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Articles 1 - 30 of 245
Full-Text Articles in Entire DC Network
Racism And Resilience: Counter-Narratives Of Asian International College Students In The Age Of Covid-19, Katrina Liu, Richard Miller, Sharolyn D. Pollard-Durodola, Lei Ping
Racism And Resilience: Counter-Narratives Of Asian International College Students In The Age Of Covid-19, Katrina Liu, Richard Miller, Sharolyn D. Pollard-Durodola, Lei Ping
The Qualitative Report
Using Asian Critical Race Theory and Resilience Theory, this qualitative study explores how Asian international college students experienced racism before and after the eruption of the COVID-19 pandemic and how they developed and used resilience to counteract that racism. Eleven Asian participants shared their counter-narratives through semi-structured interviews. Results reveal that, before the pandemic, participants were regularly subjected to racist acts and attitudes grounded in a deficit view of Asians that treated them as inscrutable foreigners, blamed them as individuals for perceived shortcomings in their home countries, dismissed their expertise outside of technical STEM fields, and failed to recognize their …
Movements In C Minor: Vocal Soundscapes In Eastern Amazonia (Araweté), Guilherme Orlandini Heurich
Movements In C Minor: Vocal Soundscapes In Eastern Amazonia (Araweté), Guilherme Orlandini Heurich
Tipití: Journal of the Society for the Anthropology of Lowland South America
This article examines the capture of forest spirits through music in the Anĩ pihi speech-songs of the Araweté, a small Amerindian society in Eastern Amazonia, Brazil. The Anĩ pihi are unique in their combination of spoken and sung forms, in which spirits and divinities are voiced by a ritual specialist. I explore how particular sounds index the presence of different kinds of others (gods and spirits), and how these sounds are, in turn, related to the use of reported speech – in other words, how others talk about other others in sung form. As such, the Anĩ pihi are a …
“Americanized” Worship In Brazilian Churches, Leon C. Neto
“Americanized” Worship In Brazilian Churches, Leon C. Neto
Masters Theses
Motivated by the marketability of high-profile artists and bands, Christian churches worldwide may see the inclusion of profit-driven worship songs as a recruiting tool for their communities. This process of globalization or "Americanization" around the world, propagated by mass media, is yet to be thoroughly investigated. This trend is likely decreasing the use of indigenous styles in Christian worship. The primary purpose of this current study is to produce scientific data suggesting that “Americanized” worship is a trend in Brazil and is affecting the production of indigenous worship repertoire. An online questionnaire was developed and applied to Brazilian worship leaders. …
Using Popular Music To Engage The Multiculturally Diverse Secondary School Band, Todd Waldon Murphy
Using Popular Music To Engage The Multiculturally Diverse Secondary School Band, Todd Waldon Murphy
Doctoral Dissertations and Projects
Despite the increasing acceptance and enthusiasm for multicultural popular music in some high schools in the United States, traditional music teachers are often hesitant to embrace this trend. Even though the United States is responsible for creating many popular music styles, European music education philosophy is ahead with popular music education. Because of the United States' changing demographics, a new strategy must be developed to address this issue and implement it to the band director's advantage. Ethnic diversity and multiculturism have been creative factors in the United States, which explains why American culture has produced a wide variety of musical …
Through The Looking Glass: Worship Music With Indigenous Sounds In Los Angeles And Manila, Maria Rica Bartolome Silbol
Through The Looking Glass: Worship Music With Indigenous Sounds In Los Angeles And Manila, Maria Rica Bartolome Silbol
Doctoral Dissertations and Projects
Despite the Philippines’ wonderful indigenous music and talents, Manila Baptist and Los Angeles Baptist churches do not utilize indigenous sounds in typical worship practices. This paper contends that the untapped resources of cultural sounds may contribute to a dynamic worship experience that resonates more effectively as Filipino. This study investigates the absence of indigenous sound in two Filipino Baptist churches from Los Angeles and Manila (QC). It analyzes relevant ethnic music components and each church’s response to the fusion of indigenous and traditional music in the worship experience. The explanatory sequential mixed method will focus on an artistic-creative study to …
Musikah V’Ḥalil, “Music And The Flute”: The Use Of Jewish Prayer In Flute And Piano Music, Kathryn L. Rudnik
Musikah V’Ḥalil, “Music And The Flute”: The Use Of Jewish Prayer In Flute And Piano Music, Kathryn L. Rudnik
Dissertations, 2020-current
Music has been a part of Jewish life since Biblical times and remains an integral part of the culture. Within Jewish music, instruments have also played an important role historically. The flute has been traced through Judaism back to Biblical times; however, it has lost prominence in modern synagogue and religious services. As Western music has developed into the twenty-first century, composers, both Jewish and Gentile, have been exposed to the music of the Jewish communities, some of whom have utilized it in their own compositions. Compositions based on Jewish prayer melodies have brought up the question of whether the …
Estás En La Sintonía De La Gozadera: En Vivo Desde Cumbiayork, El Movimiento Sonidero Del Futuro, Vita Dadoo
Estás En La Sintonía De La Gozadera: En Vivo Desde Cumbiayork, El Movimiento Sonidero Del Futuro, Vita Dadoo
Capstones
For 30 years, New York's sonideros have been making noise on the central avenues of the city's Mexican and Latino ecosystems. The movement, made up of the sonidero (translated literally as "soundman"), his assistants, promoters, fans and dancers, has created a subculture that for a long time defined the relationship between the migrant and his native home in Mexico. Thirty years later, I explore how the movement has evolved, the traits that have distinguished it from the Mexican sonidero movement, and how it continues to flourish under a new generation of deejays.
Scholastic A Cappella And The Construction Of Whiteness, Community, And Power, Daniel Fister
Scholastic A Cappella And The Construction Of Whiteness, Community, And Power, Daniel Fister
Arts & Sciences Graduate Student Theses and Dissertations
Vocal-only student ensembles who cover contemporary popular music at most U.S. high schools and universities, known as a cappella groups, mold students as musical listeners and performers. Though predominantly composed of liberal and progressive people who value diversity and inclusion, a cappella communities perpetuate racialized inequities of sound and representation. I analyze how race, particularly whiteness, shapes the intersecting communities of scholastic a cappella through ideologies of sound (i.e. singing and arranging styles), social structures (i.e. audition processes, competition policies, and judging rubrics), and discourses (how a range of a cappella practitioners discuss, or not, social categories such as race …
A Senior Recital-Betsy Tullis And Julia Stowell, Betsy Tullis
A Senior Recital-Betsy Tullis And Julia Stowell, Betsy Tullis
All Music Department Programs
This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.
Ensemble Concerts: Music For The Holidays, December 10, 2022, Illinois State University School Of Music
Ensemble Concerts: Music For The Holidays, December 10, 2022, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
December 10, 2022
Saturday
3:00 pm and 7:00 p.m.
Center for the Performing Arts
December 11, 2022
Sunday
3:00 p.m.
Co-Writing Nashville Style: A Recital Of Selected Country Songwriters, Joseph H. Wandass Iv
Co-Writing Nashville Style: A Recital Of Selected Country Songwriters, Joseph H. Wandass Iv
Recital Papers
Country music and songwriting have been hallmark features of the Nashville music scene for well over a century. Due to the development of the concept of "the Nashville Dream," the idea that one can "make it" in music by moving to Nashville and writing songs, migratory patterns to Nashville from across the United States have changed the ways in which Nashville-based music is created and disseminated. In the thesis and accompanying recital, these trends are analyzed through the lens of ten selected active Nashville songwriters who have seen these trends. Submitted in partial fulfillment of the requirements for the degree …
The Double Silence: Reflections On Music And Musicians, Antoni Pizà
The Double Silence: Reflections On Music And Musicians, Antoni Pizà
Publications and Research
A translation of EL DOBLE SILENCI, published in Catalan in 2003. The book is a compilation of essays originally published in Diario de Mallorca (2000-2003).
Etcètera Ii: Notes Sobre Música, Art I Literatura (2020-2022), Antoni Pizà
Etcètera Ii: Notes Sobre Música, Art I Literatura (2020-2022), Antoni Pizà
Publications and Research
A compilation of essays on music, the arts, and literature previously published in Bellver, the arts section of Diario de Mallorca (2020-2022). This is the second part of ETCETERA.
New Music Ensemble, Chapman New Music Ensemble
New Music Ensemble, Chapman New Music Ensemble
Printed Performance Programs (PDF Format)
No abstract provided.
Around The World In Two Days: Walt Disney's Epcot Center And The World's Fair Tradition, Annie Davis
Around The World In Two Days: Walt Disney's Epcot Center And The World's Fair Tradition, Annie Davis
Student Scholarship & Creative Works
This work views the performative and consumerist traditions of the World's Fair and how Walt Disney World's EPCOT Center was essentially created to exist as a "permanent World's Fair" in theme park form. From viewing the 1904 Louisiana Purchase Exposition in St. Louis and the 1964-1965 New York World's Fair alongside Epcot Center (1982) the similarities in the visitor experience are analyzed. Walt Disney's presence at the 1964-1965 New York World's Fair seems to work as testing grounds for ideas with lower stakes than presenting permanent attractions, some of which would later be moved to the parks. Epcot Center offered …
School Of Music Faculty/Staff Newsletter, December 2022, School Of Music
School Of Music Faculty/Staff Newsletter, December 2022, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
Vol. 45 No. 2 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 45 No. 2 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Front Matter for the Vol. 45, No 2-Dec 2022 edition of the Pacific Studies Journal.
Cultivating Music Educators For Engaging In Varied Pedagogy Within An Increasingly Pluralistic Society, Maggie Brown
Cultivating Music Educators For Engaging In Varied Pedagogy Within An Increasingly Pluralistic Society, Maggie Brown
Honors Projects
As society continues to grow increasingly pluralistic, questions arise concerning how to better prepare preservice educators in teacher preparation programs. The purpose of this study was to determine the connections between P12 teachers’ training, experience, and what is being done in the classroom. Three participants were hand-selected for participation due to their proven track record employing varied curricular practice. The participants represented a varied range of areas of expertise and years of experience. After exploring the experiences of these three teachers, themes of (1) getting outside of one’s comfort zone, (2) engaging in musical amateurism, and (3) synergizing traditional and …
Indian Classical Music, Raaga As Music Therapy: Scope And Opportunities, Varun Malhotra, Samidha Vedabala, Sagar Khadanga, Anvesh Jallapally, Murlimanju Bv, Saikat Das, Amit Agrawal
Indian Classical Music, Raaga As Music Therapy: Scope And Opportunities, Varun Malhotra, Samidha Vedabala, Sagar Khadanga, Anvesh Jallapally, Murlimanju Bv, Saikat Das, Amit Agrawal
Manipal Journal of Medical Sciences
The existing research on Indian classical music therapy faces several challenges that need attention for the field’s growth and credibility. Most studies rely on anecdotal evidence rather than rigorous scientific methodology, necessitating more controlled trials and longitudinal research. The rich diversity of ragas and talas in Indian classical music poses a challenge in standardizing their therapeutic application. Cultural sensitivity is crucial due to the deeply rooted nature of this therapy in Indian culture, and generalizing findings to diverse populations requires careful consideration. Music therapy is gaining recognition worldwide, with universities offering courses ranging from certificates to doctorates. Music therapy is …
Vol. 45 No. 2 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 45 No. 2 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Como Lo Recuerdo: A Remembrance Of Mexican Folk Songs From Our Residents’ Hearts, Arturo Treviño Jr.
Como Lo Recuerdo: A Remembrance Of Mexican Folk Songs From Our Residents’ Hearts, Arturo Treviño Jr.
Theses and Dissertations
Educators today face the challenge of finding either the individual in the community or the community in the individual. This study applies Jeff Titon's idea on communities as musical ecosystems to explore the sustainability of John A. Lomax's April 1939 Southern Collection field recordings, examining how and where these musical works exist in Brownsville, Texas today and investigating the meanings of these Mexican folk songs to Rio Grande Valley community members. In this work, I put the Lomax song collection in greater cultural, historical, and musical context, and argue that the songs can assist Rio Grande Valley individuals in both …
The Romantic Style In The Piano Works Of Manuel M. Ponce, Oscar Vazquez Medrano
The Romantic Style In The Piano Works Of Manuel M. Ponce, Oscar Vazquez Medrano
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Manuel M. Ponce is one of the most recognized Mexican composers of the twentieth century. He is known for his contributions to the guitar and piano literature, but more importantly, for his efforts to introduce musical nationalism in a world where Romantic opera and salon music dominated Mexico’s music scene.
This document has an introduction, six chapters, a conclusion, a bibliography, and three appendixes. The introduction includes pertinent background on Ponce’s music and the types of research dedicated to him, as well as the stylistic division of his music by Ponce scholars.
Chapter one explains the historical context in Mexico …
An Acute Sense Of Place: The Songs Of Norman Blake, Thomas Jutz
An Acute Sense Of Place: The Songs Of Norman Blake, Thomas Jutz
Electronic Theses and Dissertations
American flat-picking guitarist, singer and songwriter Norman Blake holds legendary status among guitar players, bluegrass, and folk musicians.
The aim of this research is to analyze the interaction of sense of place in Norman Blake’s songwriting. This research will explore the techniques Blake uses to create that acute sense of place. Elements of literary criticism, cultural geography, ethnomusicology, and sense of place studies, as well as historical background information on Northern Alabama and North Georgia will be employed to show how this particular region of Southeastern Appalachia has informed Blake’s songwriting.
The research questions that I aim to answer are …
Ensemble Concerts: Symphonic Winds, December 1, 2022, F. Mack Wood
Ensemble Concerts: Symphonic Winds, December 1, 2022, F. Mack Wood
School of Music Programs
Center for the Performing Arts
December 1, 2022
Thursday Evening
8:00 p.m.
Ensemble Concerts: University Band And Symphonic Band, November 30, 2022, F. Mack Wood, T.J. Mack, John Gonzalez, Jeason Lopez
Ensemble Concerts: University Band And Symphonic Band, November 30, 2022, F. Mack Wood, T.J. Mack, John Gonzalez, Jeason Lopez
School of Music Programs
Center for the Performing Arts
November 30th, 2022
Wednesday Evening
8:00 p.m.
Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel
Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel
Undergraduate Theses, Capstones, and Recitals
Camilla Urso (1840-1902) was the first nationally famous female violinist in the United States. Between 1852-1902, Urso gave over a thousand concerts in the United States, becoming a musical celebrity on par with the Swedish soprano Jenny Lind. Through her public visibility, Urso transformed nineteenth-century American violin playing from a male-dominated field into an acceptable and even fashionable field for women. Despite her nineteenth-century fame, today Urso is mostly forgotten. Over the course of six chronological chapters, this thesis presents a contextual biography of Urso’s American concert career. Utilizing archival sources, digitized newspapers, and digital mapping methodologies, I argue Urso’s …
Volume Cxlii, Number 8, November 11, 2022, Lawrence University
Volume Cxlii, Number 8, November 11, 2022, Lawrence University
The Lawrentian
No abstract provided.
Chanting The Medicine Buddha Sutra: A Musical Transcription And English Translation Of The Medicine Buddha Service Of The Liberation Rite Of Water And Land At Fo Guang Shan Monastery, Jeffrey W. Cupchik
Yale Journal of Music & Religion
A book review is presented for Reed Criddle, ed., Chanting the Medicine Buddha Sutra: A Musical Transcription and English Translation of the Medicine Buddha Service of the Liberation Rite of Water and Land at Fo Guang Shan Monastery. Recent Researches in the Oral Traditions of Music 13. Philip V. Bohlman, general editor. Middleton, WI: A-R Editions, 2020. 77 pages.
Shifting Paradigms, Pandemic Realities: The Reception Of Ishay Ribo’S Music In The American Hasidic Community, Tzipora Weinberg, Gordon Dale
Shifting Paradigms, Pandemic Realities: The Reception Of Ishay Ribo’S Music In The American Hasidic Community, Tzipora Weinberg, Gordon Dale
Yale Journal of Music & Religion
The COVID-19 pandemic has irrevocably changed the landscape of social, communal, and religious life. Within the Jewish community, reactions to the virus have taken many forms. One of the most visible and criticized populations, the Hasidic community of Brooklyn, has been the focus of attention from the media and press, and has responded in unprecedented ways, both in political and social arenas. Our close study of the evolution of a particular instance of atypical musical permissiveness in the period preceding COVID-19, and its subsequent development during the pandemic period itself, follows this metamorphosis, limning the shift in communal norms as …
From The Islands To The Motherland: Motivic Traveling In Contemporary Gospel Music, Lauren Eldridge Stewart
From The Islands To The Motherland: Motivic Traveling In Contemporary Gospel Music, Lauren Eldridge Stewart
Yale Journal of Music & Religion
Contemporary gospel musicians frequently use ad libs that describe diasporic desires, imagined identities, and the music itself. “To the islands” and “to the motherland” are directives that call audiences to join musicians in a motivic journey that spans the Black Atlantic, and flows between North America, the Caribbean, and Africa. Though deployed throughout the genre’s history, I focus here on the motivic traveling featured in gospel music released within the past two decades. I posit that musicians engage in this symbolism for three possible reasons: to enliven gospel music, to appeal to increasingly diverse congregations both within the U.S. and …