Digital Commons Network^™

Notes From The Stacks, Fall 2021, Friends Of The Brooks Library

Friends of the Brooks Library

No abstract provided.

Texas Hospitality: Pro-Refugee Activism, Volunteerism, And Coalition-Building In Xenophobic Times, Sara Mosher

Anthropology Theses and Dissertations

This project employs ethnographic methods to explore the experiences of forty ordinary Texans of different social and religious backgrounds who were active in pro-refugee volunteer and advocacy work during the four chaotic years of the Trump administration. The goal of this research is to better understand people’s reasons for volunteering and advocating on behalf of refugees during a time of political upheaval, when prominent public figures in positions of leadership around the country have repeatedly framed refugees as a threat to American security and cultural identity. Despite the crucial roles that local volunteers typically play in the process of refugee …

Vol. 44 No. 1/2 (2021): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Ethnomusicology, Ethnocentrism, And The Other, Elizabeth Rockwell

Munn Scholars Awards

Western academic literature exploring global music frequently perpetuates stereotypes about nonWestern music and countries. This stems from the implicit bias of Western scholars and musicians as well as the dominance of Western music in the U.S. and Europe. Resultant from this bias and these stereotypes is the exoticizing of non-Western music and nations that contributes to the “Otherness” that plagues ethnomusicological scholarship. This “othering” occurs despite the stated purpose of the field of ethnomusicology, which is to look beyond the music being produced and to instead focus on the cultural context in which it was produced. Thus, the state of …

The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad

Journal of Religion & Film

Rāvaṇa, the ten-headed Rākṣasa (‘demon’) king of the epic the Rāmāyaṇa, is the most fascinating of all the antagonists in films based on Hindu mythology, so powerful that even the Sun cannot rise without his orders, and celebrated as an unparalleled musician-scholar and great devotee of the god Śiva. His passion for the vīṇā, a string instrument with divine associations, is so great that this instrument adorns his royal flag as its emblem. His consciousness of his supreme powers and great knowledge soon gives way to ahaṅkāra (hubris) and lust, which leads to his eventual downfall and death at the …

Vol. 44 No. 1/2 (2021): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 44, No 1/2-Oct 2021 edition of the Pacific Studies Journal.

Fall 2021notes From The Stacks, Central Washington University

Notes from the Stacks: CWU's Library Newsletter

No abstract provided.

Wind Symphony, September 30, 2021, T.J. Mack, Lauren Bobarsky, F. Mack Wood, Marisa Miko, John Gonzalez

School of Music Programs

Center for the Performing Arts

September 30, 2021

Thursday Evening

8:00 p.m.

Syllabus Development Of A Mindful Exploration Of Contemplative Chanting Course, Edwin Ebinger

Mindfulness Studies Theses

Contemplative chanting has a long history across a broad cross section of the world’s civilizations. However, with the modern American acceptance and expansion of Eastern-based contemplative practices, chanting has not at present firmly established itself. Within this context, further investigation into the physiological and neurological effects of chanting, the various ritualistic traditions and purported transformational effects of chanting, and the role of chanting within the modern American mindfulness movement is warranted. To this end, a syllabus for graduate level study is developed herein based upon a literature review of the existing English-language discourse, the Lesley University Mindfulness Studies program design, …

Choral Showcase, September 19, 2021, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

September 19, 2021

Sunday Afternoon

3:00 p.m.

Illinois State University Symphony Orchestra: Les Préludes, September 19, 2021, Glenn Block, Elizabeth Thompson

School of Music Programs

Center for the Performing Arts

September 19, 2021

Sunday Evening

7:00 p.m.

Importance Of Teaching Native American Music, Kimberly Lorene Fowler

Masters Theses

Music Education has always been the doorway to experiencing something new and wonderful. Music Education, before now in America, has always taught western-styled music. Today, culture has become an essential ingredient to being an American. The learning and appreciation of other cultures have become particularly important in a student's journey within music to ensure the feeling of community, respect for others, and the experience of different styles. Native American music has become threatened with extinction by the shortage of information available and the lack of instructors that can teach it. Generations upon generations have lost this opportunity to learn and …

Performing Empowerment: Children's Rights And Musical Participation In Dakar, Senegal, Lynne Stillings

Dissertations, Theses, and Capstone Projects

This dissertation provides a critical examination of how music is used to introduce concepts of children’s rights to children and youth in Dakar, Senegal. I explore why music has been chosen as a tool of engagement and promotion, building on Senegal’s history of youth activism and music as a grassroots tool for inspiring social change and sparking political movements. Both international NGOs and local programs use musical activities, centering children as performers and songwriters, to address rights in Senegal including girls’ equality, the right to education, early marriage, violence towards women and children, access to healthcare, and street children. Outside …

The Cultural Relevance Model Of Worship, Mark David Brumagin

Doctoral Dissertations and Projects

n the early decades of the twenty-first century a new model of worship has begun to emerge in some North American evangelical churches. Significant events in North American church history combined with cultural ideologies inherent to the North American context have influenced particular churches resulting in new worship practices. Churches that are affected are often marked by the development of highly affective worship experiences, the production and consumption of goods, the involvement of the worship team in marketing, and an elevated use of technology. In examining the cultural values at work in this development, this study found a historical thread …

Bi-Musicality In Kenyan Education: An Irrevocable Impact Of Colonization On A Culture?, Tania Mae Molendyk

Masters Theses

In Kenya today, music at all levels includes both Kenyan music and Western music. The inclusion of Western music in the Kenyan curriculum began when Britain made Kenya a colony. Due to certain circumstances after Kenya became independent, Western music continued to be taught in the schools. This research addresses the question “is the inclusion of Western music in the curriculum today a conscious choice or a remaining impact of British colonization?” To gain insight into this question, a variety of Kenyans from different backgrounds were interviewed. Their answers helped reveal the desires of the people today and whether the …

2021-August-25-Exploring Black Appalachian Music Podcast.Pdf, University Marketing And Communication, East Tennessee State University

ETSU News

JOHNSON CITY (Aug. 25, 2021) — A six-part podcast series, “Sepia Tones: Exploring Black Appalachian Music,” is in the works, co-hosted by Dr. Ted Olson, an East Tennessee State University professor of Appalachian Studies and Bluegrass, Old-Time and Country Music Studies, and Dr. William Turner, a noted scholar on African American communities in Appalachia.

The first two episodes are now available on all popular podcast streaming platforms through the Great Smoky Mountains Association’s “Smoky Mountain Air” podcast.

Dr. Ted Olson

The Visual Language Of Turkish Roman Dance, Bethan J. Carter

Anthropology

Utilizing Peircean semiotics and Dell Hymes' Ethnography of Communication, this research analyzes the dance style known as Roman havasi or, Turkish Roman dance. Elements and influences under consideration include costuming, dance vocabulary, musical instruments and traditions, gender-based stylistic differences, spheres of performance, audience member and participant demographics, and notions of authenticity in embodiment and presentation. An abridged history of the Roman is also presented, including public policies that influence the rights and lifestyle of Turkish Roman, as such factors have influenced their sense of social belonging as well as their dance and musical expressions. Romani people have experienced marginalization wherever …

Travelin' To The Promised Land: Symbolism Of The Jordan River In African Spiritual, English Hymn, And American Folksong Selections, Hope V. Dornfeld

Montview Journal of Research & Scholarship

These program notes originally accompanied a performance of three vocal pieces: Deep River, On Jordan's Stormy Banks, and Poor Wayfaring Stranger. The notes analyze the role of the Jordan river in each piece, focusing on their historical context, first performances, and issues of authorship. As part of a performing arts research project, the program notes also address the method of expression and creative process that went into preparing the performance of these pieces.

The songs included in this presentation all speak to the journey from earth to heaven. In each piece, the Jordan River is found to symbolize a …

50th Anniversary Linguistics Colloquium | Chris Thompson On Folk Spirituality Matchlock Muskets And The Asuke Fall Festival In Japan, Nov. 5, Ohio University College Of Arts & Sciences

All Forum Articles

No abstract provided.

The Immediate Success Of Bartók: Reception And Influence Of The Concerto For Orchestra On The Repertoire, Adam Bess

Bakerman Student Research Awards

Written in late 1943 and premiered the following winter in 1944, Concerto for Orchestra, Sz 116, BB 123, of Hungarian composer Béla Bartók was immediately regarded as a success by his critics and contemporaries alike. Presented as an entirely new compositional form, unheard before by audiences of the time, the Concerto for Orchestra brought strident fanfares coupled with delicate virtuosity, demanded of all performers of the orchestra. Though its reception was critically acclaimed, the troublesome events of World War II and rise of Socialism occurring alongside the conception and composition of the piece as well as its ground-breaking formal organization …

El Guitarrista Y Sus Cambios De Codigos: Cruzando Fronteras Musicales [The Guitarist And Code-Switching: Crossing Musical Borders], Hector Manuel Aguilar

Theses and Dissertations

The guitar in border towns has links to many musical cultures that vary in their ways of being due to the customs of the specific space. Individual guitarists learn how to navigate the different environments because they understand the etiquettes needed to belong and participate in the musical circles.

In this autoethnographic work, I explore the various musical spaces that I have participated in through my musical journey growing up in Brownsville, Texas, to understand further how the individual musician embodies the style of music s/he performs. As a primary data source for my work, I use the experiences that …

Mariachi Programs At The University Level: Investigating Eurocentric Stereotypes, Clyde M. Guerra

Theses and Dissertations

The number of mariachi programs at the high school level continues to grow in the Rio Grande Valley and beyond. However, degree-granting mariachi programs are virtually nonexistent at the university level. The established university music education system and its implementation of classical techniques and styles encourages mariachi violinists to adapt to classical violin teachings. Because mariachi violinists may lack what is considered “formal” training prior to attending a university, they may experience a disadvantage in relationship to classically trained violinists. In this research, I will investigate the perceived attitudes that exist towards mariachi violinists, and the conditions under which they …

The Rougarou Concerto And Initial Observations Of The Flex Ensemble, Thomas Wilson

LSU Doctoral Dissertations

The purpose of this dissertation is to examine the immediate impact of the coronavirus pandemic through a composer’s lens. It will examine the impact through a variety of means, considerably: interviews of those with first-hand experiences, analyses of prominent adaptable works, and self-analysis of how my own process adapted to meet the moment.

After discovering the Composers Repertoire Initiative and being commissioned to write a concerto by Eduard Teregulov, I wrote a cello concert. The central chapter features the Rougarou Concerto, a cello concerto with accompanying flex ensemble, written for Eduard Teregulov. The work was written over ten months …

On Displacement And Music: Embodiments Of Contemporary Nubian Music In The Nubian Resettlements, Fayrouz Kaddal

Theses and Dissertations

Between 1961-1964, an estimated number of 113’000 Nubians, who were living south of the site of the Aswan High Dam, the area now beneath Lake Nasser, and Wadi Halfa, north of Sudan, were displaced to an area near Kom Ombo, 20 kilometres away from the Nile and 50 kilometres north of Aswan. This major project of resettlement occurred for the construction of the Aswan High Dam, Nasser’s signature mega-project. The 1961-1964 displacement was the culmination of earlier waves of relocation that Nubians witnessed during their recent history. In 1902 the British constructed the Aswan (lower) Dam by the first cataract …

Layers Of Inclusion: Arranging Music For Multi-Leveled Ensembles, John Myers

Early College Folio

This paper describes the author’s practice of “layered arranging” in music education. As a response to the range of ages and skill levels of students at Bard Academy and Bard College at Simon’s Rock, this pedagogical approach allows for experienced students to work with level-appropriate material while less experienced students may participate supportively through simplified chord progressions.

The Band Chervona: Russian Musical Traditions In The Portland Diaspora, Zoe Landi Fontana

University Honors Theses

This paper explores how the band Chervona reflects Russian musical traditions in its development and creative output.

Tanavors, Irada Ganieva

Eurasian music science journal

Tanavor is a unique phenomenon in the cuiture of Uzbek people. Tanavor in the minds of the people is a philosophical category that incorporates history, originality, social, emotional, national-specific features. This creation is an example of the oral and professional creativity of Uzbek people, it can be attributed to high samples of musical folklore, which declared currently at the end of nineteenth century, and which continues to evolve to this day in music, in danse.

Review: Rachel Harris, Soundscapes Of Uyghur Islam, Chris Hann

Yale Journal of Music & Religion

A book review is presented for Rachel Harris, Soundscapes of Uyghur Islam. Bloomington: Indiana University Press, 2020.

The Secularism Of Music Studies, Jim Sykes

Yale Journal of Music & Religion

A response is presented to the articles collected in this special issue.

Higher Ground: Rev. Dr. William Barber Ii And The Political Content Of Prophetic Form, Braxton D. Shelley

Yale Journal of Music & Religion

This essay argues that Rev. Dr. William J. Barber’s message on “Higher Ground,” a speech delivered at a massive 2014 protest rally, reveals his intentional problematization of distinctions between the sacred and the secular. As Barber’s articulation of what Ashon Crawley calls “Blackpentecostal breath” spill over the boundaries posited by conventional categories—they are too ecstatic to be ordinary speeches, and too political to be traditional sermons—these plural expressions identify themselves as sounds that come from another world. If both content and form are understood as thought, it becomes apparent that these prophetic utterances critique the oppression wrought by contemporary social …