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The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa

CLCWeb: Comparative Literature and Culture

Teresa López-Pellisa’s article “The Inappropriate/d Fantastic: A Proposal Beyond Feminism” discusses a type of narration that goes beyond the feminist fantastic. These are fantastic texts permeated not only by a feminist discourse, but by intersectionality, transfeminism, ecofeminism, cyberfeminism, post-humanism, xenofeminism and/or necropolitics as well. Borrowing the term inappropriate/d others from Donna Haraway (The Promises of Monsters), who in turn takes it from the feminist theorist Trinh Minh-ha, we can analyze those fantastic stories that call into question the categories of gender, class, race and sexuality established by Western enlightened humanism. These types of non-mimetic narrations have …

Female Fantastic In Anthologies: Gendering The Genre And Its Discourse, Anna Boccuti

CLCWeb: Comparative Literature and Culture

In the last decades, the fantastic literature written by women has been the subject of various studies, which, from different standpoints, have tried to investigate the characteristics of the female fantastic. In this essay, after a critical review of the most prominent theories about the so-called feminine fantastic and female writing, I will focus on the narrative strategies of the female fantastic. Through the close reading of the anthologies Tra due specchi. 18 racconti di scrittrici latinoamericane, and Insólitas. Narradoras de lo fantástico en Latinoamérica y España, I’ll try to draw a cartography of the Hispanic …

Matthew Potolsky’S The National Security Sublime: On The Aesthetics Of Government Secrecy, Nolan Higdon

Secrecy and Society

Matthew Potolsky’s brilliantly woven The National Security Sublime: On the Aesthetics of Government Secrecy offers a powerful and engaging discussion of national security and government secrecy. His findings concerning the influence artists have on citizens’ perception of national security is a major contribution to the field. It highlights Americans false sense of awareness regarding government secrecy, that in itself enables government secrecy. Potolsky has made a massive contribution to the study of government secrecy that is sure to spark future research concerning the intersection of national security and aesthetics.

Society Doesn’T Owe You Anything: Grand Theft Auto: San Andreas & Video Games As Speculative Fiction, Marc A. Ouellette

English Faculty Publications

Since Donald Trump’s election in 2016, popular and scholarly commentators have been looking for speculative and/or dystopic literary works that might provide analogues for the Trump-era. Perhaps the most famous of these was the renewed popularity of Margaret Atwood’s The Handmaid’s Tale. In this regard, though, video games remain an underexplored fictional form. With its exaggerated and parodic satire of an America ruled by the corruption and greed of extreme right-wing populism, Grand Theft Auto: San Andreas (2004) offers a speculative fiction that players can enact as well as imagine and simulate as well as prepare. Thus, reading the …

The Making Of A Caribbean Avant-Garde: Postmodernism As Post-Nationalism, Therese Kaspersen Hadchity

Comparative Cultural Studies

Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies.

This generational transition has …

Playing On The Threshold: Topological Chronotopes And Video Games, Michael Joseph Piero

English Theses & Dissertations

This study argues that the chronotope—literally “timespace”—is a useful, flexible heuristic for understanding how video game timespace is ideology, often encoding hegemonic norms of heteronormativity, misogyny, sovereign power’s control of bare life, and dualistic thinking. Adapting and reforging Mikhail Bakhtin’s “chronotope of the threshold,” I track the topological movements of threshold chronotopes across a series of games and game genres that reveal threshold experiences of play, ontology, and justice. This work of theory takes into account video game mechanics, interfaces, narratives, iconography, and materiality within the context of a player’s experience as a player-reader given to a bodily-rooted play with …

Along The Tevere: A Gastro-Historic Portrait Of The Region, Anke Klitzing

Articles

In June 2009, a group of masters students from the University of Gastronomic Sciences in Italy spent nine days visiting the lands of the Tevere river, travelling from its springs on Monte Fumaiolo in Emilia-Romagna to Rome by way of Umbria and the Lake Trasimeno. This article is a gastro-historic portrait of the lands of the Tevere, linking contemporary social, cultural and economic activities around food and tourism to the rich and long history of the region and highlighting persistent patterns, continuity and change.

Theatrical Illness: Tuberculosis And Hiv As Presented By "La Boheme" And "Rent", Jessica Downing

Swarthmore Undergraduate History Journal

Note: In lieu of an abstract, this is the article's first paragraph.

"The musical Rent made its Broadway debut on January 25, 1996, a century after the opening performance of the opera, La Boheme. This correlation was a coincidence, though Rent draws significantly on the story of La Boheme, to the extent that a New York Times reviewer deemed it a "contemporary answer to Puccini's 'Boheme."' Each of these productions presents the troubles and tragedies of the bohemian lifestyle in a specific time and place-La Boheme in Paris during the 1830s and Rent in New York City during 1989. Disease, …

The Humblest Of Them All, Vibhustuti Thapa

CLAMANTIS: The MALS Journal

No abstract provided.

Contemplating Efficiency: Secular Mindfulness Practices From The Perspective Of Neoliberalism, Janina Misiewicz

CLAMANTIS: The MALS Journal

No abstract provided.

Enacting Gaia And Slow Violence In Fabrice Monteiro’S The Prophecy Series, Isadora Italia

CLAMANTIS: The MALS Journal

No abstract provided.

Milk And Law In The Anthropocene: Colonialism's Dietary Interventions, Kelly Struthers Montford

Journal of Food Law & Policy

It is widely accepted that we are living in the Anthropocene: the age in which human activity has fundamentally altered earth systems and processes. Decolonial scholars have argued that colonialism’s shaping of the earth’s ecologies and severing of Indigenous relations to animals have provided the conditions of possibility for the Anthropocene. With this, colonialism has irreversibly altered diets on a global scale. I argue that dairy in the settler contexts of Canada and the United States remains possible because of colonialism’s severing of Indigenous relations of interrelatedness with the more-than-human world. I discuss how colonialism—which has included the institution of …

Course Syllabus For English 1120 - Speculative Fiction, Chad Luck

Q2S Enhancing Pedagogy

This document contains a syllabus for a new version of the large-lecture course English 1120: Speculative Fiction. This version of the class focuses on horror fiction, in particular, and structures the course according to a series of discursive contexts crucial to that genre. So, the course is organized around five thematic units including: psychology, religion, gender, race, and science. Each of these units presents key texts in that given area and asks students to think critically about the relationship of fiction to that particular cultural context. The course, in general, cultivates in students the ability to analyze cultural objects—in this …

The Hope Of Salman Masalha: Re-Territorializing Hebrew, Yael Dekel, Eran Tzelgov

CLCWeb: Comparative Literature and Culture

Israeli poetry can be depicted as a triangle composed of three elements: territory (the State of Israel); language (Hebrew); and identity (Jewish). In his Hebrew collection of poetry Eḥad Mikan (in place, 2004), Salman Masalha—a bilingual author publishing in both Arabic and Hebrew—challenges this interrelation of territory, language and identity. The debate between the literary scholars Hannan Hever and Reuven Snir explore the central expressions of this challenge. For it points, on the one hand, to the subversive potential of such work towards the Israeli canon while, on the other hand, to its connection to Arabic literature. Writing in the …

“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur

CLCWeb: Comparative Literature and Culture

Palestinian poet Mahmoud Darwish grew up in Israel as an internal refugee living under Israeli military rule, legally classified as a “present-absentee alien.” This article focuses on his 1995 volume of poetry, Limādhā tarakta al-ḥiṣān waḥīdan? (Why Did You Leave the Horse Alone?), to study the manner in which Darwish’s cultivation of the musical and aural aspects of poetry serves as a means of poetically attending to the effects of dispossession and displacement. Through a discussion of the poems in the collection’s fourth section, Ghurfa l’il kalām maʿ al-nafs (A Room to Talk to Oneself …

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

Performing The Global: The Mediated Mobility Of Virtual Cosmopolitans, Hye Jean Chung

CLCWeb: Comparative Literature and Culture

This article examines how contemporary media art and popular culture, vernacular cultural practices, and digital technologies express and actualize aspirations for global mobility. This task is propelled by the need to question the limited scope of how we envision globalization. Here I explore how people use forms of visual media to “perform the global” through mediated experiences of mobility. I propose the concept of “virtual cosmopolitans” to describe those who participate in the experience of global citizenship through their use of photography, film, and digital media. Although they do not have access to conventional forms of cosmopolitan mobility, these virtual …

Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin

CLCWeb: Comparative Literature and Culture

In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …

"The Headwaters Of A River Of Failure": Detroit As An Icon Of American Decline, Jae H. Roe

CLCWeb: Comparative Literature and Culture

This essay analyzes films (8 Mile, Gran Torino, It Follows) and television series (Hung, Low Winter Sun) that use the setting of Detroit to depict characters who are dealing with deteriorating socioeconomic conditions and whose choices and relationships reflect their difficulties in, and anxieties about, adjusting to such conditions. While the familiar icons of Detroit's decline appear in all of these texts, the narratives evolve from working class realism to satire and ultimately horror, or from anxieties about white working class displacement to the displacement of such anxieties. The history of Detroit illustrates the complex ways …

Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.

CLCWeb: Comparative Literature and Culture

The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …

Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe

CLCWeb: Comparative Literature and Culture

This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …

Migrant Necropolitics At The Table: "Civilized Cannibalism" In Mahi Binebine's Cannibales, Taïeb Berrada

CLCWeb: Comparative Literature and Culture

In Cannibales, the Maghrebi Francophone author Mahi Binebine revisits the encounter between the so-called “cannibals” and the European colonizer in the context of illegal immigration where bodies become commodities exchangeable for social improvements creating a different form of cannibalism. It is no longer the usual dichotomy between the civilized and the savage that is at work but rather a “civilized” European imperialist who feeds himself on a migrant’s flesh. This article argues that this representation works as a “colonial fragment” from the past but contextualized in today’s globalization. Binebine’s morbid depiction of an ambivalent postcolonial cannibalistic encounter translates as …

Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo

CLCWeb: Comparative Literature and Culture

The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from the Ewe ethnic group, and engage with the Pan-African project in both their scholarly and creative expressions. Drawing on John Berger, Sara Dessen, and Ewe thought on the afterlife, this paper suggests two major types of “home” in the works of these three poets: the physical, and the metaphysical. Physical “home” refer to the Wheta …

The Place Is What You See, Daniel Affsprung

CLAMANTIS: The MALS Journal

No abstract provided.

Reading The Myth Of American Freedom: The U.S. Immigration Video, Camille Reyes

Communication Faculty Research

The U.S. Citizenship and Immigration Services (USCIS) department offers immigrants wishing to naturalize, or become citizens, a package of study aids for the citizenship test, including a video. This essay argues that the video is much more than a study aid; it furthers the myth of American freedom, a myth that effectively erases the struggles of marginalized groups. Situated within critical cultural studies and semiotics, the essay describes the content of the video and interprets the myth. The deployment of diversity is considered, along with implications for immigrants who intersect with some of the marginalized or absent groups.

(Un)Social Media: A Content Analysis Of The Centralized Self On Twitter, Julianna Jeanine Kirschner

CGU Theses & Dissertations

This dissertation critically assesses the social media posts that create, give life to and finally abandon trending topics on Twitter. Drawing on Baudrillard’s (1983) notion of simulacrum, the dissertation examines posts as performative discourse that reframes the trend within the personal simulacrum of the poster. Using digital humanities tools, a corpus of 102,532 tweets have been collected. A content analysis was performed to analyze themes and term frequency. Selected case studies indicated that posters persistently centered their online identity within content, reframing content as personal performance rather than dialogic engagement. The first case study examines social media posts responding to …

Traumatic Dances Of The ‘Non-Self’: Bodily Incoherence And The Hysterical Archive, Jonathan Marshall

Research outputs 2014 to 2021

"We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse––particularly as they emerge in times of material and hermeneutic crisis––Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered …

Professionalizing Emergency Medical Services (Ems): Still At The Crossroads, B. Jeanine Newton-Riner

College of Graduate Studies: Theses & Dissertations

In this work, I examine the failure of Emergency Medical Services (EMS) to professionalize over the course of its existence as an occupation. I consider how popular culture has contributed to a conflicted identity between what the public sees and how EMS providers view themselves. I believe that EMS has been restrained from professionalization due to oppression by physicians in a manner consistent with how two other allied health professions, pharmacy, and physical therapy, once were. I explore the professionalization of these two occupations to identify similarities and differences that may provide insight into next steps needed by EMS providers …

Written In Black, White, And Red: An Exploration Of Civilizer Theology In American History, Jeremy Mcginniss

Master's Theses

This paper proposes an extended definition and discusses examples of civilizer theology within the perceptions and practices of white Protestant American Christianity faith traditions. Civilizer theology is defined as a self-referential, self-fulfilling framework actively shaping the expectations, behaviors and practices of societal norms driving cultural practices. Examples are selected as guided by three significant and interdependent dispositions characterizing civilizer theology: cultural decay/moral decline, authority, and violence. This paper hypothesizes theological interpretation, application and exegesis, mediated by the three dispositions, are deliberately applied to support socio-economic, cultural and political ends with the goal of maintaining power structures benefiting a particular group.

Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek

CLCWeb: Comparative Literature and Culture

In “Domestic Trauma and Imperial Pessimism: The Crisis At Home in Charles Dickens’s Dombey and Son,” Katherine Ostdiek discusses Dickens’s representation of violence, grief, and recovery within the Victorian home as a pre-Freudian example of trauma. This comparison not only demonstrates the importance of trauma studies in the nineteenth-century, but more importantly, it thematically focuses empathy for the traumatized on the home. In this novel, Dickens dismisses topics related to the financial and social crises of mid-century Britain in favor of domestic themes that emphasize an idealized structure of the Victorian family. Through her use of trauma theory and …