Digital Commons Network^™

We Could Tell You, But Then We'd Have To Kill You: How Indigenous Cultural Secrecy Impedes The Protection Of Natural Cultural Heritage In The United States, Audrey Mense

Chicago-Kent Journal of International and Comparative Law

No abstract provided.

A Perspective On Multicultural Education From An Historian And An Administrator, George C. Wright

President Emeritus George C. Wright Speeches

No abstract provided.

Misa Espiritu Santo, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …

Nomadic Amdo Tibetan Glu Folk Songs, Wendolyn Craun

Masters Theses

Tibetan glu folk songs are a literary and musical expression historically passed down from generation to generation. This regional study purposes to define the origins, influences, categories, qualities, and significance of nomadic Amdo Tibetan glu folk songs. These topics are explored within the settings of Tibetan culture, history, theory, and current usage. Recordings of twenty-seven glu folk songs accompanied by transcribed text and music offer contemporary examples of this song genre that is quickly disappearing. The ultimate goal of this study is to answer the question: What are the defining characteristics of nomadic Amdo Tibetan glu folk songs?

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …

The Need For Originality: Music Infringement In India, 11 J. Marshall Rev. Intell. Prop. L. 169 (2011), Harini Ganesh

UIC Review of Intellectual Property Law

For decades, the Indian film industry has copied tunes from Western copyrighted works and created unauthorized derivatives. As the music and motion picture industries in the United States started taking notice of this copyright infringement, so too did Indian music directors as domestic infringers profited from copying. Despite the existence of an enacted copyright statute in India, and the nation’s membership with various international intellectual property treaties and conventions, enforcement continues to be poor. This lack of protection allows high-profile music directors in the Indian film industry to get away with copyright infringement. This comment proposes that India must improve …

Tunepal: Searching A Digital Library Of Traditional Music Scores, Bryan Duggan, Brendan O'Shea

Reports

Purpose – This paper aims to describe the Tunepal project as an example of a music information retrieval (MIR) system that is having an impact on how musicians access, learn and play traditional Irish music around the world. Design/methodology/approach – This paper describes the functionality of the Tunepal system: consisting of the tune corpus, the web site tunepal.org and mobile apps supporting iOS and Android OS. Tunepal facilitates query-by-title and query-by-playing music (QBP) searches and allows a musician to retrieve and playback scores amongst other supported functions. Findings – Tunepal has been favorably received and musicians report that the system …

Educate, Inspire, Change: A Musical Ethnography Of World Camp, Inc, Ian R. Copeland

Honors Papers

Blighted by nation-wide HIV and deforestation crises, the nation of Malawi plays host to scores of international Non-Governmental Organizations every year. This project focuses on one such organization, World Camp Incorporated, and its use of musical strategies in the implementation of educational outreach programs in rural primary school classrooms. Throughout a four-day curriculum, music is called upon to energize students, galvanize classroom unity, convey curricular concepts, and re-present medical information to host communities. Much has been written about music's affective and effective power as demonstrated through local community-based organizations, but this ethnographic project resituates music as a tool for social …

Brazilian Music For Youth Choir By Funarte: Exploring Issues Of Pedagogy And Authenticity In Brazilian Choral Music, Diego Daflon Tavares Pinto

LSU Master's Theses

The purpose of this study is to stimulate the dissemination of Brazilian choral repertoire, especially the pieces from the series Brazilian Music for Youth Choir by FUNARTE, and provide accurate interpretative information for authentic performance and effective teaching. Musical and pedagogical analyses of three of the pieces from the series by FUNARTE (2009) were done as means to the purpose of the study. In addition, ethnographic interview were held with the composers of each of those pieces, Paulo Malaguti, Leandro Maia, and Caio Senna, and the technical-pedagogical coordinator of the series, Eduardo Lakschevitz. Through the interviews with the composers it …

Vehicles Of Tibetan Buddhism: Sound Energy As A Sacred Force, Thomas Earl Chandler Jr

Honors Theses

This paper focuses on a discussion of sound energy in Tibetan Buddhism emd how practitioners have transformed sound into a sacred part of their religious tradition. Two specific areas have been investigated: chordal chanting practices of certain Tibetan Buddhist lamas and death rituals and how the Tibetan Book of the Dead is used to influence a consciousness. For the section dealing with chordal chanting, most information was gained from studying secondary sources as a result of there being very little primary source material available. For the section dealing with the Tibetan Book of the Dead, the text itself was investigated …

Ethnomusicology [And Aesthetics], Peter L. Manuel

Publications and Research

No abstract provided.

Regina Caeli, Gustavo Leone, Martin Schmid S.J.

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …

Thoughts On Music Ethnography In Urban Indonesia: From Yogyakarta Recordings To Translocal Popular Culture In The Melayu Borderlands, Max Richter

Antropologi Indonesia

Previous studies on Indonesian music focused on cultural heritage and traditional preservation or western-style modern music such as pop and rock music. Both were perceived as separate genre, even modern music often downplayed traditional one. The author argues analysis of hybrid genre like keroncong and dangdut would provide more complicated picture than such dichotomy. He explained long history of cultural exchanges in various parts of Indonesia which showed these two genres influenced each other. As a case study the author presents urban music as main character of urban social lives in Indonesia. This article depicts street music and campursari in …

Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero

University of Kentucky Doctoral Dissertations

In the centuries since the colonization of the New World, the people of Cuba created a strong musical tradition. Initially, their music mirrored the European composition canons of structural, melodic and harmonic order. The eventual confluence of its distinct cultural elements (i.e. the European, African, and, to a lesser extent, Amerindian) led to the emergence of a new, distinctly Cuban musical tradition.

The wars for independence that began in the United States and Europe in the eighteenth century created a surge towards political and cultural autonomy that swept across the Latin American colonies, generating a wave of nationalism during the …

"India", In "Classical Aesthetic Traditions Of India, China, And The Middle East", Peter L. Manuel

Publications and Research

No abstract provided.

Red Note New Music Festival Program, 2011, School Of Music

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.

Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser

Faculty & Staff Scholarship

No abstract provided.

Interpretation And Expressive Imagery In The Butterfly Lovers Violin Concerto On Double Bass: Transcribed By Yung-Chiao Wei, Min-Tzu Chao

LSU Doctoral Dissertations

The purpose of this research paper is to show the interpretation of the Chinese piece—The Butterfly Lovers Violin Concerto—through expressing imagery. The concerto is composed by Chen Gang (陳鋼) and He Zhan-hao (何占豪) in 1959. In 2004, Yung-Chiao Wei, a double bass professor at Louisiana State University transcribed the piece for double bass. It is a very useful repertoire for double bass players to experience Chinese music through the plot’s expressing imagery. The Chinese musical language is different from Western music language in the concept of pentatonic scale, tone color, and tempo. I believe that double bass players can effectively …

Prestructuring Multilayer Perceptrons Based On Information-Theoretic Modeling Of A Partido-Alto-Based Grammar For Afro-Brazilian Music: Enhanced Generalization And Principles Of Parsimony, Including An Investigation Of Statistical Paradigms, Mehmet Vurkaç

Dissertations and Theses

The present study shows that prestructuring based on domain knowledge leads to statistically significant generalization-performance improvement in artificial neural networks (NNs) of the multilayer perceptron (MLP) type, specifically in the case of a noisy real-world problem with numerous interacting variables.

The prestructuring of MLPs based on knowledge of the structure of a problem domain has previously been shown to improve generalization performance. However, the problem domains for those demonstrations suffered from significant shortcomings: 1) They were purely logical problems, and 2) they contained small numbers of variables in comparison to most data-mining applications today. Two implications of the former were …

My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton

USF Tampa Graduate Theses and Dissertations

This study explores the historic relationship between pop music divas and gay male fandom. It charts fan experiences from the early 60s with Judy Garland to contemporary times with pop diva Lady Gaga. This project also gives a description of the embodied experience of Brett Farmer’s “queer sublimity of diva reception.” Farmer (2005) argues that diva worship among gay men has become a queer sublimity, “the transcendence of a limiting heteronormative materiality and the sublime reconstruction, at least in fantasy, of a more capacious, kinder, queerer world” (p. 170). Using the methods of participant observation in drag performance and karaoke …

Vol. 33 No. 2/3 (2010): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 33, No 2/3-Aug/Dec 2010 edition of the Pacific Studies Journal.

Vol. 33 No. 2/3 (2010): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Mésica Criolla: Cultural Practices And National Issues In Modern Peru. The Case Of Lima (1920-1960), Luis Martin G¢Mez

Stony Brook Theses and Dissertations Collection, 2006-2020 (closed to submissions)

My thesis is a historical analysis of a group of musical forms called m£sica criolla in twentieth-century Peru. I analyze the historical relocation of these musical forms as symbols of Peruvianness during the period 1920 to 1960. I argue that the idea of the existence of a national music called m£sica criolla emerged as a product of the urban modernization that had been transforming the landscape of the city of Lima since the second half of the nineteenth century. Faced with this transformation, early twentieth-century Lime¤o intellectuals asserted that Lime¤os displayed distinctive artistic attitudes in their daily lives. For them, …

Human Things: Rethinking Guitars And Ethnography, Matthew L. Hale

Masters Theses & Specialist Projects

This work is about objects and their makers, their relationship, and the negotiation between tradition and innovation in the creation of things. I explore the relationship between tradition, innovation, and technology as it pertains to the creation, perception, and interaction with acoustic steel string guitars and ethnographies. First, I focus on the works of two Nashville based guitar makers, Grant and Cory Batson. I investigate the ways in which the Batsons critically evaluate traditional construction techniques and design features as they create their instruments, looking at their theories of tone production, methods of construction, and their perceptions and uses of …

I Belong To The Band: The Music Of Reverend Gary Davis, William Lee Ellis

Electronic Theses and Dissertations Archive

“I Belong to the Band” is the first extensive analytical examination of the music of guitarist/singer Reverend Gary Davis (1896-1972), whose vast repertoire and instrumental virtuosity made him a favorite performer and teacher during the folk and blues revival. Discussed in detail are his songs and aspects of musical technique as well as larger issues such as appropriation in traditional song, the interplay of sacred and secular content and style in African American song, the role(s) of blindness in musical culture, and contrastive and associative symmetries in blues performances. To better glean Davis’s music and the world in which he …

A Comparative Analysis Of Parallel Revisionism In The Plays Rabinal Achí And Zoot Suit, Matthew C. Lewis

Theses and Dissertations

This study draws parallels between the dramatic works Rabinal Achí­, an anonymous ancient Mayan text, and the Luis Valdez masterpiece Zoot Suit. The parallel that I seek to establish is one of the strong trend of historical revisionism in both works as well as a parallel development of plot and characterization. This work does not claim to be representative of revisionism as a whole, nor does it seek to establish a new official history, but it does to demonstrate how both works, even though they are separated by hundreds of years, share a common bond of subversion and …

College Voice Vol. 35 No. 8, Connecticut College

2010-2011

No abstract provided.

Volume Cxxviii, Number 5, October 15, 2010, Lawrence University

The Lawrentian

No abstract provided.

Lawrence Today, Volume 91, Number 1, Fall 2010, Lawrence University

Lawrence Today

No abstract provided.

The Faculty Notebook, October 2010, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.