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Saka, Fane Telena, Unknown Sikaiana

Sikaiana Traditional Songs

These are two saka, songs composed for a secret lover (hina) in traditional Sikaiana society. I know that one was collected from Fane Telena, the other I found in my notes.

Tani Various, Sikaiana People

Sikaiana Traditional Songs

These are transcriptions of several tani or funeral dirges. Tani are composed after a person dies. I do not have a record of who gave me the transcriptions, most likely John Kilatu and/or Reuben Tenai. I do not have recordings for these songs.

Research Proposals, Projects, Reports, And Paper Abstracts

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

Research Projects

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

Fiddle Songs And Banjo Songs: A Description Index, Gilbert Wayne Howard

Masters Theses & Specialist Projects

English-language texts associated with fiddle and banjo in the southern United States are described and then indexed for comparative reference. The fiddle songs are typically humorous, very brief, highly variable and disunified. The same is true of many banjo songs associated with the banjo. Ballads in the fiddle and the banjo repertory are not indexed if previously catalogued by Child or Laws.

Fiddle and banjo songs are defined as texts associated with fiddle or banjo playing, either through instrumental accompaniment or because informants mentally associate them with the fiddle or banjo. Various ways of performing the songs are enumerated, with …

Monitor Newsletter November 09, 1981, Bowling Green State University

Monitor

Official Publication of Bowling Green State University for Faculty and Staff

Res Ipsa Loquitur, Seton Hall University School Of Law

Newspapers

No abstract provided.

Black Music Research Newsletter, Fall 1981, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Articles: "Taking the Borad View in Black Music Research"/John Storm Roberts; Fisk University Archival Collection of Recorded Black Music"/Darius Thieme; "Hazel Harrison: Premier Pianist"/Jean Cazort, Constance Hobson; "Black String Musicians: Ascending the Scale"/Caldwell Titcomb. Vol. 5, No. 1. 6 pages.

Black Music Research Newsletter, Spring 1981, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers. Articles: "The Blues as Dance Music"/Albert Murray; "Scott Joplin: Questions Remain"/Addison Reed; "The Music of Chautauqua and Lyceum"/Frederick Crane; "Developments in Black Gospel Performance and Scholarship"/Irene Jackson-Brown; "Retrospective: The Black Composers Series"/Calvert Bean; "Composers Corner"/Lucius R. Wyatt; Announcements; Research News. Vol 4, No. 3. 12 pages.

Puina Songs, Joseph Tealo, Fane Telano

Sikaiana Traditional Songs

The Puina were times when men and women divided into separate groups to secretly compose songs that are critical of the opposite sex. These are song transcriptions given to me by Joseph Tealo and Fane Telena, both are noted composers. They were composed for the 1981 puina.

Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr

Sikaiana Traditional Songs

Two traditional composed songs (mako hatu) that I found in my notes, most likely from John Kilatu and/or Reuben Tenai.

The Psycho-Physiological Effects Of Volume, Pitch, Harmony And Rhythm In The Development Of Western Art Music Implications For A Philosophy Of Music History, Wolfgang Hans Stefani

Master's Theses

Problem Contemporary Christian churches have a growing concern over music ethics. A more objective standard than personal taste and opinion is needed to evaluate and assess both art music and popular music. The purpose of this present study was to determine a philosophy of music history on which an objective standard can be based. The study also investigated the expressive function of music. Method Two fields of investigation in music scholarship were correlated — the history of stylistic and instrumental development in Western art music and the scientific study of the psychophysiological effects of music on the human organism. Results …

Cwu Faculty Senate Minutes - 12/03/1980, Esther Peterson

Faculty Senate Minutes

These are the official Central Washington University Faculty Senate Minutes for the 12/03/1980 regular meeting.

Monitor Newsletter November 17, 1980, Bowling Green State University

Monitor

Official Publication of Bowling Green State University for Faculty and Staff

Ke Alakai, Vol. 26, No. 08 (1980-10-31), Brigham Young University Hawaii

Ke Alaka'i

No abstract provided.

The Definition Of Authentic Oceanic Cultures With Particular Reference To Tongan Culture, Sione Latukefu

Pacific Studies

No abstract provided.

Western News, April 3, 1980, Western Michigan University

Western News (1972-2018)

Story highlights: Dwarikesh directing exploration of Indian caves, Harvard economist to speak Wednesday, University; AAUP exchange proposals, Major award to DIC for series on regional poets, Deluca works still on display at church

April 3, 1980 Cal Poly Report, Public Affairs Office

Cal Poly Report

No abstract provided.

Black Music Research Newsletter, Winter 1980, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Articles: "Black Concert and Recital Music"/Dominique-Rene de Lerma; "Black Music and Musical Analysis: William Grant Still's 'Songs of Separation' as a Point of Departure"/Orin Moe; "Deford Bailey"/Jessica Janice Jones; "Old-Time Black Gospel Quartet Contests"/Doug Seroff; "Foundation News: Why Applications Fail"/the staff of the National Endowment for the Humanities; Announcements and Information; Questions and Answers; …

Black Music Research Newsletter, Fall 1980, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Articles: "The Ethnomusicologist and Black Music"/Bruno Nettl; "Black concert and recital music: A glimpse of Afro-Caribbean music in the early 17th century"/Dominique-Rene de Lerma; "Rural Black String Band Music"/Charles Wolfe; "National Conference on Black Music Research-Summary"/ Lucius R. Wyatt; "The Conference Concert: A Review"/Carman Moore; Questions and Answers; Announcements and Information. Editors: Samuel A. …

The Mayfield Messenger, March 15, 1980, The Mayfield Messenger

The Mayfield Messenger

No abstract provided.

Ke Alakai, Vol. 25, No. 17 (1980-02-01), Brigham Young University Hawaii

Ke Alaka'i

No abstract provided.

1980s (Date Unknown), 90.9 Wmpg Em

WMPG Program Guides

No abstract provided.

Date Unknown (1980s), 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light brown, undated.

Date unknown,

Date Unknown (Early 1980s), 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light grey. Undated

Program Director Notes menion a recent move to "new studios".

Graduate Bulletin, 1980-1982 (1980), Moorhead State University

Graduate Bulletins (Catalogs)

No abstract provided.

Black Music Research Newsletter, Summer 1979, Samuel Floyd

Center for Black Music Research Newsletter

"Black Music Research Newsletter is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Editor: Samuel A. Floyd, Jr., Editorial Board: Lynne Davis, Anita Pulcher. Vol 3, No. 1. 14 pages.

The Lark On The Strand: A Study Of A Traditional Irish Flute Player And His Music, Lori Jane Kaplan

Masters Theses & Specialist Projects

This thesis provides an in-depth study of a traditional Irish flute player, Jack Coen. Jack, raised in the village of Woodford in County Galway, immigrated to America in 1949 at the age of twenty-four. With his large repertoire of Irish traditional dance tunes, Jack has played music at parties, dances, with the New York Ceilidhe Band, and at festivals such as the 1976 Festival of American Folklife in Washington, D.C. Jack teaches the flute and the tin whistle and is recognized both as a teacher and as a player.

By examining Jack Coen’s music we learn about the style, technique, …

New Mexico Daily Lobo, Volume 082, No 139, 4/26/1979, University Of New Mexico

1979

New Mexico Daily Lobo, Volume 082, No 139, 4/26/1979

Tennessee Folklore Society Bulletin - Volume 45, No. 1, Tennessee Folklore Society

Tennessee Folklore Society Bulletin

No abstract provided.