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Full-Text Articles in Entire DC Network
The Concept Of Filial Piety In East Asian Confucian Culture From The Perspective Of Gadamer And Habermas, Donghyun Kim
The Concept Of Filial Piety In East Asian Confucian Culture From The Perspective Of Gadamer And Habermas, Donghyun Kim
Kritika Kultura
This paper examines the role of filial piety in East Asian Confucian societies as a means of drawing out political implications by showing two different standpoints elaborated by Gadamer and Habermas. The two thinkers seem to display different outlooks on the notion of filial piety in the East Asian Confucian culture: Whereas Gadamer appears to approve the practice of filial piety as keeping tradition in the specific societies, i.e., Confucian East Asian culture, Habermas rejects it by refusing the concept of tradition. The debate primarily originates from two different—though both “Western”—philosophical traditions. Gadamer endorses tradition since all human beings are …
Buen Calubayan: The Artist As Biographer, Brylle B. Tabora
Buen Calubayan: The Artist As Biographer, Brylle B. Tabora
Kritika Kultura
No abstract provided.
Charting The Catalog Of Calubayan’S Biowork, Carlomar Arcangel Daoana
Charting The Catalog Of Calubayan’S Biowork, Carlomar Arcangel Daoana
Kritika Kultura
No abstract provided.
Out And About: Migrant Bakla, Perverse Intimacies, And The Musical Of Migration In Liza Magtoto’S Care Divas, Oscar Tantoco Serquiña Jr.
Out And About: Migrant Bakla, Perverse Intimacies, And The Musical Of Migration In Liza Magtoto’S Care Divas, Oscar Tantoco Serquiña Jr.
Kritika Kultura
The essay analyzes the Philippine Educational Theater Association (PETA)’s stage musical, Care Divas, for its figuration of the Filipino migrant worker as bakla and for its consequent queering of labor out-migration from the Philippines. It problematizes the notion of “perverse intimacy,” particularly through the play’s employment of gay language and performance as agentive practices of survival in the diaspora. Finally, it interrogates the play’s aestheticization of kabaklaan and migrant work through a musical drama-comedy format, which deploys song and dance, as well as laughter and sentimentality, in order to make a spectacle out of the foibles of migrant bakla, to …
Unreading The Novel, Or Experiencing Ninotchka Rosca’S State Of War As Mythopoeia, Katherine D. Ojano
Unreading The Novel, Or Experiencing Ninotchka Rosca’S State Of War As Mythopoeia, Katherine D. Ojano
Kritika Kultura
The Filipino novel which arose in the 19th century is understood to have consolidated the nationalistic spirit that fueled the anti-colonial revolution against Spain. Contemporary writing drew from the radical lessons of the past as a tradition of resistance writing intensified and grew. Yet as Ninotchka Rosca’s State of War (1988) shows, the novel, despite or alongside its politics, also brings to the fore formal and substantial problems of excess and incoherence. This paper explores the instances of the mythical that bring about these points of incomprehensibility, even scattered, perhaps, absolute subversions of the genre and the nationalist cause in …
“Komedi Within Komedi”: Moving Pictures And Intermedial Crossings In Turn-Of-The-Century Colonial Indonesia, Dafna Ruppin
“Komedi Within Komedi”: Moving Pictures And Intermedial Crossings In Turn-Of-The-Century Colonial Indonesia, Dafna Ruppin
Kritika Kultura
In the past thirty years studies of early cinema, mostly focusing on the history of film production and exhibition in the West, have been preoccupied with examining the emergence of moving images within their intermedial sphere. The case of moving picture exhibition and consumption in turn-of-the-century colonial Indonesia, with its rich selection of itinerant indigenous and Western amusements on offer, thus presents an especially intriguing case. This article situates itself within this transnational stream of commercial entertainments, known in Malay by the generic term komedi. In the process, it examines stories adapted across different media and cultural contexts, which were …
Introduction: Archipelagic Intermediality, Elmo Gonzaga
Introduction: Archipelagic Intermediality, Elmo Gonzaga
Kritika Kultura
No abstract provided.
Postcolonial Studies And Pantayong Pananaw In Philippine Historiography, Rommel A. Curaming
Postcolonial Studies And Pantayong Pananaw In Philippine Historiography, Rommel A. Curaming
Kritika Kultura
This paper offers a platform for a mutually critical imaginary dialogue between two different anti-Eurocentric analytic approaches, Postcolonialism (PC) and Pantayong Pananaw (From-Us, For-Us Perspective, PP). The dialogue foregrounds key areas of engagement between these approaches and allows in the process to revisit a number of vexing issues that interrogate them as well as the nature of an engaged, pro-marginalized scholarship. It suggests that while each approach can profitability learn from the other, it seems that a truly progressive aspiration may be better served by going beyond the current orientations or foci of the two approaches.
“Love Is...”: An Inaesthetic Inquiry On Love And Attention In Aureus Solito’S The Blossoming Of Maximo Oliveros, Jeremy De Chavez
“Love Is...”: An Inaesthetic Inquiry On Love And Attention In Aureus Solito’S The Blossoming Of Maximo Oliveros, Jeremy De Chavez
Kritika Kultura
Drawing from Alain Badiou’s concept of inaesthetics, which proposes that art conditions philosophical thought, this essay offers an inaesthetic reading of The Blossoming of Maximo Oliveros (2005) and suggests that it is a film that offers enabling possibilities in the thinking of love by providing the spectator with a different experience of cinematic attention in the visual field. The author suggests that the film raises the philosophical question “What is love?” and attempts to answer the very question it poses through punctual encounters, which are moments of cinematic interruption—described by Roland Barthes as “what I add . . . and …
María Clara For The 21st Century: Filipino Responses To “Neo-Colonial" Encounters, José Miguel Díaz Rodríguez
María Clara For The 21st Century: Filipino Responses To “Neo-Colonial" Encounters, José Miguel Díaz Rodríguez
Kritika Kultura
As an example of a postcolonial critique to certain hegemonic Spanish discourses in the Philippines, this essay examines the practice-as-research dance piece Love, Death, and Mompou (2006), which was a revision of the traditional María Clara dance suite. It argues that the show uses the expressiveness of the body as a trigger to subvert, re-represent and perform a range of “colonial” discourses that were reinforced by Spanish cultural producers, through funding policies, such as the Spanish Program for Cultural Cooperation. In this context, this essay argues that these policies echo a colonial past by influencing the local arts scene, and …
Myth And The Poetics Of Self: The Critical Corpus Of Gémino H. Abad, J. Neil C. Garcia
Myth And The Poetics Of Self: The Critical Corpus Of Gémino H. Abad, J. Neil C. Garcia
Kritika Kultura
No abstract provided.
Jandayan Island: Symphony Of Dry Winds In A Time Without Rain, Eulalio R. Guieb Iii
Jandayan Island: Symphony Of Dry Winds In A Time Without Rain, Eulalio R. Guieb Iii
Kritika Kultura
This essay examines the narratives of residents of Jandayan Island in the province of Bohol in central Philippines. I highlight the social relations of actors and groups as they negotiate and broker the representation and control of the meanings of their place. The essay sifts through the individual and collective lives of islanders as they reflect and constitute the manifold interests that shape the biographies of their island. In this essay, the island is a work in progress in which shifts and transitions represent the tenuous processes of community formation in a milieu of varying interests and alliances.
The Economic Aspect In Contemporary Writing And The Matter Of Class In Literature: Reading Selected Conceptual Works, Janine Go Dimaranan, Ivan Emil A. Labayne
The Economic Aspect In Contemporary Writing And The Matter Of Class In Literature: Reading Selected Conceptual Works, Janine Go Dimaranan, Ivan Emil A. Labayne
Kritika Kultura
No abstract provided.
From Dossier On Specific Fabrications, Carlos Quijon
From Dossier On Specific Fabrications, Carlos Quijon
Kritika Kultura
No abstract provided.
The Wait On Quezon Avenue, Robert Nery
Introduction, Ramon Guillermo, Martin V. Villanueva
Introduction, Ramon Guillermo, Martin V. Villanueva
Kritika Kultura
No abstract provided.
Resuming The ‘Skilled Worker’ Identity: The Filipinas’ Strategies In Labour Market Participation In Melbourne, Australia, Cirila P. Limpangog
Resuming The ‘Skilled Worker’ Identity: The Filipinas’ Strategies In Labour Market Participation In Melbourne, Australia, Cirila P. Limpangog
Kritika Kultura
Through the lens of culture intersecting with gender, race and class, this monograph looks at the reconfiguration of skilled worker identity of 20 Philippines-born women who have immigrated to Australia. Through interviews and analyses of their lived experiences, it attempts to comprehend the complexity of their unemployment, from their encounter with the labor market, to their attempts in breaking into the workforce. It contextualizes the institutional disadvantages and discrimination befalling migrant women of non-English speaking background, as well as housework and mothering responsibilities they continue to resist at home. The complex interaction of the women’s higher education, English language proficiency, …
Vernacular World Making: E. San Juan, Jr. And The Rehearsal For The New International, Charlie Samuya Veric
Vernacular World Making: E. San Juan, Jr. And The Rehearsal For The New International, Charlie Samuya Veric
Kritika Kultura
Focusing on E. San Juan, Jr.’s The Radical Tradition in Philippine Literature, which forms the matrix of his thought as a historical materialist critic, this essay traces the development of a central argument in the author’s body of work: namely, Philippine literature—diverse in form, expansive in reach—is progressive and revolutionary. Using such a fundamental argument with complex effects, I explore its implications for rethinking not only the scope of Philippine literature, but also for reimagining human solidarity, which San Juan aptly terms the New International. As I will suggest, the New International is an important form of planetary consciousness from …
Themes From The History Of Capitalism To The Rise Of Us Empire In The Pacific, With Annotations From Selected Works Of E. San Juan, Jr., Kenneth E. Bauzon
Themes From The History Of Capitalism To The Rise Of Us Empire In The Pacific, With Annotations From Selected Works Of E. San Juan, Jr., Kenneth E. Bauzon
Kritika Kultura
This work reconstructs the history of capitalism through the era of European colonialism and the rise of the United States empire in the Pacific. The reconstruction is done by drawing from the works of E. San Juan, Jr., considered arguably one of the great contemporary cultural and literary critics of our time. In this author’s view, San Juan’s lifetime of works offers living documentation of, among others, the history and thought of the modern world highlighted by the rise of capitalism, laying the basis for contemporary neoliberal globalization, and shepherded to its hegemonic status by the preeminent empire, the United …
“Land Is Life”: Reflections On E. San Juan, Jr., Considerations For Filipino Critical Theory, And Notes For Environmental Justice In The United States And The Philippines, Michael Joseph Viola
“Land Is Life”: Reflections On E. San Juan, Jr., Considerations For Filipino Critical Theory, And Notes For Environmental Justice In The United States And The Philippines, Michael Joseph Viola
Kritika Kultura
In this article, I situate E. San Juan, Jr. as a key intellectual figure in the development of Filipino Critical Theory. I explore the ways that San Juan’s interdisciplinary and dialectical analysis of capitalist totality can offer a rich intellectual landscape to address issues of global justice—particularly environmental justice for Filipino/as in the United States and in the Philippines. Building upon San Juan’s rich scholarly archive to analyze the interaction between humans and their environment, this paper foregrounds his contributions for Filipino Critical Theory as an emergent interdisciplinary theoretical framework to reflect upon where Filipino/as have been and put into …
Lessons From E. San Juan, Jr. On Resistance, Diversity, And Anti-Materialism In The Academy, Rachel Peterson, Joel Wendland
Lessons From E. San Juan, Jr. On Resistance, Diversity, And Anti-Materialism In The Academy, Rachel Peterson, Joel Wendland
Kritika Kultura
Throughout his astoundingly productive career, San Juan has unmasked how the intelligentsia becomes imbricated in the abuses of capitalism, colonialism and racism, and demands that those in the privileged space of the academy acknowledge and address ever-increasing inequality. He has dissected the theories and methodologies deployed in pedagogy and scholarship at different historical moments and has shown how issues of class, political economy, and (internal and international) colonialism become abstract and immaterial in the hands of intellectuals, even those who proclaim alliance with the wretched of the earth.
Past And Futures Of E. San Juan, Jr., Charlie Samuya Veric
Past And Futures Of E. San Juan, Jr., Charlie Samuya Veric
Kritika Kultura
In this synthetic introductory essay, I consider the places of E. San Juan, Jr. as gleaned from the contributions to this special section: from San Juan’s childhood in Manila and early education at the University of the Philippines at a time when veterans of the 1898 Revolution were still alive and peasant-based insurgency was on the rise; to his implicit contribution to the study of popular culture in the Philippines in the context of the emergence of nationalist struggle in the 1960s; to his turning point as a materialist literary critic who wrote the study on Bulosan which coincided with …
Alaalang Pampanitikan: Si Epifanio San Juan, Jr. Sa Panitikang Filipino, Efren R. Abueg
Alaalang Pampanitikan: Si Epifanio San Juan, Jr. Sa Panitikang Filipino, Efren R. Abueg
Kritika Kultura
In an essay that he calls literary memory, the acclaimed writer in Filipino Efren Abueg provides a critical biography of E. San Juan, Jr. It begins with San Juan’s coming of age at Jose Abad Santos where he became the editor-in-chief of the school paper, and explores the print culture of the period along the way. Then it transitions into the college years of San Juan in the age of decolonization at the University of the Philippines-Diliman, during which he came under the tutelage of Elmer Ordoñez, Francisco Arcellana, and NVM Gonzales, among others. Abueg, in particular, pays attention to …
From “Game-Like Realism” To The “Imagination-Oriented Aesthetic”: Reconsidering Bourdieu’S Contribution To Fan Studies In The Light Of Japanese Manga And Otaku Theory, Zoltan Kacsuk
Kritika Kultura
Following Casey Brienza’s call for drawing on Japanese “otaku theory” in order to further comics studies, the present article demonstrates how the wider interrelated discourse around anime, manga, and otaku can be productively related to fields such as Western fan studies. Focusing on Azuma Hiroki’s book The Birth of Game-like Realism this paper both highlights the theoretical richness of works which have yet to be translated into English, and emphasizes the importance of manga research – in this case Itō Gō’s book Tezuka is Dead – beyond the confines of manga/comics studies. Building on a novel reading of Azuma’s framework …
Education Of Today Is The Security Of Tomorrow!: Strengthening The Capacities To Create Secure Environments With Cultural Education, Raphael Vergin, Hannah Reich Phd
Education Of Today Is The Security Of Tomorrow!: Strengthening The Capacities To Create Secure Environments With Cultural Education, Raphael Vergin, Hannah Reich Phd
Kritika Kultura
Human security as a people’s perspective on security with a focus on human well-being and relationship-building offers promising alternative concepts to state-centered and structure- focused security strategies. Security is more than increasing weapons, fences and survey cameras. To our understanding, it is something else and involves entirely different mindsets. It demands a people’s perspective on security in which citizenship includes the capacity to create secure surroundings. People can be supported to “learn” security and to focus on their capacities. The subjective dimensions of security, including a person’s emotional management, can be trained. This is why we argue that three dimensions …
Truth, Justice, And Performative Knowledge: Chokri Ben Chikha’S Theatrical “Truth Commission” On (Neo)Colonial Injustices, Klass Tindemas
Truth, Justice, And Performative Knowledge: Chokri Ben Chikha’S Theatrical “Truth Commission” On (Neo)Colonial Injustices, Klass Tindemas
Kritika Kultura
Chokri Ben Chikha, performance artist and historian, spent four years of research on colonial environments on World Exhibitions, especially on the World Exhibition of Ghent (Belgium) in 1913. In Ghent, villages with natives from the Philippines and Senegal were exhibited. Eventually, a Filipino died from the cold climate, thus causing upheaval. The “authentic” villagers were actually on tour; they behaved, just as Barnum & Bailey’s did, as troupes of popular, “educational” entertainment. But they also constituted loci where colonial relationships were performed. In April 2013, Chokri Ben Chikha and his brother Zouzou made a theatrical performance based upon Chokri’s research: …
German Art About War Today And A Century Ago: A Curator’S View, Martin Bayer
German Art About War Today And A Century Ago: A Curator’S View, Martin Bayer
Kritika Kultura
The First World War was a true caesura for mankind, also including the world of art. In its beginning, most German artists supported it, similar to many other intellectuals. The realities of the first global war turned artists such as Ernst Barlach into pacifists. Especially in Germany, expressionism was often chosen to address the horrors of war. Today, only a few artists are still well-known, such as Otto Dix, while the majority and their powerful works need to be rediscovered. German pacifism is deeply rooted in the dreadful experiences of both World Wars, and not the least of bearing the …
Exorcising Communist Specters And Witch Philosophers: The Struggle For Academic Freedom Of 1961, Preciosa De Joya
Exorcising Communist Specters And Witch Philosophers: The Struggle For Academic Freedom Of 1961, Preciosa De Joya
Kritika Kultura
In re-discovering the scholars who pioneered in the practice and teaching of Philosophy in the Philippines, this paper unravels the story and character of UP Philosophy professor Ricardo Pascual in the context of the witch hunts of 1961. While indicted for his alleged communism, the real issues that led to Pascual’s trial were his professed agnosticism and his advocacy of secular liberalism, which was a response to the sectarian aggression threatening academic freedom in the 1930s, and again, in the 1950s. Pascual was, however, not the only one at that time to have fallen prey to this insidious tactic of …
Japan's Soft Power And "Grand Fictions" In Global Venues: Japanese Pop Culture Franchises And Fictionality-Based Tactics, Marco Pellitteri
Japan's Soft Power And "Grand Fictions" In Global Venues: Japanese Pop Culture Franchises And Fictionality-Based Tactics, Marco Pellitteri
Kritika Kultura
This article discusses the notion of soft power and how Japan’s government has recently made use of imaginary characters from “manga” and “anime” to promote the country’s appeal. I focus on the official video clip for the Tokyo 2020 Olympics, first released in 2016. This montage features not only Japan’s Prime Minister as well as Japanese athletes and show-business celebrities, but also fictional characters. On the one hand, this cast assists in creating a display of “official Japaneseness” as a presentation strategy for the 2020 Olympics host country, deploying Shinzō Abe as a testimonial. On the other hand, while fiction …
Building Consistent Policies On Subsidies In The Film Industry: Institutions And Instruments In France And Korea, Patrick Messerlin
Building Consistent Policies On Subsidies In The Film Industry: Institutions And Instruments In France And Korea, Patrick Messerlin
Kritika Kultura
This paper explores a much-neglected aspect of cultural policies: the role of the institutions in charge and the way they use the instruments at their disposal. It focuses on the film industry which offers the remarkable contrast on how the Korean film industry has outperformed the French one in less than twenty years. This paper provides three conclusions. First, it presents an economic analysis of the French and Korean institutions which shows that building a rich organization with a large degree of freedom for action and granting extensive subsidies is not a sure recipe for the success of the country’s …