Digital Commons Network^™

Songs And Intellectuals: The Musical Projects Of Alain Locke, Alejo Carpentier, And Mário De Andrade, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.

Bibliography For Work In Hungarian Studies As Comparative Central European Studies, Louise O. Vasvári, Steven Tötösy De Zepetnek, Carlo Salzani

CLCWeb Library

No abstract provided.

Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Rewriting Histories and Identities in French Rap" Isabelle Marc Martínez analyzes aspects of French hip hop culture. As an example of resistant cultural manifestations, hip hop scenes all over the world develop strategies to subvert mainstream values and to replace them by new de-localized, contesting identities via intermedial and intertextual processes. In France during the 1990 rap was intended to reassess French national history and national self-perception. Foundational hip hop bands such as Assassin, Ministère AMER, IAM, and NTM aimed at discrediting official narratives concerning the French culture's colonial and social past. hip hop artists, who …

Semiotics, Habitus And Music In The Transmission Of Tibetan Culture In Toronto, John Robertson

Masters Theses

This ethnographic study explores the role of music in cultural transmission in the Tibetan community of Toronto, Canada. Beginning with an integration of Peircian semiotics, Bourdieu's habitus and musical semiosis, I then identify certain non-Tibetan cultural elements being encountered by those in the Toronto community which are potentially creating cognitive structures foreign to those which have their generative principles in pre-exile Tibetan past, and the ways in which Tibetans are transmitting (to varying degrees) cognitive schemata which identify these non-Tibetan elements and protect against their appropriation. After exploring elements which are not Tibetan, I turn to those which are: a …

Life Stories Of Four Conjunto Musicians: Adding To The Culturally Relevant Curriculum Of The Rio Grande Valley Schools, Andres Martinez

Theses and Dissertations - UTB/UTPA

This study examines music and culture and their importance in the learning process. As early as 1838, Horace Mann and later John Dewey (1916), Tim Brophy (1992) and others were expounding the benefits of music as a necessary element of the school curriculum. Julio Cammarota (2008), Geneva Gay (2000), Alan Singer (1994), Banks and Banks (1989) and others have argued for the importance of culture in the curriculum to enhance learning. Both elements have a unique place in the school curriculum. A brief history of the genre is presented beginning with the early years (mid 1800s), the development years (early …

Midwest Institute Of Opera: Die Zauberflöte, July 31, 2011, John Koch Artistic Director, Joshua Greene Conductor, Brenden Moffitt Director

School of Music Programs

Center for the Performing Arts
July 31, 2011
Sunday Afternoon
3:00 p.m.

Midwest Institute Of Opera: Die Zauberflöte, John Koch, Artistic Director, Joshua Greene, Conductor, Brenden Moffitt, Director

School of Music Programs

Center for the Performing Arts
July 30, 2011
Saturday Evening
8:00 p.m.

Temple Of Ancient Knowing: Music Therapy Portraits Of Globalized Indian Identity, Sangeeta Swamy

Expressive Therapies Dissertations

This dissertation study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), an arts-based, psychotherapeutic technique. The purpose was to examine how Indian music, in the context of CCMI, could evoke identity-based imagery and assess Indian identity in a globalized context. Five Indian men and women participated in CCMI sessions, and the qualitative methodology of portraiture was used in this study. The results provide support for the cultural or ethnic unconscious and suggest the potential for CCMI to access this internal, collective space. Results also indicate that CCMI may be used in a clinical …

Serials Solutions Subject Search Report 2010-2011, Andree J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2010-2011. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …

Gendering Dance, Gazing Music: Dance Movements, Healing Rituals And Music Making, M.A. Md Nor, H. Hussin

Research Publications (2011 to 2015)

Within the community of the nomadic 'sea gypsies' of the Sulu Sea, the Sarna Bajau or Bajau Laut of Malaysia and the Sarna Dilaut of the Southern Philippines share commonalities in the way dancers are gendered through the choices of musical tunes while partaking in the ritual healing ceremony of magpaibahau or magduwata (offering of newly harvested rice) and magpa-igal (for ancestors' spirit) or in the offering ceremony of pagkanduli (offerings for sea-spirits). Ritual healing ceremonies are signified with dancing (mag-igal) and playing of specific tunes (titik) by the kulintang music, which is often referred to as tagunggu " consisting …

Holy Cross Libraries Annual Report Fy2011, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries

Survey Of Music-Library Personnel Characteristics, 2009, Susannah Cleveland, Mark A. Puente

University Libraries Faculty Publications

Results from the 2009 Music Library Association (MLA) Survey of Personnel Characteristics are presented and analyzed. Areas covered include education and training, status and salaries, professional activities, and demographics of MLA members. In each area, comparisons are made to results from the study of the same name conducted in 1997.

Kevin Volans' She Who Sleeps Witha Small Blanket: An Examination Of The Intentions, Reactions, Musical Influences, And Idiomatic Implications, Peter D. Breithaupt

Masters Theses

Using and expanding upon a theoretical model for examining the meaning of music presented by ethnomusicologist Timothy Taylor, one of the leading scholars on composer Kevin Volans and his music, this research will attempt to properly position Volans' percussion solo, She Who Sleeps witha Small Blanket, composed in 1985, within Volans' African Paraphrase classification. It will also attempt to dissociate She Who Sleeps from the claims of hegemonic cultural appropriation that are attached to Volans' African Paraphrase pieces. In his model, Taylor talks about the "inseparable metatext" that surrounds a piece of music and includes the composer's intentions, the listener's …

From Gwoka Modénn To Jazz Ka: Music, Nationalism, And Creolization In Guadeloupe, Jerome Camal

All Theses and Dissertations (ETDs)

My dissertation explores the development of new musical styles based on gwoka, a Guadeloupean drum-based music and dance tradition. During five visits to Guadeloupe between 2007 and 2009, I interviewed musicians, music professionals, and cultural and political activists. In addition, I attended numerous musical performances, learned to play and dance gwoka, and performed with several ensembles. I combine this ethnographic data with archival evidence to reveal how Guadeloupe's atypical path to decolonization and economic dependency has fueled the growth of nationalist sentiment on the island. Using transcriptions and analyses of musical recordings, I demonstrate how musicians have participated in Guadeloupe's …

2011 Commencement Program, Whittier College

Commencement Programs

Whittier College's One Hundred Eighth Commencement, May 13, 2011

Commencement Address: Judith and Bill Moyers

Supplement file includes the One Hundred Eighth Whittier College Baccalaureate, May 12, 2011

Teaching Music To Students With Multiple Disabilities: A Study Into Teachers' Perspectives And Practices For Self-Contained General Music Instruction, Angela D. Clemens

Masters Theses, 2010-2019

This study investigates the experience of elementary teachers providing music instruction to students with multiple disabilities in self-contained classrooms. With legislation mandating public education for students with special needs, music teachers increasingly encounter these students in their classrooms, which range from inclusion to self-contained environments. Research indicates that music is a valid and valuable tool for supporting extra-musical learning as well as fostering musical growth in students with special needs. Additionally, research provides insight into inclusion experiences for teachers and for students. However, research into self-contained instruction is minimal. This study addressed that gap through phenomenological exploration of teachers in …

An Inquiry Into Contextualized Christian Expression In North India, M. J. Gracin

Masters Theses

The riches of India's ancient and diverse culture are proclaimed from the music that communicates the heart of Bharat Mata - Mother India. This sentiment resounds across the vast geographical area of India in songs from Hindus, Muslims, Sikhs, Buddhists, Christians and Bollywood composers. The question of how Christians might express their faith in light of societal, historical and religious amalgamations is the topic of discussion for this project. The inquiry will focus on the music culture of North India, specifically as it is expressed in the city of B_____, Uttar Pradesh. A six week field study was conducted in …

The Last Of The Rephaim: Conquest And Cataclysm In The Heroic Ages Of Ancient Israel, Brian R. Doak

Faculty Publications - George Fox School of Theology

This dissertation explores the role of giants in the narrative and historiographic worlds of symbol, geography, and religion in ancient Israel. The Nephilim, Anaqim, Rephaim, Emim, Zamzumim/Zuzim, some Gibborim, and other individuals (e.g., Goliath) can all be classified as “giants”—not only with respect to their height and other physical properties, but also with respect to the negative moral qualities assigned to giants in antiquity. Previous interpreters have treated giants as merely a fantastical prop against which God’s agents emerge victorious. I argue that giants are a theologically and historiographically generative group, through which we gain insight into central aspects of …

The Symbolic Creation Of Cultural Performance At The Walnut Valley Festival, Maggie Colleen Cobb

Graduate Theses and Dissertations

Through two years of ethnographic fieldwork and 19 interviews, I synthesize symbolic interaction and a sociological framework of culture to examine the ways in which the Walnut Valley Festival is created and experienced as a unique form of cultural performance, one that is always shifting in response to the emergent cultural creation and reception of attendees. No work to date combines the dimensions of both production and reception of music festivals as a unique form of cultural performance. In bringing back the oftentimes ignored affective dimension in cultural studies, I use Griswold's (2004) metaphor of a cultural diamond, examining the …

Multicultural Education In The Music Classroom: Definitions, Methods, And Motives, Candace Rhnea Stafford-Davis

Graduate Theses and Dissertations

This study aimed to understand the multicultural teaching experiences of music teachers in the Fayetteville and Springdale public school districts through the lens of James Banks' four approaches to curriculum reform. The research was intended to add to the limited literature presently found on the definition of multicultural music education and how this type of education is implemented. The study also increased knowledge of teacher motives for implementing multicultural education in the music classroom and highlight challenges that lie within implementation. Purposive sampling was used and in an attempt to get an information rich sample, two schools were chosen from …

May 2011 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Cal Poly Arab Music Ensemble To Perform June 3, Public Affairs Office

Press Releases

No abstract provided.

4/15/2011, Slutzker Center For International Students

Newsletters from Slutzker Center for International Services - SCIS News

No abstract provided.

The Bg News April 8, 2011, Bowling Green State University

BG News (Student Newspaper)

The BGSU campus student newspaper. April 8, 2011. Volume 101-Issue 133.

The Bates Student - Volume 140 Number 18 - April 5, 2011, Bates College

The Bates Student

No abstract provided.

Music, Anthropology, And The Senses: Cognition For Social Change, Marcia Mikulak

Anthropology Faculty Publications

Both anthropology and music embrace the method of participant observation: performance and observation of self and others. As a classical musician, I bring a musical heritage in both classical and experimental music performance, and as a cultural anthropologist my training in ethnology allows me to couple musical sensibilities with participant observation. This paper explores three venues of human expression: experimental musical improvisation, musical performance with and for street and working youth in Brazil, and anthropological fieldwork. I argue that the combination of musical expression and participant observation provide unique opportunities to share the universality of lived experiences, while augmenting complex …

Spring 2011, Friends Of Dacus Library

Friends of Dacus Library Newsletter

Inside this Issue:

Dean’s Welcome
Changes in the Library: Physical and Metaphysical
Library Board Members Board Actions 3/2/11
Shetuni Book
DDA, not Dada Bi-Lo
Boosters
Membership List
Membership Form
Note from the Chair

Pro Musica Newsletter, Spring 2011, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

Soul Medicine: The Role Of Traditional Senegalese Music In A Therapeutic Context, Alexa K. Dorris

Independent Study Project (ISP) Collection

The purpose of this study was to discover the role of traditional Senegalese music used in therapeutic contexts. Specifically, I sought to discover its uses and understand the ideologies and cultural significance behind its usage. I collected data using participant observation, interviewing, and archival research in Dakar and Ngoundiame, a Serrere village, Senegal. I found that music was used for cathartic and healing purposes in two primary schools in Dakar and in the traditional ndepp ceremony, respectively. These usages of music reflected larger themes in Senegalese culture. In conclusion, I recommended that music be integrated into mental health treatment through …