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Articles 241 - 270 of 487
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Reading English Literature And Korean Scholars' Search For "Authentic Subjectivity", Jonggab Kim
Reading English Literature And Korean Scholars' Search For "Authentic Subjectivity", Jonggab Kim
CLCWeb: Comparative Literature and Culture
In his article "Reading English Literature and Korean Scholars' Search for 'Authentic Subjectivity'" Jonggab Kim discusses the ambivalence of Korean scholars toward the reading and analysis of English-language literature because of its perceived threat to Korean national identity and a route to internationalization. Kim's study is an attempt to evaluate a dual strategy of reading, one that involves both sympathy and antipathy. Kim postulates that what Korean scholars need is not a national practice of reading, but the type of reading that takes into account Korea's historical situation with the knowledge of the field or period of the text. Based …
Canon Formation In The Study Of The Environment In China And Taiwan, Peter I-Min Huang
Canon Formation In The Study Of The Environment In China And Taiwan, Peter I-Min Huang
CLCWeb: Comparative Literature and Culture
In his article "Canon Formation in the Study of the Environment in China and Taiwan" Peter I-min Huang discusses how the canon of ecocriticism taught in English studies in China and Taiwan is becoming increasingly of a local perspective by scholars who publish in Mandarin, address environmental issues specific to Mainland China and Taiwan, and thus engage with ecocriticism based on local perspectives rather than Western ones. The study and teaching of English-language literature in China and Taiwan inevitably encounters charges of neocolonialism or other argumentation that it is being used in ways that betray the legacy of past colonialist …
The Canon Of East Asian Ecocriticism And The Duplicity Of Culture, Hannes Bergthaller
The Canon Of East Asian Ecocriticism And The Duplicity Of Culture, Hannes Bergthaller
CLCWeb: Comparative Literature and Culture
In his article "The Canon of East Asian Ecocriticism and the Duplicity of Culture" Hannes Bergthaller begins with the premise that ecocritical scholarship often locates the roots of environmental crisis in Western modernity and that it looks towards pre-modern or non-European traditions for a remedy. Bergthaller argues that such forms of cultural critique tend to reiterate a quintessentially modern gesture. Following Niklas Luhmann's account of culture, Bergthaller examines how these reiterations functions as a semantic mechanism for coping with the contingency of social forms. To describe a social practice as cultural, Bergthaller contends, is to valorize it as a marker …
Race, Slavery, And The Re-Evaluation Of The T'Ang Canon, Gregory E. Rutledge
Race, Slavery, And The Re-Evaluation Of The T'Ang Canon, Gregory E. Rutledge
CLCWeb: Comparative Literature and Culture
In his article "Race, Slavery, and the Revaluation of the T'ang Canon" Gregory E. Rutledge re-evaluates—from the purview of African Diaspora literary studies—historiography that considers the place of East African slave lore in T'ang Dynasty fiction. Julie Wilensky's "The Magical Kunlun and 'Devil Slaves': Chinese Perceptions of Dark-skinned People and Africa before 1500" (2002), a revision of Chang Hsing-lang's "The Importation of Negro Slaves to China Under the T'ang Dynasty (A.D. 618-907)" (1930), is pivotal since it occupies the nexus between European-American, East-Asian, and African-Diasporic canons and policies. Rutledge situates Wilensky's and Chang's works in the context of Edward W. …
Western Canons In China 1978-2014, He Lin
Western Canons In China 1978-2014, He Lin
CLCWeb: Comparative Literature and Culture
In his article "Western Canons in China 1978-2014" He Lin surveys anthologies of foreign literature, book series, textbooks used in literary departments, and learned journals and draws a map of the situation of Western canons in China. He concludes that Western canons underwent a complicated process when establishing their roles in Chinese scholarship and that canonization is determined, in particular, by market mechanisms, ideological preconceptions, and literary institutions at universities. He posits that in the age of globalization a more intimate and subtle relationship has been established between Western literary canons and Chinese readership and scholarship. The publishing market, national …
Bibliography For The Study Of Literature, East Asia, And Globalization, Zhaomei Zheng
Bibliography For The Study Of Literature, East Asia, And Globalization, Zhaomei Zheng
CLCWeb: Comparative Literature and Culture
No abstract provided.
Indigenous Taiwan As Location Of Native American And Indigenous Studies, Hsinya Huang
Indigenous Taiwan As Location Of Native American And Indigenous Studies, Hsinya Huang
CLCWeb: Comparative Literature and Culture
In her article "Indigenous Taiwan as Location of Native American and Indigenous Studies" Hsinya Huang uses Taiwan as a specific intellectual crossroads to examine, both pedagogically and theoretically, transnational/trans-Pacific flows, as well as transnational indigenous formations which take shape across national/international/local American Studies in this key moment of heightened U.S./Taiwan interaction in the Asia-Pacific security zone. Huang argues that Taiwanese scholarship has helped reorient understandings of environment and ecocriticism and that it has provided significant impulses, especially in the fields of Native American and comparative indigenous studies. Moreover, Taiwan has contributed both in its own positioning and in its academic …
Wu's The Man With The Compound Eyes And The Worlding Of Environmental Literature, Shiuhhuah Serena Chou
Wu's The Man With The Compound Eyes And The Worlding Of Environmental Literature, Shiuhhuah Serena Chou
CLCWeb: Comparative Literature and Culture
In her article "Wu's The Man with the Compound Eyes and the Worlding of Environmental Literature" Shiuhhuah Serena Chou discusses Mingyi Wu's novel in the context of ecocriticism's transcultural turn. Chou presents an overview of the cultural milieu in which Wu rises onto the world literary scene and proceeds by examining the problematics and potentials of ecocritical studies' transnationalization. Chou argues that while Wu's desire to understand the local through the vocabulary of the global, his readership reveals a sense of ecocosmopolitanism. The globalized local or localized global in Wu's novel reveals a cosmopolitan sense of the world and the …
Ecocriticism And Gender/Sexuality Studies: A Book Review Article On New Work By Azzarello And Gaard, Estok, And Oppermann, Keitaro Morita
Ecocriticism And Gender/Sexuality Studies: A Book Review Article On New Work By Azzarello And Gaard, Estok, And Oppermann, Keitaro Morita
CLCWeb: Comparative Literature and Culture
No abstract provided.
Bibliography For Work In Ecocriticism, Zümre Gizem Yılmaz
Bibliography For Work In Ecocriticism, Zümre Gizem Yılmaz
CLCWeb: Comparative Literature and Culture
No abstract provided.
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
CLCWeb: Comparative Literature and Culture
In her article "Greenberg's Prose and Poetry about World War I" Chanita Goodblatt analyzes the literary response of Uri Zvi Greenberg to the war. His volume of poetry Krieg oyf der Erd— largely untranslated to English — can be read as part of a multicultural literary response to World War I, particularly in juxtaposition with the poems of Wilfred Owen and Siegfried Sassoon. Goodblatt posits that a study of shared esthetic strategies and literary traditions underlines the way in which Greenberg created an "alienated wanderer" who witnesses and stands helpless in the face of the violence and destruction of …
Temporal Spaces In García Márquez's, Salih's, And Rushdie's Novels, Adrienne D. Vivian
Temporal Spaces In García Márquez's, Salih's, And Rushdie's Novels, Adrienne D. Vivian
CLCWeb: Comparative Literature and Culture
In her article "Temporal Spaces in García Márquez's, Salih's, and Rushdie's Novels" Adrienne D. Vivian discusses the significance of time in Gabriel García Márquez's One Hundred Years of Solitude, Tayeb Salih's Season of Migration to the North, and Salman Rushdie's Midnight's Children. While culturally distinct to one another, in each novel temporal space is narrated as a means to express and explore postcolonial identity. Vivian examines the connections between time and memory, history, and nation in each of the novels and the ways postcolonial authors use time as a device to mark the crossroads of precolonial past …
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
CLCWeb: Comparative Literature and Culture
In his article "Marriage in the Short Stories of Chekhov" Mark Richard Purves explores Anton Chekhov's often occurring depiction of marriage. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute it causes love …
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
CLCWeb: Comparative Literature and Culture
In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …
Arab Women Writers As Revolutionary Orators And Catalytic Agents Of Emancipation, Safaa S. Nasser
Arab Women Writers As Revolutionary Orators And Catalytic Agents Of Emancipation, Safaa S. Nasser
CLCWeb: Comparative Literature and Culture
In her article "Contemporary Egyptian and Palestinian Women's Writing as 'Committed Literature'" Safaa S. Nasser discusses the role of Arab women writers whose works were harbingers of the Arab Spring of 2011. Nasser's analysis demonstrate that the majority of Arab women writers acted as agents of feminist action and social change through their critique of patriarchal, phallocentric domi-nation and through their call for a secular sensibility. Their works demonstrate the symbiotic relation-ship between political, national, and feminist struggle for equality between genders. To exemplify this revolutionary perspective, Nasser analyzes texts by Nawal El Saadawi, Ahdaf Soueif, Salwa Bakr, Saki-na Fuad, …
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work, Anne-Marie Reboul
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work, Anne-Marie Reboul
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To History, Memory, And The Making Of Character In Roth’S Fiction, Victoria Aarons, Gustavo Sánchez-Canales
Introduction To History, Memory, And The Making Of Character In Roth’S Fiction, Victoria Aarons, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Perils Of Desire In Roth's Early Fiction, Victoria Aarons
The Perils Of Desire In Roth's Early Fiction, Victoria Aarons
CLCWeb: Comparative Literature and Culture
In her article "The Perils of Desire in Roth's Early Fiction" Victoria Aarons posits that Philip Roth's first collection of stories Goodbye, Columbus is the prototype for a host of characters who emerge throughout his oeuvre: characters who are engaged as the inveterate Nathan Zuckerman insists, in "an exchange of existences" abandoning willingly "the artificial fiction" of an inherent, essential self." From the stories in Goodbye, Columbus to the "final" novels comprising the Nemesis tetralogy, Roth's characters perform a spectacle of selves engaged in the making of character. The making of character in Roth's fiction appears in two ways: 1) …
Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak
Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak
CLCWeb: Comparative Literature and Culture
In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …
Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio
Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio
CLCWeb: Comparative Literature and Culture
In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …
Roth’S Humorous Art Of Ghost Writing, Paule Levy
Roth’S Humorous Art Of Ghost Writing, Paule Levy
CLCWeb: Comparative Literature and Culture
In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.
Philip Roth, Henry Roth And The History Of The Jews, Timothy Parrish
Philip Roth, Henry Roth And The History Of The Jews, Timothy Parrish
CLCWeb: Comparative Literature and Culture
In his article "Philip Roth, Henry Roth and the History of the Jews" Timothy Parrish argues that while Roth's status as a Jewish American writer has been a pressing issue since his career began and that while in recent scholarship Roth's achievement as a US-American writer is stressed, the durability of Roth's work depends more on its implied submission to a Jewish tradition. From "The Conversion of the Jews" (1959) to Nemesis (2010), his characters challenge endlessly the ethical and moral constructs of their Jewish community to acknowledge the fact that they exist inside of it. One might choose any …
Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe
Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe
CLCWeb: Comparative Literature and Culture
In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …
Modern African Verse And The Politics Of Authentication, Gabriel S. Bamgbose
Modern African Verse And The Politics Of Authentication, Gabriel S. Bamgbose
CLCWeb: Comparative Literature and Culture
In his article "Modern African Verse and the Politics of Authentication" Gabriel S. Bamgbose argues that the authenticity of modern African poetry is marked by the intricate tie between African verse and African life in its diversities and complexities. Bamgbose examines the "modern" nature of African poetry, its oral roots, its treatment of colonial, and cultural nationalist issues, its issues of négritude, language, radical consciousness, gender, and its "international" nature. Bamgbose draws on the poetry of Okot p'Bitek, Taban Lo Liyong, and Frank Chipasula of East Africa, Tchikaya U Tam'si, Tati Loutard, and Gahlia Gwangwa'a of Central Africa, and …
Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín
Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín
CLCWeb: Comparative Literature and Culture
In her article "Intertextuality in Beckett's and Ağaoğlu's Work" Elmas Şahín discusses Adalet Ağaoğlu's 1973 novel Ölmeye Yatmak (Lying Down to Die) and Samuel Beckett's 1950 Malone Dies in terms of intertextuality. Şahín employs tenets of comparative literature in order to analyze the two texts with regard to form and content and focuses on the on protagonists' worlds. In Şahín's interpretation, Ağaoğlu's protagonist Aysel is narrated in postmodern intertextuality as an individual of our days alienated from society, searching for her self/selves as she cannot succeed in dying. Both Beckett's and Ağaoğlu's protagonists attempt to "escape" from their selves and …
Blanchot's "Impossible" Kafka, Antoine J. Polgar
Blanchot's "Impossible" Kafka, Antoine J. Polgar
CLCWeb: Comparative Literature and Culture
In his article "Blanchot's Impossible Kafka" Antoine J. Polgar challenges Maurice Blanchot's theory of the impossibility and futility of writing as applied to Kafka's struggles with the demands of writing and life. Polgar questions Blanchot's claims on the basis of close readings of the texts of Kafka's texts and explores traces of correspondence between the life and the texts yet unmentioned in Kafka scholarship. Referring to Blanchot's focus on survival as a metaphor for writing in a meta-commentary on the writer's facticity and the contingency to which literary creation is consigned, Polgar comments on the intense bio-critical interest — which …
Sisyphus In Kertész's Fatelessness, Eric Beck Rubin
Sisyphus In Kertész's Fatelessness, Eric Beck Rubin
CLCWeb: Comparative Literature and Culture
In his article "Sisyphus in Kertész's Fatelessness" Eric Beck Rubin discusses Imre Kertész's novel in relation to the philosophy of eternal recurrence, namely the notion that an individual inhabits a universe made of finite possibilities experienced and re-experienced without variation or end. Early explorations of eternal recurrence by Friedrich Nietzsche were taken up by Albert Camus, and Beck Rubin argues that certain works by both authors are fundamental to any reading of Fatelessness. Further, Beck Rubin argues that Kertész's contribution to the debate can be viewed from two perspectives: one sees Kertész as an author in conversation with …
Laughter And The Cosmopolitan Aesthetic In Lao She's 二马 (Mr. Ma And Son), Jeffrey Mather
Laughter And The Cosmopolitan Aesthetic In Lao She's 二马 (Mr. Ma And Son), Jeffrey Mather
CLCWeb: Comparative Literature and Culture
In his article "Laughter and the Cosmopolitan Aesthetic in Lao She's 二马 (Mr. Ma and Son)" Jeffrey Mather discusses Lao She's (pseudonym for Qingchun Shu 1899-1966) texts and their naturalist portrayals of social life in China during a tumultuous period. Lao She's most celebrated works include the 1937 novel 骆驼祥子 (Rickshaw Boy) and the 1958 play 茶馆 (Teahouse), both of which were made into films in China. Rickshaw Boy was translated into English in 1945 and became an international bestseller, making Lao She one of the first modern Chinese writers known in the West. …
Duvakin's Oral History And Bakhtin In His Own Voice, Slav N. Gratchev, Tatevik Gyulamiryan
Duvakin's Oral History And Bakhtin In His Own Voice, Slav N. Gratchev, Tatevik Gyulamiryan
CLCWeb: Comparative Literature and Culture
In their article "Duvakin's Oral History and Bakhtin in His Own Voice" Slav N. Gratchev and Tatevik Gyulamiryan examine Mikhail Bakhtin's notions of literary theory based on interviews recorded by Victor Duvakin in 1973. The collection is now held in the library of Moscow State University. As it so often happened in the Soviet Union, these unique interviews only became known many years later and Gratchev's and Gyulamiryan's analysis of the interviews sheds light on Bakhtin's thought not available when reading his published work.