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Articles 3511 - 3540 of 4775
Full-Text Articles in Entire DC Network
The Triumph Of Timelessness Over Time In Hindemith's "Turandot Scherzo" From The Symphonic Metamorphosis Of Themes By Carl Maria Von Weber, Gene H. Anderson
The Triumph Of Timelessness Over Time In Hindemith's "Turandot Scherzo" From The Symphonic Metamorphosis Of Themes By Carl Maria Von Weber, Gene H. Anderson
Music Faculty Publications
Hindemith's title of his four-movement von Weber suite of 1943 poses a problem. The composer's characteristic reticence about his sources delayed their documentation for some twenty years, whereupon it was found that the Symphonic Metamorphosis was based, not only on themes, but on complete pieces. Rather than "thematic transformation," the "metamorphosis" of the title would thus be more accurately regarded as "recomposition," in which changes of tone system, timbre, harmony, rhythm, and form, in addition to the melody itself, transform every level and component of the original composition's structure. This study attempts to demonstrate how Hindemith achieves such a metamorphosis …
Popular Music And A Sense Of Place In Singapore, Lily Kong
Popular Music And A Sense Of Place In Singapore, Lily Kong
Research Collection School of Social Sciences
This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …
Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis
Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis
History: Faculty Publications and Other Works
A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.
Music, The Media, And Communal Relations In North India, Past And Present, Peter L. Manuel
Music, The Media, And Communal Relations In North India, Past And Present, Peter L. Manuel
Publications and Research
No abstract provided.
Monitor Newsletter November 20, 1995, Bowling Green State University
Monitor Newsletter November 20, 1995, Bowling Green State University
Monitor
Official Publication of Bowling Green State University for Faculty and Staff
Moanin' At Midnight: Patterns, Themes, And Imagery In Blues Songs By Howlin' Wolf, Craig Edmundson
Moanin' At Midnight: Patterns, Themes, And Imagery In Blues Songs By Howlin' Wolf, Craig Edmundson
Student Work
Blues music originated in the Deep South where it matured into a recognizable style, known as the country blues. Socioeconomic changes. in the 1920's and 1940's encouraged large numbers of blacks living in the rural South to migrate northward. Chicago, Illinois was a destination for many blacks from the Mississippi Delta region, and the country blues was similarity transplanted to an urban environment. In this new setting, the familiar music of the country began to change and a new style of blues evolved, urban blues. One way to better under5tand the links between the country and urban styles we ·Id …
The Invention Of "African Rhythm", Kofi Agawu
The Invention Of "African Rhythm", Kofi Agawu
Publications and Research
"African ryhthm" was invented in the 1950s when, thanks to pioneering research by the Reverend A. M. Jones, Alan Merriam, Gilbert Rouget, Erich von Hornbostel, and John Blacking, among others, "African music" was construed as an essentially rhythmic phenomenon. Three decades and a sizable body of empirical research later, it is easy to see that an overriding ideology of difference (between "Africa" and the "West") motivated these early efforts. This essay reinvents "African rhythm" not by denying its own ideological construction but by engaging in an imaginary dialogue with earlier researchers in an effort to concretize that which was missing …
Vol. 18 No. 3 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 3 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 18 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 18 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 18 (1995): Pacific Studies Full Issue 3
Vol. 18 No. 3 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 3 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 18, No 3 Edition of the Pacific Studies Journal
Melanesian Music On Compact Disc: Some Significant Issues, Peter Russell Crowe
Melanesian Music On Compact Disc: Some Significant Issues, Peter Russell Crowe
Pacific Studies
No abstract provided.
Vol. 18 No. 2 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 2 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 18 No. 2 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 2 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Popular Music In Geographical Analyses, Lily Kong
Popular Music In Geographical Analyses, Lily Kong
Research Collection School of Social Sciences
As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography (see, for example, Cosgrove and Jackson, 1987; Jackson, 1989; Cosgrove, 1989; 1990; Anderson and Gale, 1992; Bames and Duncan, 1992). In this article I will focus on the interface between geography and popular music, focusing specifically on the contributions of such exploration towards cultural and social understanding. In what follows, I will first discuss the reasons for geographers’ relative neglect of popular music …
Appropriate Data / Dada: A Partial Reading Of A Fragment Of Shona Mbira Dza Vadzimu Music, Martin Scherzinger
Appropriate Data / Dada: A Partial Reading Of A Fragment Of Shona Mbira Dza Vadzimu Music, Martin Scherzinger
disClosure: A Journal of Social Theory
No abstract provided.
Vol. 18 No. 1 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 1 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 18 No. 1 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 18 No. 1 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Scottish And Irish Elements Of Appalachian Fiddle Music, Matthew S. Emmick
Scottish And Irish Elements Of Appalachian Fiddle Music, Matthew S. Emmick
Undergraduate Honors Thesis Collection
This paper is designed to serve as a general introduction to the topic and is not meant to be a definitive resource. The ideas presented here deal with general characteristics which serve as a basis for comparison of the three fiddle styles. A more in-depth study which examines stylistic traits peculiar to small geographic regions within Scotland, Ireland, and Appalachia is needed to give a more complete picture of the Celtic influence on the fiddle traditions of the Southern mountains.
Interview With Joe Hickerson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Joe Hickerson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of an interview with Joe Hickerson at the Library of Congress regarding Sarah Gertrude Knott and the National Folk Festival. Also includes discussions about folk music, folk musicians, and the National Council for the Traditional Arts.
The Bg News February 16, 1995, Bowling Green State University
The Bg News February 16, 1995, Bowling Green State University
BG News (Student Newspaper)
The BGSU campus student newspaper. February 16, 1995. Volume 77-Issue 100.
The Transmutation Of A Cultural Constant: A Mexican Political Corrido As Personal Legacy, Sara Soledad Garcia
The Transmutation Of A Cultural Constant: A Mexican Political Corrido As Personal Legacy, Sara Soledad Garcia
Teacher Education
No abstract provided.
Spring 1995, 90.9 Wmpg Fm
Fall 1995, 90.9 Wmpg Fm
Summer 1995, 90.9 Wmpg Fm
[Review Of] David G. Such. Avant-Garde Jazz Musicians: Performing "Out There ", Andrew Bartlett
[Review Of] David G. Such. Avant-Garde Jazz Musicians: Performing "Out There ", Andrew Bartlett
Explorations in Sights and Sounds
The burgeoning scholarship on the avant-garde in jazz of the 1950s and 1960s still accounts for only a small number of scholarly jazz-related publications. Though the ascendance of interdisciplinary, cultural studies paradigms leave open many pathways to discussions of avant-garde jazz, David G. Such's Avant-Garde Jazz Musicians incorporates little ofthe cultural criticism Ronald Radano offers in his equally new New Musical Figurations: Anthony Braxton’s Cultural Critique (Chicago: University of Chicago Press, 1993). Such instead focuses multiply on what avant-garde musicians say about their music's position a handful of topical devices which head chapters in the text. From considering "Labels," an …
Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Andy Wallace conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Pete Seeger conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Charles and Nancy (Martin) Perdue conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).