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Articles 2191 - 2220 of 300008
Full-Text Articles in Entire DC Network
Latasha, I Love You, Kumari Ananda Devidasi Billings
Latasha, I Love You, Kumari Ananda Devidasi Billings
LMU Theatre Arts Annual New Works Festival
Latasha and Shawn revisit their romantic, tumultuous past, engaging in tense discussions about the value of sex work, the exploitation and brutalization of black and brown sex workers, misogynoir, and the lack of accountability -- socially, politically, and criminally -- given to perpetrators who have been socialized to believe they have a right to unleash rage on women in sex work due to the hypocritical minimal value society places on the existence of women in the oldest form of professional service work.
A Dupe Death, Bradley M. Ash
A Dupe Death, Bradley M. Ash
LMU Theatre Arts Annual New Works Festival
'A Dupe Death' is a 10-minute play written by Bradley Ash for LMU's 2026 New Works Festival. The comedy follows a young man who lies to his boss about his mom's death--he is then forced to keep his secret from the two after his boss arrives unannounced to express his heartbreak. The play is inspired by many classic sitcoms, as well as lots of modern Gen-Z-like humor; sorry in advance.
Pouring Grease Down The Sink, Mateo Tomas Hercules Gonzalez
Pouring Grease Down The Sink, Mateo Tomas Hercules Gonzalez
LMU Theatre Arts Annual New Works Festival
Meet two half-siblings named Scab and Trash! One is the embodiment of pain and stress, and the other is the embodiment of disorder and loneliness! Follow them as they come to terms with how they feel about being half-siblings while a certain vistor is present! Fun for the whole family...!
This Play Is About Bugs, Zachary Scrima
This Play Is About Bugs, Zachary Scrima
LMU Theatre Arts Annual New Works Festival
A dung beetle attempts to talk a mosquito out of entering a human home. A ten-minute play that reimagines the ancient fable 'The Ant and the Grasshopper' in a contemporary context, exploring the nature of lateral violence within a marginalized community.
God Only Knows, Amanda Mccabe
God Only Knows, Amanda Mccabe
LMU Theatre Arts Annual New Works Festival
A short play about an Italian family in Boston dealing with the impending loss of a beloved family member. With emotions at an all time high, and everyone getting on each others nerves, they deal with the stress in the best way they can: with sarcasm.
Egg Tarts For Evie, Hannah Ko
Egg Tarts For Evie, Hannah Ko
LMU Theatre Arts Annual New Works Festival
A mother and daughter struggle to connect, facing barriers such as differences in language, culture and personality, ultimately proving that love is a compromise.
Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis
Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis
LMU Theatre Arts Annual New Works Festival
Should Tomorrow Mark the Start of Forever? is a play about family, memory, love, and the strange performance of becoming yourself. The work follows characters who are trying to tell the truth, even when truth becomes painful, theatrical, funny, or impossible. At its center, the show explores how children inherit stories from their parents, and how those stories shape faith, identity, desire, and belonging. The piece moves between humor and emotional intensity, using performance itself as a way to reveal what people cannot say directly. Brazilian culture, love, spirituality, and the fear of disappointing the people we love all live …
Use Your Voice, St. Mary's University Theatre Department
Use Your Voice, St. Mary's University Theatre Department
Theatre
Use Your Voice is a play devised by Dr. Grace Edgar and her students in the Theatre for Change & Social Justice course at St. Mary's University during the Spring 2026 semester. Acts: Lower the Ceiling; Did You Love Him?; Dad, Let Me in; Cartel Assassination; Two Towns; Paperball of the Past; Whale Noise; The Alysa Liu Moment; Since I Was Little; Lake House; The Dow Right Now; Cobbler
Campus Chronicle, Jayden Park, Ben Hemmer, Kyle Twelmeyer, Megan Goughnour, Evelyn Schechinger, Makayla Janssen, Cordella Prather, Samantha Bierbaum, Andy Langager
Campus Chronicle, Jayden Park, Ben Hemmer, Kyle Twelmeyer, Megan Goughnour, Evelyn Schechinger, Makayla Janssen, Cordella Prather, Samantha Bierbaum, Andy Langager
Campus Chronicle
No abstract provided.
The Judiciary's Arbitrary And Capricious Problem, Jack D. Malich
The Judiciary's Arbitrary And Capricious Problem, Jack D. Malich
West Virginia Law Review
The Supreme Court has not been shy in its efforts to change, and in some cases, overturn long-standing administrative law precedent. Yet in one area, arbitrary and capricious review under Motor Vehicles Manufacturers Ass’n v. State Farm Mutual Insurance Co., the Court has ostensibly not acted to modify any part of the doctrine. Recently, however, the federal judiciary has increasingly used arbitrary and capricious review to invalidate major agency actions over what seem to be somewhat minor procedural flaws. The increased stringency of such review has led to increasing conflict between the executive and judicial branch. Two Supreme Court decisions …
The Living Architecture Of Law, Joseph R. Goodwin
The Living Architecture Of Law, Joseph R. Goodwin
West Virginia Law Review
No abstract provided.
‘It’S The Best Person For The Job’: Gendering Logic And The Hiring Practices Of Music Organisations In Ireland, Yvonne Kiely Dr
‘It’S The Best Person For The Job’: Gendering Logic And The Hiring Practices Of Music Organisations In Ireland, Yvonne Kiely Dr
Irish Communication Review
Despite calls for reform in the allocation of jobs in music industries, little is known about how music organisations operate internally and the day-to-day realities that male and female workers must navigate. Findings of bullying and harassment in the arts sector by the Irish Theatre Institute prompted the Irish government in 2022 to issue a set of recommendations aimed at reforming the working conditions and gender divisions of labour of arts sector organisations under its remit. These recommendations were made in the absence of academic studies of music organisations in Ireland, and in the absence of centralised data about these …
“This Play Has Become Something That Isn’T For Us”: Working Class Identity, Canonical Inheritance, And The Girlo On Stage In That’S Sooo Povo!, Ciara L. Murphy Dr
“This Play Has Become Something That Isn’T For Us”: Working Class Identity, Canonical Inheritance, And The Girlo On Stage In That’S Sooo Povo!, Ciara L. Murphy Dr
Irish Communication Review
That’s Sooo Povo! was first produced in 2025 as part of the Dublin Fringe Festival by D’Girlos Theatre Company. The play follows Chantelle and Croía, two working class Dublin drama students who, when faced with partnering up to perform a scene from Sean O’Casey’s The Plough and the Stars (1926), end up summoning the “drag-drenched larger-than-life entity” Queen Povo (That’s Sooo Povo! | Fringe Festival, 2025). This companion piece firstly aims to examine how O'Casey's The Plough and the Stars has made a journey from subversive class critique to nostalgic institutional property, and what it means for working class women …
Identidad Flamenca: Formation Of And Negotiations With The Flamenco Identity, Kayla Lyall
Identidad Flamenca: Formation Of And Negotiations With The Flamenco Identity, Kayla Lyall
Theatre & Dance ETDs
The core of this dissertation is an inquiry into belonging in flamenco. Expanding beyond the personal, it examines how flamenco identity is constructed through embodiment and practice. Challenging dominant narratives of purity and authenticity, I argue that identity in flamenco emerges through multiple pathways—including inheritance, training, cultural proximity, and artistic inquiry—and is continually reshaped by social, political, and aesthetic forces. Through phenomenology and practice-as-research, I position the body as an archive of knowledge and a site of meaning-making. My creative project, NUDE, serves as an embodied investigation into vulnerability, lineage, and self-definition, demonstrating identity as something enacted rather than …
How Did We Get Here? The Rise Of Anti-Immigrant Rhetoric As A Sociopolitical Force In U.S. Immigration Discourse And Enforcement Policy Through A Latino Lens, Andrea Maldonado
How Did We Get Here? The Rise Of Anti-Immigrant Rhetoric As A Sociopolitical Force In U.S. Immigration Discourse And Enforcement Policy Through A Latino Lens, Andrea Maldonado
Honors Theses
No abstract provided.
April 1, 2026 Blazer Weekly, University Of Alabama At Birmingham
April 1, 2026 Blazer Weekly, University Of Alabama At Birmingham
Blazer Weekly (student newsletter)
No abstract provided.
Research Showcase Program, St. Mary's University
Remembering Willard Pate, Nick Radel
Class Notes, Furman University
2026 Spring Nutshell, Morehead State University. Institutional Research & Analysis.
2026 Spring Nutshell, Morehead State University. Institutional Research & Analysis.
Office of Institutional Research & Analysis Publication Archive
Spring 2026 issue of the Nutshell.
To Compete Or Noncompete: Lessons On The Impact Of Unenforceable Noncompete Agreements In The Entertainment Industry, Guy Mannick
To Compete Or Noncompete: Lessons On The Impact Of Unenforceable Noncompete Agreements In The Entertainment Industry, Guy Mannick
Washington and Lee Journal of Civil Rights and Social Justice
Economic and legal literature has increasingly focused on how the American legal system fails workers. One way it does so is through employee noncompetition agreements (“NCA” or “noncompete”) that limit a worker’s ability to join another company, often for better compensation and/or more responsibility. Some states enforce NCAs if they are reasonable in scope, geography, and duration; others either prohibit their application to certain types of workers or (as in California) outright prohibit them in most circumstances. More narrowly, new empirical literature about the behavioral effects of unenforceable noncompete agreements raises new questions about the behavioral impact on workers.
This …
Unl Emeriti And Retirees Association Newsletter, Spring 2019
Unl Emeriti And Retirees Association Newsletter, Spring 2019
UNL Emeriti and Retirees Association: Newsletters and Other Materials
University of Nebraska-Lincoln Emeriti and Retirees Association Newsletter, Spring 2019
She Loves Me
Theatre and Performance Studies Programs
Department of Theatre and Performance Studies presents She Loves Me
Jase 6.1 Table Of Contents
Journal of the Arts and Special Education
No abstract provided.
Journal Of The Arts And Special Education: Volume 6, Issue 1
Journal Of The Arts And Special Education: Volume 6, Issue 1
Journal of the Arts and Special Education
No abstract provided.
Let’S Dance!: A Community Partnership Fostering Movement, Connections, And Inclusion, Michelle J. Cook, Michele Dunleavy, Carrie A. Payne, Sarah E. Whitney, Matthew Levy, Jack M. Mcbride, Ella Garrity
Let’S Dance!: A Community Partnership Fostering Movement, Connections, And Inclusion, Michelle J. Cook, Michele Dunleavy, Carrie A. Payne, Sarah E. Whitney, Matthew Levy, Jack M. Mcbride, Ella Garrity
Journal of the Arts and Special Education
Despite the many documented physical and social benefits, dance is frequently not accessible to individuals with and without disabilities. We share an inclusive dance community partnership called Let’s Dance! that was developed to foster movement, connections, and inclusion. To increase awareness and inclusive dance opportunities, this community partnership involved (a) a workshop on inclusive dance practices for preservice teachers and (b) a community-based inclusive Let’s Dance! dance event. Following a review of the literature outlining the benefits of dance and the barriers that need to be dismantled to make dance more inclusive for students of all abilities, we share inclusive …
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Undergraduate Honors Thesis Projects
This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …
Judicial Security In The Data Economy, Anthony M. Ciolli
Judicial Security In The Data Economy, Anthony M. Ciolli
North Carolina Journal of Law & Technology
No abstract provided.