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Williams, Michael Ann (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and interview transcriptions for Folklife Archives Project 459. Interviews related to Sarah Gertrude Knott and the National Folk Festival conducted by Michael Ann Williams and Hillary Glatt as part of a joint project for the Kentucky Oral History Commission and Western Kentucky University. The audio interviews did not come with this collection. Interview transcriptions may be accessed by clicking on the "Download" button to the right and then clicking on the hyperlinks in the finding aid.

Empire’S Informal Ties: Pioneer Anthropologists In Davao, 1904–1916, Patricia Irene; Dacudao

Philippine Studies: Historical and Ethnographic Viewpoints

The five Americans who studied the indigenous Bagobo people in Davao from 1904 to 1916 did not adhere to the evolutionary anthropology championed by colonial administrator Dean Worcester. Their fieldwork, being either mostly self-supported or through the privately funded Field Museum of Natural History, was also financially independent of the government. Thisarticle studies their personal, academic, and professional quests in the context of museum collections, party politics, and changes in the discipline of anthropology. The circumstances of their visits and subsequent publications on Davao show that these pioneers pursued anthropology with a different direction, away from state stereotypes and imperial …

Agape, Justice, And Law: How Might Christian Love Shape Law (Book Review), Ben Gibson

Pro Rege

Reviewed Title: Agape, Justice, and Law: How Might Christian Love Shape Law edited by Robert F. Cochran and Zachary R. Calo. Cambridge: Cambridge University Press, 2017. 334 pp. ISBN: 978131662690.

'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk, Wendy Tronrud

Dissertations, Theses, and Capstone Projects

Emily Dickinson and her poetry have famously been used as a defining example of American lyric poetry. The traditional scholarly perspective maintains that the lyric poem and its speaker exist in isolation and at a remove from social and political contexts. Recent scholarship on American poetry of the long nineteenth century, however, has taken a more historical and cultural turn, reconsidering how poetic and vernacular forms and genres circulated both privately and publicly. “Odd Secrets of the Line”: Emily Dickinson and the Uses of Folk joins this conversation by theorizing how Dickinson’s poetry, written during the 1859-1865 period, registers the …

Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier

Dissertations, Theses, and Capstone Projects

This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions about the …

Vol. 43 No. 1 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 43 No. 1 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 43, No 1-Jun 2020 edition of the Pacific Studies Journal.

Singing The Congregation: How Contemporary Worship Music Forms Evangelical Community (Book Review), John Macinnis

Pro Rege

This review is published with permission of inallthings.org, a project of the Andreas Center at Dordt University, where it was published Dec. 18, 2019.

“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar

Dissertations, Theses, and Capstone Projects

This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …

The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani

Dissertations, Theses, and Capstone Projects

In recent decades salsa dancing has become a global phenomenon, spawning a variety of styles and levels. Although formerly passed from person to person through Latinx family and community networks, salsa dance has long been practiced in a more codified way. Today, salsa is largely reproduced in dance studio classes, congresses, and competitions collectively referred to as “the salsa scene”. In New York City, the salsa scene retains vestiges of Nuyorican and Afro-Caribbean identity, though it is practiced by people of all racial and ethnic backgrounds and marketed to a global base. Building on long term participation observation and nearly …

The Digital Age And Its Transformations, Raul Pertierra

Social Transformations Journal of the Global South

This paper explores the significance of digital technology in the contemporary world. After briefly discussing the effects of earlier technologies on everyday life, the paper assesses the consequences of interacting in a world where virtuality and simulacra often replace the real. Anthropology as a discipline is particularly effective in describing the changes experienced in a rapidly transforming social world.

Songs And The Soil, Mark Garry, Louise Reddy

Books/Book Chapters

Published in conjuction with an exhibition. The exhibition engages with the subjects of landscape and music/sound—exploring each element from historical, social and culturally associative perspectives; where landscape is recognised as a fluid term articulating physical space, idealised space and social space that reflects a convergence of physical processes and cultural meaning, and where song act as a response to, or archive, of personal, historical or socio-political instances. Several works engage landscape and musical sound intersect. The exhibition integrates a broad range of media,positions and responses to these research subjects; including two film works, a six-hour soundtrack for a room, sonic …

Time Machine Research And Approach, Tarek Bouraque

Theses and Dissertations

Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.

Community Music Therapy For Marginalized Middle School Students, Karen J Mathews

Expressive Therapies Capstone Theses

Abstract

Community Music Therapy has been a recent development in the field of Music Therapy. Community Music Therapy occurs at the intersection of traditional Music Therapy and Community Music. Community Music Therapy incorporates principles of psychology, sociology, and ecology. Studies indicate that goals of self-efficacy, voice, social justice, and group cohesion are well met through the use of Community Music Therapy. This paper explores a project using Community Music Therapy with a group of self-selected middle school students in addressing concerns and emotions around equity, diversity, and inclusion. The results of this project demonstrated that Community Music Therapy is an …

Exploring Moroccan Music Through Experiential Learning, Tai Knoll

Honors Projects

As a music educator, I value a comprehensive and well-rounded music education that is inclusive and dynamic – an education that introduces students to the global world they live in and fosters compassion and understanding of cultures different from their own. However, I did not fully understand how I could provide that for my students and how to do so in a respectful and appropriate way that did not other or appropriate the culture I was attempting to honor. That desire to learn more about teaching world musics and representation in the classroom drove me to pursue answers through the …

Argo Ergo Sum - I Perform, Therefore I Am: An Art-Based Community Engagement Project, Emily Eckel

Expressive Therapies Capstone Theses

This community engagement project set out to explore how the musicianship identity impacts a musician’s overall sense of self through participation in a mental health focused community orchestra. Currently, in the field of music therapy there is little emphasis on using orchestral music in active music making or connections between music and musicianship identity. This researcher combined the theories of community music therapy and resource-oriented music therapy to develop approaches to this investigation. Phase one consisted of researcher journaling and visual art making prior to and following orchestra rehearsals and one concert. Phase two consisted of a group mandala with …

How Choreometrics Reflects Self-Identity And Self-Concept Through Cultural Dance: A Developing Method, Naowarat Buddee

Expressive Therapies Capstone Theses

Abstract

This arts-based autoethnography research aims to analyze the researcher’s personal reflections of cultural embodied experiences through the connection of Thai cultural dance movements, cultural patterns, and expressive behaviors in Thai cultural contexts. These also reflected the researcher’s personal-identity and self-concept. As cultural dance has impacts on social structures and human behaviors both physically and psychologically in social interactions throughout the developmental lifespan, the researcher was inspired by the concept of Choreometrics to look closely at personal dance experiences in relation to Thai culture. This autoethnography is a case study of the researcher who identifies as Thai and reflects her …

Musical Ability And Accent Imitation, Maria Murljacic

Honors Scholar Theses

This study investigates the intersection of musical ability and accent imitation, more specifically defining what factors cause a relationship between the two. The study was run on 50 participants, who each completed an accent imitation ability assessment, a musical ability assessment, and an articulation ability assessment. The scores for the accent imitation portion were rated by anonymous online raters. Each participant filled out a questionnaire on prior musical experience and were either classified as a musician or non-musician. The analysis found that those in the musician group performed better on the musical ability, articulation, and accent ability assessment than non-musicians. …

Folk Music Of Atlantis: An Exploration Of Water As A Sound Source In Music, Lucy Jackson

Electronic Theses and Dissertations

Folk Music of Atlantis is a programmatic composition for water instruments and orchestra depicting the mythical city of Atlantis. I have researched water’s musical properties: its pitch bending, its ability to create sound through motion, and its percussive effects on various materials. Drawing upon my research, I have invented a collection of water-based instruments that take advantage of these properties. Folk Music of Atlantis demonstrates their potential, combining them with both the traditional orchestra and the innovations in water music of past composers.

The written portion of the thesis includes a historical overview of water as a musical sound source, …

Detours In Music - Podcast, Laura F. Ruple

Senior Honors Projects, 2020-current

The podcast, Detours in Music, aims to inspire, spark interest, and educate its audience of all ages and music levels about a life in music. Each episode includes an interview with someone involved in music at the professional level. The interviews focus on the person's story and the paths and detours their lives have taken them on, leading them to where they are today. The project has been well received, with episodes downloaded on four continents, and a consistent following of listeners. The podcast is intended to help its listeners connect with music faculty members at JMU, gain new perspectives …

Sounding The Nile: River Politics, Environment And Nubian Musical Expression, Regan L. Homeyer

Music ETDs

ABSTRACT

In the mid 1960s, almost 100,000 Egyptian Nubians, people Indigenous to the Nile River Valley, were removed from their ancestral homeland due to the creation of the Aswan High Dam. In the years surrounding their displacement, Nubian musicians in Cairo and villages in new settlement areas gathered traditional Nubian songs and composed new songs to form a distinctive Nubian musical repertoire. This thesis addresses contemporary Nubian musical performance and the role of these reclaimed and newly-written songs in maintaining and revitalizing not only Nubian languages and culture, but especially senses of self in relation to place and, above all, …

Whence Comes The Lady Percussionist? The Changing Role Of Females In Professional Percussion Positions In The United States, 2011-2020, Cassidy Cheyenne Calloway

Undergraduate Honors Theses

Women percussionists have historically been the minority in professional percussion roles. After a discussion of women’s roles as drummers in ancient history, this document reviews the role of women percussionists in the rapidly evolving field of percussion. The purpose of this study was to see if there has been an increase in female percussionists in professional positions since Meghan Aube’s 2011 study, Women in Percussion: The Emergence of Women as Professional Percussionists in the United States, 1930-Present. Because female percussionists have been subject to gender stereotyping of instruments and gender discrimination, this study also aimed to discover if any progress …

Afrosonic Noise: A Transnational Black Feminist Musicological Study Of Global Black Joy In Black North American Rock Music And Afro Argentinian Music Performance., Jerika M Jones

Electronic Theses and Dissertations

I have decided that my academic mission, at this juncture at least, is to find common links between 2 groups of people that have come to know themselves through paralleling but colonially different environments. Perhaps it is wise for me to explore the similarities between Afro Argentine Black Music and African North American Music in closer ethnomusicological detail using feminist praxis—after all both communities are part of the African Diaspora and producing Black music. I do this by reconstructing a very limited genealogy of Black Femme’s and their contribution to their respective musical communities. I draw parallels between the global …

Contemporary Francophone West African Social Movements In The Rise Of Neo Pan-Africanism: A Case Study Of Y En A Marre In Senegal., Cheikh Ahmadou Bamba Ndiaye

Electronic Theses and Dissertations

The emergence of the Y en a marre movement in 2011 has reshaped the face of social activism in Francophone sub-Saharan Africa. In less than a decade of its existence, Y’en a marre has become iconic in Senegalese civil society and beyond. Their effective opposition to the Wade regime between 2011 and 2012 reverberated beyond the Senegalese border through their slogan “touche pas à ma constitution” (Do not touch my constitution), a rallying cry that young people in Burkina Faso and the Democratic Republic of Congo later appropriated, thus giving the movement a Pan-African platform. The birth of Y’en …

Soundscapes For Social Change: Community And Consciousness Through Sound Design Rhetorics, Amy Patterson

All Dissertations

By applying a “sound-mapping” methodology that incorporates qualitative interviews and field research, I argue that theater sound design provides new means to connect sonic rhetorics with social change. I examine theater sound design as an ecological composing practice that lends itself to empathy, community, action, and pedagogy; and further argue that there is rhetorical potential in what I call “soundscapes for social change,” a concept that encourages sonic agency and sound as contemporary resistance. The theater setting introduces sound and vibration experiences carefully calculated and developed to impact a variety of audiences and stir their imaginations through sensory experiences, accessed …

“If I Could Only Win Your Love”: Lyrical Analysis Of The Sacred And Secular Songs Of The Louvin Brothers, Aynsley Porchak

Electronic Theses and Dissertations

In this thesis, I demonstrate how analysis through literary criticism can provide a commentary on Appalachian song. While literary analysis of both sacred and secular song lyrics is an approach that is largely overlooked in this region’s traditional music, it nonetheless provides insightful perspective on the art form itself. As I argue, one particular duo of Appalachian musicians, the Louvin Brothers, are uniquely suited to this inquiry. I propose that themes that are found in many of the Louvin Brothers’ songs, such as love, acceptance, and rejection, create a bridge between the historically documented theoretical gap between bluegrass and country …

Devil In The Strawstack, Devil In The Details: A Comparative Study Of Old-Time Fiddle Tune Transcriptions, Kalia Yeagle

Electronic Theses and Dissertations

This thesis asks what transcriptions of old-time fiddle tunes might tell us about their underlying purposes and the nature of transcription. How could differing approaches to transcription reflect the intentions of the author, and what are those intentions? What does this suggest about how aural information is prioritized? Through a comparative analysis of three transcriptions of the same recording—Tommy Jarrell’s “Devil in the Strawstack”—this thesis examines how musical information is prioritized and how transcribers have adapted their methods to better reflect the nuances of old-time music. The three transcriptions come from Clare Milliner and Walt Koken (The Milliner-Koken Collection …

“Give Me A Clean Heart”: The Life And Music Of Margaret Pleasant Douroux, Damian Demond Price

Doctoral Dissertations and Projects

Margaret Pleasant Douroux (b. 1941) of Los Angeles, California is one of the most influential African American female gospel music composers of the twentieth century. She has penned classic hymns and gospel songs such as "I'm Glad," "We're Blest," "God is Not Dead," and "Rivers of Joy". Her compositions "Give Me a Clean Heart," “He Decided to Die," and "If It Had Not Been for the Lord on My Side" have become standards in the African American Church and have been sung by congregations and choirs for decades. However, in the roster of composers who have contributed to the genre …

Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams

Masters Theses

The Christian Church of Japan has very few songs written in their own language and style. Most songs are translated from English or another language. While Japan is a very westernized country, this is a problem because things can get lost in translation and these songs are not always representative of their musical style. Furthermore, they have a unique voice of worship that is currently missing from the global Church. My research project was intended to identify songwriters and encourage songwriting for the local church with the intention of expanding the Japanese voice in the global context and raising awareness …

Paul Robeson, Carnival, And The 2018 National Eisteddfod, Mark Rhodes

Michigan Tech Publications, Part 1

No abstract provided.