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Articles 1825261 - 1825290 of 1825384
Full-Text Articles in Entire DC Network
Leaf From Litany, Paris, France, Verso, Unknown
Leaf From Litany, Paris, France, Verso, Unknown
Sacred Leaves Manuscript Collection
This leaf lists female saints. The border has gold vines and leaves with blue and red flowers. The design was traced once on one side and mirrored on the other.
Leaf From A Psalter, Germany, Recto, Unknown
Leaf From A Psalter, Germany, Recto, Unknown
Sacred Leaves Manuscript Collection
This octavo-sized portable Psalter features Psalm 68, referred to as the Salva me (Save me) poem, which addresses the sufferings of Jesus during His Life. In addition to the rubric at the beginning of the Psalm, the large and heavily decorated initial S further serves as an organization tool by acting as a chapter heading.
Leaf From A Missal, Italy, Recto, Unknown
Leaf From A Missal, Italy, Recto, Unknown
Sacred Leaves Manuscript Collection
The recto of the leaf seen here begins the feast day of St. Lawrence on August 10, indicating it came from the Sanctoral section of a Missal. This leaf depicts St. Lawrence in the historiated initial C. His attributes include a gridiron, representing his grisly martyrdom, and a quill, symbolizing the role he played in the preservation of the Early Church's documents.
Leaf, January Calendar, Bruges, Southern Netherlands, Unknown
Leaf, January Calendar, Bruges, Southern Netherlands, Unknown
Sacred Leaves Manuscript Collection
The Calendar is usually the first section of a Book of Hours. Like modern calendars, it contains 365 days of the year divided into twelve months, but it ephasizes feast days. The days in red, known as Red Letter Days, denote major feast days such as Epiphany in January. Lesser feast days such as that of Pope Gregory in March are written in brown ink. To the left of the fest days appear two vertical columns of numbers and letters. The numbers, known as the Golden Numbers, assist one in locating Sundays.
Leaf With Ending Of Prime, All Of Terce, And Opening To Sext, Hours Of The Holy Spirit, Bruges, Belgium, Recto, Unknown
Sacred Leaves Manuscript Collection
This particular leaf begins mid-Prime, opens Terce on the recto and opens Sext on the verso. The leaf differs from the usual text in that all of the Hours skip the first versicles and responses to begin with the hymn. Each Hour has an individual hymn, but shares the final versicle, response, and oratio.
Leaf With Ending Of Prime, All Of Terce, And Opening To Sext, Hours Of The Holy Spirit, Bruges, Belgium, Verso, Unknown
Sacred Leaves Manuscript Collection
This particular leaf begins mid-Prime, opens Terce on the recto and opens Sext on the verso. The leaf differs from the usual text in that all of the Hours skip the first versicles and responses to begin with the hymn. Each Hour has an individual hymn, but shares the final versicle, response, and oratio.
Leaf, February Calendar, Bruges, Southern Netherlands, Unknown
Leaf, February Calendar, Bruges, Southern Netherlands, Unknown
Sacred Leaves Manuscript Collection
The Calendar is usually the first section of a Book of Hours. Like modern calendars, it contains 365 days of the year divided into twelve months, but it ephasizes feast days. The days in red, known as Red Letter Days, denote major feast days such as Epiphany in January. Lesser feast days such as that of Pope Gregory in March are written in brown ink. To the left of the fest days appear two vertical columns of numbers and letters. The numbers, known as the Golden Numbers, assist one in locating Sundays.
Pages From The Past. History Of The Written Word. Various Leaves - No. 9 "Sermones" Of Simon De Cremona, Simon De Cremona
Pages From The Past. History Of The Written Word. Various Leaves - No. 9 "Sermones" Of Simon De Cremona, Simon De Cremona
Sacred Leaves Manuscript Collection
No abstract provided.
Leaf From Lauds, Hours Of The Virgin, Southern Netherlands, Recto, Unknown
Leaf From Lauds, Hours Of The Virgin, Southern Netherlands, Recto, Unknown
Sacred Leaves Manuscript Collection
Lauds is associated with the Visitation, an event in the life of the Virgin when she journeyed to the house of her cousin, Elizabeth, and learned that Elizabeth could give birth to John the Baptist. The leaf contains the end of Psalm 62, and a foliate initial "D" opens Psalm 66. Psalm 66 was prayed to ensure the longevity of the church. There is no rubric calling for a division between the two Psalms; the scribe has merged Psalm 62 and 66 in order to treat them as one Psalm.
Leaves From Lauds, Hours Of The Virgin, Southern Netherlands, Verso, Unknown
Leaves From Lauds, Hours Of The Virgin, Southern Netherlands, Verso, Unknown
Sacred Leaves Manuscript Collection
Lauds is associated with the Visitation, an event in the life of the Virgin when she journeyed to the house of her cousin, Elizabeth, and learned that Elizabeth could give birth to John the Baptist. The leaf contains the end of Psalm 62, and a foliate initial "D" opens Psalm 66.
Leaf From Matins, Office Of The Dead, Southern Netherlands, Recto, Unknown
Leaf From Matins, Office Of The Dead, Southern Netherlands, Recto, Unknown
Sacred Leaves Manuscript Collection
The Office of the Dead in Books of Hours is textually identical to that in the breviary. This allowed the layman to recite the same prayers as the clergy during the funeral service of a loved one.
Leaf From Matins, Office Of The Dead, Southern Netherlands, Verso, Unknown
Leaf From Matins, Office Of The Dead, Southern Netherlands, Verso, Unknown
Sacred Leaves Manuscript Collection
The Office of the Dead in Books of Hours is textually identical to that in the breviary. This allowed the layman to recite the same prayers as the clergy during the funeral service of a loved one.
Leaf From Matins, Office Of The Dead, Paris, France, Recto, Unknown
Leaf From Matins, Office Of The Dead, Paris, France, Recto, Unknown
Sacred Leaves Manuscript Collection
The Office of the Dead is usually the last section in a Book of Hours. Due to its specialized function in funerary services, this section was not read daily. The text of this leaf is written in black ink, with red rubrics which indicate that the recto begins with the response and versicle from lesson four, followed by lesson five.
Leaf From Matins, Office Of The Dead, Paris, France, Verso, Unknown
Leaf From Matins, Office Of The Dead, Paris, France, Verso, Unknown
Sacred Leaves Manuscript Collection
The Office of the Dead is usually the last section in a Book of Hours. Due to its specialized function in funerary services, this section was not read daily. The text of this leaf is written in black ink, with red rubrics which indicate that the recto begins with the response and versicle from lesson four, followed by lesson five.
Rb 001 Guide To Burbank-Fraser Collection On Arthritis, Rheumatism And Gout, John P. Mcgovern Historical Collections & Research Center
Rb 001 Guide To Burbank-Fraser Collection On Arthritis, Rheumatism And Gout, John P. Mcgovern Historical Collections & Research Center
Rare Books Finding Aids
The Burbank/Fraser Collection contains over 3,600 volumes, including books, pamphlets, bound reprints, and translations. With publications ranging from a sixteenth century manuscript to the modern works of John Talbott and Charles Short, this collection documents the changing regimens for rheumatic diseases and the foundations of the modern specialty of rheumatology. With publications from over 20 countries, the collection offers innumerable opportunities for research on the history of the rheumatic diseases and the cross-cultural transference of medical information. The collection equals 337.4 linear with titles that date from 15th Century to the early 20th Century. See more at RB 001.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 1, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 1, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 107, Recto, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 107, Recto, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 3, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 3, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 186, Recto, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 186, Recto, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 4, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 4, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 1, Recto, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 1, Recto, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 6, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 6, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 2, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 2, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 5, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Part 5, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 8, Verso, Unknown
Hymnal (Saraknoc'), Cilician Kingdom, Sis, Folio 8, Verso, Unknown
Sacred Leaves Manuscript Collection
This Armenian manuscript is a Hyman, or Saraknoc. This Hymnal contains a colophon, which details the place of origin and the name of the scribe, artist, and sometimes patron. This particular Hymnal contains ten canons, all marked by an elaborately decorated headpiece, each rich with organic decoration and burnished on gold ground.
Leaves From A Psalter, England, Verso, Unknown
Leaves From A Psalter, England, Verso, Unknown
Sacred Leaves Manuscript Collection
The leaves shown here provide a prime example of the portable Psalter. Measuring 13 x 9.5, its convenient size allowed the owner to carry it around easily. Psalm 118's 176 verses praise the Divine Law and are divided into twenty-two sections comprised of eight verses, each called strophes.
Leaves From A Psalter, England, Recto, Unknown
Leaves From A Psalter, England, Recto, Unknown
Sacred Leaves Manuscript Collection
The leaves shown here provide a prime example of the portable Psalter. Measuring 13 x 9.5, its convenient size allowed the owner to carry it around easily. Psalm 118's 176 verses praise the Divine Law and are divided into twenty-two sections comprised of eight verses, each called strophes.
Leaf From The Middle Of The Penitential Psalms, England Or The Netherlands, Recto, Unknown
Leaf From The Middle Of The Penitential Psalms, England Or The Netherlands, Recto, Unknown
Sacred Leaves Manuscript Collection
This leaf is the oldest in the exhibition. It contains verses 23-30 of Psalm 37. Typically, the Psalms are paired together in a sequence that composes the Penitential Psalms; these passages would have been the third and fourth sections.
Leaf From The Middle Of The Penitential Psalms, England Or The Netherlands, Verso, Unknown
Leaf From The Middle Of The Penitential Psalms, England Or The Netherlands, Verso, Unknown
Sacred Leaves Manuscript Collection
This leaf is the oldest in the exhibition. It contains the opening of Psalm 50. Typically, the Psalms are paired together in a sequence that composes the Penitential Psalms; these passages would have been the third and fourth sections.
Leaf From A Psalter, Netherlands, Flanders, Verso, Unknown
Leaf From A Psalter, Netherlands, Flanders, Verso, Unknown
Sacred Leaves Manuscript Collection
During the thirteenth century, wealthy laity often commissioned Psalters with extensive decoration. This particular leaf from Flanders features several burnished gold leaf initials marking the beginning of each line of the Psalms.