Digital Commons Network^™

Ar Fantasia: An Augmented Reality Musical Experience, Joe Geigel, Yunn-Shan Ma, Juilee Decker

Frameless

In 1940, Walt Disney Pictures released their third full length animated feature film, the classic film Fantasia. The concept and challenge behind Fantasia was simple: To merge music and visuals, using the media of animation, to provide an integrated backdrop for, and interpretation of, classical music. The complete film consisted of eight such animated sequences, each providing a visual landscape as a setting for a classical musical piece (Granata 2002).

Been Set Free: A Distributed Virtual Theatre Dance Performance, Joe Geigel

Frameless

For Frameless 2021, we present a fully realized example of virtual theatre. We define virtual theatre as a live theatrical performance, experienced on a stage in virtual reality, with participants in different physical locations (Geigel 2018).

Jet Of Blood Vr: First Playable Demo, Elizabeth Goins, Andy Head, Mason Hayes

Frameless

A VR staging of Anonin Artaud’s 1925 surrealist play, Jet of Blood. The project experiments with virtual reality as a means to reimagine performance and frame the player, the audience, as actor. Ideas from Artaud’s philosophy such as the Theatre of Cruelty are incorporated along with spatial storytelling and game design. The project also seeks to expand accessibility to deaf and hard of hearing audiences through use of particle and text effects to visually express audio and sound.

The Rider (2022-04-18), Verilu Infante

The Rider Archives

Vol.7 No.26

Prca/Prssa At Uab Receives Awards For Community Service, Website, Chapter Campaigns And Chapter Diversity, Staff

Browse All News

No abstract provided.

Sin Without Absolution: A Critical And Comparative Analysis Of Select Works By Albert Camus, Will Hodges

Honors College Theses

The Fall by Albert Camus, published in 1956, is cryptic and easily misunderstood. On first reading, it can appear to be a condemnation of modern man, a declaration that all have sinned and there is no divine absolution. However, this bleak misreading is deceptive because The Fall is not a condemnation; it is a warning. It does not condemn modern man as he is, but rather as what he could become if he succumbs to living in bad faith, a cautionary tale that resonates today. Camus presents the same message through his philosophy of revolt in The Plague and The …

The Voiceover Art Of Nursing, Shania Dubbert

General Webinars

There are so many different avenues and career paths a nurse can take along their nursing journey. Have you ever heard of medical narration or voiceover? In this webinar, Shania speaks about her journey of blending the art and science of nursing by combining her passions of medicine with her past acting background to create her own medical voiceover business.

Ksu University Band And Philharmonic Orchestra, Hannah Rudy, Nancy Conley

Bailey School of Music Concert Programs

Performances by KSU University Band & KSU Philharmonic Orchestra

Twine 3: We Must Be Killers, Oliver Mckeone

KUCC -- Kutztown University Composition Conference

I’ve always been a fan of murder mysteries, that much is true, but “We Must Be Killers” is a murder mystery based on “Who Killed Markiplier?”, a video based murder mystery made by YouTuber Mark “Markiplier” Fischbach. After watching Mark make a murder mystery where all his friends played roles as various characters, I figured it’d be fun to make “We Must Be Killers” along a similar vein. Each character is based on one of my friends, with input from them about what they wanted their characters to be like. I’ve had this idea bouncing around in my head for …

Stories In Song, Lauren Kowal

Honors Theses

Accompanying her senior recital performance, Stories in Song, Kowal writes a form of extended program notes and analysis in which she relates each piece of music to their original storytelling form. She compares the intention of the composer in their retelling of these famous stories, or how the stories were adapted to music, and to how best portray the stories in their performance.

Misticismo Y Arcadismo En El Villancico Novohispano. Manuel De Sumaya Y Sus Contemporáneos, Luciana Kube Tamayo

Vernacular: New Connections in Language, Literature, & Culture

El siglo XVIII trajo consigo una evolución estilística vertiginosa en todas las artes. La plástica, la literatura y la música confluyen y sirven de soporte a un arte nuevo, el Rococó. La floración churrigueresca está intensamente presente, además de en lienzos y biombos, en el vocabulario de la lírica de la Nueva España; a la vez que se afianzan los modelos religiosos, por un lado, se asientan los modelos pastoriles por otro. En cuanto a la espiritualidad, los modelos se encuentran encajados en la miniatura poética y el ingenio dieciochesco, desbordante de naturaleza y fantasía. En el presente trabajo me …

Nationless States And Stateless Beings: The Politics Of Identity And Citizenship In Claudio Mir’S Mondongo Scam And Cheech Marin’S Born In East L.A., Rebecca A. Barnes

Vernacular: New Connections in Language, Literature, & Culture

In the colloquial sense of the term, the word citizen refers to an individual who belongs to a nation, either by birthright or by naturalization. Therefore, citizenship denotes a political and a social belonging, an ideological home, and, in most cases, a strong foundation for the development of one’s personal identity. However, since nations are inherently artificial structures, made only tangible in the present day by a few centuries of recorded history, a philosophical approach to the term citizen complicates this definition. Based off critics including Hannah Arendt, Homi Bhabha, Fernando Ortiz, and Jacques Derrida, this essay seeks to explore …

La Contribución De La Ópera Bufa Manita En El Suelo De Carpentier Y García Caturla En El Debate Primitivista De Principios Del Siglo Xx, Anna M. Martija Perez

Vernacular: New Connections in Language, Literature, & Culture

The present work is an approach to Manita en el suelo, the only opera bufa that Alejo Carpentier created in collaboration with the Cuban musician Alejandro García Caturla. The genuine friendship that united Carpentier and Caturla was the result of their identification not only in their love for music, but also an accentuated interest in all things primitive, together with a deep sense of social justice. At the same time, they are also united by respect for the African heritage and the recognition that it should have in the history of Cuba. In Manita en el suelo, Carpentier …

Thematic Use Of Non-Conformity In "Changing My Major" (Ft. Gay Panic), Yazmeen Mayes

Symposium of Student Scholars

CW: Presentation includes references to sex and suicide.

This presentation is an in-depth score analysis of “Changing My Major” from the musical Fun Home by Lisa Kron and Jeanine Tesori, which is based on Alison Bechdel’s autobiographical memoir by the same name. The musical examines the similarities and differences between Alison and her father as she attempts to contruct a future without a queer elder to model it. This presentation demonstrates the collaborative, tight structure of thematic messaging in musical theatre. Overall, ““Changing My Major” personifies the show at large and celebrates the process of questioning as its own epic, …

“All The Daughters Of My Father's House, And All The Brothers Too”: Shakespeare’S Portrayal Of Gender Fluidity, Sebastian Lopez

Symposium of Student Scholars

This paper analyzes how Shakespeare's personal life influenced the relationship between Viola and Cesario in Twelfth Night through a feminist lens and an analysis of gender fluidity in the Elizabethan Era. It is a common misconception that conversations revolving around gender are a modern discussion. Shakespeare popularized the idea of gender fluidity in English literature in his play, Twelfth Night.

At the height of Shakespeare’s career, he wrote many comedies, yet few tragedies, however, a tonal shift occurred after the death of his son, Hamnet. Shakespeare was father to a pair of fraternal twins, Judith and Hamnet. However, the …

Revelations Found After The Storm Through The Lens Of Personal Narrative, Jetta Whitehurst

Symposium of Student Scholars

This personal narrative storytelling performance is based on my involvement in a weekend-long church-led service project in Panama City, Florida assisting those impacted by Hurricane Michael in 2018. The story explores the social dynamics present in the midst of a natural disaster, reflects on the layers of the storm’s impact, and unpacks the concept of “voluntourism,” all while demonstrating techniques of personal narrative performance. The goal of the project is to discover meaningful connections personal narrative helps establish by application.

The Roman Comedic Structure Of All's Well That End's Well, Terence Foxx

Symposium of Student Scholars

The Roman Comedic Structure of All’s Well That Ends Well

In our world today, we renown Shakespeare as one of the world’s greatest playwrights and we admire many of his comedic, tragic, and historic plays. As artists today, we dive into theater history to understand ancient theater culture and to make connections. The connection to be made here is between William Shakespeare and the ancient roman playwright Publius Terentius Afer. Originally from Carthage, Africa, Terence is the first roman playwright of african descent and is renowned for his use of elegant latin and comedic structure in his plays. What is …

Music And Love In France From The Middle Ages Through The Baroque, Joseph Moore, James Edward Eanes Iii

Symposium of Student Scholars

For many years, France has been known as the country of love. This paper aims to explore the connection between French romantic music and the global idealization of love. In order to evaluate this relationship, I explore the evolution of French romantic music by analyzing three pieces across three different periods of music history in France: ““Can vei la lauzeta mover” written by Bernart de Ventadorn (12th century) from the medieval period, ““Dueil Angoisseux” written by Gilles Binchois from the renaissance period, and finally ““Vos mespris chaque jour” Written by Michel Lambert from the baroque period. The results of this …

A Woman's War: The Global Feminist Impact Of The Reclamation And Emulation Of Lysistrata, Sierra Benning

Symposium of Student Scholars

Sierra Benning Kennesaw State University [email protected]

A Woman’s War: The Global Feminist Impact of the Reclamation and Emulation of Lysistrata

Can one consider literature, art, film, or theatre created by men, despite the presence of empowered and intelligent female characters, as truly and accurately feminist? This presentation seeks to answer this question through calling forth the concept proposed by Sue-Ellen Case in her book Feminism and Theatre of the “male-produced” woman, and the unrealistic image that product has created for women through time. This presentation explores the idea that when these male-written female characters are reclaimed by female audiences, they …

How The Men Of “A Strange Loop” Break Heteronormative Bias’S To Expose The Struggles Of A Queer Black Man, Ryann Crawford

Symposium of Student Scholars

This paper examines the struggles black queer men of A Strange Loop have in a community of people driven by heteronormativity. A Strange Loop is a musical produced in 2019 by Michael R. Jackson. Since the creation of our country, we have been led by disguised Puritan beliefs and Christian standards that did their best-in the 16^th century- to remove any push back of the heteronormativity that they were setting in place. Despite this being centuries ago, the heteronormativity pushed out then are still being seen today. Because of this, being Queer today is considered the minority, wrong by …

Editor's Note, Virginia Smith

The Robert Frost Review

No abstract provided.

Approaching The 'Small Planet': Remain In Light's Starship Road Trip As Metaphor For Theatrical World-Building, Amy Yourd

Theatre & Dance ETDs

Using Elinor Fuchs’ “Visit to a Small Planet” as inspiration, I consider my play Remain in Light as its own small planet, examining theories of world-building, science fiction, and utopian performativity to investigate possible functions of imaginary worlds onstage. In chapter one, I appropriate Fuchs’ script analysis exercise for my own purposes of play development, discovering a world of sensory detail that parallels the characters’ experience in the play. In chapter two, I conceive of the play’s starship as an imaginary world crashing towards this one, its escape a hopeful reflection on the utopian possibilities of alternate worlds. In chapter …

2021-2022 New Music Festival, Lisa Leonard, John Harbison

New Music Festival

The 16th Annual New Music Festival

• John Harbison, Composer-in-Residence
• Lisa Leonard, Director

Friday, April 15, 2022

• Spotlight 1: Emerging Composers

Saturday, April 16, 2022

• Masterclass with John Harbison

Sunday, April 17, 2022

• Spotlight 2: The Art of John Harbison

Beware The Ides Of March: A Digital Journal On The Acting Process In Julius Caesar, Sterling Barbett

Research and Creativity Symposium

In January 2022, Theatre major Sterling Barbett was cast in the University of Mary Washington’s workshop production of Julius Caesar by William Shakespeare. He played the Soothsayer, Claudius, Octavius’ Servant, and Servant to Caesar in the final performances, which took place close to the ides of March (March 10-13). Throughout rehearsals, he conducted research of Ancient Rome and acting processes by renowned Shakespearean actors to better analyze his characters. Personal accounts were documented to foster a sense of belonging: not only in this dystopian version of Rome, but also in a strong ensemble. He writes about self-reflection and the feelings …

Next To Normal, Annie Russell Theatre

Playbills

No abstract provided.

Eccentric: Writing Through The Lens Of Empathy, Steven M. Blacksmith

Theatre & Dance ETDs

In this essay, I detail my growth as a writer through different periods of empathic learning. I examine my childhood struggle to understand many common emotions and the ways in which I began to logically dissect and replicate them in life and in art. I further delve into this examination through my discovery of comedy and the lifelong process of understand the deep connections humans make with humor. I then discuss how my understanding of empathy allowed me to write my dissertation play, The Eccentrics, and create a world in which empathy among the characters can be a catalyst …

The Bison, April 15, 2022

The Bison Newspapers

No abstract provided.

"For All You Know, I Might Be A Black Panther": How The News Media Cultivated White Anxiety In The United States And Became A Modern Panopticon For Black Power, Caitlin Grace Leishman

History ETDs

Building upon French philosopher Michel Foucault’s analysis of Jeremy Bentham’s Panopticon, I argue that throughout the late 1960s and early 1970s, the news media and resulting culture nurtured and reinforced the postcolonial narratives that associated Blackness with criminality. I analyze the national newspaper coverage for their narrative portrayal of the Black Panther Party for Self-Defense (BPP). The national media and U.S. government targeted the BPP and Black Power politics to discredit them and the overall movement for Black Liberation. I argue that this media-state project only intensified during the 1970s and into the 1980s with the country’s turn to …

Conquer And Prevail Issue 107 April 14 2022, Wofford College. Office Of Marketing And Communications

Conquer and Prevail Newsletter

No abstract provided.

Guest Artist Recital: Songs Of Travel And Questing: A New Song-Cycle By Stephen Mcneff, Gavan Ring, Louise Thomas

Printed Performance Programs (PDF Format)

No abstract provided.