Digital Commons Network^™

The Birdwatching Pause: Reframing Campus Life Through Everyday Bird Encounters, Katherine Zeng

Masters Theses

Birdwatching, typically framed as a leisure pursuit removed from everyday life, becomes here the organizing logic for a three-site campus route of restorative pause. The thesis departs from the assumption that nature must be sought out and instead asks what happens when the birds already present in urban space are made legible through design.

Three existing RISD buildings anchor the project, each organized around a distinct mode of encounter. At Carr Haus Café, a furniture-scaled insertion creates conditions for attentional reset through passive listening rather than active looking. At North Hall, a semi-open balcony garden introduces incidental, distanced contact with …

The Frame You're Holding, Andrea Mato

Masters Theses

The Frame You're Holding explores how my photographer's eye transitioned into a graphic designer's voice. The projects presented explore how to weave the textural and subjective qualities of photography into a design context. My practice explores how the frames of graphic design – the page of a book, the browser window, or the wall of an exhibition – can be expanded or reimagined. As a designer, I became the translator of content into form, seeking to author the design while collaborating with other voices. The Frame You're Holding is a snapshot of my practice as a graphic designer, encapsulating my …

My Mother The Mountain, Ricky Vasan

Masters Theses

Teach me How to Write a Love Song

I catch a glimpse of my mother sitting on her bed in her bedroom from the bathroom mirror. What a rare occurrence! One I am not fortunate enough to witness as often as I would like. A moment that I know —even before it has occurred—will one day become my dearest desire for wanting to turn back time. This moment is a mirage. Once I return to my senses, after the passing of a twelve-hour lag, it will already be too late.

This is the place where I wish to work from. …

Returning To The Hand, Tatum Dodd

Masters Theses

Historical preservation is traditionally understood as the act of protecting objects and buildings from change, reinstating and stabilizing the past so they may endure into the future. When preservation seeks to freeze and resolve the past, it separates it from the reality of our multi-layered histories and the traces of labor, repair, and care unfolding across generations. Through a human-centered lens that allows one to touch, uncover, and redefine, we are able to relate to our built environments through an ethical practice of care, inviting new avenues of dialogue and engagement with our past.

Recording traces of the hand within …

Looking In All Directions, Abby Sunde

Masters Theses

“Looking in All Directions” mobilizes attention towards the concepts of ‘desettling’ through art and ‘desettling’ as a way of being. Desettling constitutes resistance, resilience, survivance, and refusal of current Western modalities within our society. This body of work is a material exploration of these worldviews to find potential ways to embody a practice that aligns ourselves outside of a colonial settler mindset while living within its societal condition. Using glass, sound, and installation work, the artist un-centers expected encounters with an inherited dominant worldview and instead offers an actualized shift in awareness. Concepts of interconnectedness, interwoven time, and embodied memories …

Volume Cxlv, Number 23, May 22, 2026, Lawrence University

The Lawrentian

No abstract provided.

Boring Objects Bureau, Eric Fan

Masters Theses

The Boring Objects Bureau is an anti-sustainability design studio. Through its work, the Bureau is interested in developing new strategies that can challenge the stereotypes of what sustainability looks like for the products that underpin our modern lives.

The Bureau’s first investigation focused on the smartphone, a product where breakage and decay through obsolescence is inevitable. As a result, people are faced with either the expected sustainable approach of repair, which can be expensive and inconvenient, or replacement, which costs more and restarts the cycle. The Bureau therefore wanted to ask: could this breakage and decay instead be embraced as …

Where The Walls Came Down: Reimagining The Disaster-Induced Modern Ruin, Zhenmi Tang

Masters Theses

In contemporary society, large-scale destructive events are continuously generating a new architectural condition: the modern ruin. Unlike historical ruins shaped and legitimized through time, the remnants left by war, wildfires, and other natural disasters remain embedded in lived reality and collective memory. These environments are not distant artifacts of the past, but recently inhabited spaces whose material presence and social meaning remain active. However, prevailing reconstruction practices tend to prioritize complete demolition and site clearance, followed by rebuilding on restored empty ground. While this approach provides reliability in terms of safety, engineering, and regulation, it often interrupts the material and …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Feeling Through Space:Designing Emotion In Space Through Alice In Wonderland, Xuanyu Yang

Masters Theses

Emotion is the most direct bridge between human experience and architectural space, but design often treats feelings as a side product. This thesis challenges that idea by asking a specific question: can a designer intentionally use spatial qualities to move a person through a defined emotional sequence? And if so, can that process be documented clearly enough to become a repeatable method?

To test this, the project designs a spatial version of Lewis Carroll’s Alice in Wonderland as an immersive theater experience. The narrative is not told through text, performance, or screen, but entirely through the physical qualities of a …

Providence Puzzle:Exhibition Design As Urban Spatial Practice, Ye Chen

Masters Theses

Providence is a city shaped by past industrial production, immigrant communities, artistic practice, waterfront renewal, and urban redevelopment. Its identity exists not only in historical remnants, but also in the cultural atmosphere created through the ongoing interaction between past and present. Former factories, river infrastructure, neighborhood streets, public parks and scenes of everyday life together form an urban narrative that continues to evolve. Yet existing methods of presenting Providence’s history and culture remain limited to informational signage, commemorative markers, or one-directional communication, offering little incentive for people to stop, read, explore, or actively engage. As a city rich in both …

Domesticating Duration, Xiaoyu Lan

Masters Theses

Inspired by the novel Einstein's Dreams by Alan Lightman, this thesis explores the subjective human perception of time. To break away from the monotonous product display model of traditional retail, the design transforms a four-story building into a novel experiential showroom infused with avant-garde exhibition qualities. Using the "home" as a narrative thread, the design guides visitors through everyday domestic scenes—the bedroom, living room, bathroom, and dining room. These spaces are deconstructed into four distinct experiences of temporal flow: Pause, Fast-Forward, Slow-Motion, and Rewind. Guided by Peter Zumthor's Atmospheres and referencing relevant artworks, the design translates the abstract concept of …

The Amplifier: Small Spaces, Loud Futures, Szewai Hong

Masters Theses

Once nicknamed “Rock City,” Allston, MA has long been a creative hub known for its grassroots music culture. Historically the neighborhood has been home to many independent music spaces, nurturing generations of musicians. Relentless real estate development, the expansion of nearby institutions and ongoing inflation, has made the neighborhood increasingly unaffordable for the creatives and forced many to leave, diluting the once vibrant music community. Simultaneously, the shift toward digital music consumption has contributed to the disappearance of physical spaces where people once gathered to discover, discuss, and experience music collectively.

This thesis responds to these circumstances through an intervention …

Healing In The Flow: Reimagining Public Well-Being Through The Adaptive Reuse Of The Heritage Park Visitor Center, Yaqi Zhang

Masters Theses

This thesis proposes the adaptive reuse of the Heritage Park Visitor Center in Fall River, Massachusetts, as a community oriented environment for rest, care, and social connection along the Taunton River waterfront. Although the park provides public access to nature, the existing building does not support everyday forms of well being such as pause, reflection, quiet recovery, or informal gathering. In many public spaces across New England, wellness remains separated from civic life and is often treated as private, specialized, or secondary.

In response, the project rethinks self care not as a private luxury, but as a shared spatial condition …

Within The Archive: Jewelry And The Poetics Of Historical Trace, Fusheng Zhong

Masters Theses

Jewelry is a poetic translator, through which my intense and complex engagement with history is materialized. By reinterpreting the classical Chinese poem Bring the Wine(Li Bai,752) through paper-based materials, I translate poetry infused with personal traces and a distinct stance into wearable objects that embody the weight of history.

Through jewelry, an art form carried in close proximity to the body, I engage with history by staging acts of document visualization, transforming poems and archival fragments into visual and tactile records.  I suggest that in conditions of informational overload, individuals may gravitate toward reductive positions in order to avoid being …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

How To Make A Jumpsuit, Xue Huang

Masters Theses

Through interdisciplinary artistic research combining illustration, embroidery, garment construction, and installation, this thesis investigates how patriarchal narratives become internalized within the female body and disconnect women from embodied forms of feminine knowledge and vitality.

Drawing from Michel Foucault’s theories of disciplinary power, Jungian psychology, Traditional Chinese Medicine, and feminist writings by Audre Lorde and Karina Blancarte, the project examines how systems of productivity, control, and gendered ideology shape both psychological experience and bodily perception.

The thesis culminates in a large-scale textile installation titled How to Make a Jumpsuit, consisting of embroidered silk panels, commercial jumpsuit pattern pieces, meridian imagery, sculptural …

Aer, Qiyi Cai

Masters Theses

I began this project from a recurring perception: that simple, everyday elements carry distinct and often unexpected qualities. For me, the number six is green and tastes like grapes; the number two feels deep blue. Even bottled water from different brands seems to possess specific forms of character, some sharp, some rounded, some soft like cotton. I first encountered the word synesthesia in elementary school writing classes, where it was introduced as a literary device frequently used in classical poetry and prose. For instance, a gentle rain might be described as “soft as pastry,” translating a visual phenomenon into tactile …

All The Hours Of Light, Isabel Horgan

Masters Theses

My wisdom teeth were extracted in November 2025. I put it off for 5 years. In 2019, my first wisdom tooth emerged as a blood blister. It grew through a vein. I attempted to pop the blister, but instead pulled on the vein, which was so viscerally disturbing that I almost fainted. Every night that followed, I stood at the mirror over the bathroom sink and poked at it. Eventually, enough of the tooth showed that I needed to scrape stuff out of the crevices. It resulted in about a year of having a hole in my mouth that I …

The Porous Auto Body, Banshee Maria

Masters Theses

Balances within the human body and auto mechanical structures share a staggering amount in common. The two are intrinsically linked through their shared reliance on intricate internal and external systems to be in balance in order to function. Our biological makeup consists of electrical, fluid and chemical systems which mirror the machines we have chosen to forge. I am plagued by the human need to see ourselves mirrored in metal form, or perhaps we are just unable to create too far outside ourselves, resulting in the leeching of human structures into all technology we construct.

The Old Testament of the …

The Root Over My Eyes, Shiyeon Monk

Masters Theses

What does it mean to have a body? To touch, to breathe, to taste, and perceive all the things that make up a person, how does it feel to recognize the physical bounds your mind is enclosed in? To me—a woman, a bisexual woman, a biracial bisexual woman, an immigrant biracial bisexual woman, a Black and East Asian immigrant biracial bisexual woman—each of these markers feels heavy with its own context of history, location, and interpretation. Too many times have I wondered what it is like to be within a body accepted as a midpoint.

I make work out of …

Huh? Wow!, Lieyah Dagan

Masters Theses

I view design as a series of gestures: actions through which ideas are processed, refined, and communicated. Barbara Tversky, an American psychologist, describes gesture as a way of thinking through action, where movement becomes part of how understanding is formed (Tversky). In this sense, gesture is not only a means of communication between people, but a way of understanding and responding to the world through action.

My process begins with noticing—observing things in the world and returning to moments that hold a particular quality or possibility. Many of the things that draw my attention carry traces of movement or manipulation: …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …

Reading Exercise (You Are The Hero): Dedicated To The Providence River Under The Mall, 02.17.2026, Deborah Fischer

Masters Theses

This play uses the performative potential of guilt, forgiveness, and self-help techniques as a catalyst for a new dynamic, one in which the pursuit of a false narrative, along with the structures it generates, becomes more real than reality itself. It employs “bad acting” and the practice of cold reading to stage a series of acts that function as an entry point into one’s own psyche, leveraging the peripheral space around familiar actions to allow chance, free will, and the experience of “real time” to temporarily come into effect. PLAYER 1: The bad actor is the most utopian one. CLOWN: …

Household Hegemon: Domestic And Affective Traces Of Us Influence In Mexico In The 1950s And 1990s, Edgar Solórzano

Masters Theses

“Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s” is a collection of personal essays, historical research, and fictional texts that examine the impact of US-American soft power on Mexican society. This project expands and deepens the research and work developed during my two-year MFA in Sculpture at RISD, evolving material investigations into a comprehensive written and visual record of the 1950s post-WWII boom and the 1990s post-NAFTA transition. These two decades not only represent the most significant in terms of American influence but also the years in which my parents and I …

Countersense, Avrie Allen

Masters Theses

countersense is an engagement with embodied experience, the conditions that shape it, and the sense we make of it. countersense is a counterhegemonic practice of sense-making in graphic design, performed between perception and meaning-making, self and material conditions, and always foregrounding what politics are chosen as a result of the personal.

Situational 情境中, Jo Zixuan

Masters Theses

The Chinese title of this book 情境中 (qíng jìng zhōng) translates directly to within the situation. Yet separately as three individual characters, qíng jìng zhōng means emotion, scene, within. A situation in my language is inherently an emotional scene, which requires us to account for more than the objective conditions, such as the geographical, economic, and social circumstances, as well as the subjective and affective experiences of individuals.

How can design analyze the context of given situations and construct new situations? The key terms organizing this book describe a movement. Site establishes the levels of context in which any …

Sites Of Departure, Kevin Tomas

Masters Theses

At all scales of human history, there exists a record: The story of how things came to be. An infinity of interconnected traces that thread the intimate and the immense into a single fabric.

Beginning from distinct points of entry, Sites of Departure explores the axes of resolution and scale in documentation, asking what becomes visible when the instruments of the dominant record are set aside. Moving between recovery and confrontation, the work questions the structures that produce our understanding, while creating new documents for future interpretation—all against the reality that to make a claim, is to claim some truth. …

Mirth, Lauren Schell Farias

Masters Theses

In an era defined by unease, uncertainty, paranoia, distrust, and literal, limitless, and constant surveillance, the human condition has been sliced in half, scraped out, and plopped down to rot under a microscope and then sold skincare because we can see it’s crow’s feet. It’s not a pretty picture. If we zoom in a little and look at the minutiae…it’s even worse. But! If we zoom out a little bit after we zoomed in and try to get the focus right, it’s possible to distinguish the little squiggly shapes of joy.

If you can’t quite make that out, you might …