Digital Commons Network^™

Learning To Touch, Marilyn Bushman-Carlton

BYU Studies

I was relieved when my daughter arrived at the dying, when she got to work saturating a hospital sponge, pressing it inside her grandmother’s cheek, allowing her to drink. I marveled

Our Lady Of The Unicorn Blanket-Cape, Tyler Chadwick

BYU Studies

O, Mythical Daughter, Story-Seeker, Herald of Imagination and Reverie— May your frayed and faded mantle burden you with comfort and abundance— May it swaddle your dreams, nuzzling their shadows into pastures of promise and grace, boldness and prophecy—

How To Fight Like A Poet: The Socially Engaged Poetics Of Anti-Colonialism In Appalachia., Grace A Rogers

College of Arts & Sciences Senior Theses

Colonialism has played a large and complicated part in the history of Appalachia. Upon European contact, almost all Indigenous people were violently removed from the region along with the cultural, agricultural, and linguistic traditions they cultivated in the mountains. The white colonizers who stole the lands were then economically exploited by the wealthier colonizers to the North and East. In light of the complex dynamics of language, place, and exploitation in the Appalachian Mountains, poetry shows promise as a means of linguistic resistance as well as an intellectual and archival practice that might lead to better understanding the multi-dimensional history …

Aesthetic Activisms: Language Politics And Inheritances In Recent Poetry From The U.S. South, Sunshine Dempsey

Theses and Dissertations

The purpose of this dissertation, Aesthetic Activisms: Language Politics and Inheritances in Recent Poetry from the U.S. South, is to illustrate how four contemporary poets incorporate and adapt literary forms and linguistic structures to emphasize the exclusionary systems of language that undergird accepted southern cultural practices. Aesthetic Activismslooks at four poets, Natasha Trethewey, Fred Moten, Allison Adelle Hedge Coke, and C.D. Wright, who challenge concepts of regional literary inheritances that refuses to recognize a broad plurality of voices and histories.

Aesthetic Activisms focuses on poets whose work re-orients, or centralizes, marginalized experience through form and content, resisting essentialist …

The Grove, James Goldberg

BYU Studies

When the Smiths put money down on that plot of land, it was all trees. Maples and beech, wild cherry and ironwood; ash, oak, hickory, elm. The boys must’ve measured their hours by axe-stroke some days as they put their shoulders to the slow, sweaty work of clearing land. To make room for wheat, rye, and oats, for buckwheat and beans they brought down maybe six thousand trees— those towering majesties—some saplings before Columbus laid eyes on their world’s distant shore.

Rock Of Promise, K. D. Taylor

BYU Studies

When storms from thine opposer Entice our hearts to fear, O God, thou great disposer Of blessings, bid us hear

Vol. Lvii, No. 3: W.D. Ehrhart: A Poet Of Fact And Witness, M.G. Stephens

The Hollins Critic

No abstract provided.

Jun2020, Robert Kelly

Robert Kelly Manuscripts

No abstract provided.

Review Of La Bella España: El Teatro De Lope De Vega En La Rusia Soviética Y Postsoviética By Veronika Ryjik, Slav N. Gratchev

Modern Languages Faculty Research

There are certain writers whose importance only grows with time, and the longer the distance that separates us from them, the more facets of their genius they demonstrate to us, the readers of the twenty-first century. One of these authors is Lope de Vega. The new book of Veronika Ryjik now makes another major contribution to the scholarship of a great master who was well known and admired in Soviet Russia. It is indeed a serious study and one that fermented in the mind of the scholar for more than ten years – the true symbol of a truly remarkable …

Selections From & The Process Of Creating "My Blue Scarf: The Story Of Ruth, A New Play", Abigail Jane Ayulo

Honors Projects

My Blue Scarf: The Story of Ruth, A New Play, provides an adaptation of the Hebrew Book of Ruth that is focused on minority and female voices and experiences. It employs Hebrew poetic verse forms to pay homage to the story’s origins. This style contributes to diversity of voices in English-speaking theatre outside of Western poetics. My Blue Scarf shares a well- known and multicultural story to contribute to the diversity of contemporary American theatre and promote conversation about cross-cultural relationships in a time of division and prejudice. This project consists of eight selected scenes from the larger play and …

Private Facebook Group, Aimee Chor

Ought: The Journal of Autistic Culture

No abstract provided.

Anatomic By Adam Dickinson, Heather Houser

The Goose

Review of Adam Dickinson's Anatomic.

Come And See, Denise Lyon

Obsculta

No abstract provided.

Art·I·Fact, Lauren Berman

LSU New Orleans Theses and Dissertations

Poems consisting of uncomfortable wonder, body, choice, and transfiguration.

Forgotten Diary, Heather J. Richardson

LSU New Orleans Theses and Dissertations

N/A

The Lump In Her Breast, Michayla Ashley

Diamond Line Undergraduate Literary Magazine

Michayla Ashley is a rising senior at the University of Arkansas, majoring in English (Creative Writing). She is pleased to say The Diamond Line Literary Magazine will be the first of many publications.

The Dogwood, Alyssa Tidwell

Diamond Line Undergraduate Literary Magazine

Alyssa Tidwell is a native of Northwest Arkansas, where she is currently a Junior in pursuit of an undergraduate degree to teach English and French. She believes writing and reading are tools of empathy, designed to help us detach from self-oriented routine and fit into someone else’s “coat”.

Girls, Heather Drouse

Diamond Line Undergraduate Literary Magazine

Heather Drouse is a freshman studying English (Creative Writing) with the hopes that she will be able to find work in editing- or teaching-related coourses in the future. Most of her work consists of free-form poetry based on urban legends she heard growing up in farm-town Michigan, as well as her personal experience with exploring the natural world.

Fatal Floral, Bia Edwards

Diamond Line Undergraduate Literary Magazine

Bia Edwards is a sophomore and English (Creative Writing) major.

Poem For Ann, Elizabeth Muscari

Diamond Line Undergraduate Literary Magazine

FELIX CHRISTOPHER MCKEEN POETRY CONTEST WINNER Elizabeth Muscari is a senior English (Creative Writing) major from Dallas, TX. Beginning Fall 2020, she will attend the University of Arkansas’ Master of Fine Arts Program in Creative Writing and Translation

Chantix, Sara Schellenberg

Diamond Line Undergraduate Literary Magazine

Sara Schellenberg is a senior from St. Louis majoring in studio art and English.

Edited: A Poem About (Love) Changing Seasons, Zach Turner

Diamond Line Undergraduate Literary Magazine

Zach is a fifth year senior majoring in English, History and Creative Writing and minoring in Spanish, Medieval and Renaissance Studies, and Gender Studies. After graduation in May he will be applying to MFA programs for Poetry or Fiction. In an ideal world, he would spend every day traveling, telling stories, and making art and hopes that he can base his future life around that ideal.

A Song For My Brother, Morgan Walker

Diamond Line Undergraduate Literary Magazine

Morgan Walker is a senior from Prarie Grove, Arkansas and is a English (Creative Writing) major. Currently, Morgan is working on a collection of poetry for her honors thesis.

It Could've Been Me, Claire Riddell

Diamond Line Undergraduate Literary Magazine

Adopted from Guatamala, Claire Riddell grew up in Kansas City, Missouri. She is currently a junior with a double major in psychology and English (Creative Writing).

Saigon Syndrome, Gabrielle Vatthanatham

Diamond Line Undergraduate Literary Magazine

Gabrielle Vatthanatham is a third year University of Arkansas Honors College Fellow majoring in English and French. As a memeber of the UARK English Department’s Diversity and Inlcusion Committee, she celebrates the production and transmission of literature from all people. She is Cancer, an INFP, and an overall goober.

You Say You Love The Streets Of Copenhagen, Kate Duby

Diamond Line Undergraduate Literary Magazine

Kate Duby is a junior majoring in Editorial/News Journalism and minoring in English.She hopes to one day write for a daily publication in a big city, but her biggest dream is to publish an anthology of her own poetry and essays.

February 3rd, Anna Beth Lane

Diamond Line Undergraduate Literary Magazine

Anna Beth Lane is a senior English (Creative Writing) major and anthropology minor. She enjoys writing poems and nonfiction essays.

All Things Come To Pass, Brandon Luu

Master's Theses

All Things Come to Pass is a poetry collection consisting of 36 poems that revolve around the themes of impermanence, death, and memory. It is divided into three sections: Crisis, Melancholy, and Acceptance, inspired by the five stages of grief by Elisabeth Kübler-Ross. The poems are written primarily in free-verse and include genres such as elegy, pastoral, and narrative. The collection contemplates whether given the finite nature of life, in an existence where nothing lasts forever and everything seems ultimately inconsequential, what is it that should be considered important?

It's The Funerals I Missed Which Haunt Me The Most, Arno Goetz

Bachelor of Fine Arts Senior Papers

What makes a photograph great? This is the central question which guides my research, and I answer this question in two parts. The first element is the structure of the photograph, which Robert Adams addresses in his collection of essays, Beauty in Photography: Essays in Defense of Traditional Values. With the guiding principle that structure can provide harmony in an image, I develop a collection of guidelines for composing images and name them the “Rules of Clarity.” The purpose of these rules is to help photographers create harmonious compositions, free from distractions. When a photograph has few distractions, it …

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.