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Articles 1171 - 1200 of 60074
Full-Text Articles in Entire DC Network
We Have Intimated Too Much Of Ourselves To This City, Oscar Tantoco Serquiña Jr.
We Have Intimated Too Much Of Ourselves To This City, Oscar Tantoco Serquiña Jr.
Kritika Kultura
No abstract provided.
The Second Law, Dennis Andrew S. Aguinaldo
Landlessness, War, And Displacement In Literatures Of Mindanao And Sulu, Sherwin Mendoza
Landlessness, War, And Displacement In Literatures Of Mindanao And Sulu, Sherwin Mendoza
Kritika Kultura
This monograph attempts to clarify the relationships of Filipino Americans to the diaspora of Christian settler colonists in Mindanao with the hope of facilitating solidarity between Filipino Americans and the peoples of Mindanao and Sulu. It begins with a consideration of Carlos Bulosan, perhaps the most prominent figure within the discipline of Filipino American Studies, in terms of the brief appearance of Mindanao in America is in the Heart. The bulk of the monograph, however, is centered on literatures of the Southern Philippines, a region that is often overlooked within the discipline of Filipino American Studies, and in particular it …
Sultan Suleiman The Magnificent At The Gates Of Vienna, E. San Juan Jr.
Sultan Suleiman The Magnificent At The Gates Of Vienna, E. San Juan Jr.
Kritika Kultura
No abstract provided.
Devotion Ii, Wilfredo Pascual
Devotion Ii, Wilfredo Pascual
Kritika Kultura
In 2004, the author flew to New York to spend a few days with fans of Nora Aunor during the Philippine Superstar’s U.S. concert tour. This personal essay is a ruminative account of a wayfaring trip that began the year before, when the author flew to Manila and met the star for the first time. It’s a pilgrimage of sorts, tracking the wandering icon in Manhattan, from her hotel bedroom to Times Square all the way to the airport. It crosses time and space from aquatic Bicol and Atlantic City to the mystical Byzantine age and the tumultuous years of …
Fall Of Grace: Nora Aunor As Cinema, Patrick D. Flores
Fall Of Grace: Nora Aunor As Cinema, Patrick D. Flores
Kritika Kultura
Nora Aunor is enlisted in this speculation as a medium in the register of both the cinema and the transmission of spirit. The key trajectory is the oft-cited film Himala, which opens up a conceptual space for mediumship, the technology of the actress, her biography and corpus of art, and the devotion to her person. The essay constellates a set of texts including the sculpture in honor of Elsa, the main character of Himala, the film Silip, and the life of a fan. Nora, the performative vessel of Elsa, becomes fundamentally cinematic. It is through her that Elsa is fleshed …
Christianity As A Culture Of Mobility: A Case Study Of Asian Transient Migrants In Singapore, Catherine Gomes, Jonathan Y. Tan
Christianity As A Culture Of Mobility: A Case Study Of Asian Transient Migrants In Singapore, Catherine Gomes, Jonathan Y. Tan
Kritika Kultura
More than ever before, the global and transnational movements of young people for work and study have become part of everyday life. Yet there is very little research on this phenomenon in relation to how actors in transience create strategies to cope with being away from home nation (place of birth and/or citizenship) and from family. As part of the findings of a larger international study on the identities, social networks and media/ communication use of transient migrants, researchers found that Christianity featured prominently during life in transience for Asian respondents. This paper thus puts forward the notion that Christianity …
The Black Nazarene, Quiapo, And The Weak Philippine State, Mark Joseph Calano
The Black Nazarene, Quiapo, And The Weak Philippine State, Mark Joseph Calano
Kritika Kultura
The dialectical relationship between the religious performances to the Black Nazarene and the informality of space in Quiapo has an implication in the “construction” of space and the formation of a weak Philippine state. The dynamics between poón, panata, and pananampalataya (elements in the discussion of the devotion to the Black Nazarene) and the barongbarong, looban, at hanapbuhay (elements in the discussion of the informality of Quiapo) helps in the construction of the spatiality of Quiapo. Quiapo is constructed as the place of the play between pananampalataya and hanapbuhay; the implication of this mutual dependency to the state is a …
“Not Here To Steal Sheep”: A Reading Of The History And Politics Of Catholicism In Thailand, Coeli Barry
“Not Here To Steal Sheep”: A Reading Of The History And Politics Of Catholicism In Thailand, Coeli Barry
Kritika Kultura
This article investigates how Catholicism has had to evolve and adapt in order to sustain itself in Thailand. As Siam/Thailand developed through economic, political and cultural interactions with Western powers, Christianity in general and Catholicism in particular served as a site on which Thai national identity was forged in response to these interactions. Christianity was an ‘other’ against which Thai Buddhist identity coalesced yet the appeal of first Catholic and later Protestant missionary education was very strong. This article combines interpretive historical method and analysis of contemporary shifts that reflect a more assertive Thai Catholic Church. In so doing, the …
Hàn Mặc Tử (1912-1940): A New Moon For The Season Of The New Evangelization In Vietnamese Catholicism, Hưng Trung Phạm Sj
Hàn Mặc Tử (1912-1940): A New Moon For The Season Of The New Evangelization In Vietnamese Catholicism, Hưng Trung Phạm Sj
Kritika Kultura
Since its arrival to Vietnam, Catholicism has often been known or accused as either heterodox religion or religion of superstition. Efforts to inculturate the Christian faith into Vietnamese cultures have begun from early missionaries in Vietnam in the early seventeenth century to church leadership in Vietnam today. At the early twentieth century, the poetry of Hàn Mặc Tử (1912 – 1940) has demonstrated a new level of inculturation where the Christian faith no longer remains at the level of “superficial adaptation” but has become a principle that animates, directs, and unifies Vietnamese cultures, transforming and remaking it so as to …
Kidlat Tahimik And The Determination Of A Native Filmmaker, Patrick F. Campos
Kidlat Tahimik And The Determination Of A Native Filmmaker, Patrick F. Campos
Kritika Kultura
Using field notes drawn from participative research in the context of his home life in Hapao, Ifugao and Baguio City, Benguet, as well as information gathered through interviews with his family, confidantes, and mentees, the article revaluates the oeuvre of pioneering independent filmmaker, Kidlat Tahimik. It is written self-reflexively, approximating the critic’s process of understanding Kidlat’s work through the lenses of a personal encounter. It critiques Kidlat’s cinema, with special focus on Why is Yellow the Middle of the Rainbow? (1994), and reads it as his determination to author himself as “native” and “Third World” filmmaker, the same determination that …
Christianity From The Margins In Southeast Asia, Jose Mario C. Francisco, Shanthini Pillai
Christianity From The Margins In Southeast Asia, Jose Mario C. Francisco, Shanthini Pillai
Kritika Kultura
Studies on Christianity in Asia have been weighed down by a double burden—the commonplace of Christianity as a passive minority and an invading foreign as well as the notions of religion and secularization derived from western experience. The following essays of Forum Kritika shed both burdens by focusing on the “lived religion” of different Christian groups and leaders on the margins of Southeast Asian societies because of religious faith as well as ethnicity, status or location. Their critical analysis shows how these actors interacted with other social and cultural traditions and problematized narratives of identity linked to the dominant sociocultural …
Interactive Meaning Potentials In Weight-Loss Web-Advertising: The Female Body In Crisis, Emily Lau Kui Ling
Interactive Meaning Potentials In Weight-Loss Web-Advertising: The Female Body In Crisis, Emily Lau Kui Ling
Kritika Kultura
The common saying, “a picture is worth a thousand words” is no longer questioned in the twenty-first century where information is extensively rendered in visual terms. The rise of digital capture devices and online social media presumes that visual culture is head- ing towards greater influence in every aspect of life. This paper explores the ways visual representations attract the viewer’s attention, and based on Jewitt and Oyama’s analytical framework of visual social semiotics seeks to understand the meaning-making potentials of weight-loss advertising. Three key factors: distance, contact, and point of view are shown to be crucial in creating complex …
"Deaths In Distance", Jan Kevin Rivera
"Deliverance" And Other Poems, Regina Cabato
"The Pinoy Invasion", Jov Almero
Global Aestheticscapes: Re-Imag(In)Ing The Global Experiences Of Selected Filipino Artists Through Their Installation Artworks, Clod Marlan Krister V. Yambao
Global Aestheticscapes: Re-Imag(In)Ing The Global Experiences Of Selected Filipino Artists Through Their Installation Artworks, Clod Marlan Krister V. Yambao
Kritika Kultura
This paper attempts to look at the contemporary global condition of Filipino art production by using the term “aestheticscapes”1 as a critical category of analysis. The confluence of the terms “aesthetics” and “-scapes” allows us to stretch the language of aesthetic production in a global scale of interactions, exchanges, contacts, circulations, negotiations, and amalgamations of geo and ethnoaesthetic positions. Significantly, “aestheticscapes” magnify the conditions of epistemic relations between global powers and discourses of the agencies of the artists via history, geography, aesthetic epistemes, and other social narratives. By looking at the installation artworks of selected Filipino diasporic, migrant, and mobile …
Shattering Silence: Tracing Speciesism In Philippine Children’S Literature, Chryssa Celestino
Shattering Silence: Tracing Speciesism In Philippine Children’S Literature, Chryssa Celestino
Kritika Kultura
What does it mean to write the animal? In Philippine children’s literature where the population of the nonhuman animal is difficult to ignore, writing (about) them is supposed to aspire familiarization: an action that guides the child reader toward concepts of animality. The nonhuman animal has also been recognized as therapeutic narrative elements, aids in identity construction, and effective fictional teachers of species relationships. The inclusion and, more accurately, the functions of the nonhuman animal in the text, however, are symptomatic of speciesism: the belief in human superiority, and the redundant establishment of their supremacy. Influenced by the insights of …
But For The Apocalypse: Wilfrido Nolledo’S Dark Mirror Of Empire, Ryan Canlas
But For The Apocalypse: Wilfrido Nolledo’S Dark Mirror Of Empire, Ryan Canlas
Kritika Kultura
This essay reads Wilfrido Nolledo’s novel, But for the Lovers (1970), across the rocky terrain in which the postcolonial Anglophone novel intersects with the question of postmodernity. Using Paul Ricoeur’s Memory, History, and Forgetting and Fredric Jameson’s exhortation to the critic to “Always historicize!” as my primary theoretical frameworks, I argue against the seemingly common accusation that the “postmodern” Anglophone Filipino novel––of which But for the Lovers is a kind of prototypical example––is incapable of creating a perspective on the political and historical conditions of the Philippines as a postcolonial nation and that it is merely symptomatic of the much …
The Zobel Nexus, Patrick D. Flores
The Zobel Nexus, Patrick D. Flores
Kritika Kultura
Fernando Zobel is an important figure in Philippine art history. His influence is wide and deep, from art making to formation of taste and to the production of discourse on iconography and identity. This essay focuses on his role in generating critical texts on the history of art in the Philippines, initiating a much-needed discussion on the categories of form, the cultural context of style, and the criteria for evaluating the value of objects. As a collector and connoisseur, Zobel endeavored to significantly set the terms with which the history of colonial and modern art would be written. Such an …
The Catholic Church In The Philippine Public Sphere, Ranilo B. Hermida
The Catholic Church In The Philippine Public Sphere, Ranilo B. Hermida
Kritika Kultura
Whether religion has a place in the public sphere is a complex issue. Many thinkers believed that the rationalization process of modernity would result in secularization and banish religion into the private sphere. Religion has not only survived; it has even taken an active role in the political affairs of the state. This has been the case in countries like the Philippines where the publicity and activism of the Catholic hierarchy in the political public sphere of the country have been sustained and to some extent dominant. Said publicity and activism are carried out in the name of religion and …
Front Matter, Kritika Kultura
Madrid 1884 & Tondo 1892, Arbeen Acuña, Dennis S. Aguinaldo
Madrid 1884 & Tondo 1892, Arbeen Acuña, Dennis S. Aguinaldo
Kritika Kultura
No abstract provided.
Not Language Alone: Translation And Culture, Bienvenido Lumbera
Not Language Alone: Translation And Culture, Bienvenido Lumbera
Kritika Kultura
Rendering a literary work into another language requires more than plain profi- ciency in the original language of the piece. Culture and history are so meshed in language that translation requires the translator to delve into the context that went into the creation of the literary text. This paper is based on the work that went into the making of my translation into Tagalog of four plays coming from differ- ent countries and climes. The plays confronted me with four different cultural and historical contexts that required to be clarified to make the translations reasonably faithful to the original works.
Manuel Blanco’S El Indio And The History Of A Rumor, Resil B. Mojares
Manuel Blanco’S El Indio And The History Of A Rumor, Resil B. Mojares
Kritika Kultura
The paper explores the social meanings that can be elicited from tracking the history of a rumor. It takes as its example the nineteenth-century apocryphal story of an Augustinian friar who labored for years on a treatise on the character of the Philippine native (indio) only to leave behind, upon his death, a book of blank pages. Tracing the origins and passage of the rumor and unpacking the various interpretations of the story, the paper demonstrates what can be gained from the study of rumors in Philippine history.
Beyond The Innocence Of Globalization: The Abiding Necessity Of Carlos Bulosan’S Anti-Imperialist Imagination, Tim Libretti
Beyond The Innocence Of Globalization: The Abiding Necessity Of Carlos Bulosan’S Anti-Imperialist Imagination, Tim Libretti
Kritika Kultura
This essay analyzes Carlos Bulosan’s writing in terms of the way he works to develop an aesthetic that comprehends and cognitively maps the repetitive dynamics of US and global colonial capitalism. More precisely, the essay examines how Bulosan’s aesthetic practice both grapples with the question of how an individual and collective consciousness can grasp the systemic processes that condition experience and also how it fosters that consciousness in the way it represents the relationships among experience, the larger class and colonial dynamics that produce that experience, and the ideological processes that intervene in our comprehension of those dynamics. In developing …
Carlos Bulosan On Writing: The Role Of Letters, Marilyn C. Alquizola, Lane Ryo Hirabayashi
Carlos Bulosan On Writing: The Role Of Letters, Marilyn C. Alquizola, Lane Ryo Hirabayashi
Kritika Kultura
Two themes from Gilles Deleuze and Felix Guattari’s study, Kafka Toward a Minor Literature, serve as an inspiration for this rumination on Carlos Bulosan’s 1955 letter to Florentino B. Valeros about writing and the responsibilities of the writer. Because Bulosan was an inherently political writer, his correspondence is part-and-parcel of his writing machine, inclusive of his poetry, short stories, novels, and expository essays. In this, Bulosan’s case is parallel to that of Kafka. In contradistinction to Kafka, however, Bulosan’s letters are not easily categorized in terms of thematics such as those Deleuze and Guattari identify in the cases of Kafka …
Excavating The Bulosan Ruins: What Is At Stake In Re-Discovering The Anti-Imperialist Writing In The Age Of Us Global Terrorism?, E. San Juan Jr.
Excavating The Bulosan Ruins: What Is At Stake In Re-Discovering The Anti-Imperialist Writing In The Age Of Us Global Terrorism?, E. San Juan Jr.
Kritika Kultura
Based on research in the unpublished papers of Sanora Babb at the Harry Ransom Center, University of Texas, this essay uncovers new information about Bulosan’s relations with Sanora and her sister Dorothy Babb, the two American women who virtually “made” him into a writer. Given his intimacy with both women, active in leftwing and Communist Party activities in Los Angeles during the formative years of Bulosan’s life, as well as his association with leftist union leaders in Seattle, Bulosan’s radical affiliations are no longer in doubt, even without FBI documentation. Apocryphal Bulosan manuscripts such as All the Conspirators are bound …
Translation And The Problem Of Realism In Philippine Literature In English, J. Neil C. Garcia
Translation And The Problem Of Realism In Philippine Literature In English, J. Neil C. Garcia
Kritika Kultura
To the degree that Philippine literature in English is translational it cannot be realistic: realism is a signifying practice that presupposes a monocultural ground, upon which the “consensus” of representational fidelity can happen. And yet, much of the criticism of this literature, as produced by Filipinos themselves, has generally failed to take note of this crucial precondition, enacting a ruinous category mistake that, among other things, unwittingly confounds contemporary departures from the referential towards the “avant-garde” and/or antimimetic modes, as these are espoused by young Filipino poets and fictionists alike. Finally, this paper argues that the various literary practices encoded …
In The Defiles Of Abstraction, Patrick D. Flores
In The Defiles Of Abstraction, Patrick D. Flores
Kritika Kultura
In this rereading of the history of modern art in the Philippines, Lee Aguinaldo is situated within the turns in the engagement of the field with modernity, beginning in the late twenties until the sixties and so scanning the period after the academic romanticism of Fernando Amosolo through the eclectic modernist styles of the Philippine Art Gallery. In this scheme, the work of Aguinaldo and the manner in which it has been imagined in the context of modern art is revisited, with the view of reflecting on the historiographic and critical language that has been harnessed to explain and understand …