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The Mad Science Of Hip-Hop: History, Technology, And Poetics Of Hip-Hop's Music, 1975-1991, Patrick Rivers

Dissertations, Theses, and Capstone Projects

In 1979, the first commercial recordings of hip-hop music were released. The music's transition from the parks and clubs of the Bronx to recorded media resulted in hip-hop music being crafted and mediated in a recording studio before reaching the ears of listeners. In this dissertation I present a comprehensive investigation into the history of the instrumental component of hip-hop music heard on recordings, commonly referred to as beats. My historical narrative is formed by: the practices involved in the creation of hip-hop beats; the technologies that facilitated and defined those practices; and the debates around these two aspects that …

The Regional North Indian Popular Music Industry In 2014: From Cassette Culture To Cyberculture, Peter L. Manuel

Publications and Research

This article explores the current state of the regional vernacular popular music industry in North India, assessing the changes that have occurred since around 2000 with the advent of digital technologies, including DVD format, and especially the Internet, cellphones and ‘pen-drives’. It provides a cursory overview of the regional music scene as a whole, and then focuses, as a case study, on a particular genre, namely the languriya songs of the Braj region, south of Delhi. It discusses how commercial music production is adapting, or failing to adapt, to recent technological developments, and it notes the vigorous and persistent flowering …

Gendered Practices And Conceptions In Korean Drumming: On The Negotiation Of "Femininity" And "Masculinity" By Korean Female Drummers, Yoonjah Choi

Dissertations, Theses, and Capstone Projects

Korean drumming, one of the most popular musical practices in South Korea, currently exists in a state of contradiction as drumming, historically performed by men, is increasingly practiced by women. Women drummers who enter this male-dominated realm confront the "masculinization" of the practice, which is naturalized and normalized through the field's discourse and performance. At the same time, they seek a "femininity" that may help them to survive in the field. To examine these gendered conceptions and practices, I draw on the ways in which contemporary Korean traditional drum performers, predominantly professional female drummers, conceptualize, experience, perform, reinforce, and/or resist …

Redefining Diaspora Consciousness: Musical Practices Of Moroccan Jews In Brooklyn, Samuel Reuben Thomas

Dissertations, Theses, and Capstone Projects

This dissertation examines the role of musical practices in the synagogue life of Maroka'im (Moroccan Jews) in Brooklyn, New York. Living in an urban setting known for its diverse and robust Jewish life, community members utilize several different types of musical expression to emblematize three distinct diasporic ethnic identities: Jewish (of ancient Israel), Sephardi (Spanish), and Maroka'i (Moroccan). Based upon ethnographic fieldwork carried out between 2008 and 2013, this study demonstrates how Maroka'im in Brooklyn use musical expressions to evoke more than one sense of diaspora consciousness--Jewish, Sephardi, and Maroka'i--to foster what I term a layered diaspora consciousness.

To illustrate …

Student Ensemble: Wind Symphony, September 28, 2014, Martin H. Seggelke

School of Music Programs

Center for the Performing Arts
September 28, 2014
Sunday Afternoon
3:00 p.m.

September 18, 2014, The Daily Mississippian

Daily Mississippian (all digitized issues)

No abstract provided.

About The Contributors, E-Research Editors

e-Research: A Journal of Undergraduate Work

No abstract provided.

Rama, Raga And Rava: A Study On The Implicit Cultural Connections And Complementary Nature Of Music And Culinary Arts In India, Aaron Schwartz

e-Research: A Journal of Undergraduate Work

The relation between food and music is strong and readily apparent in the cultural traditions of India. The importance of the relation goes so far that relevance falls on what song the chef listens to while they prepare a meal, and what is being played while the meal is eaten. The musical pitch is intricately connected to the taste of the food, with bitter flavor represented by lower pitch and sweeter flavor represented by higher pitch. People will report experiencing different sensations upon reacting to identical food products, based on the music that accompanies that meal. The effect of this …

Musi 207h.01: World Music, James Randall

University of Montana Course Syllabi

No abstract provided.

Southern Black Gospel Music: Qualitative Look At Quartet Sound During The Gospel `Boom' Period Of 1940-1960, Beatrice Pate

Masters Theses

The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the `Southern' gospel music distinction. The quartet sound was the most popular form of music during the …

Highland Complementary-Warp Weaving And The Lima Style In The Central Coast Of Peru, Ca. 200-650 C.E., Sophie Desrosiers

Textile Society of America: Symposium Proceedings

For more than a century, the geometric interlocking fish or snake designs appearing on Lima style artifacts - painted ceramics and walls, engraved gourds and wooden sculptures - have been considered as reproduction of designs created through textile means. An analysis of their characteristics shows that they fit well with designs obtained with weaving techniques still practiced today in the Peruvian highlands. This discovery allows reconstruction of the models of the interlocking designs. Then, comparing the reconstructed models with the small group of textiles with similar designs excavated in Lima sites, it becomes possible to understand better the mechanism at …

Creativity And Captivity : Exploring The Process Of Musical Creativity Amongst Indigenous Cosmopolitan Musicians (Icms) For Mission, Uday Mark Balasundaram

ATS Dissertations

No abstract provided.

Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.

Zea E-Books Collection

Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …

Serials Solutions Subject Search Report 2013-2014, Andrée J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2013-2014. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

Vol. 37 No. 2 (2014): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

University Library Annual Report Fy 2013-14, Tara Lynn Fulton

Library Annual Reports & Strategic Plans

No abstract provided.

Brahms The Exotic: The Representation Of Non-European And Ethnic `Others' In The Hafiz/Daumer Settings Of Opus 32, "Romanzen Aus L. Tieck's Magelone," And "Zigunerlieder," Opus 103, Kristina Marie Eckelhoff

Graduate Theses and Dissertations

Though scholars, performers, and classical enthusiasts alike recognized and praised the many facets of his compositional craft, Johannes Brahms's treatment of poetry in his Lieder has led to much conflicting assessments. The negative critiques exist partially because the majority of scholars do discuss an interpretation of the poems but seldom explain precisely how Brahms conveys the texts' meanings through his music, leaving the more specific details of text-to-music relationship and what it shows about Brahms's own understanding of the texts unexplored.

Brahms's Lieder have also been criticized because of the supposed lack of exotic qualities in those works that portray …

Vol. 37 No. 2 (2014): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 37, No 2-Aug 2014 edition of the Pacific Studies Journal.

August 2014 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Exploring Naxi Baisha Xiyue, Nicholas Kircher

Masters Theses

"Exploring Naxi Baisha Xiyue" is a qualitative research descriptive paper delving into the origin of the Baisha Xiyue music style among the Naxi people based in northwest Yunnan province of the People's Republic of China. A brief historical background of Baisha Xiyue includes the Yuan dynasty (AD 1279-1368) invasion by Kublai Khan when he and his army entered Yunnan province in AD 1253. The topic of the remaining eight songs is a Naxi historical conflict with a neighboring tribe. As musical instruments are essential in the performance of this genre, each of the commonly used instruments are introduced and described. …

Introduction: Grotowski's Evolving Influence In Poland, Kathleen Cioffi

Mime Journal

In this introduction, Kathleen Cioffi discusses the physical basis of Jerzy Grotowski’s practice and describes how it developed through the various stages of his career, from the Laboratory Theatre stage to the Art as vehicle stage. She also surveys Grotowski’s Polish reception, including various controversies surrounding his work, and analyzes the evolution of his influence on several generations of physical theatre practitioners in Poland.

The Rock, Summer 2014 (Vol. 83, No. 2), Whittier College

The Rock

No abstract provided.

Dissonant Divas In Chicana Music: The Limits Of La Onda By Deborah R. Vargaswild Tongues: Transnational Mexican Popular Culture By Rita E. Urquijo-Ruizperforming The Us Latina And Latino Borderlands Edited By Arturo J. Aldama, Chela Sandoval, And Peter J. García, Cathryn Josefina Merla-Watson

Literatures and Cultural Studies Faculty Publications

Despite the performative turn of the 1990s, a disjuncture has persisted between performance studies, though self-admittedly expansive and porous, and much of the scholarship produced around the diverse acts constituting Latina/o performance. The books reviewed here engage Latina/o performance on its own terms and terrains while reconceiving the limits of the archive as well as the subjects and substance of performance. Myriad works considered here further intervene in debates regarding critical regionalism and transnationalism within Chicana/o and Latina/o studies, as well as American studies, by embracing a hemispheric approach while also being attuned to the inflections of the local. Also …

Research In Special Education: Using A Research Poem As A Guide For Relationship Building, Rama Cousik

The Qualitative Report

Building positive relationships with participants is an important component of qualitative research in the field of special education. Research poems allow expression of the evolution of participant-researcher relationship in a sensitive and nuanced manner. In this paper, I use a research poem about gardening to demonstrate how a researcher can construct a positive relationship with his/her participants. Each line of the poem represents the sequence and evolution of relationship development between the researcher and families who participated in the research.

College Of The Holy Cross Libraries Annual Report 2013-2014, Karen Reilly

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries.

Standing In The Gap : The Past And Future Of Pan-African Studies At The University Of Louisville., Ricky L. Jones

Faculty and Staff Scholarship

Closing this special issue dedicated to the University of Louisville’s Pan-African Studies Department (PAS) on the occasion of its 40th anniversary, this article poses the questions, What is Pan-African Studies? What does Pan-African Studies do? Why is it needed? What does it address and how does it contribute to the ongoing humanization project that has sat at the heart of so many national and global struggles?

Music From The Trenches: Solo Vocal Literature Influenced By And Composed In "No Man's Land", Jennifer Elizabeth Weyman

Senior Honors Projects, 2010-2019

No abstract provided.

From Drum Beats To Beach Music: The Development Of Music In South Carolina, Elizabeth Oliphant

Senior Theses

This thesis examines musical genres present in South Carolina from the time of the Native Americans through 20th century rhythm and blues. Each style of music has combined musical elements over time to create the state’s rich cultural heritage. For thousands of years before the arrival of European explorers, Native American music put a high emphasis on the voice, as the absence of a written language facilitated a strong oral tradition. Free- flowing vocals with rhythmic accompaniment were relied upon to pass down sacred legends of the tribe, stressing vocal musicality as the highest art form. With the arrival of …

Folk Songs, Youth, And Propaganda: Music Of The Third Reich, Patrick Scott Peterson

Undergraduate Honors Thesis Collection

As the world watched the rise of a new political power in Central Europe, the German youth perceived a new, exciting movement sweep through their backyard. The Third Reich gained control over Germany through the planning and organization of Hitler and his Nazis. Hitler sought to construct his pure society, accomplished through the orzanization of the sovernment and the National Socialist German Workers' Party b . b (NSDAP). While their nation made drastic shifts politically, the rich history of German art music and folk music played into the changes during the rise of the Nazi party. German culture was formed …

The Jewish Influence On Tango, Olivia Jane Zalesin

2014 Claremont Colleges Library Undergraduate Research Award

The Reflective Essay relates a research journey that begins with an ID 1 course assignment and incorporates the author’s interest in musical genres, a Facebook conversation with a filmmaker, the discovery of a printed source in Spanish, and research in secondary sources in Honnold/Mudd Library. In the course of her research, the author found many similarities between tango and klezmer. These similarities lie in subtleties of chord changes and cadences that reveal Jewish and Latin interactions and draw attention to an extremely rich yet under-recognized cultural exchange.