architecture students tell stories about their work. These stories are meant to convey information about design philosophy, design intent, and design concept. Such stories are intended to have something to do with the work students present. Often, though, what is said is accepted as valid simply because it is said. Closer scrutiny of the relationship between what is said and what is presented frequently reveals a wide gap between intention (what is said) and result (what is done). Incongruity between intention and result encourages a loose way of thinking that fosters a separation of thought (theory) from doing (practice). Concurrently, …

The Design Process: Charcoal Drawings, The Qualitative Representation, Mo Zell

Proceedings of the 18th National Conference on the Beginning Design Student

Beginning design studios generally stress a quantitative method of representation; a method that describes a project in a formal and precise manner, typically including hard-line plans, sections and elevations. Absent or underutilized from the design process is a qualitative method of representation that records more of the evocative qualities of a project. This qualitative method of representation is emphasized in my teaching process through the use of charcoal drawing as an exploration of space and light. It is especially important that this method be taught in the beginning design studio so that students include qualitative representations into their own design …

Rethinking Studio Pedagogy: Teaching Introductory Architectural Design At The Graduate Level, Michael E. Gamble, Richard Dagenhart, Chris Jarrett

Proceedings of the 18th National Conference on the Beginning Design Student

Over the last two years, our Architecture Program committed considerable intellectual capital to the rethinking of graduate level introductory design studio pedagogy for students entering our Masters of Architecture 1/3? year program. This reevaluation concentrates on several unique challenges intrinsic to the graduate level introductory design curriculum, which include:

The inherent differences between the age and personality profiles of undergraduate and graduate students. Many programs treat the curricula as equal, with graduate students executing the same exercises as undergraduates, only at a faster pace.

The developmental gap that exists in the second year of most M. Arch 1 programs between …

Detail Of Two Cities: Utilizing Urban Analysis And Recombination As The First Project In The Fundamental Design Studio, John Maze

Proceedings of the 18th National Conference on the Beginning Design Student

In the fundamental design studio, I have been using two disparate cities from dramatically distinct topological and topographical situations as the protagonists in an American urban love story. Students dissect the essential structure and quality of each city into discernible layers of data, and speculate about the similarities and differences between the two. Then collaboratively, students "mate" the cities together to form an offspring city that contains the "genetic" layers of data from its parents. The teams of collaborators must critically transform both cities into one, designing the insertions and overlays from one into the other at the regional scale, …

Effect Of Ph And Gas-Phase Ozone Concentration On The Decolorization Of Common Textile Dyes, Craig D. Adams, Steven Gorg

Civil, Architectural and Environmental Engineering Faculty Research & Creative Works

This paper presents the results of a laboratory study on the effect of pH (2, 5, and 9) and gas-phase ozone concentration (1, 7, and 11 wt. %) on the decolorization efficiency via ozonation for seven common textile dyes. Higher gas-phase ozone concentrations resulted in higher decolorization rates due to more rapid ozone transfer. Higher gas-phase ozone concentration, however, was also observed to have a positive, neutral, or negative effect on ozone dose requirements for different dyes. In general, greater ozone utilization efficiency was achieved at lower pH levels where direct ozone reactions predominate. It was observed that because ozonation …

Bs News

Building Services Engineering

No abstract provided.

Removal Of Antibiotics From Surface And Distilled Water In Conventional Water Treatment Processes, Craig D. Adams, Yang Wang, K. Loftin, M. Meyer

Civil, Architectural and Environmental Engineering Faculty Research & Creative Works

Conventional drinking water treatment processes were evaluated under typical water treatment plant conditions to determine their effectiveness in the removal of seven common antibiotics: carbadox, sulfachlorpyridazine, sulfadimethoxine, sulfamerazine, sulfamethazine, sulfathiazole, and trimethoprim. Experiments were conducted using synthetic solutions prepared by spiking both distilled/ deionized water and Missouri River water with the studied compounds. Sorption on Calgon WPH powdered activated carbon, reverse osmosis, and oxidation with chlorine and ozone under typical plant conditions were all shown to be effective in removing the studied antibiotics. Conversely, coagulation/flocculation/sedimentation with alum and iron salts, excess lime/soda ash softening, ultraviolet irradiation at disinfection dosages, and …

Introduction To Three Dimensional Composition / Dancing On The Digital Divide, Geoffrey Adams, Karen King

Proceedings of the 18th National Conference on the Beginning Design Student

Students entering the 3.5Y Masters program at UNM, come to embark on a course of study in architectural design. While all student populations are composed of unique individuals from various backgrounds, this particular group is, at least in an academic discipline by definition heterogeneous, possessing skills and knowledge in diverse fields gained through previous studies and/or employment. What they share is a burgeoning interest in architecture and a willingness to explore design in a studio environment, to start down a path toward a new way of perceiving and engaging the world. This peculiar mix of naivety and sophistication coupled with …

An Architectural Exhibition: "Bench With The Film Of Its Own Making", Jonathan A. Hale

Proceedings of the 18th National Conference on the Beginning Design Student

This paper describes a design-and-build studio project carried out at the University of Nottingham with students in their fourth year - although elements of it could also be considered appropriate for the 'Beginning Design Student'. The programme for the project is based on the premise that there is a fundamental continuity between the human body and the rest of the world. This idea has been around for some time and appears in a variety of forms: The Biblical quotation above which suggests a material connection between body and earth; the early medical theories of Hippocrates which describe the influence of …

The Consuming Process, Gregory Herman

Proceedings of the 18th National Conference on the Beginning Design Student

The production of architecture has changed dramatically over the course of the last decade or so; this is a fact we, as educators, are all well aware of. Change has occurred in the areas of theory and representation, and certainly in the area of pedagogy, in ways both subtle and dramatic. My own experience as an instructor in design education began at the end of the eighties, and since that time I have witnessed an ever-tightening frequency in the normal courses of change. A common issue that has become more and more crucial since that time is the issue of …

Seeing/Site: A One-Week Project, Peter Hind

Proceedings of the 18th National Conference on the Beginning Design Student

"Seeing/Site," is the first project given to freshman students in the Analysis Composition rotation of the Visual Literacy program taught at the University of Nebraska, Lincoln. The program is interdisciplinary and is in its fifth year with enrollment close to 300 students and 8 faculty members instructing. Visual Literacy encompasses architecture, interior design, fine art, textiles/clothing design, and fashion merchandising. Seven-week units comprise the yearlong course: Drawing I , Drawing 2, Color; and Analysis Composition. Analysis Composition focuses on issues of form, mass, surface, space, and the relationship between two dimensions (2D) and three dimensions (3D).

This paper will illustrate …

Learning From Cultural Space: Connecting Culture And Environment In Beginning Design, Jeffrey Hou

Proceedings of the 18th National Conference on the Beginning Design Student

The paper begins with an introduction on the background of the course, the students, and the assignment. It then introduces a selected group of projects, including the opportunities they have created for discussing the multiple dimensions of space. By examining the students' projects, the paper looks at how the exercise provides a vehicle to connect the students' life experience to design, and how the complex issues of culture and multiplicity of space can be introduced at the beginning level. The paper concludes with an observation on the multiple instrumentalities of the exercise and its broader implications for beginning design education.

Ordinary Unfamiliarity: Foundation Pedagogy Through The Critique Of The Everyday, Kevin R. Klinger, Marc Swackhamer

Proceedings of the 18th National Conference on the Beginning Design Student

In our new foundation program, we proceed from two principles of instruction: first, we direct the focus of work away from conventional architectural topics and use analogy to awaken native critical insight; second, we postpone traditional "design" activity by strictly emphasizing observation skills and critical analysis. We delay design activity until the first quarter of the second year, in preparation for which we organize firstyear \tudio workshops around short iterative exercises that capitalize on the students' familiarity with the everyday world. We then structure these problems to render the everyday world in unfamiliar terms. This oscillation between the ordinary and …

Ventures In Dichotomy: Rigor And Tolerance In The Beginning Studio, Hector Lasala

Proceedings of the 18th National Conference on the Beginning Design Student

As a beginning design teacher for over twenty years, I have learned that educating beginning designers entails reaching a delicate and difficult equilibrium between two contradictory positions: while maintaining the rigor of high aspirations that expect all students to exhibit sophistication of concerns and execution in their designs, one must also remain aware that each student's process is unique and fragile. This condition summons one to tolerance (not to be confused with indulgence) and much patience. This pedagogical approach, one that we practice at our school, is provokingly summarized in a phrase by one of my accidental mentors, "We are …

Design As A Liberating Practice: Design-Build With First Years, Eduardo Aquino

Proceedings of the 18th National Conference on the Beginning Design Student

The academy is not paradise. But learning is a place where paradise can be created. The classroom [studio], with all its limitations, remains a location of possibilrt.y. In that field of possibility we have the opportunity to labor for freedom, to demand of ourselves and our comrades, an openness of mind and heart that allows us to face realrty even as we collectively imagine ways to move beyond boundaries, to transgress.This is education as the practice of freedom.

In The Beginning -- We [Design For] Humans, An Opening Studio Curriculum For An Architectural Professional Program, Alex Maller

Proceedings of the 18th National Conference on the Beginning Design Student

Two years ago, aft.er long deliberations, the Archrtectural Program at the University of Nebraska-Lincoln formally adopted a significant programmatic change: it restructured its curriculum from a 4+2 curriculum to a 2+4 curriculum. In the same time the status of the program was redefined as a 'professional' program similar to other professional programs, such as Law and Medicine. These changes enable the program to adopt a more autonomous position in the University. As part of the restructuring process a number of essential changes were introduced, two with a significant impact on our current discussion: [a] the two first years were incorporated …

The Space Of Mondrian, Lori Brown

Proceedings of the 18th National Conference on the Beginning Design Student

How does one introduce a beginning design student to spatial concepts and spatial ways of seeing? As John Hejduk states the architect begins from the abstract - a world of ideas, of concepts, of aspirations - and gravitates toward built form. Students must first see and critically assess and question this abstract world before they can make the jump toward the real world. They arrive with so many misconceptions about architecture yet have no conceptions about the abstract world.

The Viewing Machine, Alice Minsoo Chun

Proceedings of the 18th National Conference on the Beginning Design Student

Technology in architecture. rhetoric of construction. often expresses an erotic search for knowledge. As Marco Frascari explains, "Technology is the fertile factor for the architectural production of elegant meanings, it deals with both the construction- the logos of techne (elegant art)- and the construing- the techne of logos (rhetoric)." ¹ In this case technology translates from figures of thought into figures of site, and figures of making. It may be construed as a condition that attempts to answer the question: How does one begin? The curriculum developed for the Undergraduate Architecture Program at the University of Pennsylvania provides a place …