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Full-Text Articles in Entire DC Network
Black Music Research Newsletter, Spring 1987, Samuel Floyd
Black Music Research Newsletter, Spring 1987, Samuel Floyd
Center for Black Music Research Newsletter
BMR Newsletter is published by the Columbia College Center for Black Music Research and is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and activities in universities and research centers. Articles: "Black Music in New Orleans: A Historical Overview"/Curtis D. Jerde; "Composers Corner: Six Composers of Nineteenth-Century New Orleans"/Lucius R. Wyatt; "Black Music Collections in New Orleans"/Deborra Richardson; "Researching Black Music in New Orleans: A National Conference on Black Music Research"; "Introducing...Members of …
Song Texts And Their Performers: The Centerpiece Of Contemporary Lakota Identity Formulation, R. D. Theisz
Song Texts And Their Performers: The Centerpiece Of Contemporary Lakota Identity Formulation, R. D. Theisz
Great Plains Quarterly (through 2013)
During the 1960s and 1970s both American Indians and non-Indians showed intense interest in and awareness of the Indian world, and many traditional activities became more popular. This boom atmosphere has waned in the late 1980s, and Indian youths and young adults have therefore changed the focus of their search for identity formulation. In this article, I have been concerned with an aspect of Lakota traditionalism that is being granted more and more significance in the Lakota scheme of things-traditional song and dance. I have based the article on my readings in ethnomusicological literature, my informal observations over many years …
Columbia College Alumni Newsletter, Columbia College Chicago
Columbia College Alumni Newsletter, Columbia College Chicago
Alumni Newsletters
Alumni newsletter from Spring/Summer 1987 entitled "Columbia College Alumni Newsletter." This issue is 8 pages and features 8 images. The issue is listed as Volume 7, No. 2.
Vol. 10 No. 2 (1987): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 10 No. 2 (1987): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Washington University Record, January 29, 1987
Washington University Record, January 29, 1987
Washington University Record
No abstract provided.
Summer 1987, 90.9 Wmpg Fm
Executive Committee And Officers Of Nsa
Executive Committee And Officers Of Nsa
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies
No abstract provided.
Comprehensive Muscianship At San Diego State University, David Ward-Steinman
Comprehensive Muscianship At San Diego State University, David Ward-Steinman
Journal of Music Theory Pedagogy
No abstract provided.
Volume 1, Various Authors
Fall 1986, Wmpg 90.9 Fm
Fall 1986, Wmpg 90.9 Fm
WMPG Program Guides
WMPG program guide for Fall 1986
Includes notes from Program Director, information on shows and events, and schedule.
Vol. 10 No. 1 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 10 No. 1 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Lawrence Today, Volume 66, Number 4, Fall 1986, Lawrence University
Lawrence Today, Volume 66, Number 4, Fall 1986, Lawrence University
Alumni Magazines
No abstract provided.
Vol. 10 No. 1 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 10 No. 1 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Black Music Research Newsletter, Fall 1986, Samuel Floyd
Black Music Research Newsletter, Fall 1986, Samuel Floyd
Center for Black Music Research Newsletter
BMR Newsletter is published by the Columbia College Center for Black Music Research and is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and activities in universities and research centers. Articles: "Introducing..Members of the National Advisory Board of the Center for Black Music Research"/Bruce Tucker; "An Alternative Index to Black Music in the United States"/Dominique-Rene de Lerma; "Composers Corner/Lucius R. Wyatt; "The Music Collections at the Schomburg Center for Research in Black Culture/Deborra …
Clyde Davenport - Photograph, Clyde Davenport
Clyde Davenport - Photograph, Clyde Davenport
Vintage Fiddlers Oral History Project Collection
A photograph of Clyde Davenport of Monticello, Kentucky in July of 1986.
Vol. 9 No. 3 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 9 No. 3 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 9 No. 3 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 9 No. 3 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Annadeen Fraley - Photograph, Annadeen Fraley
Annadeen Fraley - Photograph, Annadeen Fraley
Vintage Fiddlers Oral History Project Collection
A photograph of Annadeen Frealey of Rush, Kentucky in June of 1986.
Tennessee Folklore Society Bulletin - Volume 52, No. 2, Tennessee Folklore Society
Tennessee Folklore Society Bulletin - Volume 52, No. 2, Tennessee Folklore Society
Tennessee Folklore Society Bulletin
No abstract provided.
Special Report, May 9, 1986, Illinois State University
Special Report, May 9, 1986, Illinois State University
Illinois State University Report (1966-2012)
Illinois State University bi-weekly employee newsletter.
Spring 1986, Wmpg 90.9 Fm
Spring 1986, Wmpg 90.9 Fm
WMPG Program Guides
WMPG program guide for Spring 1986
Includes notes from Program Director, information on shows and events, and schedule.
Spring 1986, 90.9 Wmpg Fm
Vol. 9 No. 2 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 9 No. 2 (1986): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 9 No. 2 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 9 No. 2 (1986): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Monitor Newsletter January 27, 1986, Bowling Green State University
Monitor Newsletter January 27, 1986, Bowling Green State University
Monitor
Official Publication of Bowling Green State University for Faculty and Staff
Summer 1986, 90.9 Wmpg Fm
Summer 1986, 90.9 Wmpg Fm
WMPG Program Guides
"Alternative music to soothe the savage soul"
Summer 1986, 90.9 Wmpg Fm
Summer 1986, 90.9 Wmpg Fm
WMPG Program Guides
WMPG Program Guide, Summer 1986.
One sheet w/ letter
Winter/Spring 1986, 90.9 Wmpg Fm
Winter/Spring 1986, 90.9 Wmpg Fm
WMPG Program Guides
WMPG Program Guide, Winter/Spring 1986
Jaipongan: Indigenous Popular Music Of West Java, Peter L. Manuel, Randall Baier
Jaipongan: Indigenous Popular Music Of West Java, Peter L. Manuel, Randall Baier
Publications and Research
The advent of mass media - particularly cassettes and films - in Indonesia has led to the flowering of two mass popular music forms, namely, dangdut and jaipongan. Kroncong, an older urban popular form, presents a mixture of Portuguese folksong style and Indonesian features; dangdut style, while in some respects an extension of the orkes melayu tradition, is heavily influenced by Hindi film songs and Western pop; only jaipongan is purely Indonesian - or more properly speaking, Sundanese - in origin and style. While kroncong and dangdut have received some scholarly attention (Becker 1975, Heins 1975, Frederick 1982), jaipongan has …
"'Gi Dunu,' 'Nyekpadudo,' And The Study Of West African Rhythm", V. Kofi Agawu
"'Gi Dunu,' 'Nyekpadudo,' And The Study Of West African Rhythm", V. Kofi Agawu
Publications and Research
Rhythm has remained the focus of much study of West African music since the pioneering studies of Ward (1927), Hornbostel (1928), Waterman (1948), Brandel (1951), Cudjoe (1953), Merriam (1959), and Jones (1959).