Digital Commons Network^™

Acquisitions Unit Annual Report 2021-2022, Andrée J. Rathemacher

Technical Services Reports and Statistics

Annual Report of the Acquisitions Unit, University Libraries, University of Rhode Island for FY2022. Covers personnel, work flow, special projects, and serial, monograph, and e-resource acquisitions. Supplemental files include data on library materials expenditures by a number of variables as well as important working documents from the year.

'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin

LSU Doctoral Dissertations

This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …

Toybox: A New Approach For Auxiliary Percussion Instruments At The Beginning Level, Spencer Craig Jones

LSU Doctoral Dissertations

Currently, there exist little materials to introduce elementary students to auxiliary percussion instruments. There is a need for the creation of more instructional material for this age group that provides pedagogy descriptions for the instruments as well as playing examples. The purpose of this project is to create a method book that provides pedagogy examples for auxiliary percussion instruments while also providing playing examples to use.

Déan É Tú Féin – Diy Music And Music Culture In Ireland: Introduction, Caroline Ann O'Sullivan

Irish Communication Review

No abstract provided.

Adapting North American Fiddle Bow Technique To The Double Bass, Spencer Jensen

Theses and Dissertations

Because of the pioneering work of Edgar Meyer in expanding the role of the double bass in American folk music, many bassists are inspired to engage with fiddle music in the way fiddlers do. Thus, bassists who perform in fiddle and string band traditions may seek greater artistic freedom and expression by shifting between a variety of accompanying textures to playing melody and improvised bowed solos.

In seeking to discover how bassists successfully adapt fiddle bowing techniques to the double bass, I have interviewed two bassists who are deeply involved in Americana music traditions, Paul Kowert and Ethan Jodziewicz. From …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …

Race And Rhythm In Rock And Roll, Hector Qirko

Proceedings of the annual meeting of the Southern Anthropological Society

This chapter argues that contrary to conventional wisdom and the views of many scholars and critics, rock and roll’s most important rhythmic elements are derived from a complex blend of African, American, and European musical traditions. There is therefore no objective support for racialized characterizations of the “beat” that often serve, however unintentionally, to perpetuate stereotypes in discussions of both the genre and American popular music more broadly.

2nd Funk Symposium: Selected Proceedings, 2021, Sharon Davis Gratto

Content Presented at the First and Second Dayton Funk Symposia

This is a printed proceedings of symposium presentations by authors who elected to submit them. They are available free for download, but printed volumes are available for $6 plus tax and shipping.

Belonging And Banding Together: Perspectives And Insights Of Newly Recruited Ell Musicians, Edward Luckey, Edward Luckey, Edward Luckey

Education Doctorate Dissertations

The purpose of this research is to bring forward the lived experiences of English Language Learner (ELL) musicians who were new to the band program as of the Spring of 2021. This study was born out of previous coursework and reflection where it became apparent that more must be done to provide access to our band program for students who are in our ELL program. Therefore, the research question that guides this study is “What are the lived experiences of ELL band students?” The methodology is primarily a pursuit of the stories and lived experiences of the ELLs via a …

A New Life For Umsl’S African Instrument Collection, Brandon Elliott, Shane Devine, Kieth Stephens

Undergraduate Research Symposium

How should a collection of West African musical instruments - currently in the possession of an eliminated Anthropology department at the University of Missouri-St. Louis (UMSL) - be properly conserved, repaired if needed, and should they be displayed, stored, or donated to another home? The collection, located in the entry foyer of 501 Clark Hall on the UMSL campus, consists of eleven West African drums, three stringed instruments, and one lamellophone. Our team seeks to answer this question to preserve the musical culture of the peoples associated with these instruments. It is important to protect these instruments from degradation or …

Lliçons Magistrals, Antoni Pizà

Publications and Research

No seria pianista. Jo no arribaria mai a ser pianista. L’epifania va començar a cristal·litzar poc després d’haver arribat a Salzburg el 1982 amb intencions d’estudiar-hi piano. Com el narrador de la novel·la de Thomas Bernhard Der Untergeher (si es vol, el fracassat o el mediocre), jo havia quedat psicològicament gelat per la presència d’alguns dels millors pianistes del món. En poc temps, i sense capacitat de digerir-ho —tenia vint anys escassos—, havia vist i sentit en viu Alfred Brendel, Maurizio Pollini, Claudio Arrau i Bruno Leonardo Gelber, entre altres.

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …

Archetype, Story, And Myth Within Bulgarian Folklore And Black American Music, Wes C. Georgiev

University Honors Theses

The confluence of several disciplines is explored through the investigation of archetypes, stories, folklore, and myths within the realm of music composition. This research aims to draw fresh conclusions which contend with some of the meanings of being a human. All research is done in conjunction with the creation of a new body of compositions written and arranged for piano, upright bass, and drum set. The academic objective of these pieces is to combine many of the salient characteristics of Bulgarian Folk music with those of Black American music. The supporting research in this essay examines centuries of migration, conflict, …

Preserving Irish Smoked Salmon: Food Producers, Cultural Heritage, And Environmental Conservation, Malia Guyer-Stevens

Dublin Gastronomy Symposium

This research argues that the bottom-up heritagization of smoked salmon by Irish smoked salmon producers is an integral piece in the movement to protect wild Atlantic salmon in Irish waters. Wild Atlantic salmon in Ireland have transformed over the centuries from mythological figure to luxury export, and today into national food heritage thanks to the efforts of smoked salmon producers. This designation transforms Irish salmon from a wild animal into a symbol of Ireland’s historic ties to their coastal regions, an embodiment of traditional food practices, and projects the fish’s importance into the future. However, wild Irish salmon face extinction …

Toward A Co-Working Posture In Global Mental Health: A Literature Review On The Use Of Photovoice In Partnership With Forcibly Displaced Populations, Bethany Randolph

Expressive Therapies Capstone Theses

Abstract

As of 2020, the number of forcibly displaced people in the world numbered 82.4 million. This radically diverse population, approximately one in every 95 people, only continues to burgeon as wars and conflicts send millions fleeing for their lives. Sadly, on top of the massive allostatic load endured by the forcibly displaced, many are then doubly harmed by global mental health professionals who lack insight into the culture and worldview of the fellow humans they serve. In an effort to support meaningful therapeutic work in the cross-cultural milieu, this paper presents a literature review inquiry into the purpose and …

Brazilian Folk Rhythms In Heitor Villa-Lobos’S A Lenda Do Caboclo [The Legend Of The Caboclo] And Ciclo Brasileiro [Brazilian Cycle], Keisy Peyerl Xavier

Doctoral Projects

The objective of this doctoral project is to understand how Brazilian folkloric rhythms influenced two compositions for piano by Heitor Villa-Lobos (1887-1959): A Lenda do Caboclo [The legend of the caboclo], W. 166, 188, and Ciclo Brasileiro [Brazilian cycle], W. 374. My intent is to describe what these pieces represent, how they can be interpreted through rhythmic analysis, and how Villa-Lobos employs them in his own stylized manner. The discussion will focus on several elements that are found in the traditional Brazilian genres of baião, seresta, choro, maracatu, and frevo. These genres contain distinctive musical styles and rhythms, rich history, …

Three Etudes For Marimba And Pandeiro: Contemporary Marimba Music As A New Setting For The Brazilian Pandeiro, Eduardo Marques Do Prado

Doctoral Projects

The history of frame drums and idiophones has thousands of years. The modern versions of the pandeiro and the marimba are relatively new to those families of instruments. While the marimba found its niche in contemporary music, the pandeiro has been mostly used in Brazilian traditional music. The current project brings those two instruments together, allowing the pandeiro to express its versatility. Executing the intricate rhythms, uneven patterns, and alternating time signatures from within the Three Etudes for Marimba and Pandeiro is an example of what can be done with this amazing frame drum. These three pieces provide the pandeiro …

'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting, Eduardo Garcia

Music ETDs

The El Paso Wal-Mart Mass Shooting on August 3, 2019, prompted swift response from the local community to create artistic spaces of remembrance. This study examines the musical (mariachi and corrido) and visual (altares, murals, and memorials) manifestations present at makeshift and formal memorials for the victims. I analyze how members of the El Paso-Ciudad Juárez borderland situated their artistic work in the aftermath of the shooting. I argue that these artists responded to the attack with symbolic acts of resilience rooted in cultural and collective memory, embodiment of trauma, and the lived experience of corporeal …

Decolonizing And Enriching Opera: A Nigerian Folktale One Act Opera, Miracle O. Amah

Dissertations, 2020-current

Aligned with the decolonial aims of this project, this English and Yoruba language opera promotes an international understanding of African operatic styles which reflect literary, musical, instrumental and dance cultural traditions. This paper addresses some of the issues faced by people of color in the opera world, ways that people of color have been resilient in this genre and ways to enrich the opera world with the aim of decolonizing and deframing the white racial structure. This opera was first performed on March 29th, 2022 and was created as a workshop for performances in high schools, colleges, music institutions, and …

Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff

Masters Theses, 2020-current

Though over the years documents about shape-note music from Joseph Funk and Sons and the Ruebush-Kieffer companies have been spread throughout many archives, they are now being brought back together online in one digital archive. Interpreting the information contained in these documents and the ledger book of subscribers for The Southern Musical Advocate and Singer’s Friend magazine through graphs and maps makes the information contained in them easier to access for researchers. The collaboration between a physical museum site, a website, and a Omeka site allow for multiple ways to learn about the history of shape-note music in the Shenandoah …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

“Started From The Bottom”: The Ascension Of Hip-Hop As A Sonic Art Form, Benjamin Nile Stewart

Theses and Dissertations

For over four decades, hip-hop has been a part of the American soundscape, drawing from influences of jazz, rhythm and blues, disco, etc. Hip-hop is one of the cultural bridges between African Americans and the world. This paper will focus on the artists, culture and its ascent to high art.

Carlos Bulosan And Filipino Collective Memory: Teaching, Transgression, And Transformation, Jeffrey Cabusao

English and Cultural Studies Journal Articles

Who is Carlos Bulosan? Why is he significant? Why teach Bulosan in our classrooms? These questions function as points of departure for this lecture delivered in Summer 2021 for the UNITAS International Lecture Series cosponsored by CLASS and Kritika Kultura. By reviewing the significance of Carlos Bulosan, this talk provides an opportunity to examine the continued relevance of Bulosan and his works for the twenty-first century. A pioneering Filipino writer of the twentieth century, Bulosan developed a unique transgressive aesthetic that travels across national and literary boundaries and, in the process, reimagines the boundaries of Filipino identity and literary categorization. …

Qigang Chen’S Synthesis Of Multicultural Compositional Features In Er Huang, Isaac Reel

Student Theses

The purpose of this thesis is to identify prominent multicultural features of Qigang Chen's piano concerto, "Er Huang." It looks at theoretical aspects borrowed from Chinese practice as well as the practices of Chen's mentor Olivier Messiaen. This thesis then shows how Chen synthesizes those traditions. Chinese concepts discussed are banqiang, gong shift, bian sheng (changed notes) and the specific luogu dianzi (percussion topoi from beijing opera) ji-ji-feng. Messiaenic concepts discussed are motivic recycling and transformation, added values, irregular augmentation and diminution, modalism and rhythmic contrast.

Composing An Identity: How Musicians And Scholars Of The Mid-Twentieth Century Utilized The Sevdalinka To Establish A Modern Bosniak Identity, Aida Hrustić

History Honors Program

This paper explores how musicians and scholars contributed to the development of a modern Bosniak identity during the mid-twentieth century through their utilization of the sevdalinka. Many historians and scholars have studied the relationship between the sevdalinka and the Bosniaks and recognized its significance but have overlooked the impact sevdalinka musicians and scholars of the mid-twentieth century had in ushering in a modern Bosniak identity. This paper discusses how the growth of the music industry elevated the status of sevdalinka musicians in society and within the Bosniak community, deepening the Bosniak community’s tie to the sevdalinka through their musical work …

Andy Stewart, Andy M. Stewart, And Exonostalgia: The Draw Of Tartanry And Kailyard School, Sarah Tackitt

Honors Theses

Andy Stewart and Andy M. Stewart are popular Scottish folk and traditional musicians operating at different periods during the development of mass media. Andy Stewart’s career was marked by the introduction of the television into Scotland, and he made his career being compére of the Scottish television show The White Heather Club. After gaining international recognition, viewers and listeners associated his tartanry and stereotypically Scottish humor as representative of his culture and country.

Andy M. Stewart gained international recognition during the folk revival, in which he wrote songs both for his solo career and for the band Silly Wizard …

Music Of The Brown Church: Connecting Religion, Social Justice, Latina/O Studies And Worship Practices, Ann Richelle Jeandrevin

Masters Theses

This thesis project aims to explore music that is being used in churches that serve the Latino/a/x/e communities in the United States, which is also referred to as The Brown Church. As music serves a vital role in the cultural background in these communities, as does faith, the connection between these facets will give better insight into this growing and changing society in the United States. In addition to exploring the relationship between faith and worship music, there is a connecting component through understanding the dark history of the Latin American church and how that impacts faith, worship, and social …

Echoes Of Home, Hanna Traynham

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Echoes of Home, held at the Tipton Gallery in Johnson City, Tennessee on display March 15 through April 8, 2022. The author provides insight into concepts and influences relating to the creation of the exhibition with perspective on her intimate connection with place and memory.

The exhibit features five installations addressing home, elusive memory, and the change and continuity of cultural traditions over time. The works consist of a series of large-scale wild clay vessels, gestural clay bookends, a wall installation of cups with a line drawing, suspended porcelain slabs, …

A Standardized Approach To Analyzing Multi-Cultural Presentations Of Christian Worship, Kevin Michael Segner

Doctoral Dissertations and Projects

With the growth of the internet, worship pastors can share fine art presentations of the gospel message from cultures worldwide. Since all cultures belong in the kingdom of God, pastors may struggle to validate fine arts performances according to scriptural standards. One of the concerns is the range of interpretations that come from a lack of formal analysis in the literature. Some critics write about fine arts performances based on their own experience and opinion. This may indicate a gap in literature where there is no uniform standard for evaluating those works. Rather than take time to research presentations, a …

The Ballybriar Heist: An Original Composition And The Incorporation Of Folk Music And Tintinnabuli Influences, Conor Darling Mulroy

Dissertations

The Ballybriar Heist is a thirty-eight minute five-movement piece for symphony orchestra. It is based on a condensed version of the short story “The Ballybriar Heist.” The music draws influence from a variety of sources. Through analyzing folk music and seeing its influence in concert hall compositions throughout the nineteenth and twentieth centuries, one sees how these folk traditions evolved and were incorporated into concert hall music. Composers collected and transcribed folk music, giving them new ways to approach composition. Examining the music and performance practice of traditional Irish music shows how these traditions and performances influenced composers’ writing as …