Digital Commons Network^™

Joseph Smith, Mark Bennion

BYU Studies

No abstract provided.

Junior College, J. Tarwood

Bryant Literary Review

All my friends had gone off

As if each had found a fate.

Leavetaking, Janet Proulx

Bryant Literary Review

As I leave the nursing home where my mother now lives

Sean, Courtney Zullo

Bryant Literary Review

A handcrafted butterfly hangs over her bed,

Infant Savant, Naton Leslie

Bryant Literary Review

Madonna and child on

the south-east crossing pier

The Touch So, Rob Diehm

Bryant Literary Review

the touch so

deep (little hairs

stand on end)

we become one

Notes On Laureateship, Michael S. Harper

Bryant Literary Review

You must act like a Morpho in the forest

Perhaps thirty feet in the air

Hands That Drew Them As They Are, Unity Durieux

Bryant Literary Review

These hands have delved in ruin,

plumbed lovers' pockets, availed

themselves of coldcuts, goodbooks

The Sparrows, John Grey

Bryant Literary Review

It's not their flight but how they

alight on the gutters where I might live.

Dyslexic, Will Nixon

Bryant Literary Review

The year I learned the hangman's noose

I tied it everywhere: tire swings, clothes lines,

The Baker's Secret, Kathy Anderson

Bryant Literary Review

The town baker wakes at dawn, stands in his silent shop, with floured hands slaps rounded balls of dough

The Day After, Patricia Dobler

Bryant Literary Review

So I walked back to the place we'd found him,

needing to see the blood stains and my hands

in the place his head had lain.

Places, Mark Brazaitis

Bryant Literary Review

Salcajá, Lanquín, Purulhá:

the places we made love.

Edward L. Hart: A Conversation About Poetry, Casualene Meyer

BYU Studies

Poet Edward L. Hart wrote the lyrics to one of Mormonism's favorite hymns, "Our Savior's Love." As a member of The Church of Jesus Christ of Latter-day Saints, Hart gives his thoughts on the relationship between praise and poetry and how even secular poems can capture a sense of worship. He also discusses the inspiration behind subjects he's addressed in poetry, including nature and war; the background of some of his compositions; and his influences. He describes the power of poetic language this way: "The feel for human truths goes hand in hand with the language and all that the …

Our Savior's Love, Edward L. Hart

BYU Studies

No abstract provided.

Riding Backwards, R. A. Christmas

BYU Studies

No abstract provided.

[Review Of] Aldon Lynn Nielsen, Ed. Reading Race In American Poetry: An Area Of Act, Dean Rader

Ethnic Studies Review

For some time now it has been fashionable when reviewing any sort of anthology to focus critical lens on what the anthology leaves out. In both formal and informal reviews of literary anthologies and collections of essays what an editor does not include in his or her text often takes precedent over the relative virtues of the texts actually appearing in the anthology itself. In the most postmodern of moments, absence erases presence.

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …

Fan Letter, John Mann

Bryant Literary Review

Dear life, dear earth, dear season of snow.

The Word Box, Christopher Brookhouse

Bryant Literary Review

We can't sleep.

I'm hungry, she says.

I know what she wants.

Impending Doom, Mario Duarte

Bryant Literary Review

Out of nothing, nowhere,

a boy grasping a red balloon

wavers over the circus tent.

Consider, Mary Crow

Bryant Literary Review

Consider the polar bear

whose every white hair is a heat pipe

In The New Guinea Highlands, John Grey

Bryant Literary Review

I can't get over the belief

that the simplest people always know more;

First Sky, Jay Udall

Bryant Literary Review

Some days you don't need a second sky--

the one outside is what you have

Thoughtless, Chris Semansky

Bryant Literary Review

A piano falls from the sky.

A quite beautiful piano.

"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

In this brief monograph based on her dissertation, Leslie Morris sets out to achieve a series of aims: to contest the alleged divide between Bachmann's poetry and prose, to counter "the myth of her apolitical poetic voice" (10), to address the presence and absence of history in her poetry, and, finally, to consider how to read Bachmann's poetic ceuvre in light of historical developments in Germany and Austria in the 1980s and 1990s. In a sense, Morris is also trying to rehabilitate post-war aesthetic modemism from a reductive, binary mode of criticism that separates aesthetics and politics. Following in the …

Lights And Shadows - 2001, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Five Luminous Towers: A Book To Be Read In The Dark, Carol Barton, Special Collections, Fleet Library

Artists' Books

pop-up tower; clamshell box, pop-ups, laser cuts, wire-edge binding; cover; page spread La Torre degli Artisani. edition of 50; "Carol Barton Artist Book Process Archive" for this book available in Special Collections

A Riddle For Didymus, Ellen Gregory

BYU Studies

No abstract provided.

The Uintahs, Edward L. Hart

BYU Studies

No abstract provided.