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An Annotated Bibliography Of Piano Concertos Written By South Korean Composers In The Twentieth Century, Ji-Hyun Kim Jan 2008

An Annotated Bibliography Of Piano Concertos Written By South Korean Composers In The Twentieth Century, Ji-Hyun Kim

Open Access Dissertations

The purpose of this study is to provide a systematic overview of piano concertos written by Korean composers in the Twentieth-Century, using the format of an annotated bibliography. This project is of vital significance for musicians who wish to further expand their knowledge of the repertoire in this genre. In particular, this research serves as an important vehicle for those with a special interest in contemporary works, music by Korean composers, and for those who are looking for a contemporary source outside the scope of the standard piano concerto literature. The study provides commentary on the compositional and performance aspects …


Treize Etudes Pour L'Orchestre, Maria-Silvia Constantinidis Jan 2008

Treize Etudes Pour L'Orchestre, Maria-Silvia Constantinidis

Open Access Theses

Treize Etudes Pour L?Orchestre is a thirteen-movement symphonic work for full contemporary orchestra. The purpose of this work has been to develop a sonic exploration of textural possibilities through the orchestral medium. The motivic materials of the whole piece were first utilized in pieces for one piano, piano and cello and two pianos combinations These smaller pieces ahs been included in the appendix section of this work. The orchestral work does not represent an orchestration of the smaller pieces, but an expansion of the material into different textural studies. Preparation for this work includes the study of twelve different bird …


Course Catalog 2008-2009, Csusb Jan 2008

Course Catalog 2008-2009, Csusb

CSUSB Course Catalog

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 42 ACADEMIC REGULATIONS 45 MINORS 56 CERTIFICATE PROGRAMS 58 EXTENDED LEARNING 60 UNDERGRADUATE DEGREE PROGRAMS 62 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 347 Graduate Degree Programs FACULTY 511 APPENDIX 532 INDEX 540


Medievalism And Exoticism In The Music Of Dead Can Dance, Kirsten Yri Jan 2008

Medievalism And Exoticism In The Music Of Dead Can Dance, Kirsten Yri

Music Faculty Publications

In 1991, the alternative rock band Dead Can Dance released an album that caught the attention of music reviewers by constructing an aural allegiance to the Middle Ages. Suitably called A Passage in Time, the album was described as imitating medieval chant, troubadour music, Latin hymns and courtly songs and included Dead Can Dance’s hybrid medieval songs as well as performances of actual medieval repertoire. In modeling their songs and sounds after historical recordings of medieval music, Dead Can Dance also adopted some of the ideological parameters of these performances and historical reconstructions. Examining the output of Dead Can Dance …


Pedagogic Applications Of Fourier Analysis And Spectrographs In The Music Theory Classroom, John Latartara Jan 2008

Pedagogic Applications Of Fourier Analysis And Spectrographs In The Music Theory Classroom, John Latartara

Journal of Music Theory Pedagogy

Over the last twenty-five years, computer technology has transformed the teaching environment. This is especially true for the field of music theory. Software programs designed for ear training, notation, and interval/chord spelling have been helpful in allowing students to improve their musicianship skills rapidly. There is another type of software program that can also be extremely beneficial for music theory students, which has direct applications in musical analysis - Fourier analysis and spectrographs. Fourier analysis and spectrographs can be used in a variety of ways to elucidate specific musical concepts and generate discussion in the theory classroom at both the …


Bells Of Change: Kathak Dance, Women And Modernity In India, Pallabi Chakravorty Jan 2008

Bells Of Change: Kathak Dance, Women And Modernity In India, Pallabi Chakravorty

Dance Faculty Works

The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and 'innovation' and 'new directions' under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film.


Scholarly Monographs On Rock Music: A Bibliographic Essay, Monica Berger Jan 2008

Scholarly Monographs On Rock Music: A Bibliographic Essay, Monica Berger

Publications and Research

Purpose This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences.

Design/methodology/approach This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciological scholars approach the topic; geographic approaches; literature on four key icons (Elvis, …


Fela Anikulapo-Kuti, Monica Berger Jan 2008

Fela Anikulapo-Kuti, Monica Berger

Publications and Research

No abstract provided.


Senior Viola Recital, Johannah Fenton Jan 2008

Senior Viola Recital, Johannah Fenton

Senior Honors Theses and Projects

No abstract provided.


Author Biographies, Authors: Berry, Foreman, Guerrero, Hulse, John, Leong, Silver Jan 2008

Author Biographies, Authors: Berry, Foreman, Guerrero, Hulse, John, Leong, Silver

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Biographies of authors


Analytical Studies In World Music, Edited By Michael Tenzer. Oxford: Oxford University Press, 2006., Kelly Foreman Jan 2008

Analytical Studies In World Music, Edited By Michael Tenzer. Oxford: Oxford University Press, 2006., Kelly Foreman

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Review of Analytical Studies in World Music


Linguatag: An Emotional Speech Analysis Application, Charlie Cullen, Brian Vaughan, Spyros Kousidis Jan 2008

Linguatag: An Emotional Speech Analysis Application, Charlie Cullen, Brian Vaughan, Spyros Kousidis

Conference papers

The analysis of speech, particularly for emotional content, is an open area of current research. Ongoing work has developed an emotional speech corpus for analysis, and defined a vowel stress method by which this analysis may be performed. This paper documents the development of LinguaTag, an open source speech analysis software application which implements this vowel stress emotional speech analysis method developed as part of research into the acoustic and linguistic correlates of emotional speech. The analysis output is contained within a file format combining SMIL and SSML markup tags, to facilitate search and retrieval methods within an emotional speech …


Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser Jan 2008

Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser

Philosophy Faculty Publications

The notion of a “cover song” is central to an understanding of contemporary popular music, and has certainly received its share of attention in writing about contemporary music, from the mainstream press to slightly more technical ethnomusicological studies such as “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)” (Dent, 2005). In many major U.S. cities, musicians make a living in “cover” bands, recreating the music of well-known groups such as the Beatles, the Rolling Stones, Pink Floyd, U 2, the Who, ABBA, the Dave Matthews Band, the Grateful Dead, and others. Consumers …


Insights- April 2008, University Relations Staff Jan 2008

Insights- April 2008, University Relations Staff

Insights

No abstract provided.


Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel Jan 2008

Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel

Publications and Research

A discussion of dual tonicity in Cuban popular music.


Sacred Sound: Experiencing Music In World Religions. By Guy L. Beck, Editor, Greg Hansen Jan 2008

Sacred Sound: Experiencing Music In World Religions. By Guy L. Beck, Editor, Greg Hansen

BYU Studies

Guy L. Beck, editor. Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2006.


Musicology And Mediation: An Examination Of The Cultural Materialisms Of Raymond Williams And Pierre Bourdieu In Relation To The Fields Of Contemporary Music And Musicology, With A Case Study Of Arvo Part And Ecm, Tom Begbie Jan 2008

Musicology And Mediation: An Examination Of The Cultural Materialisms Of Raymond Williams And Pierre Bourdieu In Relation To The Fields Of Contemporary Music And Musicology, With A Case Study Of Arvo Part And Ecm, Tom Begbie

Other Faculty of Arts, Humanities and Business Theses

This thesis examines the usefulness of the work of Pierre Bourdieu and Raymond Williams for discussions of material mediation in musicology. In part I, I focus on Bourdieu's discussions of cultural production as set out in The Rules of Art and "The Field of Cultural Production", and reconstruct the terms of Williams's late theoretical project. In establishing the terms of these projects, I draw a parallel between their attempts to materialize the categories of Marx's superstructure - noting in Williams's subsequent use of a revised Marxist production paradigm a proximity to the work of Adorno - before noting the differences …


Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals Dec 2007

Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals

Theses & Dissertations

The classic corrido is a part of Mexican tradition and is woven into Mexico's rich cultural history. Listeners have endeared corridos for generations simply for the storytelling. They characterize small Mexican communities and their iconic heroes and represent the hope and courage that they must have in the face of injustice, oppression or danger. The protagonist in the corrido, commonly possessing the characteristics of Robin Hood, is a constant theme. This hero character also meets with an untimely death, usually the result of betrayal. The heightening of the element of conflict and violent death has transformed the classic corrido into …


Volume 27, Number 4, December 2007 Olac Newsletter, Jain Fletcher, Jay Weitz, Barbara Vaughan, Amy K. Weiss Dec 2007

Volume 27, Number 4, December 2007 Olac Newsletter, Jain Fletcher, Jay Weitz, Barbara Vaughan, Amy K. Weiss

OLAC Newsletters

Digitized December 2007 issue of the OLAC Newsletter.


Letting Go Of Data In Aboriginal Australia: Ethnography On “Rubber Time", Sara Stevens Zur Dec 2007

Letting Go Of Data In Aboriginal Australia: Ethnography On “Rubber Time", Sara Stevens Zur

The Qualitative Report

While attempting to investigate modes of musical transmission among the Yol ŋ u People in Northeast Arnhem Land Australia, questions regarding the meaning of the word “research” led to the decisive abandonment of data collection. Specifically, the processes of observation, recording, and other typical Western means of genera ting data seemed to be in direct opposition to the way knowledge was traditionally shared. The author critically examines her multiple attempts at conducting this research, and discusses why eventually giving up on the research led to a more profound understanding.


The Ticker, November 12, 2007 Nov 2007

The Ticker, November 12, 2007

The Ticker

The Ticker is the student newspaper of Baruch College. It has been published continuously since 1932, when the Baruch College campus was the School of Business and Civic Administration of the City College of New York.


Ensemble Concert: Illinois State University Chamber Orchestra, November 1, 2007, Glenn Block Nov 2007

Ensemble Concert: Illinois State University Chamber Orchestra, November 1, 2007, Glenn Block

School of Music Programs

Center for the Performing Arts
Thursday Evening
November 1, 2007
8:00 p.m.


Boletín V.13:No.1 (2007), Fordham University Latin American And Latino Studies Institute Oct 2007

Boletín V.13:No.1 (2007), Fordham University Latin American And Latino Studies Institute

Boletín (Fordham University. Latin American and Latino Studies Institute)

No abstract provided.


The Musician Is The Messenger: Islam And Jaliya In Mandinka Music, Blake Walker Oct 2007

The Musician Is The Messenger: Islam And Jaliya In Mandinka Music, Blake Walker

Independent Study Project (ISP) Collection

This paper explores the complex dynamics at play surrounding jalis, or professional praisesingers, in the culture of the Mandinka people of West Africa. Jalis, almost certainly present among the Mandinka prior to the arrival of Islam in the area, remain one of the strongest reminders of pre-Islamic culture in Mandinka society. However, the art and social roles of the jali have undergone numerous transformations in adapting, conforming to, and sometimes challenging Muslim cultural norms. This paper explores some of the means by which the two cultural fountainheads of Islam and West Africa are reconciled by jalis and other members of …


Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley Oct 2007

Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley

Independent Study Project (ISP) Collection

In the global world of the 21st Century, music is one of the few things that has the ability to cross physical as well as cultural borders, which is why my Independent Study Project (ISP) focuses on the role of hip-hop music in the youth culture in Kenya’s largest coastal city, Mombasa. Throughout history, music has proven its artistic power; inspiring people to resist oppression, challenge inequality, and even claim salvation.

This enduring characteristic of music is central to my ISP which explores the emergence of hip-hop in Kenya as well as the evolution of Ukoo Flani, one of the …


A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt Oct 2007

A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt

Independent Study Project (ISP) Collection

Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …


On Musical Cosmopolitanism, Martin Stokes Sep 2007

On Musical Cosmopolitanism, Martin Stokes

The Macalester International Roundtable 2007

No abstract provided.


The Dual Career Of “Arirang”: The Korean Resistance Anthem That Became A Japanese Pop Hit, E. Taylor Atkins Aug 2007

The Dual Career Of “Arirang”: The Korean Resistance Anthem That Became A Japanese Pop Hit, E. Taylor Atkins

Faculty Articles, Papers, and Other Scholarship

“Arirang” is known worldwide as the quintessential Korean folk song. Its iconic status in contemporary Korea derives from its perceived role in strengthening Korean resolve to resist the cultural violence of the Japanese colonial occupation (1905–45). A musical “skeleton” capable of countless improvised variations and interpretations, some “Arirangs” explicitly assailed the Japanese and thus were censored by colonial authorities. However, in the 1930s and 1940s, precisely the time when assimilationist pressures in colonial Korea were intensifying, Japanese songsmiths, singers, and recording companies released “Arirang” renditions in prodigious quantities, sometimes in collaboration with Korean performers. “Arirang” became the most familiar song …


August 2007 Commencement Program, Bowling Green State University Aug 2007

August 2007 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.


Serials Solutions Subject Search Report 2006-2007 Jul 2007

Serials Solutions Subject Search Report 2006-2007

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2006-2007. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.