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Articles 2191 - 2220 of 4770
Full-Text Articles in Entire DC Network
Ensemble Concerts: University Band And Symphonic Bands, March 2, 2016, Martin H. Seggelke Conductor, Shannon Schaffer Conductor
Ensemble Concerts: University Band And Symphonic Bands, March 2, 2016, Martin H. Seggelke Conductor, Shannon Schaffer Conductor
School of Music Programs
Center for the Performing Arts
March 2, 2016
Wednesday Evening
8:00 p.m.
Student Ensemble: Symphonic Winds, February 24, 2016, Martin H. Seggelke Conductor
Student Ensemble: Symphonic Winds, February 24, 2016, Martin H. Seggelke Conductor
School of Music Programs
Center for the Performing Arts
February 24, 2016
Wednesday Evening
8:00 p.m.
Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus
Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus
Audre Lorde Prize
This paper looks into the cultural synthesization and the transnational ties of cumbia between Latin America and the United States. Three case studies look at the story of migrants and their transnational ties through cumbia and are analyzed through an ethnomusicology framework.
From The Five-Key Flute To The Boehm Flute: Exploring Structural Differences And Recreating Idiomatic Performance Practices In Cuban Charanga-Based Genres., Ernesto Fernandez
From The Five-Key Flute To The Boehm Flute: Exploring Structural Differences And Recreating Idiomatic Performance Practices In Cuban Charanga-Based Genres., Ernesto Fernandez
Open Access Dissertations
A historical background of the Cuban charanga dance genres and the Cuban flute tradition of the wooden five-key flute are explored, including musical terminology, instrumentation, and prominent charanga flutists. The structural differences between the nineteenth-century wooden five-key flute and the Boehm metal system flute are examined using specific measurements and diagrams. The stylistic and idiomatic consequences of these structural differences were considered. It was considered that the Boehm system flute provides more musical resources through its ease of use and mechanical facility. Professional flutists from different generations with years of experience in the style were consulted; multiple recordings were analyzed, …
2016-February-09-Basler Lectures, University Marketing And Communications, Est Tennessee State University
2016-February-09-Basler Lectures, University Marketing And Communications, Est Tennessee State University
ETSU News
No abstract provided.
Ensemble Concerts: Symphonic Winds And Wind Symphony, February 5, 2016, Martin H. Seggelke Conductor, Amy Gilreath Guest Conductor, Gavin Smith Guest Conductor, Connie Bryant Soloist
Ensemble Concerts: Symphonic Winds And Wind Symphony, February 5, 2016, Martin H. Seggelke Conductor, Amy Gilreath Guest Conductor, Gavin Smith Guest Conductor, Connie Bryant Soloist
School of Music Programs
Center for the Performing Arts
February 5, 2016
Friday Evening
8:00 p.m.
Graduate News, Office Of Graduate Studies, Old Dominion University
Graduate News, Office Of Graduate Studies, Old Dominion University
Graduate News
February 2016 issue of Graduate News from the Office of Graduate Studies (now, ODU Graduate School).
Musi 207h.01: World Music (307), Benedict A. Kirby
Musi 207h.01: World Music (307), Benedict A. Kirby
University of Montana Course Syllabi
No abstract provided.
The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue
The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue
Masters Theses
The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …
Missa Yielu: Music In The Dagara Mass, Karin Rau
Missa Yielu: Music In The Dagara Mass, Karin Rau
Masters Theses
This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …
2016-January-12-Ethnomusicologist To Serve As Basler Chairholder, University Marketing And Communications, East Tennessee State University
2016-January-12-Ethnomusicologist To Serve As Basler Chairholder, University Marketing And Communications, East Tennessee State University
ETSU News
No abstract provided.
17th International Association For Ladakh Studies (Ials) Conference Report
17th International Association For Ladakh Studies (Ials) Conference Report
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies
No abstract provided.
Kathmandu Social Science Baha Conference
Kathmandu Social Science Baha Conference
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies
No abstract provided.
Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin
Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …
Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk
Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk
Music Faculty Publications
This project—what we have termed a collaborative autoethnographic mapping project—grew out of conversations between two researchers who also work as choral conductors and teachers in community contexts. We found ourselves constantly struggling with the stubborn fact that we, as community musicians, engage in the very practices that we, as academics, critique. As we considered our roles as musicians and academics, we quickly realized that who we are is deeply entwined with where we are and who we are with. While we initially considered only the relationship between our professional roles as academics and musicians, we also began to realize that …
Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas
Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas
The Journal of Traditions & Beliefs
No abstract provided.
Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju
Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju
The Journal of Traditions & Beliefs
No abstract provided.
Race, Authenticity, And Reclamation In A North Carolina Old-Time Scene And In The Music Of The Carolina Chocolate Drops, Fiona Boyd
Honors Thesis Collection
No abstract provided.
Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz
Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz
CGU Faculty Publications and Research
The choice of music, an essential element of worship and church life, must be addressed in cross-cultural church planting contexts. As cultures evolve, church planters are faced with choices about musical styles that may lead to interpersonal conflicts within the church. The purpose of this study is to empirically examine factors that may enable cross-cultural church planters to constructively manage music-related conflicts when they arise. Members of church plants, like all people, have various goals when entering into such conflicts. They are concerned about the content of the conflict (i.e., the musical style) and thus have content goals. They are …
Bridgewater College Catalog, Session 2016-17, Bridgewater College
Bridgewater College Catalog, Session 2016-17, Bridgewater College
Bridgewater College Catalogs
No abstract provided.
2016 Spring And Winter - Schedule Of Classes, Office Of The Registrar, East Tennessee State University
2016 Spring And Winter - Schedule Of Classes, Office Of The Registrar, East Tennessee State University
Registration Resources
No abstract provided.
So “Fisk” Ticated Ladies And Gentlemen: Highlights From 150 Years Of Fisk University’S Musical Tradition, Impact, And Influence, Fletcher F. Moon
So “Fisk” Ticated Ladies And Gentlemen: Highlights From 150 Years Of Fisk University’S Musical Tradition, Impact, And Influence, Fletcher F. Moon
Library Faculty and Staff Publications and Presentations
Fisk University in Nashville, TN is best known as one of the oldest Historically Black Colleges/Universities (HBCUs) since its founding in 1866, and musically for the role of the original Fisk Jubilee Singers in presenting the Negro Spiritual to the world through national and international performances, tours, and/or recordings from 1871 to the present. Its distinguished alumni include W.E.B. DuBois; John Hope Franklin; David Levering Lewis; Nikki Giovanni; the Honorable John Lewis; Diane Nash; Johnetta Cole; and numerous others who have made seminal contributions to African/American and global culture, while its faculty and administration has included luminaries such as Charles. …
The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu
The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu
The Journal of Traditions & Beliefs
No abstract provided.
Social Practice Artists In The Archive: Collaborative Strategies For Documentation, Maggie Schreiner, Claro De Los Reyes
Social Practice Artists In The Archive: Collaborative Strategies For Documentation, Maggie Schreiner, Claro De Los Reyes
Urban Library Journal
Over a seven month period in 2015, My Baryo My Borough, a community-based arts and oral history project, partnered with Queens Memory, the Queens Library’s local history project, to collaboratively document the Filipino and Filipino-American communities in Queens, NY. My Baryo, My Borough and Queens Memory worked with the Filipino-American community to collect oral history recordings and digitize photographs from the local Filipino-American experience. Central to our success was a shared understanding that our partnership was building mutual legitimacy and trust, creating local capacity and shared ownership, and centering leadership for the project within the Filipino-American community in Queens. More …
African And African-Influenced Sacred Music, Suzanne Flandreau
African And African-Influenced Sacred Music, Suzanne Flandreau
The Journal of Traditions & Beliefs
No abstract provided.
2017 Call For Submissions, Regennia N. Williams
2017 Call For Submissions, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Acknowledgments And Disclaimer, Regennia N. Williams
Acknowledgments And Disclaimer, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
An Illustrated Introductory Note, Regennia N. Williams
An Illustrated Introductory Note, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Table Of Contents, Regennia N. Williams
Table Of Contents, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams
From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.