Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Arts and Humanities (3301)
- Music (2732)
- Ethnomusicology (1753)
- Music Performance (1262)
- History (1254)
-
- Musicology (1209)
- Music Education (1010)
- Religion (923)
- Composition (888)
- Music Theory (886)
- Music Pedagogy (878)
- Music Practice (868)
- Social and Behavioral Sciences (790)
- Liturgy and Worship (769)
- Fine Arts (766)
- Anthropology (362)
- Race, Ethnicity and Post-Colonial Studies (290)
- Education (281)
- Sociology (240)
- Other Music (237)
- Social and Cultural Anthropology (193)
- American Studies (155)
- Cultural History (151)
- Social History (147)
- Oral History (143)
- Library and Information Science (140)
- Pacific Islands Languages and Societies (120)
- Political Science (117)
- Art and Design (116)
- Film and Media Studies (114)
- Institution
-
- Gardner-Webb University (771)
- City University of New York (CUNY) (247)
- Illinois State University (215)
- Brigham Young University - Hawaii (185)
- Liberty University (155)
-
- University of Denver (129)
- Kennesaw State University (107)
- Bowling Green State University (105)
- Yale University (101)
- University of Mississippi (74)
- University of Southern Maine (72)
- University of Memphis (59)
- Louisiana State University (50)
- Chulalongkorn University (49)
- Northern Illinois University (49)
- University of Kentucky (48)
- Technological University Dublin (47)
- Western Kentucky University (45)
- East Tennessee State University (44)
- Lawrence University (44)
- University of Arkansas, Fayetteville (44)
- California Polytechnic State University, San Luis Obispo (43)
- Macalester College (43)
- University of Miami (43)
- University of Nebraska - Lincoln (41)
- Cleveland State University (40)
- Edith Cowan University (39)
- University of Connecticut (39)
- James Madison University (38)
- The University of Southern Mississippi (38)
- Keyword
-
- Music (424)
- Ethnomusicology (157)
- College of Arts Humanities and Social Sciences (119)
- Lamont School of Music (117)
- Musicology and Ethnomusicology (111)
-
- Piano (92)
- Christmas issue (71)
- Jazz (54)
- Music education (53)
- Beethoven (51)
- Identity (51)
- Colonialism (49)
- Folk music (46)
- Performance (45)
- History (44)
- Musicology (44)
- Papua New Guinea (44)
- Chopin (43)
- Center for Southeast Asian Studies (40)
- Culture (39)
- Liszt (39)
- Ethnography (38)
- Gender (37)
- Bowling Green State University (35)
- Faculty (35)
- Micronesia (35)
- Composition (33)
- Education (31)
- Music teacher (31)
- Migration (30)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (769)
- Pacific Studies (182)
- School of Music Programs (174)
- Publications and Research (124)
- Musicology and Ethnomusicology: Student Scholarship (114)
-
- Masters Theses (110)
- Yale Journal of Music & Religion (91)
- Theses and Dissertations (87)
- Bailey School of Music Concert Programs (86)
- Dissertations, Theses, and Capstone Projects (83)
- Electronic Theses and Dissertations (83)
- WMPG Program Guides (69)
- Doctoral Dissertations and Projects (42)
- Shake, Rattle & Roll (41)
- Dissertations (38)
- LSU Doctoral Dissertations (38)
- Theses and Dissertations--Music (35)
- The Journal of Traditions & Beliefs (34)
- Visions of Research in Music Education (34)
- HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies (33)
- Open Access Dissertations (32)
- Independent Study Project (ISP) Collection (31)
- Journal of Urban Culture Research (31)
- CSEAS Bulletin (29)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (29)
- Music Department Concert Programs (28)
- Commencement Programs (25)
- University of Mississippi News (24)
- Monitor (23)
- UNLV Theses, Dissertations, Professional Papers, and Capstones (19)
- Publication Type
- File Type
Articles 1201 - 1230 of 4770
Full-Text Articles in Entire DC Network
Ksu Faculty Jazz Parliament “Jazz At Six Feet Apart”, Sam Skelton, Luke Weathington, Rob Opitz, Wes Funderburk, Tyrone Jackson, Trey Wright, Marc Miller, Justin Chesarek, Karla Harris
Ksu Faculty Jazz Parliament “Jazz At Six Feet Apart”, Sam Skelton, Luke Weathington, Rob Opitz, Wes Funderburk, Tyrone Jackson, Trey Wright, Marc Miller, Justin Chesarek, Karla Harris
Bailey School of Music Concert Programs
Enjoy an evening of jazz with performances from KSU faculty.
Senior Recital: Andrew Lim, Andrew Lim, Eric Jenkins
Senior Recital: Andrew Lim, Andrew Lim, Eric Jenkins
Bailey School of Music Concert Programs
Senior recital featuring Andrew Lim.
Ray Browne Conference For Popular Culture Studies 2021 Program, Bowling Green State University
Ray Browne Conference For Popular Culture Studies 2021 Program, Bowling Green State University
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
No abstract provided.
Ray Browne Conference For Popular Culture Studies 2021 Poster, Bowling Green State University
Ray Browne Conference For Popular Culture Studies 2021 Poster, Bowling Green State University
Ray Browne Conference on Cultural and Critical Studies (2015-2021)
No abstract provided.
Spring Concert Choral Ensembles, Alison Mann, Reid Masters, Sherri N. Barrett, Brenda Brent
Spring Concert Choral Ensembles, Alison Mann, Reid Masters, Sherri N. Barrett, Brenda Brent
Bailey School of Music Concert Programs
Join us (virtually) for an evening of performances by Women's Choir, Men's Ensemble, and University Chorale!
This Way Or That? Par Ici Ou Par Là?”: Language In The Theme Park, Florian Freitag
This Way Or That? Par Ici Ou Par Là?”: Language In The Theme Park, Florian Freitag
Visions in Leisure and Business
Language and its multiple forms and functions in the theme park have only received scant attention in cultural and media studies-oriented theme park scholarship. In both written and oral form, however, language not only constitutes an integral part of the pluri- or multimedial mix that makes the theme park a hybrid, composite, or meta-medium, but also offers visitors a large variety of information on safety, park operations, and theming. Using examples from parks in both the U.S. and Europe and drawing on such theoretical concepts as paratextuality and "linguistic landscapes," this essay suggests a tripartite approach to studying the complex …
School Of Music Faculty/Staff Newsletter, March 2021, School Of Music
School Of Music Faculty/Staff Newsletter, March 2021, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
Philharmonic & University Band, Nancy Conley, Joseph Scheivert
Philharmonic & University Band, Nancy Conley, Joseph Scheivert
Bailey School of Music Concert Programs
A performance by the Kennesaw State University Philharmonic Orchestra, and University Band.
Wind Symphony, February 28, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
Wind Symphony, February 28, 2021, Anthony C. Marinello Iii, Lauren Bobarsky
School of Music Programs
Center for the Performing Arts
February 28, 2021
Sunday Evening
4:00 p.m.
Black History Month Celebration: Symphony Orchestra Strings, Nathaniel F. Parker
Black History Month Celebration: Symphony Orchestra Strings, Nathaniel F. Parker
Bailey School of Music Concert Programs
Celebrate Black History Month with the Bailey School of Music by (virtually) attending the Symphony Orchestra concert. This performance repertoire is comprised of compositions by African-American composers. Reserve your spot to watch live from the comfort of home!
Faculty Recital: Oral Moses, Oral Moses, Rosalyn Floyd
Faculty Recital: Oral Moses, Oral Moses, Rosalyn Floyd
Bailey School of Music Concert Programs
Celebrate Black History Month by enjoying an evening of performances from Professor Emeritus of Voice and Music Literature, Oral Moses.
Symphonic Winds, February 26, 2021, F. Mack Wood, Lauren Bobarsky
Symphonic Winds, February 26, 2021, F. Mack Wood, Lauren Bobarsky
School of Music Programs
Center for the Performing Arts
February 26, 2021
Friday Evening
8:00 p.m.
Wind Symphony, Debra Traficante
Wind Symphony, Debra Traficante
Bailey School of Music Concert Programs
Enjoy a performance by the KSU Wind Symphony under the direction of Dr. Debra Traficante.
Symphonic Band, February 24, 2021, Anthony C. Marinello Iii
Symphonic Band, February 24, 2021, Anthony C. Marinello Iii
School of Music Programs
Center for the Performing Arts
February 24, 2021
Wednesday Evening
8:00 p.m.
Ksu Brass Faculty Recital, Douglas Lindsey, Ryan Moser, Mike Tiscione, Jd Handshoe, Richard Williams, Judith Cole, Eric Jenkins
Ksu Brass Faculty Recital, Douglas Lindsey, Ryan Moser, Mike Tiscione, Jd Handshoe, Richard Williams, Judith Cole, Eric Jenkins
Bailey School of Music Concert Programs
Enjoy a performance by the KSU brass faculty: Doug Lindsey, Mike Tiscione, Richard Williams, J.D. Handshoe, and Ryan Moser, all accompanied pianists Judith Cole and Eric Jenkins.
Illinois State University String Orchestra, February 21, 2021, Glenn Block
Illinois State University String Orchestra, February 21, 2021, Glenn Block
School of Music Programs
Center for the Performing Arts
February 21, 2021
Sunday Afternoon
3:00 p.m.
Lift Every Voice: Celebrating Black History Month, Twanda Black, John Lawless, Sam Skelton, Leslie J. Blackwell, Oral Moses
Lift Every Voice: Celebrating Black History Month, Twanda Black, John Lawless, Sam Skelton, Leslie J. Blackwell, Oral Moses
Bailey School of Music Concert Programs
Enjoy an evening of performances from KSU percussion ensemble, Gospel Choir, Jazz I, Chamber Signers, and more! Join us (virtually) to celebrate Black History Month.
Ksu Wind Ensemble, David Kehler
Ksu Wind Ensemble, David Kehler
Bailey School of Music Concert Programs
Enjoy a performance by the KSU Wind Ensemble under the direction of Dr. David Kehler from the comfort of your own home, via ArtsKSU Virtual.
Robert & Clara Schumann’S Epic Valentine’S Day Recital Featuring Guest Composers: Wieck, Kirchner, And Brahms, Robert Henry
Robert & Clara Schumann’S Epic Valentine’S Day Recital Featuring Guest Composers: Wieck, Kirchner, And Brahms, Robert Henry
Bailey School of Music Concert Programs
Make this Valentine's Day extra special with an afternoon performance by KSU faculty pianist, Robert Henry. Dr. Henry is an internationally distinguished pianist who regularly performs throughout the world as orchestral soloist, recitalist, chamber musician, and recording artist. Since winning first prize in four international piano competitions, he has presented solo debuts at Carnegie Hall, the Kennedy Center, and Wigmore Hall. The Washington Post praised Dr. Henry's "dazzling ability to turn the percussion instrument into a sonorous orchestra… stratospheric sounds… rumbling earthiness… [with] colorful, virtuosic, sensitive playing…" Watch live from the comfort of home via ArtsKSU Virtual.
The Blueprint: #Blackinthearts, Melody Bearden, Asa Bradley, Dajon Carter, Colin Gregoire, Kaelan Harris-Patrick, Scott Lozier, Justice Michael, Christopher Nguyen, Auriyan Tillman, Ezra Trotman, Tyrone Jackson, Piper Johnson, Kenadee Knight, Jada Thomas, Ra'mya Aikens, David Burroughs, Amani Clanton, Amaris Johnson, Nakia Lambert, Alexis Martin, Eileen Moyo, Brooklyn Norrington, Tyler Vanduvall, Paige Ealy, Camille Core, Mikaela Fraser, Nicholas Gillomen, Jaden Akins, Jessica Bell, Lauryn Davis, Sydnee Goode
The Blueprint: #Blackinthearts, Melody Bearden, Asa Bradley, Dajon Carter, Colin Gregoire, Kaelan Harris-Patrick, Scott Lozier, Justice Michael, Christopher Nguyen, Auriyan Tillman, Ezra Trotman, Tyrone Jackson, Piper Johnson, Kenadee Knight, Jada Thomas, Ra'mya Aikens, David Burroughs, Amani Clanton, Amaris Johnson, Nakia Lambert, Alexis Martin, Eileen Moyo, Brooklyn Norrington, Tyler Vanduvall, Paige Ealy, Camille Core, Mikaela Fraser, Nicholas Gillomen, Jaden Akins, Jessica Bell, Lauryn Davis, Sydnee Goode
Bailey School of Music Concert Programs
The Black Musicians Coalition is pleased to present The Blueprint: #blackinthearts, an interdisciplinary Black History celebration that incorporates new and old aspects of Black art and the impact that it has on current music and art styles. The production features an original arrangement of the Black National Anthem and multiple choreographed dance numbers all by KSU students as well as performances by KSU SOM faculty member Tyrone Jackson. This event is brought together by a collaboration of student leaders from each school in the College of the Arts: Music, Theater, Dance and Visual Arts. The acts highlight the students’ contributions …
Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk
Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk
Bailey School of Music Concert Programs
Performances featuring Jazz Ensemble I led by Director of Jazz Studies Sam Skelton and Jazz Ensemble II led by Wes Funderburk, Artist-in-Residence in Jazz Studies and Jazz Trombone.
Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk
Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk
Bailey School of Music Concert Programs
Performances featuring Jazz Ensemble I led by Director of Jazz Studies Sam Skelton and Jazz Ensemble II led by Wes Funderburk, Artist-in-Residence in Jazz Studies and Jazz Trombone.
Collage Concert 2021, Sherri N. Barrett, Sam Skelton, John Lawless, Andrew Berry, John Warren, Charae Krueger, Robert Henry, Molly Jennings, Lauryn Davis, Judith Cole, Melody Bearden, Scott Lozier, Dajon Carter, Colin Gregoire, Tryone Jackson, Trey Wright, Brenda Brent, Helen Kim
Collage Concert 2021, Sherri N. Barrett, Sam Skelton, John Lawless, Andrew Berry, John Warren, Charae Krueger, Robert Henry, Molly Jennings, Lauryn Davis, Judith Cole, Melody Bearden, Scott Lozier, Dajon Carter, Colin Gregoire, Tryone Jackson, Trey Wright, Brenda Brent, Helen Kim
Bailey School of Music Concert Programs
An exciting highlight of each season, Collage is the signature annual production of the School of Music. All proceeds and donations support student scholarships. This unique production features over 200 student and faculty performers. The featured highlighted ensembles include jazz, orchestra, choir, band, percussion, opera, chamber groups, and much more. This year, Collage is free and you may live-stream the event from the comfort of your home.
The Making Of An Avant-Gardist: A Study Of Rafael Aponte-Ledée’S Early Life And Works (1957–1966), Noel Torres-Rivera
The Making Of An Avant-Gardist: A Study Of Rafael Aponte-Ledée’S Early Life And Works (1957–1966), Noel Torres-Rivera
Dissertations, Theses, and Capstone Projects
This dissertation explores the interconnectedness of political and musical discourses in Latin America by examining the formative years of Puerto Rican composer Rafael Aponte-Ledée (b. 1938), a leading figure in the Puerto Rican avant-garde movement in the late 1960s. Through extensive archival research, oral history, and qualitative field work, I analyze his time as a student at the Real Conservatorio Superior de Música de Madrid (1957-1964) and at the Centro Latinoamericano de Altos Estudios Musicales del Instituto Torcuato Di Tella in Buenos Aires (1965-1966). With this, I address the intricate network of musical works, events, mentors, institutional discourses, textbooks, technologies, …
The American Symphony Orchestra Today: Problems In Community, Diversity, And Representation, Hilary Slade Jansen
The American Symphony Orchestra Today: Problems In Community, Diversity, And Representation, Hilary Slade Jansen
Dissertations, Theses, and Capstone Projects
This dissertation examines the symphony orchestra and its socio-political context in the United States. Using three orchestral case studies—the Los Angeles Philharmonic, the Philadelphia Orchestra, and Venezuela’s El Sistema—I examine the ways in which American symphony orchestras have responded both today and in the past to the public and academic discourse around social inclusion. Interweaving musicology, sociology, urban anthropology, cultural studies, education, economics, ethnomusicology, economics, data from grant-giving institutions, and from symphony orchestras themselves, I seek to situate the wider discourse on social justice in the arts (which has, until recently, lived largely outside of academia) within a musicological …
Extracting Theory From Practice: A Computational Analysis Of The Persian Radif, Sepideh Shafiei
Extracting Theory From Practice: A Computational Analysis Of The Persian Radif, Sepideh Shafiei
Dissertations, Theses, and Capstone Projects
This dissertation studies radif, the repertoire/system of Persian classical music, by developing a framework for computational research on vocal music performance. The radif consists of seven dastgāhs and five āvāzes (secondary dastgāhs). Each dastgāh consists of several pieces (gushes). Throughout this research, I draw on three areas of knowledge to study each subject: the historical aspects, the current theories, and the practice. When possible, I attempt to bridge the gap between theory and practice by extracting the relevant information from practice. To this end, I use and modify existing computational methods for analyzing audio and symbolic data. The main subjects …
Emulating The "Country Fiddler": A Performance Analysis Of Fiddle Parodies And Impressions In Charles Ives's Second Violin Sonata, Emily Vold Weiss
Emulating The "Country Fiddler": A Performance Analysis Of Fiddle Parodies And Impressions In Charles Ives's Second Violin Sonata, Emily Vold Weiss
Dissertations, Theses, and Capstone Projects
In his violin sonatas, Charles Ives frequently parodies fiddling style, both through overt quotes of fiddle tunes, as well as inventive compositional devices that mimic the fiddler’s style of bowing, ornamenting a melody, or generally rustic performance. Given the breadth of these fiddling allusions, it is important that violinists who perform Ives’s sonatas understand the distinctive aesthetics of fiddle performance, including the numerous ways in which it diverges from classical performance. In this dissertation, I survey pedagogical writings on fiddling, notated tunes, and recorded fiddling performances in an effort to characterize the performance practices of fiddlers from Ives’s native New …
New Chinese Music In New York City: From Revival To Musical Transnationalism, Serena Yiai Wang
New Chinese Music In New York City: From Revival To Musical Transnationalism, Serena Yiai Wang
Dissertations, Theses, and Capstone Projects
The Pulitzer Prize (2011, Zhou Long’s Madame White Snake), a Metropolitan opera commission (Tan Dun’s The First Emperor, premiered 2006), and the Ives Living Award (Chen Yi, 2001) are just some of the high-profile awards and commission bestowed upon Chinese émigré composers who have studied and built their professional reputation in New York City. The works of Chinese composers constitute what I call “new Chinese music,” which I argue has played a defining role in New York City’s cultural landscape and in the development of Western art music in general. The influence of Chinese composers and their works …