Digital Commons Network^™

Déan É Tú Féin – Diy Music And Music Culture In Ireland: Introduction, Caroline Ann O'Sullivan

Irish Communication Review

No abstract provided.

Belonging And Banding Together: Perspectives And Insights Of Newly Recruited Ell Musicians, Edward Luckey, Edward Luckey, Edward Luckey

Education Doctorate Dissertations

The purpose of this research is to bring forward the lived experiences of English Language Learner (ELL) musicians who were new to the band program as of the Spring of 2021. This study was born out of previous coursework and reflection where it became apparent that more must be done to provide access to our band program for students who are in our ELL program. Therefore, the research question that guides this study is “What are the lived experiences of ELL band students?” The methodology is primarily a pursuit of the stories and lived experiences of the ELLs via a …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

The Ballybriar Heist: An Original Composition And The Incorporation Of Folk Music And Tintinnabuli Influences, Conor Darling Mulroy

Dissertations

The Ballybriar Heist is a thirty-eight minute five-movement piece for symphony orchestra. It is based on a condensed version of the short story “The Ballybriar Heist.” The music draws influence from a variety of sources. Through analyzing folk music and seeing its influence in concert hall compositions throughout the nineteenth and twentieth centuries, one sees how these folk traditions evolved and were incorporated into concert hall music. Composers collected and transcribed folk music, giving them new ways to approach composition. Examining the music and performance practice of traditional Irish music shows how these traditions and performances influenced composers’ writing as …

A Performance Practice Guide For :Only.Just.Almost.Never For Solo Vibraphone By Jay Alan Yim, Dustin Ray Haigler

LSU Doctoral Dissertations

Abstract

Currently, there exists little scholarship on Dr. Jay Alan Yim’s percussion music, and none exists for :only.just.almost.never for solo vibraphone. Establishing a performance practice guide will allow future percussionists a glimpse into the compositional process of Yim and allow them to expand their repertoire to include this challenging music. The purpose of this project is to create a comprehensive performance practice guide for :only.just.almost.never for solo vibraphone by Jay Alan Yim.

Resources Required

This project relies mainly on the score of :only.just.almost.never for solo vibraphone. I have also conducted multiple interviews with Yim regarding his compositional process, sketches, and …

The Sounds Of Home: A Composition Portfolio, Paul Gabriel L. Cosme

Music Honors Projects

What does home sound like? I have spent most of my recent life outside my homeland, the Philippines, especially during the Covid-19 pandemic, and this question of what home is has become a persistent thought, if not, a necessary inquiry. This composition portfolio attempts to answer that question in three varying pieces. The first, The Sounds of Home, is a string quartet in three movements where each one tells a personal story by invoking Filipino folk and indigenous themes. The second, Commuting in Manila, is a wind septet that sonically emulates the commuting experience in Manila from the …

King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme

International Studies Honors Projects

Filipino National Artist Lucrecia “King” Kasilag sought to preserve folk cultures and melded these with her Western training to produce works—scholarly, pedagogical, and compositional—that shaped national music and culture. This thesis is a critical biography that combines perspectives from postcolonial studies, political economy, and musicology to highlight forces that shaped Kasilag’s life while illustrating her successes and shortcomings on national culture. Through this biography, I argue, Filipino national culture must originate from intersectional struggles and negotiation among elites and masses; that this culture is about both resistance and acceptance—a national culture that is syncretic and quintessentially dynamic.

German And Mexican Music In Central Texas: Historical Connections And Present Possibilities, Amy Aline Beckman

Masters Theses

German and Mexican music have a shared musical ancestry due to immigrants interacting since the late 1800s in central Texas. Comparing these genres reveals both commonalities and distinctions regarding style, orchestration, and thematic material. The differences between the genres create cultural boundaries reflecting nationalism that sometimes reinforces racial tension, while the commonalities are opportunities for empathy and open-mindedness through the globalization that occurs from shared musical experiences. While the historical connections between Germans and Mexicans in Central Texas are well-documented, the present-day status and effects of these connections have not been researched thoroughly. This project builds cultural profiles of both …

Collective Expressions Of Monacan Indian Nation Identity: A Communicative Arts Genre Study, Gretchen E. Casler-Cline

Masters Theses

This study considers the current communicative arts practices of the Monacan Indian Nation, an Indigenous Virginia tribe of approximately 2500 people located in Amherst County, Virginia. Historically the tribe was a large nation that extended from the falls of the James River near Richmond, Virginia to the Southwestern portions of the state near Roanoke and now the Monacan Indian Nation homeland is at Bear Mountain in Amherst County, Virginia. The study was conducted through interviews and observations at tribal events such as the annual Powwow and culture class, as well as consistent attendance and participation as a musician at St. …

Liturgy And Musical Inculturation In A Post-Apartheid South African Catholicism, Austin Chinagorom Okigbo

Yale Journal of Music & Religion

There is a developing trend within mainstream South African Churches to incorporate styles of traditional African music and cultural elements in liturgical functions. This is happening in places where such ideas were hitherto unwelcome because mission churches witnessed the denigration of indigenous African cultures by Europeans during the eras of both colonialism and apartheid. Inculturation Theology underscores the current drive for liturgical transformation. It comprises a part of Black Theology in South Africa, which developed as an intellectual framework for liberation during the time of the anti-apartheid struggles. Using the ethnographic study of the cultural mass at Emmanuel Cathedral in …

Intro To Jazz, Jon De Lucia

Open Educational Resources

OER Based Syllabus for MUS 145 Intro to Jazz course at City College. Covers the history and development of jazz along with basic music fundamental vocabulary.

The Global Encounter As Communitas: Inter-Pilgrim Musicking Along The Contemporary Camino De Santiago, Hannah Snavely

International Journal of Religious Tourism and Pilgrimage

In an effort to provide new ways of theorising pilgrimages as global encounters (White, 2012) and sites of cosmopolitan interactions, I offer a sound-centred investigation into inter-pilgrim musical events that occurred along the Camino de Santiago (Camino), a historically Catholic pilgrimage in northern Spain. This ethnomusicological perspective on the Camino highlights contemporary pilgrim rituals and artistic practices that are frequently overlooked in other Camino scholarship, which tends to focus on historical musics or the tangible arts. On the Camino, music primarily facilitates cross-cultural encounters for pilgrims, though at varied levels of mis/understandings. This paper explores the ways that participatory musicking …

A Labor Of Love: Extensive Exploitation Of Contract Music Workers, Malia Odekirk

Electronic Theses and Dissertations

Workers across the United States are reckoning with unfair labor conditions by unionizing and speaking out. Systemic undervaluing of many workers has created a climate of fear, hidden agendas, and pervasive labor misconduct. The pageantry/marching arts are no exception. As a cultural insider, I conducted interviews, had many informal conversations, and ran a large survey that uncovered how the marching arts exploit instructors extensively despite their experience, education, and efforts. A systematic proclivity toward late payments, abused contracts, egregiously low compensation, and free labor begs the question: how can programs continually mistreat instructors this way? I explore this question through …

Tradition, Pedagogy, And Internet Open-Access Music Libraries, Erin Tallman

Pomona Senior Theses

In this paper I take up the topic of open-access digital music libraries, specifically the ways performance and pedagogical traditions interact with and are impacted by open-access or public domain sheet music libraries on the internet. I first consider how traditions of performance and pedagogy have become misaligned in the case of viola repertoire and its historical context. I then turn to questions of copyright on the internet and copyleft practices as they relate to internet open-access libraries such as IMSLP, finding that they often are simply a new medium through which to uphold existing patterns, despite their apparent potential …

Influences Of Chinese Cultural Traditions On Piano Music By Chinese Composers: Analytical Study Of Representative Piano Works Through 1980, With Pedagogical And Performance Considerations, Zhipeng Li

Dissertations

Since the Western piano music culture entered China, Chinese musicians have never stopped exploring the piano. The piano compositions grew up with the new China and have been influenced by different historical periods, from the earliest imitation of Western music structure and harmony, to the later incorporation of Chinese folk music, and finally to the bold fusion of Chinese and Western composition techniques into a Chinese style piano music. The development of Chinese piano music has been recognized by the world in the last one hundred years. More and more musicians are interested in Chinese piano works. Understanding Chinese piano …

Culturally Responsive Research Projects In A Title I Elementary Center For Fine Arts, Donald Devito, Tamyra Telles, Brandon Hidalgo Smith

Visions of Research in Music Education

This paper is a research project report for the purpose of developing methods to document cultural responsiveness and student identification of cultural identity in the community, school and in online global cultural exchanges at a 98% minority Title I Elementary Center for Fine Arts. This school was ranked as one of the 300 lowest performing schools in Florida with a county graduation rate for minorities among the lowest in the state. Three phases constituted the Rawlings approach for observing and assessing student cultural responsiveness in arts education: Phase one involved defining cultural responsiveness and culturally relevancy from students in the …

Introduction To Special Issue, Music In World Religions: A Response To Isabel Laack, Heather Maclachlan

Department of Music Faculty Publications

This article serves to introduce a special issue of Religions, titled Music in World Religions. A 2015 article by religion scholar Isabel Laack claimed that the study of music and religion has been neglected by Laack’s peers in the field of religions. Responding to Laack, I argue that scholars of music have been making important contributions to the study of music and religion and, indeed, have been addressing the twelve specific topics she highlights for decades. After summarizing academic works which respond to Laack’s twelve categories of inquiry, I introduce each of the articles in this special issue, showing that …

Ambient Sufism, Tomal Hossain

Yale Journal of Music & Religion

A book review is presented for RIchard Jankowsky, Ambient Sufism (Chicago: University of Chicago Press, 2021).

Moving Beyond World Music: An Exploration Of Non-Western Music Cataloging Practices In Higher Education And Where To Go From Here, Alastair L. Canavan

New Librarianship Symposia Series: Fall 2021

The term “world music” has been used for decades as a catchall genre to describe any form of music outside of Western classical. As a byproduct of the eurocentrism pervasive throughout academia, its use furthers a bubble that others or ignores Non-Western cultures and their music. By examining the public-facing catalogs of 13 university libraries across 10 different countries to determine to what extent Non-Western music is included in their collections, how it is cataloged, and if the term “world music” is used to do so, the specific cataloging practices and norms that perpetuate a bias toward Western classical music …

Importance Of Teaching Native American Music, Kimberly Lorene Fowler

Masters Theses

Music Education has always been the doorway to experiencing something new and wonderful. Music Education, before now in America, has always taught western-styled music. Today, culture has become an essential ingredient to being an American. The learning and appreciation of other cultures have become particularly important in a student's journey within music to ensure the feeling of community, respect for others, and the experience of different styles. Native American music has become threatened with extinction by the shortage of information available and the lack of instructors that can teach it. Generations upon generations have lost this opportunity to learn and …

Bi-Musicality In Kenyan Education: An Irrevocable Impact Of Colonization On A Culture?, Tania Mae Molendyk

Masters Theses

In Kenya today, music at all levels includes both Kenyan music and Western music. The inclusion of Western music in the Kenyan curriculum began when Britain made Kenya a colony. Due to certain circumstances after Kenya became independent, Western music continued to be taught in the schools. This research addresses the question “is the inclusion of Western music in the curriculum today a conscious choice or a remaining impact of British colonization?” To gain insight into this question, a variety of Kenyans from different backgrounds were interviewed. Their answers helped reveal the desires of the people today and whether the …

Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith

Senior Honors Theses

Often the story of the Israeli-Palestinian conflict is portrayed as Jewish vs. Muslim, Hebrew vs. Arab. There is little room in the international dialogue for minorities such as Arab Christians. Though Palestinians have a rich culture of Arabic musical and poetic heritage, they are unable to produce their own new songs. In this study I interviewed three members of Immanuel Evangelical Church on their experiences and opinions on local Christian worship. The findings show that Palestinian Christians may feel unable to write worship music because of a prevalent feeling of inadequacy and a lack of musical training. I propose several …

"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard

Doctor of Pastoral Music Projects and Theses

This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …

"It's The Way You Sing It": Translating Music Therapy For Isolated Older Adults Affected By Covid-19 To The Television Screen, Eunice Wong

Expressive Therapies Capstone Theses

The current Covid-19 pandemic has increased the likelihood of loneliness and social isolation among older adults due to the restrictions on movement and visitations in care facilities. Loneliness and social isolation have consistently been identified as risk factors for poor mental and physical health in older people. Meanwhile, a growing number of older adults are utilizing technological resources to enhance their interpersonal relationships and overall quality of life. In the winter of 2020/2021, an innovative music therapy-informed television program was designed and produced for isolated older adults in need of mental and emotional support. This project, produced jointly by a …

Markov Model Composition Of Balinese Reyong Norot Improvisations, Taylor Flanagan, Robert Rovetti

Honors Thesis

Markov models are mathematical structures that model the transition between possible states based on the probability of moving from one state to any other. Thus, given a distribution of starting points, the model produces a chain of states that are visited in sequence. Such models have been used extensively to generate music based on probabilities, as sequences of states can represent sequences of notes and rhythms. While music generation is a common application of Markov models, most existing work attempts to reconstruct the musical style of classical Western composers. In this thesis, we produce a series of Markov chains that …

Video Game Sound As Educational Space, Leonard Grasso

Masters Theses, 2020-current

Synergizing fields such as music theory, computing, musicology, cognition, and psychology, scholars and practitioners have approached game music from many directions. However, research on pedagogical usages of game music is still emerging. While many education scholars have researched game-based-learning (Bourgonjon et al, 2013; Simões, Redondo, & Vilas, 2013; Beavis, Muspratt, & Thompson, 2015; Hamari et al, 2016), music education authors have largely remained distant from ludomusicology (the study of music as it relates to play). I intend to bridge that gap by examining the intersections of game music and sound, player interaction, and learning. My research synthesizes the work of …

Projecting Ecuadorian Cultures In Andean Dream: A Compositional Exploration Of Psycho-Ethnomusicology For Electronics And Chamber Ensemble, Daniela Paez

Master's Theses

The musical culture of Ecuador, despite being quite unknown to the world and to a great part of the Ecuadorian people, holds an unimaginable richness and diversity rooted in thousands of years of musical traditions. Mestizaje, the process of racial mixture that followed the European conquest, has encouraged homogeneity and uniformity. I am a part of this mestizo culture, that, in reality, does not hold the same worldviews as the diverse Indigenous Ecuadorian communities. The Kichwa community of Cotacachi, presented through musical materials in this thesis, experiences an undeniable connection between the rituals relevant to agricultural life, dance and music …

Development And Interactions Of Instructor And Student Musical Identities In A University Introductory Music Course For Non-Music Majors, Nicholas Booker

Master's Theses

The purpose of this study was to investigate student and instructor musical identities in the context of a university music course intended for non-music majors. Participants were the instructor of an introductory music course and 16 of her students at a medium-sized university in the western United States. Study of this group of participants and their interactions throughout one 15-week semester led to greater understanding of their roles in music as well as better insight into the many ways in which they formed connections between music and their identity concepts. The research allowed for the development of assertions based on …

Sound Healing, Devina L. Pulido

Capstone Projects and Master's Theses

Most people would imply that music is used for solely entertainment, artistic expression, celebration, ceremony, or communication. Whether we are musically inclined or not, music is the one thing that genuinely connects humans from all cultures and corners of the earth. Another application of music is sound healing, a therapeutic practice that utilizes different signals and vibrations to improve the physical and emotional health of individuals, groups, and cultures. This can entail listening to various musical experiences (such as a concert), singing along to a favorite song or chant, dancing to the beats of other music, meditating, or playing an …

Songs For The Journey: The Music Of Pilgrimage, Joshua Taylor

Doctor of Pastoral Music Projects and Theses

Pilgrimage has been a part of Christian experience since biblical times. Creating new stories, pilgrimage affords sacred travelers experiences that transcend nationalism, denominational identity, and cultural borders melding their individual constructs of meaning with communal experiences to create new insights. On these pilgrimages, music has played a significant role in the development of community. While pilgrimage is an independent act, it is also a shared existence with other pilgrims with music serving as a bridge between these two realities. With an estimated 100 million people undertaking pilgrimages at the beginning of the twenty-first century, the rediscovery of pilgrimage, and the …