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Articles 118921 - 118950 of 1826842
Full-Text Articles in Entire DC Network
Magis Volume 11 Entire Volume, Editors Of Magis
Magis Volume 11 Entire Volume, Editors Of Magis
MAGIS: Student Development Journal
No abstract provided.
Math Anxiety In Mathematical Education, Chenniya Thompson
Math Anxiety In Mathematical Education, Chenniya Thompson
Transformations
Have you ever wondered why you were so scared to take a mathematics class? Or wondered why your performance was poor during assessments? Mathematics anxiety is real and has been studied around the world. Come with me to find way we can assess math anxiety and solutions that can help aid this anxiety.
The Second Law, Dennis Andrew S. Aguinaldo
The Alien, The Citizen, And The Triumphant Capitalist, Gloria G. Gonzales
The Alien, The Citizen, And The Triumphant Capitalist, Gloria G. Gonzales
Kritika Kultura
This paper examines notions of the “alien” and the “citizen” or the outsider and insider based on the Chinese Filipino experience as portrayed in Charlson Ong’s novel Banyaga: The Song of War (2006). Although the Chinese have lived in the Philippine archipelago since the twelfth century, they have always been considered banyaga (alien or foreigner) by Filipino “natives.” I argue that the marginalization of the Chinese has led them to specialization in trade and commerce, which in turn has steered them, paradoxically, towards exceptionalism. As such, I correlate Ong’s banyaga with Georg Simmel’s concept of the stranger and argue that …
Fall Of Grace: Nora Aunor As Cinema, Patrick D. Flores
Fall Of Grace: Nora Aunor As Cinema, Patrick D. Flores
Kritika Kultura
Nora Aunor is enlisted in this speculation as a medium in the register of both the cinema and the transmission of spirit. The key trajectory is the oft-cited film Himala, which opens up a conceptual space for mediumship, the technology of the actress, her biography and corpus of art, and the devotion to her person. The essay constellates a set of texts including the sculpture in honor of Elsa, the main character of Himala, the film Silip, and the life of a fan. Nora, the performative vessel of Elsa, becomes fundamentally cinematic. It is through her that Elsa is fleshed …
Guest Editor's Introduction, Joel David
Guest Editor's Introduction, Joel David
Kritika Kultura
Although vital to the existence of the Philippine movie industry, stardom has rarely garnered scholarly attention apart from the auteurist (film-artist) or biographical modes. Part of the reason is external, in the sense that media-studies approaches to star-text discourses emerged relatively recently, and may still be in the process of further refinement. However, a crucial internal reason is that the primary Philippine example, Nora Aunor, inadvertently affirms the earlier, now-conventional approach by virtue of her singular dominance as both top star and top multimedia performer. This study will track relevant trends in star studies vis-à-vis Philippine scholarly output, and will …
The Capacity To Be Content: Aspirations And Young Adult Catholics In Singapore, Jayeel Serrano Cornelio
The Capacity To Be Content: Aspirations And Young Adult Catholics In Singapore, Jayeel Serrano Cornelio
Kritika Kultura
Drawing from interviews with young adult Catholics in Singapore, this article discusses aspirations in terms of the capacity to be content. For my informants, the capacity to be content has three aspects: the pursuit of happiness, the questioning of Singapore’s incessant drive for economic growth, and the neglect of those left-behind. Taken collectively, these nuances show that the aspirations of young adult Catholics are effectively a moral critique of the social and economic state of affairs in the city-state. The capacity to be content also informs these young adults’ decision to be involved in welfare activities or even be employed …
The Black Nazarene, Quiapo, And The Weak Philippine State, Mark Joseph Calano
The Black Nazarene, Quiapo, And The Weak Philippine State, Mark Joseph Calano
Kritika Kultura
The dialectical relationship between the religious performances to the Black Nazarene and the informality of space in Quiapo has an implication in the “construction” of space and the formation of a weak Philippine state. The dynamics between poón, panata, and pananampalataya (elements in the discussion of the devotion to the Black Nazarene) and the barongbarong, looban, at hanapbuhay (elements in the discussion of the informality of Quiapo) helps in the construction of the spatiality of Quiapo. Quiapo is constructed as the place of the play between pananampalataya and hanapbuhay; the implication of this mutual dependency to the state is a …
“Not Here To Steal Sheep”: A Reading Of The History And Politics Of Catholicism In Thailand, Coeli Barry
“Not Here To Steal Sheep”: A Reading Of The History And Politics Of Catholicism In Thailand, Coeli Barry
Kritika Kultura
This article investigates how Catholicism has had to evolve and adapt in order to sustain itself in Thailand. As Siam/Thailand developed through economic, political and cultural interactions with Western powers, Christianity in general and Catholicism in particular served as a site on which Thai national identity was forged in response to these interactions. Christianity was an ‘other’ against which Thai Buddhist identity coalesced yet the appeal of first Catholic and later Protestant missionary education was very strong. This article combines interpretive historical method and analysis of contemporary shifts that reflect a more assertive Thai Catholic Church. In so doing, the …
Hàn Mặc Tử (1912-1940): A New Moon For The Season Of The New Evangelization In Vietnamese Catholicism, Hưng Trung Phạm Sj
Hàn Mặc Tử (1912-1940): A New Moon For The Season Of The New Evangelization In Vietnamese Catholicism, Hưng Trung Phạm Sj
Kritika Kultura
Since its arrival to Vietnam, Catholicism has often been known or accused as either heterodox religion or religion of superstition. Efforts to inculturate the Christian faith into Vietnamese cultures have begun from early missionaries in Vietnam in the early seventeenth century to church leadership in Vietnam today. At the early twentieth century, the poetry of Hàn Mặc Tử (1912 – 1940) has demonstrated a new level of inculturation where the Christian faith no longer remains at the level of “superficial adaptation” but has become a principle that animates, directs, and unifies Vietnamese cultures, transforming and remaking it so as to …
Kidlat Tahimik And The Determination Of A Native Filmmaker, Patrick F. Campos
Kidlat Tahimik And The Determination Of A Native Filmmaker, Patrick F. Campos
Kritika Kultura
Using field notes drawn from participative research in the context of his home life in Hapao, Ifugao and Baguio City, Benguet, as well as information gathered through interviews with his family, confidantes, and mentees, the article revaluates the oeuvre of pioneering independent filmmaker, Kidlat Tahimik. It is written self-reflexively, approximating the critic’s process of understanding Kidlat’s work through the lenses of a personal encounter. It critiques Kidlat’s cinema, with special focus on Why is Yellow the Middle of the Rainbow? (1994), and reads it as his determination to author himself as “native” and “Third World” filmmaker, the same determination that …
Interactive Meaning Potentials In Weight-Loss Web-Advertising: The Female Body In Crisis, Emily Lau Kui Ling
Interactive Meaning Potentials In Weight-Loss Web-Advertising: The Female Body In Crisis, Emily Lau Kui Ling
Kritika Kultura
The common saying, “a picture is worth a thousand words” is no longer questioned in the twenty-first century where information is extensively rendered in visual terms. The rise of digital capture devices and online social media presumes that visual culture is head- ing towards greater influence in every aspect of life. This paper explores the ways visual representations attract the viewer’s attention, and based on Jewitt and Oyama’s analytical framework of visual social semiotics seeks to understand the meaning-making potentials of weight-loss advertising. Three key factors: distance, contact, and point of view are shown to be crucial in creating complex …
Dismantling Disaster, Death, And Survival In Ecopoetry, Rina Garcia Chua
Dismantling Disaster, Death, And Survival In Ecopoetry, Rina Garcia Chua
Kritika Kultura
The Philippines, a country situated close to the equator and in the Pacific Ring of Fire, has been constantly hit by natural disasters such as typhoons, earthquakes, landslides, and more. With a good number of local poetry dealing with these natural disasters as themes, is it possible for ecopoetry to provide readers with clear ideas on how to survive these catastrophic events? The major objective of this study is to explore the role of literature in promoting survival through the exploration of death and disaster in poetry. To do this, the different versions of disaster in the poetry of Merlie …
Global Aestheticscapes: Re-Imag(In)Ing The Global Experiences Of Selected Filipino Artists Through Their Installation Artworks, Clod Marlan Krister V. Yambao
Global Aestheticscapes: Re-Imag(In)Ing The Global Experiences Of Selected Filipino Artists Through Their Installation Artworks, Clod Marlan Krister V. Yambao
Kritika Kultura
This paper attempts to look at the contemporary global condition of Filipino art production by using the term “aestheticscapes”1 as a critical category of analysis. The confluence of the terms “aesthetics” and “-scapes” allows us to stretch the language of aesthetic production in a global scale of interactions, exchanges, contacts, circulations, negotiations, and amalgamations of geo and ethnoaesthetic positions. Significantly, “aestheticscapes” magnify the conditions of epistemic relations between global powers and discourses of the agencies of the artists via history, geography, aesthetic epistemes, and other social narratives. By looking at the installation artworks of selected Filipino diasporic, migrant, and mobile …
Shattering Silence: Tracing Speciesism In Philippine Children’S Literature, Chryssa Celestino
Shattering Silence: Tracing Speciesism In Philippine Children’S Literature, Chryssa Celestino
Kritika Kultura
What does it mean to write the animal? In Philippine children’s literature where the population of the nonhuman animal is difficult to ignore, writing (about) them is supposed to aspire familiarization: an action that guides the child reader toward concepts of animality. The nonhuman animal has also been recognized as therapeutic narrative elements, aids in identity construction, and effective fictional teachers of species relationships. The inclusion and, more accurately, the functions of the nonhuman animal in the text, however, are symptomatic of speciesism: the belief in human superiority, and the redundant establishment of their supremacy. Influenced by the insights of …
Global Exchange: Glimpses Of An 18th Century Colonial Kitchen In Manila, Rene B. Javellana Sj
Global Exchange: Glimpses Of An 18th Century Colonial Kitchen In Manila, Rene B. Javellana Sj
Kritika Kultura
It seems self-evident that Spanish cuisine influenced Philippine cuisine. The similarity in nomenclature, some with toponyms, suggests such connection. To imagine that Spanish- influenced dishes that Filipinos consume in today were exactly the same in the 18th century is to be oblivious of the complex evolution of Hispanic dishes, the result of colonial exchange and negotiation. The 1768 inventory of the Colegio de San José’s kitchen, an otherwise laconic list, is interpreted and brought to life with help of other studies, like that on food migrants by scholars, the late Doreen G. Fernandez, Dr. Isagani Medina and Corazon Alvina, which …
Translation Politics In Ilocano-Hawaiian Writing, Ma. Socorro Q. Perez
Translation Politics In Ilocano-Hawaiian Writing, Ma. Socorro Q. Perez
Kritika Kultura
The essay explains the translation process of three GUMIL Hawaii (Gunglo Dagiti Mannurat iti Ilocano ti Hawaii) Ilocano short fiction into English, as the receptor language. Three concerns come to configure in the deployment of postcolonial translation: first, that the exilic sensibility (concerned with rootlessness, departure, leave-takings, nostalgia, etc.) is addressed; second, that the materiality of Ilocano-Hawaiian diasporic culture as distinct from other Asian ethnicities in Hawaii and the Whites is clear; third, that the register of the original is approximated. The translation, therefore, offers a hybridized and syncretic Ilocano-Hawaiian English variety that is at once familiar, estranging and different.
“We Were War Surplus, Too”: Nick Joaquin And The Im/Possibilities Of Filipino Historical Becoming, Josen Masangkay Diaz
“We Were War Surplus, Too”: Nick Joaquin And The Im/Possibilities Of Filipino Historical Becoming, Josen Masangkay Diaz
Kritika Kultura
This article reads Nick Joaquin’s 1983 novel Cave and Shadows alongside his persistent engagement with Filipino identity and history to argue that an investigation of Philippine historiography reveals the colonial entrapments of Filipino subjectivity. A mystery novel set in the period immediately preceding Ferdinand Marcos’s 1972 declaration of martial law, it contextualizes Marcos authoritarianism within the scope of post-World War II concerns about national politics in the wake of independence. It also simultaneously grapples with overarching ideas about the legacies of colonial conquest and their effects on the Filipino common sense. Jack Henson’s traversals through Manila find him grappling with …
Voice, John Bengan
The Manong’S “Songs Of Love”: Gendered And Sexualized Dimensions Of Carlos Bulosan’S Literature And Labor Activism, Amanda Solomon Amorao
The Manong’S “Songs Of Love”: Gendered And Sexualized Dimensions Of Carlos Bulosan’S Literature And Labor Activism, Amanda Solomon Amorao
Kritika Kultura
This article takes the 2013 passage of California Assembly Bill 123, which mandates instruction on the Filipino contribution to the state’s farm workers movement in public education curriculum, as an occasion to analyze the gendered and sexualized dimensions of Carlos Bulosan’s literature and labor activism. The article considers the texts and contexts of America is in the Heart and Bulosan’s short story “As Long as the Grass Shall Grow” to demonstrate how Bulosan’s materialist, dialectical analysis also involves an incisive critique of the intersections of class, race, gender, and sexuality. As Bulosan narrates the proletariat struggles of the manong generation, …
Writers And Exile: Carlos Bulosan And Dolores Stephens Feria, Monica Feria
Writers And Exile: Carlos Bulosan And Dolores Stephens Feria, Monica Feria
Kritika Kultura
This paper explores the links between two writers in exile – Carlos Bulosan, a Filipino migrant in the United States, and Dolores Stephens Feria, an American migrant in the Philippines. Its aim is to gather more insight into the “condition of exile” as a framework for understanding writers and literary traditions. For the author, being the daughter of Dolores, this is both a personal and academic exploration.
Excavating The Bulosan Ruins: What Is At Stake In Re-Discovering The Anti-Imperialist Writing In The Age Of Us Global Terrorism?, E. San Juan Jr.
Excavating The Bulosan Ruins: What Is At Stake In Re-Discovering The Anti-Imperialist Writing In The Age Of Us Global Terrorism?, E. San Juan Jr.
Kritika Kultura
Based on research in the unpublished papers of Sanora Babb at the Harry Ransom Center, University of Texas, this essay uncovers new information about Bulosan’s relations with Sanora and her sister Dorothy Babb, the two American women who virtually “made” him into a writer. Given his intimacy with both women, active in leftwing and Communist Party activities in Los Angeles during the formative years of Bulosan’s life, as well as his association with leftist union leaders in Seattle, Bulosan’s radical affiliations are no longer in doubt, even without FBI documentation. Apocryphal Bulosan manuscripts such as All the Conspirators are bound …
Performing Elusive Homecomings: Mobility, Embodiment, And Diasporic Filipino Youth, Martin F. Manalansan Iv
Performing Elusive Homecomings: Mobility, Embodiment, And Diasporic Filipino Youth, Martin F. Manalansan Iv
Kritika Kultura
The Filipino global diaspora has precipitated the circulation of embodied modes of identification and belonging. This paper focuses on the experiences of Filipino young people who were born and/or raised abroad, and who have returned to the Philippines to seek fame and economic mobility in the entertainment industry. These migrant hopefuls, unlike older counterparts, enact the material tensions and semantic contradictions that form part of popular discourse around life abroad. As such, institutional media practices and mass audience perceptions mirror such conditions and create shifting systems of valuation around such things as skin color, accent, and bodily comportment. To respond …
Ghostly Allegories: Haunting As Constitution Of Philippine (Trans) National (Cinema) History, Patrick Campos
Ghostly Allegories: Haunting As Constitution Of Philippine (Trans) National (Cinema) History, Patrick Campos
Kritika Kultura
By reading through the con–texts of Yam Laranas’s The Echo (2008) and Kelvin Tong’s The Maid (2005), the essay considers three Filipino genres that ironically gathered momentum at the time of the Philippine film industry’s crisis and decline in the 1990s up to the 2000s – the historical drama, the OFW (overseas Filipino worker) film, and horror. In the process, the essay constitutes an alternative map of Philippine cinema premised on inter-national transactions across states and film industries, on the one hand, and on the nodal and spectral bodies of Filipinas that network these states and industries, on the other …
Reincarnation Of The Pinay Subaltern In Foreign Cinema, Taeyun Yu
Reincarnation Of The Pinay Subaltern In Foreign Cinema, Taeyun Yu
Kritika Kultura
This paper explores the paradoxical condition of postcolonial practice in South Korea1 that is, in many ways, complicit with dominant discourses such as nationalism, patriarchy, and global capitalism. In such a condition, what remains obscured is the voice of women that behooves us to hypothesize that the image of diasporic Filipino women in Korean cinema is predetermined by such complicity and is ideologically reincarnated as the subaltern. By conflating two postcolonial concepts, hybridity (Bhabha) and subalternity (Spivak), the study inspects the hypothesis through an analysis of two films that depict diasporic Pinay images: as entertainer in Yangil Choi’s All Under …
Phantom In Paradise: A Philippine Presence In Hollywood Cinema, Joel David
Phantom In Paradise: A Philippine Presence In Hollywood Cinema, Joel David
Kritika Kultura
The Philippines’ experience with its last foreign occupant, the US, resulted in an entire clutch of problematic “special relations” that, coupled with the country’s responses to the challenges of self-government, ultimately led to a global dispersal of the population, effectively turning the Philippines into the major Asian nation arguably most reliant on its citizens’ overseas remittances. This paper takes the position that diasporic Filipinos, for a variety of reasons starting with the effectiveness of maintaining unintrusive presences in alien cultures (including the acceptance of menial positions), have possibly developed and have enabled others to perceive them as silent and discreet …
Conflicting Counter-Hegemonies?: The Dramaturgy Of James Connolly And Sean O'Casey, James Moran
Conflicting Counter-Hegemonies?: The Dramaturgy Of James Connolly And Sean O'Casey, James Moran
Kritika Kultura
This paper examines the radicalism of James Connolly through the optic of theatre and performance. In particular, I test his only extant play-script—written shortly before his death—against the hostile critique of the dramatist Seán O’Casey. Despite the biographical similarities between these two men, O’Casey expressed deep disappointment with the climax of Connolly’s career as a labor agitator, organizer and revolutionary socialist, criticizing him for having travelled from socialism to nationalism, a journey which O’Casey had seemingly made in reverse. I offer a rereading of Connolly’s play to show that the situation is more complex than that envisaged by O’Casey. Although …
The Pitfalls Of Theatrical Consciousness, Lionel Pilkington
The Pitfalls Of Theatrical Consciousness, Lionel Pilkington
Kritika Kultura
Beginning with Frantz Fanon’s description of the problematic yet energizing effects of decolonization in The Wretched of the Earth (1961), this essay discusses the ways in which the theatre of modernity appears especially attractive to anti-colonial and post-colonial nationalist movements. This dominant and institutional model of theatre presents the colonized, not only as physically decorous, but as efficient and ready for work within a capitalist economy. The essay examines these propositions in relation to twentieth-century Irish theatre and drama. The second part of the essay examines the continuing centrality of performance and professional theatre within current discourses of neoliberalism and …
Heroes With Their Hands In The Air: Memory And Commemoration In The Contemporary Documentary Theater, Sheila Mccormick
Heroes With Their Hands In The Air: Memory And Commemoration In The Contemporary Documentary Theater, Sheila Mccormick
Kritika Kultura
Documentary theatre has the capacity to confront and challenge its audience; however, there are occasions when examples from the genre avoid confrontation. These examples might not promote ideas consistent with the political status quo; neither, however, do they challenge it. This paper examines the ability of documentary theatre to move between two extremes: of challenging dominant power structures, or reinforcing the political or social status quo. It contrasts two documentary theatre performances that both took place on the fringes of mainstream theatre production, and which both explore the same social event: Bloody Sunday and the Saville Inquiry. In doing so, …
Carnivalesque Economies: Clowning And The Neoliberal Impasse, Barnaby King
Carnivalesque Economies: Clowning And The Neoliberal Impasse, Barnaby King
Kritika Kultura
In Colombia, clowns are proliferating and thriving, particularly in the context of neoliberal political economies prevailing since the mid-1990s. This paper explores some reasons why this might have occurred, as well as theorizing a two-way relationship of domination and resistance between clown practices and the current iteration of late capitalist global economies; what I call “carnivalesque economies.” While Bakhtin described clowns as “the constant, accredited representatives of the carnival spirit in everyday life out of carnival season,” the Colombian case suggests that their breaching of norms and violations of taboos are all too easily co-opted by governments, corporations, and institutions …