Digital Commons Network^™

November 29, 2018, James Madison University

The Breeze, 2010-2019

The Breeze is the student newspaper of James Madison University in Harrisonburg, Virginia.

The New Hampshire, Vol. 108 [109], No. 13 (Nov. 29, 2018), The New Hampshire

The New Hampshire Print Edition

An independent student produced newspaper from the University of New Hampshire. This volume was printed as 108, but it is the 109th volume in the series.

Copenhagen (2018), Michael Frayn

Season 2018-2019

No abstract provided.

Family History Of Katrina Altenreid, Katrina Altenreid

Your Family in History: HIST 550/700

No abstract provided.

Dance 2018: Gloriously Grimm, Otterbein University Theatre And Dance Department

2018-2019 Season

No abstract provided.

The Cowl - V.83 - N.11 - Nov 29, 2018

The Cowl

The Cowl - student newspaper of Providence College. Vol 83 - No. 11 - November 29, 2018. 24 pages.

Spartan Daily, November 29, 2018, San Jose State University, School Of Journalism And Mass Communications

Spartan Daily, 2018

Volume 151, Issue 41

The Flick (2018) | Program, Jacksonville State University

Department of Theatre & Film Performance Archive

Performed: 29-30 November 2018; Annie Baker's "The Flick" is a subtle comedy in which three employees in a run-down movie theatre wrestle with ambition and authenticity in a fast-changing world. The director was Carrie Colton, stage manager was Ansley Gayton, assistant stage manager was Sam Eddy, scenic designer was Brandon Clark, lighting designer was Cheyenne Oliver, costume designer was Kelby King, sound designer was Alli Angel, technical director was Libby Hayes, head graphic designer was Meghan Lee, marketing by Chloe Barnes, producer and costume shop supervisor was Randy Blades, master electrician was Cheyenne Oliver, electrics by Jessika Holmes, light board …

Music Factory, November 29, 2019, Martha Horst, Roger Zare, Roy Magnuson

School of Music Programs

Kemp Recital Hall
November 29, 2018
Thursday Evening
8:00 p.m.

The George-Anne, Georgia Southern University

The George-Anne

• LUNSFORD THE MAN BEHIND THE VICTORIES
• Campus Life
• Opinions
• News
• Features
• Puzzles
• Sports

Vinegar Tom

Theatre Programs

No abstract provided.

A Christmas Carol (November 29-30, December 1, 2018), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol.

To view the photos from this production of A Christmas Carol, please click here.

Letter, From Nick Lucas To Carson Robison, Nick Lucas

Carson J. Robison Correspondence

1 page, Lucas works at El Capitan Theatre. "Ken Murray's Blackouts" ran at the El Capitan Theatre from 1942 to 1949 while the Western Hit Parade began in 1945, likely placing this letter between 1945 and 1949.

The Bates Student - Volume 149 Number 05 - November 28, 2018, Bates College

The Bates Student

No abstract provided.

Issue 316: November 29-December 13, 2018, The Local Voice

The Local Voice

No abstract provided.

Volume 56, Number 16: November 28, 2018, University Of North Dakota

University Letter Archive

No abstract provided.

Campus Chronicle, Sarah Bogaards, Anthony Arroyo, Ben Breshears, Ben Newell, Christy Halverson, Holly Dreesman, Joseph Busch, Roger Ipson, Paul Akpan, Paul Robidoux, Andy Langager

Campus Chronicle

No abstract provided.

The Winonan, Winona State University

The Winonan - 2010s

No abstract provided.

Lindenwood Students Will Compete Against Each Other In 'Ring The Bell Challenge', Lindenwood University

Archived Lindenwood Press Releases

No abstract provided.

The Lumberjack, November 28, 2018

Cal Poly Humboldt's Student Newspaper

The student newspaper of Humboldt State University.

Dance Division Presents Alumni Concert Celebrating 50th Anniversary Of Dance At Ohio (November 28, 2018), University Communications And Marketing

OHIO News Articles Archive

No abstract provided.

2018-11-28 Student Forum, Board Of Regents, Murray State University

Board of Regents Meeting Minutes

No abstract provided.

Montana Kaimin, November 28, 2018, Students Of The University Of Montana, Missoula

Montana Kaimin, 1898-present

Student newspaper of the University of Montana, Missoula.

The George-Anne Inkwell Edition, Georgia Southern University

The Inkwell

No abstract provided.

Spectrum, Volume 41, Issue 11, Sacred Heart University

Newspapers (Obelisk & Spectrum)

Highlights include: Pioneers tie for NEC championship -- Local burglary updates -- International education week -- Do students feel safe going out -- Woman in business event -- Black Student Union host first event -- Club football conference champs -- Equestrian team wins home show -- Swimming and diving raises awareness for epilepsy -- Marottolo reaches 100 wins as men's ice hockey coach

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640–1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640–1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …