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White Supremacy In Music Theory Academia, Tristan Gianelli

Capstone Projects and Master's Theses

This paper explores the history of music theory academia in the West, and examines the hierarchical power structures from which music theory pedagogy was constructed.

Tuning Out The Dark: Music As A Defense And Folk Solution, Melanie Kimball

All Graduate Reports and Creative Projects, Fall 2023 to Present

Music across cultures and throughout history is a tool for engaging with the supernatural. It shares similarities with apotropaic magic. Through research and ethnographic fieldwork, I argued that even in modern times, individuals use music as an apotropaic remedy for fear and negative emotions. These remedies reflect strategies identified by Jeannie Thomas, including companionship, magical substance, neutralization, and displacement. Modern apotropaic music regulates emotions, re-establishes personal relationships, creates safe environments, and provides a means of control.

Contributors used music to combat various negative feelings, selecting genres that matched their emotional needs. In the absence of family and friends, music reaffirmed …

El Salvador’S Cultural Memory And María De Baratta’S Piano Music: Kushkatan, Nahualismo, And The Representation Of Indigeneity, Alejandro Jose Arroyo Alberto

Dissertations

Following independence from the Viceroyalty of New Spain between 1821 and 1823, the United Provinces of Central America entered a period of cultural redefinition, as emerging national frameworks sought to integrate diverse ethnic and historical legacies. After a century, in early twentieth-century El Salvador, a revival of Kushkatan—a pre-Hispanic Indigenous territory within present-day El Salvador—gained symbolic traction among intellectual elites during a politically volatile era marked by social upheaval and cultural realignment. Within this historical context, Cuzcatlán Típico (1951) by María de Baratta, published by the Ministry of Culture, stands as the first ethnomusicological study dedicated to Indigenous music in …

"Kol Mekadesh Shevi'i": A Liturgical Melody Sung At Home, Naomi Cohn Zentner

Yale Journal of Music & Religion

This article draws upon the unusual characteristics, origins and prevalence of the melody to the poem "Kol mekadesh shevii" [He who sanctifies the Seventh day] and discusses how it came to be recognized in the past seventy years as a signifier of Ashkenazi pre-Holocaust musical and religious culture and in particular as a sonic marker of liturgical sound, although it was sung at home. The Kol mekadesh melody came over time to represent two vastly different symbolic positions. As a melody adopted from non-Jewish sources bringing new, sometimes controversial sounds into the synagogue, and as a typical synagogal …

Resonant Resistance: Music As A Tool Of Political Protest In Yogyakarta, Indonesia, Molly Davis

Indonesia: Arts, Religion, and Social Change

No abstract provided.

The Economy, Emotions, And Japanese City Pop In The 1980s, Paige Drummond

CAFE Symposium 2025

This project contains research about the topics of economy, emotions, music, urbanization, and Japanese City Pop all during the 1980s. It shows the connections between all of these subjects and how they relate back to the City Pop genre. Common themes of City Pop songs are also explored and delved into by comparing songs and analyzing their lyrics, melodies, and topics.

Guide To The William T. Dargan Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

William Thomas Dargan is a published ethnomusicologist and an elder in the United Methodist Church, retired from teaching Music at Fisk University and St. Augustine’s College. Dargan grew up listening to Dr. Isaac Watts' hymn singing as well as rhythm and blues. His collection holds audio musical examples that accompany the written text in his book, Lining Out The Word, and field recordings of spirituals and hymns discussed in his work. The term “lining out” is a form of a cappella hymn-singing where a leader sings or chants each line of a hymn before the congregation sings it together.

2025 Asia-Pacific Symposium For Music Education Research: Conference Proceedings, Jason Goopy, Jason Boron, Emily Wilson, Han Meng, Cynthia Howard, Philippa Chapman

Research outputs 2022 to 2026

The 2025 Asia-Pacific Symposium for Music Education Research (APSMER) was held from 9 – 11 July at Edith Cowan University in partnership with the School of Education and the Western Australian Academy of Performing Arts (WAAPA). APSMER is the official regional conference of the International Society for Music Education (ISME), and in 2025, it was proudly supported by the Australian Society for Music Education (ASME). The symposium was last held in Australia in Launceston, Tasmania, in 1999. APSMER 2025 welcomed over 300 international delegates to Perth, Western Australia, for scholarly and cultural exchange. The theme, “Being and becoming musical in …

The Violin Through Centuries And Nations Scholarly Program Notes For A Graduate Violin Recital, Iasmim Bonfim De Carvalho

Research Papers

No abstract provided.

Has K-Pop Lost Its Koreaness?, Madison J. Gusler

Capstones

Since the 2010s, the global expansion of K-pop has been undeniable, with music from Korean idol groups resonating with fans around the world. We’ve seen the industry adapt to cater to this global audience, placing emphasis on non-verbal aspects of performance such as choreography and set design, and integrating more English lyrics in their songs. K-pop has always had multinational, multicultural influences in its production, yet the music has remained distinctly Korean. But as the industry expands into new markets, faces new challenges, and adapts to convey greater global appeal, the public must contend with the idea of a K-pop …

The Inheritance And Breakthrough Of Twentieth-Century Harpsichord Music: Stylistic Analysis And Performance Guide Of Selected Works, Hanguang Wang

Dissertations

The twentieth century saw a notable revival of early music, with the harpsichord, one of the key instruments in this movement, gradually gaining attention as a vehicle for new compositions. However, most research still focuses primarily on early music, leaving the phenomenon and specific works of modern harpsichord music underexplored, despite the substantial body of compositions it has inspired.

This dissertation traces the development of harpsichord music across four historical periods, while also examining the stylistic and technical shifts in compositions from the eighteenth to the twentieth centuries. By analyzing Bohuslav Martinů’s Deux Pièces pour Clavecin, H. 244, and …

The Application Of Thai Classical Fiddle Techniques For Cello, Athita Kuankachorn

Dissertations

While non-Western cultural influences have become increasingly more prominent in contemporary cello compositions, Thai classical fiddles—saw duang, saw u, and saw sam sai—which are integral to Thai music tradition, have yet to be fully explored or incorporated into cello works. The complexity of the Thai pitch system, diverse performance practices, and the reliance on oral tradition, which limits written resources, pose challenges to integrating Thai fiddle elements into cross-cultural compositions.

This research examines Thai classical fiddle techniques through a bi-musical approach. Among the diverse practices, the Vorayot Seventeen-Microtone Theory, developed by esteemed fiddle Master Vorayot Suksaichon, …

Exploring The Use Of Music In Deradicalization, Pulung Agustanto, Arthur Josias Simon Runturambi, Puspitasari .

Journal of Terrorism Studies

This study seeks to explore music as an alternative method to enrich the variety of deradicalization programs in the framework of counterterrorism. The use of ethnic and local culture-based music is not only intended to prevent radicalism but also as an instrument of recovery therapy for terrorism prisoners in correctional institutions (Lapas). The offer of the programmatic agenda departs from the assumption that deradicalization so far still lacks a cultural approach. Moreover, the archipelago has a variety of music from various ethnicities, for example Javanese music, Sundanese music, Balinese music, Ambon music, and others that are rich in spiritual and …

Constraining The (Im)Possible: Improvisation And Violence In Rafi Zabor’S The Bear Comes Home, Hannah Ianniello

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This paper will explore the role of jazz improvisation in the characterization of the protagonist in Rafi Zabor’s 1998 jazz novel, The Bear Comes Home. I suggest that Zabor represents the process of improvisation to not only enhance the enigma of The Bear’s ability as a jazz musician, but also to enhance his capacity towards violence.

Through the exploration of the actual process of improvisation in the research of Paul Berliner, Ingrid Monson and Alyn Shipton, Improvisation in a real jazz context is collaborative and exploratory. However, Zabor, like many other authors (such as Michael Ondaatje, James Baldwin and …

Jewish Worship, Music, And Technology During The Covid-19 Pandemic, Jeffrey A. Summit

Yale Journal of Music & Religion

This article examines the impact of the Covid-19 pandemic on Jewish worship and considers a range of worshippers’ reactions to livestreamed and Zoom prayer services. Focusing on the Jewish Emergent Network, innovative communities who are known for cultivating vibrant, participatory music in worship, leaders discuss the challenges of not being able to sing together online, the Jewish legal ramifications of using technology on the Sabbath and the on-going changes they believe could occur as virtual worship returns to in-person prayer. These leaders also discuss surprisingly positive developments in online prayer, as congregants deepened interpersonal relationships in discussion breakout rooms, discovered …

Experiences Of South Carolina Middle School Music Directors Teaching Multicultural Music In Performance Classes: A Multiple Case Study, Helen Bryan Terlizzi

Doctoral Dissertations and Projects

The purpose of this multiple case study was to discover the experiences of middle school music directors in providing multicultural music performance experiences for students in South Carolina. The theory guiding this study was Cultural-Historical Activity Theory as it allowed for the examination of tools used for teaching and learning. A qualitative multiple case study design allowed for the collection of data from four purposefully selected middle schools in South Carolina. The study sought to answer the central research question: How do music educators describe their experiences in teaching multicultural music in music performance classes? The focus of the research …

“And The People Sang In All The Ways Of The City:” A Speculative Ethnomusicology Of Gondor, Kelsey A. Fuller-Shafer

Journal of Tolkien Research

The music of Gondor is one of the more elusive musical traditions in Middle-earth, described only briefly throughout the text of The Lord of the Rings, and thus often neglected in scholarship on music in the works of J.R.R. Tolkien. However, an ethnomusicological line of inquiry brings to the fore questions of performance, perception, and meaning that contribute to our interpretations of the many levels of symbolic transformation seen in Gondor at the beginning of the Fourth Age. The evidence of both musical activity and silence in Gondor mirrors conclusions that have been documented in real-world ethnomusicological studies in …

Rethinking Jazz Education In The Digital Age, Matthew Ryan York

Dissertations

Many resources for jazz educators and students are readily available online for free. With consistent video content and online platform growth across the globe, jazz educators are called upon to engage within this digital discourse. Additionally, they must find new ways of adopting these resources and administer them within their curriculum. How can educators effectively utilize online video resources within their curriculum without altering the existing course offerings to match those of their music education degree counterparts? Almost ten years ago research showed that “streaming from Netflix and YouTube accounted for 50 percent of all North America fixed network data” …

Self-Efficacy And Racial Identity For Undergraduate Music Majors, Rachel E. Lim

Electronic Theses and Dissertations

Students’ identities can impact their self-efficacy, or their confidence in their ability to succeed in producing a desired outcome (Bandura, 1997; Klassen, 2004a; Klassen 2004b; Oettingen, 1995; Usher & Pajares, 2008); however, little peer-reviewed research explores the relationship between racial identity and self-efficacy for undergraduate music majors. In the United States, undergraduate music students of color often navigate educational experiences where they do not find their identities represented in the curricula (Ewell, 2020), their faculty (Higher Education Arts Data Services [HEADS], 2020), or their fellow students (HEADS, 2020).

This convergent mixed methods study utilized the theoretical framework of critical race …

Resisting The Historical And Geographical “Other”: The Role Of Expertise In Video Game Music, Tommy Dainko

Electronic Theses and Dissertations

Video games create rich, virtual worlds for players to explore. Game developers have often utilized exoticism, allowing players to experience the “Other” from the comfort of home. Music is a powerful tool to evoke Otherness and can reinforce stereotypes about the past and different cultures. This thesis looks at recent games where developers have collaborated with expert musicians either from the culture depicted or with expertise in historical performance practices. I document two purposes these collaborations can serve. First, the use of expert musicians creates a veneer of authenticity allowing developers to market the games as “authentic” experiences. Second, these …

Ownership Behaviors In Children's Music Culture, Sarah Dworjan

Masters Theses

Adults may demonstrate cultural ownership of music in various ways, but children are limited in their artistic expression by the restrictions of youth, parental authority, and financial subordination. This project evaluates the ownership behaviors demonstrated by 60 third and fourth grade female students in Albany, NY. Considering self-reported behaviors and the completion of creative activities in the general music classroom, the study also examines a secondary question: is there a difference in the way children interact with music of their own choosing as compared to the music of a teacher’s choosing? Results from this project indicate that students naturally respond …

Let All The People Worship: Applying Inculturation In A Multicultural Community, Darrell St. Romain

Doctor of Pastoral Music Projects and Theses

The United States of America is growing more diverse, and its houses of worship are embracing this diversity to engage congregants and build membership. There is a tool to help worshiping communities to espouse diversity of cultures, namely Liturgical Inculturation. Liturgical inculturation, as defined by Anscar Chupungco, is the process whereby the texts and rites used in worship by the local church are so inserted in the framework of culture, that they absorb its thought, language, and ritual patterns. Incorporating the goals and functions of liturgical inculturation, worshiping communities can begin to re-evangelize themselves and celebrate unity through diversity.

This …

Plenty Good Room: Using Negro Spirituals To Bridge The Racial Divide, Darnell Allen St. Romain

Doctor of Pastoral Music Projects and Theses

In 2020, the United States experienced a global pandemic and the murder of Mr. George Floyd. With the murder of Floyd, many churches were confronted with the racial divide in the United States. This thesis is a response of one community, the Prince of Peace Catholic Church in Plano, Texas. Using the folk song of Black Americans, namely the Negro Spirituals, as the foundation of an ethical-theological framework, this thesis poses one way for addressing the anti-Black structure prevalent in the Catholic Church in the United States of America. This work progresses from despair to hope, addressing the link between …

Arranging, Teaching And Performing The Cypriot Folk Song, Αχερόμπασμαν (Aherombasman), Georgia Orfanides

Senior Honors Projects, 2020-current

This paper documents my process of arranging, teaching, and conducting the Cypriot folk song, Αχερόμπασμαν (Aherombasman) to JMU’s Treble Chamber Choir. I am Cypriot-American and I wanted to create an accessible arrangement of a Cypriot folk tune in order to introduce the musical culture and language of Cyprus to a Western audience. The first section of this paper provides a brief history of the cultural and political influences on Cyprus, and an introduction to common practices in the Cypriot folk tradition. The second section details the process of transcribing the original tune from Alkinoos Ioannides’ arrangement, creating the final arrangement …

The Kansas Band’S Musical Depictions Of Spiritual Quests, Elizabeth Romero

Master's Theses

The progressive rock genre has been an intriguing subject of study for the scholarly community, especially within the last 30 years. An understudied part of the progressive rock scene, however, is its manifestation in the United States through the band Kansas. The band from 1970’s Topeka is acknowledged by Mitchell Morris as troublesome for critics due to the hybrid use of European art music and blues influences. It is no wonder a large study of Kansas music has not taken place due to the maligning of the band by its critics as well as the controversial views regarding pretentiousness of …

A Compendium Of Three Musical Works Inspired By The African American Experience: Recordings, Commentary, And Pedagogical Observations, Edward W. Hardy

Dissertations

This dissertation focuses on three of my musical compositions inspired by Wade in the Water, Billie Holiday, and Margaret Walker respectively: Evolution (for solo violin, 2016), Strange Fruit (arranged for string quartet, 2020), and Born Free (for voice, violin, and piano, 2022). From the perspective of a classical composer-violinist, I created musical portraits that reflect America's pre-civil rights oppression, the celebration of the Harlem Renaissance, and the landscape of political, social, and economic experiences. This dissertation can also serve as a tool for various individuals: fellow violinists seeking modern techniques that bridge classical music to popular music, composers in search …

Echoes Of Pazuzu: The Influence Of A Mesopotamian Demon In World Music, Jonathan Jauregui

Student Scholar Symposium Abstracts and Posters

This project delves into the intersection of Mesopotamian mythology and world music through the lens of Pazuzu, a prominent demon from ancient Mesopotamia. Pazuzu's presence and malevolent attributes in Mesopotamian lore have sparked curiosity and fascination, transcending ancient civilizations to influence contemporary cultural expressions, including music. This research explores how Pazuzu's imagery, symbolism, and mythology have influenced various world music genres, ranging from metal to modern electronic compositions. This study will examine how Pazuzu's character is portrayed and interpreted within diverse musical traditions worldwide by analyzing musical compositions, lyrical themes, and cultural contexts. Through a comparative approach, it examines how …

Native American Choral Music: Strategies For Celebrating And Incorporating Music Of Indigenous People, Mary Ruth Young

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

*Language usage is fluid and evolving, representing past and present people groups. During my discussions with my Indigenous composer colleagues, I've found that they hold varying preferences regarding how they wish to be addressed and the terminology they prefer. Because of this, I use the terms Native, Native American, First Nations, Indigenous, American Indian, and First Peoples interchangeably.*

This document will discuss the historical exclusion of Native American music in the Western art forms, specifically the choral tradition, and provide solutions to incorporate it in modern choral performances. Considering first the wars, disease, displacement, colonization, and missionization, it is no …

Sonidos De Aztlán: A Historical Analysis Of Chicano Music, Alejandro Gomez

Capstone Projects and Master's Theses

This paper analyzes music made primarily by Chicanos in the U.S. and social movements that the music was a part of. Case studies include the Zoot Suit Riots, the Delano Grape Strike, The Chicano Movement, Tejano/Conjunto and Tex-Mex, Narcocorridos, and the Chicanx Renaissance.

Musical Inspirations From Tang Court Dance Nichang Yuyi In Liu Qing’S Fantasia Of Chinese Ancient Dance For Two Pianos, Yuan Li

Dissertations

Dr. Liu Qing’s Fantasia of Chinese Ancient Dance for two pianos (2011) stands as a notable contemporary Chinese piano composition that reinterprets the renowned court dance suite Nichang Yuyi (the dance of Rainbow-Colored Feather Garment) from the 8th century Tang Dynasty China. Drawing inspiration from the structure and the musical modal languages of the Tang court dance, as well as the descriptions from Tang poet Bai Juyi’s poem of Nichang, Liu Qing adeptly combined her knowledge of Chinese musical traditions with Western compositional techniques, introducing stylistic diversity to the piano duo scene through this captivating work of dance music. This …