Digital Commons Network^™

Symphonic Band, February 24, 2021, Anthony C. Marinello Iii

School of Music Programs

Center for the Performing Arts
February 24, 2021
Wednesday Evening
8:00 p.m.

Ksu Brass Faculty Recital, Douglas Lindsey, Ryan Moser, Mike Tiscione, Jd Handshoe, Richard Williams, Judith Cole, Eric Jenkins

Bailey School of Music Concert Programs

Enjoy a performance by the KSU brass faculty: Doug Lindsey, Mike Tiscione, Richard Williams, J.D. Handshoe, and Ryan Moser, all accompanied pianists Judith Cole and Eric Jenkins.

Illinois State University String Orchestra, February 21, 2021, Glenn Block

School of Music Programs

Center for the Performing Arts
February 21, 2021
Sunday Afternoon
3:00 p.m.

Lift Every Voice: Celebrating Black History Month, Twanda Black, John Lawless, Sam Skelton, Leslie J. Blackwell, Oral Moses

Bailey School of Music Concert Programs

Enjoy an evening of performances from KSU percussion ensemble, Gospel Choir, Jazz I, Chamber Signers, and more! Join us (virtually) to celebrate Black History Month.

Ksu Wind Ensemble, David Kehler

Bailey School of Music Concert Programs

Enjoy a performance by the KSU Wind Ensemble under the direction of Dr. David Kehler from the comfort of your own home, via ArtsKSU Virtual.

Robert & Clara Schumann’S Epic Valentine’S Day Recital Featuring Guest Composers: Wieck, Kirchner, And Brahms, Robert Henry

Bailey School of Music Concert Programs

Make this Valentine's Day extra special with an afternoon performance by KSU faculty pianist, Robert Henry. Dr. Henry is an internationally distinguished pianist who regularly performs throughout the world as orchestral soloist, recitalist, chamber musician, and recording artist. Since winning first prize in four international piano competitions, he has presented solo debuts at Carnegie Hall, the Kennedy Center, and Wigmore Hall. The Washington Post praised Dr. Henry's "dazzling ability to turn the percussion instrument into a sonorous orchestra… stratospheric sounds… rumbling earthiness… [with] colorful, virtuosic, sensitive playing…" Watch live from the comfort of home via ArtsKSU Virtual.

The Blueprint: #Blackinthearts, Melody Bearden, Asa Bradley, Dajon Carter, Colin Gregoire, Kaelan Harris-Patrick, Scott Lozier, Justice Michael, Christopher Nguyen, Auriyan Tillman, Ezra Trotman, Tyrone Jackson, Piper Johnson, Kenadee Knight, Jada Thomas, Ra'mya Aikens, David Burroughs, Amani Clanton, Amaris Johnson, Nakia Lambert, Alexis Martin, Eileen Moyo, Brooklyn Norrington, Tyler Vanduvall, Paige Ealy, Camille Core, Mikaela Fraser, Nicholas Gillomen, Jaden Akins, Jessica Bell, Lauryn Davis, Sydnee Goode

Bailey School of Music Concert Programs

The Black Musicians Coalition is pleased to present The Blueprint: #blackinthearts, an interdisciplinary Black History celebration that incorporates new and old aspects of Black art and the impact that it has on current music and art styles. The production features an original arrangement of the Black National Anthem and multiple choreographed dance numbers all by KSU students as well as performances by KSU SOM faculty member Tyrone Jackson. This event is brought together by a collaboration of student leaders from each school in the College of the Arts: Music, Theater, Dance and Visual Arts. The acts highlight the students’ contributions …

Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk

Bailey School of Music Concert Programs

Performances featuring Jazz Ensemble I led by Director of Jazz Studies Sam Skelton and Jazz Ensemble II led by Wes Funderburk, Artist-in-Residence in Jazz Studies and Jazz Trombone.

Jazz I & Ii Ensembles, Sam Skelton, Wes Funderburk

Bailey School of Music Concert Programs

Performances featuring Jazz Ensemble I led by Director of Jazz Studies Sam Skelton and Jazz Ensemble II led by Wes Funderburk, Artist-in-Residence in Jazz Studies and Jazz Trombone.

Collage Concert 2021, Sherri N. Barrett, Sam Skelton, John Lawless, Andrew Berry, John Warren, Charae Krueger, Robert Henry, Molly Jennings, Lauryn Davis, Judith Cole, Melody Bearden, Scott Lozier, Dajon Carter, Colin Gregoire, Tryone Jackson, Trey Wright, Brenda Brent, Helen Kim

Bailey School of Music Concert Programs

An exciting highlight of each season, Collage is the signature annual production of the School of Music. All proceeds and donations support student scholarships. This unique production features over 200 student and faculty performers. The featured highlighted ensembles include jazz, orchestra, choir, band, percussion, opera, chamber groups, and much more. This year, Collage is free and you may live-stream the event from the comfort of your home.

The Making Of An Avant-Gardist: A Study Of Rafael Aponte-Ledée’S Early Life And Works (1957–1966), Noel Torres-Rivera

Dissertations, Theses, and Capstone Projects

This dissertation explores the interconnectedness of political and musical discourses in Latin America by examining the formative years of Puerto Rican composer Rafael Aponte-Ledée (b. 1938), a leading figure in the Puerto Rican avant-garde movement in the late 1960s. Through extensive archival research, oral history, and qualitative field work, I analyze his time as a student at the Real Conservatorio Superior de Música de Madrid (1957-1964) and at the Centro Latinoamericano de Altos Estudios Musicales del Instituto Torcuato Di Tella in Buenos Aires (1965-1966). With this, I address the intricate network of musical works, events, mentors, institutional discourses, textbooks, technologies, …

The American Symphony Orchestra Today: Problems In Community, Diversity, And Representation, Hilary Slade Jansen

Dissertations, Theses, and Capstone Projects

This dissertation examines the symphony orchestra and its socio-political context in the United States. Using three orchestral case studies—the Los Angeles Philharmonic, the Philadelphia Orchestra, and Venezuela’s El Sistema—I examine the ways in which American symphony orchestras have responded both today and in the past to the public and academic discourse around social inclusion. Interweaving musicology, sociology, urban anthropology, cultural studies, education, economics, ethnomusicology, economics, data from grant-giving institutions, and from symphony orchestras themselves, I seek to situate the wider discourse on social justice in the arts (which has, until recently, lived largely outside of academia) within a musicological …

Extracting Theory From Practice: A Computational Analysis Of The Persian Radif, Sepideh Shafiei

Dissertations, Theses, and Capstone Projects

This dissertation studies radif, the repertoire/system of Persian classical music, by developing a framework for computational research on vocal music performance. The radif consists of seven dastgāhs and five āvāzes (secondary dastgāhs). Each dastgāh consists of several pieces (gushes). Throughout this research, I draw on three areas of knowledge to study each subject: the historical aspects, the current theories, and the practice. When possible, I attempt to bridge the gap between theory and practice by extracting the relevant information from practice. To this end, I use and modify existing computational methods for analyzing audio and symbolic data. The main subjects …

Emulating The "Country Fiddler": A Performance Analysis Of Fiddle Parodies And Impressions In Charles Ives's Second Violin Sonata, Emily Vold Weiss

Dissertations, Theses, and Capstone Projects

In his violin sonatas, Charles Ives frequently parodies fiddling style, both through overt quotes of fiddle tunes, as well as inventive compositional devices that mimic the fiddler’s style of bowing, ornamenting a melody, or generally rustic performance. Given the breadth of these fiddling allusions, it is important that violinists who perform Ives’s sonatas understand the distinctive aesthetics of fiddle performance, including the numerous ways in which it diverges from classical performance. In this dissertation, I survey pedagogical writings on fiddling, notated tunes, and recorded fiddling performances in an effort to characterize the performance practices of fiddlers from Ives’s native New …

New Chinese Music In New York City: From Revival To Musical Transnationalism, Serena Yiai Wang

Dissertations, Theses, and Capstone Projects

The Pulitzer Prize (2011, Zhou Long’s Madame White Snake), a Metropolitan opera commission (Tan Dun’s The First Emperor, premiered 2006), and the Ives Living Award (Chen Yi, 2001) are just some of the high-profile awards and commission bestowed upon Chinese émigré composers who have studied and built their professional reputation in New York City. The works of Chinese composers constitute what I call “new Chinese music,” which I argue has played a defining role in New York City’s cultural landscape and in the development of Western art music in general. The influence of Chinese composers and their works …

The Singing Self: An Exploration Of Vocality And Selfhood In Contemporary Vocal Practice, Emily C. Eagen

Dissertations, Theses, and Capstone Projects

Every vocal training technique relies on understandings of how a singer’s “voice,” both literal and metaphorical, participates in the act of interpreting the works of composers. Western classical singing, as codified by the early twentieth century, typically puts the singer in the role of the “medium” or “channel” for the composer. Later twentieth-century reactions promised liberation from the composer’s “voice” with a validation of the singer’s “authentic” or “natural” voice. This dissertation questions both sides of this binary and asks: what alternative models are possible? This work is in three parts. The first section provides an overview of pedagogical constructions …

The Alphorn In North America: “Blown Yodeling” Within A Transnational Community, Maureen E. Kelly

Theses and Dissertations

Musicians in North America have adopted the alphorn as a tool that builds community, enhances musical training, and interprets the Swiss tradition for a new generation. Meaningful combinations of experiences and identities combine to create a robust relationship and kinship among alphorn players in an intentionally international community.

Death Of The Composer: How Mahler’S Preoccupation With Death Reveals Itself In His Orchestral Works, Reid Cox

Musicology and Ethnomusicology: Student Scholarship

Gustav Mahler is a man of juxtapositions, and it shows in his compositions. Between the deaths of his siblings, his parents, eldest daughter, and a fatal heart condition, Mahler was surrounded by ideas and the possibility of death. This likely motivated many of his works, with pieces such as Das Lied von der Erde ending with Mahler confronting his own mortality. Throughout these works, death is treated differently, for example, in the Fourth Symphony, Death is personified and is presented as a solo fiddle. However, many of these pieces end with a hopeful note, such as in the Second Symphony …

Undergraduate Catalog Of Studies, 2020-2021, University Of Arkansas, Fayetteville

Undergraduate Catalog of Studies

No abstract provided.

Trail Trax 2.020: Tracking The Electoral Soundscape, Dana Gorzelany-Mostak

College of Arts and Sciences

Trax on the Trail is a Georgia College-sponsored website devoted to the study of American presidential campaign music. The interdisciplinary team that I assembled for this project includes students as well as academic experts from the fields of political science, musicology, sociology, history, media studies, and ethnomusicology, across the U.S. and Canada. Committed to the ethos of public history, the Trax on the Trailteam develops accessible scholarship on the subject of music and elections.

I have supervised the publication of over forty essays and podcasts, collaborated with the Rock & Roll Hall of Fame and the Clinton Presidential Library …

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

Open Listener: Cross-Cultural Experience And Identity In American Music, Dr. Heeseung Lee, Dr. Jittapim Yamprai

Open Textbooks & Reviews

No abstract provided.

Examining The Neoclassicism In Ravel’S Composition: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This article mainly analyzes the neoclassicism in Ravel's works to have a deeper understanding of Ravel. The first part of this article will discuss the definition of neoclassicism and roughly analyze the elements of neoclassicism in other arts, such as architecture and painting. Ravel's works include neoclassical elements. The third part carefully analyzes which parts of the score reflect neoclassicism and explains the reasons in detail.

How Music Theory Sequencing Can Improve Classroom Management And Attention Issues In Beginner Students' Piano Lessons, Greta Dilyte

Musicology and Ethnomusicology: Student Scholarship

This research has been inspired by an observation of the different music-theoretical concepts and their sequencing in different piano methods. After working in three different countries as a piano teacher I wanted to explore differences and similarities as well as improve my lesson engagement level by beginning students, which is admittedly the most complicated level to teach mainly due to the focus maintenance issues. This is the evidence of my preliminary research which can be used and explored by any piano teacher who is interested in incorporating music theory concepts in their classroom, to help with attention issues, more all-rounded …

Focal Dystonia: Roads To Rehabilitation Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

A look into the different pathways of rehabilitation of musicians of developed focal dystonia in terms of different types of treatment and ways to cope with the condition.

The Unfaithful Bride: A Musical Exploration Of The Jewish Prayer Modes And Comparable Modern Instrumentation, Claire Smith

Mahurin Honors College Capstone Experience/Thesis Projects

The Unfaithful Bride is a piece of Western art music written with the intent of acclimating westernized ears to the sonic landscape of Judaism, while simultaneously exploring a difficult and allegorical passage of Scripture that intersects with the composer’s religious traditions. The primary objective, however, was to create a beautiful work of art. To create this work, research on Jewish music (specifically on the ancient liturgical modes) was utilized to both inform and inspire.

Once the text was selected and analyzed, composition began, and rhythmic values and a prayer mode were assigned to each movement. Melodic materials were written at …

2021 Spring And Winter - Schedule Of Classes, Office Of The Registrar, East Tennessee State University

Registration Resources

No abstract provided.

Graduate Catalog Of Studies, 2020-2021, University Of Arkansas, Fayetteville

Graduate School Catalog of Studies

No abstract provided.

A Comparison Between Preschool Teachers’ Read-Aloud Techniques With Fictional And Informational Picture Books In Small Groups, Ariel Robinson

Reading Horizons: A Journal of Literacy and Language Arts

Relatively little is known about preschool teachers’ read-aloud techniques with informational picture books. The purpose of this investigation was to identify similarities and differences between preschool teachers’ read-aloud techniques with fictional stories, which are commonly read in preschool, and informational texts. Instrumental case study and purposive sampling were employed to investigate the reading techniques of two White female teachers in one preschool classroom as they read in small groups with children two-and-a-half to five years old. In terms of similarities across genres, teachers made personal connections, prompted children to interpret pictures, used multimodal instruction, and differentiated instruction. In terms of …

Articulating Race And Nation In Brazilian Popular Song, James Mcnally

World Music Textbook

This article presents a cultural history of Brazilian popular song (canção popular) and the many musical genres that fall under its umbrella. From the early days of samba to contemporary popular styles, popular song in Brazil has long represented a site for negotiating complex questions of race, nation, and politics.