Digital Commons Network^™

Transnational Nationalists: Cosmopolitan Women, Philanthropy, And Italian State-Building, 1850-1890, Diana Moore

Dissertations, Theses, and Capstone Projects

“Transnational Nationalists: Cosmopolitan Women, Philanthropy and Italian State-Building, 1850-1890” is a study of Protestant and Jewish transnational reforming women who took advantage of a period of fluidity to act as non-state actors and impact Italian unification and liberation, a process known as the Risorgimento, and subsequent Italian state-building. Inspired by Giuseppe Mazzini’s spiritual brand of romantic cosmopolitan nationalism, as well as Giuseppe Garibaldi’s military campaigns, and believing that women had a god-given duty to provide education, morality, and uplift to oppressed groups, they worked to provide Italy not only with physical unification but also moral regeneration. Through an examination of …

Embody: The Transformation Of Intimate Knowledges Through Generations In Liberal Societies, Lisa Kronberg

Dissertations, Theses, and Capstone Projects

This thesis project aims to examine how intimate knowledges[1] are transferred and communicated between generations in Western, liberal societies. By ‘Intimate knowledges’ I mean to encompass diverse knowledge of emotional intelligence, sexual identity, and gender.

Intimate knowledges evolve with human life circle everywhere and at all times, but in Western popular discourse of today, are treated with confusion and repression; they thus emerge as a “loud display of simultaneously silent sexual desire.” (Fine and McClelland, 2006) I explore this tension through a critical, feminist lens that sheds light on the ways in which political economy creates cultural norms that …

Teaching "Like A Girl": Student Reflection Of The Benefits And Challenges Of Feminist Pedagogy, Ashley Torres

The Pegasus Review: UCF Undergraduate Research Journal

Current unemployment rates, job market competition, and the thirst for the college experience has more millennials attending college than any other previous generation, but with the increase in university tuition and courses that feature both online and face-to-face segments for over-sized classrooms, approaches to teaching that keep students engaged can be challenging. Using my own personal reflection, anonymous midterm survey results, and Student Perception of Instruction survey results, the author analyzes the challenges and benefits of feminist pedagogy—a student-centered teaching method that focuses on student responsibility for learning, a decentralized classroom hierarchy, and strategies that promote self-reflection and participation—utilized in …

The Storytellers’ Trauma: A Place To Call Home In Caribbean Literature, Ilari Pass

MA in English Theses

This thesis is an examination gathering of trauma, unhomeliness, and the use of non-traditional narrative structure in Caribbean literature. While literature helps the reader travel inside the skin of the character, the mystery of another human being, Jean Rhys’ Wide Sargasso Sea, Julia Alvarez’s In the Time of the Butterflies, and Edwidge Danticat’s The Dew Breaker, also help readers to explore the complicated process of identity formation in each work through the lenses of the imperialism, colonialism, racism and sexism that the protagonists experience. A non-traditional narrative structure enables this process of healing from trauma and allows for a new …

Away From The End Of Motherhood: Sites Of Haunting In The Social Imaginary In Lemonade And The Handmaid's Tale, Julia Michele Fleming

Electronic Theses and Dissertations

This thesis analyzes the television series adaptation of The Handmaid's Tale, specifically the episode "A Woman's Place," and Beyoncé's Lemonade: A Visual Album. I argue that these cultural texts leverage representations of women's lived experiences to scrutinize contemporary American anxieties about motherhood and reproductive justice. Lemonade, a celebration of Black womanhood, presents a counterpoint to The Handmaid's Tale's preoccupation with white motherhood in way that speculates on the utopian potentials of a woman-centered society.

Using bell hooks' film analysis, Avery Gordon's "haunting," and Luce Irigaray's "mimicry," I examine two interconnected themes: feminist aesthetics and generational haunting. …

Historical Consciousness, The Cultural Imaginary And Postcolonial Subjectivity In Ruth Ozeki's A Tale For The Time Being, Cassandra S. Curatolo

Cal Poly Humboldt theses and projects

This project fuses personal narrative and literary criticism, as it excavates Ruth Ozeki’s representations of Japanese culture in the novel A Tale for the Time Being. I argue that her use of stereotype unsettles popular images of Japan by constructing characters who challenge the hegemonic gaze of the Western cultural imaginary. My reading connects continuing investment in these stereotypical representations to the postmodern epoch, where individuals and society as a whole have become incapable of dealing with the past. I explore the links between postmodern amnesia, the disappearance of a multiplicity of perspectives in history and the inclination of …

Why Katniss Everdeen Is Our Favorite Feminist – An Analysis Of The Heroine Of The Hunger Games Film Saga And Her Reception By Young Female Spectators, Paula Talero Álvarez

Theses and Dissertations

THROUGH THE FIGURE OF FICTIONAL CHARACTER KATNISS EVERDEEN, THIS DISSERTATION STUDIES HOW THE FILM INDUSTRY SIMULTANEOUSLY ENTRENCHES AND DISRUPTS GENDER, SEXUAL, AND RACIAL NORMATIVITIES. THE PROJECT USES TEXTUAL ANALYSIS AND PARTICIPANT RESEARCH TO ANALYZE HOW THE FILMS AND NOVELS OF THE HUNGER GAMES SAGA ENCAPSULATE BOTH DOMINANT AND ALTERNATIVE CONCEPTIONS RELATED TO FEMININITY, MASCULINITY, WOMANHOOD, AND MOTHERHOOD. IT ALSO EXPLORES IF AND HOW THE FEMALE HEROINE CAN BE READ AS FEMINIST AND PRODUCES A SENSE OF EMPOWERMENT. I CONCLUDE THAT ALTHOUGH THE INDUSTRY IS PRODUCING NEW MODELS OF WOMANHOOD THAT CHALLENGE TRADITIONAL GENDER ROLES, IT STILL PERPETUATES ROMANTIC IDEALS AND …

Deconstructing The Ivorian Vestimentary Traditions: New Fashion, Contemporary Beauty And New Identity In Marguerite Abouet And Clément Oubrerie’S Aya De Yopougon, Richard Oko Ajah, Letitia Egege

Wagadu: A Journal of Transnational Women's & Gender Studies

This paper adopts an eclectic framework of semiotic, postmodern and postcolonial theories to interpret the representations of dressing as an aesthetic activity in Aya de Yopougon 1-3 and to investigate how Yopougon dwellers use their fashion sense to establish both a group identity and a form of everyday resistance. Characters’ bodies are remade, through dressing, to contain emotive qualities and to play symbolic functions with their everyday choice of dress. Their sartorial obsession is supported by psychic inferiority and pop culture; all characters engage in “disciplinary practices” for the clothing culture of their bodies that are ornamented surfaces for display.

As Above, So Between: Configuring Miss Lala As A Mixed Race Subject, Elizabeth Fei

College of Liberal Arts & Social Sciences Theses and Dissertations

Elizabeth Fei situates Miss Lala, the subject of Degas’ “Miss Lala at the Cirque Fernando” painting to recenter Lala’s racially mixed body as a crucial site for understanding how discourses of race and gender manifested then and continue to manifest. Using images, articles, and recollections of her act, Fei recovers Lala’s subjectivity by drawing on three main aspects of Lala’s identity: her black womanhood, her circus performances, and her multiraciality. Fei contends that to configure Lala as a mixed race figure allows for all of the possible ways she might have identified to emerge as it is dexterous and adjustable …

Sex Wars Revisited: A Rhetorical Economy Of Sex Industry Opposition, Alison Phipps

Journal of International Women's Studies

This paper attempts to sketch a ‘rhetorical economy’ of feminist opposition to the sex industry, via the case study of debates around Amnesty International’s 2016 policy supporting decriminalisation as the best way to ensure sex workers’ human rights and safety. Drawing on Ahmed’s concept of ‘affective economies’ in which emotions circulate as capital, I explore an emotionally loaded discursive field which is also characterised by specific and calculated rhetorical manoeuvres for political gain. My analysis is situated in what Rentschler and Thrift call the ‘discursive publics’ of contemporary Western feminism, which encompass academic, activist, and public/media discussions. I argue that …

Caption This: Police In Pussyhats, White Ladies, And Carceral Psychology Under Trump, Alison R. Reed

English Faculty Publications

No abstract provided.

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …

Sorting Out Sexism: Evaluating The Differing Content And Implications Of Gender Stereotypes, Juliana Earvolino, Rebecca Schachtman

Lawrence University Honors Projects

We examine, in three studies, the content and implications of sexist comments directed toward men and women. While past research has often overlooked sexism directed toward men because of its lower frequency and perceived consequences, due to the complementary nature of gender stereotypes it is important to examine sexism in all its guises. Our first two studies are descriptive, gathering comments from male and female participants about “what men/women are like” and their differing reactions to such comments. Study 1 found that comments about men fall into five distinct categories: sex-driven, child-like, “macho,” morally flawed, and dehumanizing. Study 2 examines …

"They've Come To Draw Blood" - How Women Fans Of World Wrestling Entertainment Perceive Women Wrestlers, Melissa Jacobs

All Theses

For a long time, professional wrestling has existed on the outskirts of society, with the idea that it was just for college-aged men. With the rise of the popularity of the World Wrestling Entertainment promotion, professional wrestling entered the mainstream. Celebrities often appear at wrestling shows, and the WWE often hires mainstream musical artists to perform at their biggest shows, WrestleMania and Summer Slam. Despite this still-growing popularity, there still exists a gap between men's wrestling and women's wrestling. Often the women aren't allowed long match times, and for the longest time sometimes weren't even on the main shows. Many …

It’S About ‘That Time’ To Break The Cycle: A Rhetorical Analysis Of Challenging Menstrual Taboos, Audrey Marie Lamborn

Electronic Theses and Dissertations

Menstrual taboos exist around the world, and while new conversations are starting to address these issues, in many regions these taboos limit women’s daily lives and can even lead to serious health problems. Artifacts around the world are starting to emerge to challenge these preconceived notions and bring menstrual hygiene awareness as well as products to women in need. While the origination of the menstrual taboo is not clearly defined, various literature discusses both the cultural and religious origin and perpetuation of menstrual taboos. This thesis examines various artifacts found in the regions of the United States and the United …

"Speaking Back" To The Self: A Call For "Voice Notes" As Reflexive Practice For Feminist Ethnographers, Fawzia Haeri Mazanderani

Journal of International Women's Studies

While what comprises “feminist research methods” is subject to debate, research with a feminist orientation is often characterised by heightened reflexivity and a recognition of the subjective nature of knowledge claims (Ryan-Flood and Gill, 2010). By drawing upon ethnographic research conducted among young people in post-apartheid South Africa, this paper interrogates the potential value of audio recordings or “voice notes” during fieldwork, in conjunction with the more traditional form of the fieldwork diary. I argue that, by providing an additional means through which to articulate the inevitable messiness of fieldwork, the recording of “voice notes” enables the researcher to “speak …

Looking Back, Looking Forward: Feminist Legal Scholarship In Sls, Susan B. Boyd, Debra Parkes

All Faculty Publications

This article offers a review of shifts in feminist legal theory since the early 1990s. We first use our respective histories and fields of expertise to provide a brief overview and highlight some key themes within feminist legal theory. We then examine Social & Legal Studies (SLS), asking whether it has met its key goal of integrating feminist analyses at every level. Our review suggests that SLS has offered many important contributions to feminist legal scholarship but has not fulfilled its lofty goal of integrating feminist analyses at every level of scholarship. It features feminist work quite consistently and some …

(Re)Writing Woman With "The Laugh Of The Medusa" And Antioedipus, Samantha Rodgers

Online Theses and Dissertations

The importance of tattooing as an area of feminist composition study lies in its challenge to male discourse concerning the subjectivity of sexed, particularly female sexed, bodies that feminism has long ignored due to fear of essentialization. Cixous argues: "…Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard" (8). Tattooing has transitioned from writing masculine group identity (gangs, prisoners, sailors, etc.) into writing feminine embodied experience. It is a way for women to rewrite institutionalized norms of womanhood and humanity. Consequently, this paper argues that tattoos are a form …

The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren

CLCWeb: Comparative Literature and Culture

In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …

(Non-) Speech Acts: The Performative Power Of Silence, Jane Chin Davidson

Wagadu: A Journal of Transnational Women's & Gender Studies

Judgment of accented speech as “inferior English” or “immigrant speech” reinforces an aural type of racial discrimination, especially in the political context of education and the state. The institutional silencing of “defective” speech substantiates the practice of self-silencing in which the (non-) speech act functions as a phenomenological engagement and as a non-performativity of racial difference.

Contextualizing Diversity’S (Non-)Performativity, Eike Marten

Wagadu: A Journal of Transnational Women's & Gender Studies

The article contextualizes the traveled skeptical evaluation of diversity as a ‘non-performative’ (Ahmed) in German Gender Studies and Diversity Studies debates. The text analyses and highlights performative effects of a ‘narrative of overcoming’ according to which a multidimensional and non-hierarchic notion of diversity supersedes and replaces the critical concepts of gender and difference.

No Girls Allowed: Television Boys’ Clubs As Resistance To Feminism, Pamela Hill Nettleton Phd

College of Communication Faculty Research and Publications

This article analyzes the male-only spaces present in four television series, FX’s The Shield, Nip/Tuck , Rescue Me, and ABC’s Boston Legal, which each include a gendered territory as a recurring feature. I argue that these homosocially segregated environments enforce boundaries against women and shelter intense bromance relationships that foreclose romantic relationships of any kind, acting as physical incarnations of troubling retrograde sexual politics and ideologies. I also assert that the “boys’ clubs” in which these narratives take place, enabled and empowered by the aesthetic dimensions of architecture and design, help establish workplace patriarchy as commonplace, reasonable, and …

It's Just One Of Those Gender Role Things: The Woman Does The Shopping, And The Man Fixes The Doors: Irish Advertising Students And Postfeminist Gendered Discourses, Aileen O'Driscoll

Irish Communication Review

In 2010 the European Commission published a report outlining its official position on ‘Breaking gender stereotypes in Media’ thereby explicitly recognising that advertising’s dissemination of images that depict gender stereotyping works to uphold gender inequalities. In addition, the European Coalition against Media Sexism (WECAMS) has engaged with the European Parliament and the European Advertising Standards Alliance in a bid to open up discussion on the possibility for standardising guidelines aimed at tackling and preventing sexism and gender stereotyping in advertising. Furthermore, over a more than forty-year history feminist media research has consistently pointed to problematic gendered imagery in advertising texts …

Where Have All The Feminists Gone?: A Mixed-Methods Study Of College Students' Attitudes Toward Gender Equality, Erin Maurer

Dissertations, Theses, and Capstone Projects

The perceived lack of interest in feminism among “millennials” is a subject of continued debate in sociological literature as well as public discourse. While the U.S. women’s movement of the 1960's and ‘70s can claim some success in reducing educational and professional barriers, legalizing abortion, and transforming conceptions of sex/gender both in academia and in the wider culture, numerous obstacles to gender equality remain. Indeed, the paradox of the second-wave is that it was successful in so many respects that young women and men coming of age today might assume that gender equality is a fait accompli. For scholars and …

Knitting Rebellion: Elizabeth Zimmermann, Identity, And Craftsmanship In Post War America, Maureen Lilly Marsh

Open Access Dissertations

At mid 20th century, hand knitting in the United States was practiced as a minor and fading chore of the domestic economy, with decreasing pattern publications in national women’s magazines, and the demise of Vogue Knitting Book by the late nineteen-sixties. By 1990, it had rebounded into major new publications in periodicals and books, new and revived artisanship practices, gallery exhibitions and major international conferences and gatherings. A driving figure in this resurgence was the knitter, writer, teacher, designer, and publisher Elizabeth Zimmermann. With her initial publication in 1955 up to her retirement in 1989, Elizabeth’s philosophy of knitting stressed …

(Re)Imagining Haiti Through The Eyes Of A Seven-Year-Old Girl, Iliana Rosales Figueroa

Journal of International Women's Studies

Haitian-American author Edwidge Danticat’s new novel Claire of the Sea Light (2013) explores themes of love, loss, and death. The first character that is presented to us is Claire of the Sea Light, a seven-year-old girl, whose mother died giving birth to her and who is missing. It is at the intersection of this little girl’s loss that all the other characters and topics unfold. Madame Gaëlle, an upper class woman who has a fabric shop in Ville Rose, decides to adopt Claire in order to give her a better life. In this essay I demonstrate that Edwidge Danticat articulates …

Femmage And The Diy Movement: Feminism, Crafty Women, And The Politics Of Gender Performance, Rosemary L. Sallee

American Studies ETDs

Through a variety of lenses, contemporary crafting is examined as a complex and contradictory gender and class performance that serves as a form of communication among women that both enables and contains oppositional and gender role explorations. Crafting is created through myriad texts which transform into an individual form of expression, a societal spectacle, a fashion trend, a subculture, an addiction, a coping mechanism, an oppositional act, and a means of healing both physically and emotionally. This study investigates how the objects women make and collect reflect and define crafters' negotiations between personal desires and public personas, help them voice …

The Injustice Of Justice: Feminist Ethical Reflections On Subjectivity, Bertolino Elisabetta R.

Wagadu: A Journal of Transnational Women's & Gender Studies

Drawing on Adriana Cavarero’s theory of one’s voice, this article pleads for an alternative subjectivity to the independent subject as it is constructed within contemporary legal theory and retributive justice theories. It lays the theoretical foundations for an ontological conception of the self, which is capable of speaking in her own voice, inclined to others and thus for an epistemic, feminist and ethical justice, which is responsive rather than reactive.

Split Wounds: Diverging Formations Of Trauma In The Diagnostic And Statistical Manual Of Mental Disorders V, Girl With The Dragon Tattoo, And The Rat Laughed, And Once Were Warriors, Emily R. Johnston

Theses and Dissertations

Split Wounds interrogates naturalized, normalized trauma wisdom—particularly the individualization and pathologization of sexualized trauma. Drawing on Foucault’s concept of discursive formation, explicated in The Archaeology of Knowledge as a set of conditions that enables history, this dissertation elucidates differing discursive formations of trauma in contemporary medical documents, literary texts, and films. The introductory chapter explicates how founding texts in the field of trauma theory construct trauma as a preverbal, psychological experience that can only be represented through fragmented, non-linear, anti-narrative textual strategies. Chapter two exposes such Euro-American modernist ideology in the American Psychiatric Association’s clinical definition of posttraumatic stress disorder …