Digital Commons Network^™

A North Korean Diasporic Community Of Performers, Sunhong Kim

International Programs

The purpose of this study is exploring music’s role to a North Korean diasporic community.

Social Power Of Jazz Festivals, Olga Bekenshtein

LSU New Orleans Theses and Dissertations

Jazz festivals occur in all parts of the world, small cities and metropolises, urban and rural landscapes, stadiums, churches, streets, and abandoned factories. Being a part of the entertainment industry, they have the potential to impact social change. Jazz festivals help us reconsider notions of identity and community, and their communal experience has the potential to undermine dominant social norms. The industry of jazz festivals is based on Black music and has a history of positive and negative social outcomes. Evaluating festivals through the symbolic meaning of music provides an optic into how festivals marginalize and exploit African American cultural …

Supporting Primary Source Instruction In The Undergraduate Classroom At Bowling Green State University: Summary Findings, Michelle Sweetser, David Lewis, Stefanie Hunker, Colleen Boff

University Libraries Faculty Publications

This report presents the findings and recommendations of research conducted as a part of a study on Teaching with Primary Sources at Bowling Green State University (BGSU) during the Fall 2019 semester. It is worthy to note that this research project was conducted prior to the COVID outbreak. Along with a cohort of over two dozen institutions as part of a national study coordinated by Ithaka S+R, members of the BGSU library faculty conducted this local study with faculty who teach undergraduates with primary sources in the classroom. This report draws only on interviews conducted at BGSU.

After describing the …

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

Consequential Saints: A Preliminary Study Of Jazz And Religion In New Orleans, David Baker

Dissertations

The moral ecosystem of New Orleans at the beginning of the twentieth century offers a unique opportunity for jazz to function and be observed beyond positivist definitions of music. The common narrative often cites religion and morality as peripherally influencing factors in the development of jazz but frequently disregards the impact of New Orleans’ atypical religious milieu and its influence on local culture. While recent research exists that studies the nuanced role of identity, phenomenology, and culture in shaping early jazz, the influence of New Orleans’ unusual form of morality and religion is subsequently ignored. Understanding the birth of jazz …

A Critique Of Nelson Goodman’S Aesthetics: Music As Process, William S. Gilbert

PANDION: The Osprey Journal of Research and Ideas

This essay seeks to provide a space to argue for music as both a process and memory as a counter to Nelson Goodman who argues for score as the fundamental means of identifying a piece of music. This paper builds off the work done by So Jeong Park in her piece, ‘Sound and Notation: Comparative Study on Musical Ontology’ in which she outlines an argument for calling attention to thinking about music as experienced over focusing on Platonic forms. She specifically focuses on the question, “what is music?'' rather than “what is a musical score”? Her question was intended to …

Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino

Backstage Pass

No abstract provided.

Passing The Baton From Detroit To Berlin: Techno’S Introduction To The Global Scene, Rebekah M. Thomas

Backstage Pass

Podcast describing the history and cultural impact of the techno music trend in the 1980s and 1990s.

“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow

Backstage Pass

This essay examines how, in the male-dominated structures of the popular music industry, narratives about women have been marginalized, ignored, and undervalued. The female singer-songwriter, my research suggests, is, by definition, a contradiction and subversion of traditional gender roles, and this position has been claimed by female musicians as a form of rebellion and resistance. In the scope of my research, I focus on how female pop artists have embraced songwriting as a medium for authentic self-expression, and how these narratives have been embraced as autoethnographies that represent the collective experiences and frustrations of women in a patriarchal social landscape. …

Current Efforts In Sustaining Peranakan Chinese Music In Melaka, Zin Guan Goh

Student Works (2020-2029)

Peranakan Chinese (Straits-born Chinese) music such as dondang sayang may not be a familiar folk music to the modernized Malaysian community, however, there are associations and organisations that thrived on to sustain the musical culture in Melaka. In the advanced influence of popular culture and modernity, efforts of sustaining local culture and Peranakan Chinese music becomes more challenging. Thus, this study aims to investigate the various efforts put on in sustaining the musical culture and its consequences in terms of authenticity in present Melaka. The past literatures reveal scholarship on Peranakan Chinese music in Malaysia came to a halt in …

Agency And Contemporary Recording Production, Eliot Bates

Publications and Research

Recording production is a complex, multistep, typically collaborative process that entails a shifting set of individuals inhabiting changing roles within spaces that house consider­ able amounts of specialized technology. As these roles and technologies feature promi­ nently in the aesthetics of Anglophone and Francophone popular music, they have been studied within such milieus for the longest period. This scholarship tends to understand the creative act as either the result of a prominent individual or something determined by the technologies used within studios. However, recent ethnomusicological scholarship has shown it is much more difficult to clearly situate agency within recording production, …

Place-Making Through Performance: Spoken Word Poetry And The Reclamation Of “Chocolate City”, Tiffany Marquise Jones

Theses and Dissertations

Predominantly situated in an area formerly known as Black Broadway, my research is based on long-term immersion in the District’s network of Spoken Word poetry and poets. Specifically, I focus on two key sites that offer contrasting depictions of open mic culture: Busboys and Poets, a D.C.-based chain located in several well-known neighborhoods undergoing gentrification, and SpitDat D.C., a grassroots (and often displaced) movement known as the area’s longest running open mic series. At these venues, many artists – especially native and long-term residents of the area – illustrate the Black experience along with a fascinating correlation between place, performer, …

Krithi: Cows At The Beach: Improvising Carnatic-Jazz, Toby Wren, Suresh Vaidyanathan

Staff Scholarship - Australia & Dubai

Intercultural creative practice is a topic that has attracted a lot of recent scholarly attention. As improvising musicians from very different cultures and traditions, we decided to analyse a recent collaborative performance that we were involved in to unpack the ways that we were interacting through music. As performers, we were interested primarily in the ways that such an analysis would help us to work more effectively in intercultural situations, but we also wanted to understand the synergies and dissonances that exist between improvising cultures more broadly. For the essay we adopt the musical form of a krithi, a …

Williams, Michael Ann (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and interview transcriptions for Folklife Archives Project 459. Interviews related to Sarah Gertrude Knott and the National Folk Festival conducted by Michael Ann Williams and Hillary Glatt as part of a joint project for the Kentucky Oral History Commission and Western Kentucky University. The audio interviews did not come with this collection. Interview transcriptions may be accessed by clicking on the "Download" button to the right and then clicking on the hyperlinks in the finding aid.

Empire’S Informal Ties: Pioneer Anthropologists In Davao, 1904–1916, Patricia Irene; Dacudao

Philippine Studies: Historical and Ethnographic Viewpoints

The five Americans who studied the indigenous Bagobo people in Davao from 1904 to 1916 did not adhere to the evolutionary anthropology championed by colonial administrator Dean Worcester. Their fieldwork, being either mostly self-supported or through the privately funded Field Museum of Natural History, was also financially independent of the government. Thisarticle studies their personal, academic, and professional quests in the context of museum collections, party politics, and changes in the discipline of anthropology. The circumstances of their visits and subsequent publications on Davao show that these pioneers pursued anthropology with a different direction, away from state stereotypes and imperial …

Agape, Justice, And Law: How Might Christian Love Shape Law (Book Review), Ben Gibson

Pro Rege

Reviewed Title: Agape, Justice, and Law: How Might Christian Love Shape Law edited by Robert F. Cochran and Zachary R. Calo. Cambridge: Cambridge University Press, 2017. 334 pp. ISBN: 978131662690.

'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk, Wendy Tronrud

Dissertations, Theses, and Capstone Projects

Emily Dickinson and her poetry have famously been used as a defining example of American lyric poetry. The traditional scholarly perspective maintains that the lyric poem and its speaker exist in isolation and at a remove from social and political contexts. Recent scholarship on American poetry of the long nineteenth century, however, has taken a more historical and cultural turn, reconsidering how poetic and vernacular forms and genres circulated both privately and publicly. “Odd Secrets of the Line”: Emily Dickinson and the Uses of Folk joins this conversation by theorizing how Dickinson’s poetry, written during the 1859-1865 period, registers the …

Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier

Dissertations, Theses, and Capstone Projects

This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions about the …

Vol. 43 No. 1 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 43 No. 1 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 43, No 1-Jun 2020 edition of the Pacific Studies Journal.

Singing The Congregation: How Contemporary Worship Music Forms Evangelical Community (Book Review), John Macinnis

Pro Rege

This review is published with permission of inallthings.org, a project of the Andreas Center at Dordt University, where it was published Dec. 18, 2019.

“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar

Dissertations, Theses, and Capstone Projects

This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …

The Life And Death Of Mambo: Culture And Consumption In New York's Salsa Dance Scene, Carmela Muzio Dormani

Dissertations, Theses, and Capstone Projects

In recent decades salsa dancing has become a global phenomenon, spawning a variety of styles and levels. Although formerly passed from person to person through Latinx family and community networks, salsa dance has long been practiced in a more codified way. Today, salsa is largely reproduced in dance studio classes, congresses, and competitions collectively referred to as “the salsa scene”. In New York City, the salsa scene retains vestiges of Nuyorican and Afro-Caribbean identity, though it is practiced by people of all racial and ethnic backgrounds and marketed to a global base. Building on long term participation observation and nearly …

The Digital Age And Its Transformations, Raul Pertierra

Social Transformations Journal of the Global South

This paper explores the significance of digital technology in the contemporary world. After briefly discussing the effects of earlier technologies on everyday life, the paper assesses the consequences of interacting in a world where virtuality and simulacra often replace the real. Anthropology as a discipline is particularly effective in describing the changes experienced in a rapidly transforming social world.

Songs And The Soil, Mark Garry, Louise Reddy

Books/Book Chapters

Published in conjuction with an exhibition. The exhibition engages with the subjects of landscape and music/sound—exploring each element from historical, social and culturally associative perspectives; where landscape is recognised as a fluid term articulating physical space, idealised space and social space that reflects a convergence of physical processes and cultural meaning, and where song act as a response to, or archive, of personal, historical or socio-political instances. Several works engage landscape and musical sound intersect. The exhibition integrates a broad range of media,positions and responses to these research subjects; including two film works, a six-hour soundtrack for a room, sonic …

Time Machine Research And Approach, Tarek Bouraque

Theses and Dissertations

Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.

Community Music Therapy For Marginalized Middle School Students, Karen J Mathews

Expressive Therapies Capstone Theses

Abstract

Community Music Therapy has been a recent development in the field of Music Therapy. Community Music Therapy occurs at the intersection of traditional Music Therapy and Community Music. Community Music Therapy incorporates principles of psychology, sociology, and ecology. Studies indicate that goals of self-efficacy, voice, social justice, and group cohesion are well met through the use of Community Music Therapy. This paper explores a project using Community Music Therapy with a group of self-selected middle school students in addressing concerns and emotions around equity, diversity, and inclusion. The results of this project demonstrated that Community Music Therapy is an …

Exploring Moroccan Music Through Experiential Learning, Tai Knoll

Honors Projects

As a music educator, I value a comprehensive and well-rounded music education that is inclusive and dynamic – an education that introduces students to the global world they live in and fosters compassion and understanding of cultures different from their own. However, I did not fully understand how I could provide that for my students and how to do so in a respectful and appropriate way that did not other or appropriate the culture I was attempting to honor. That desire to learn more about teaching world musics and representation in the classroom drove me to pursue answers through the …

Argo Ergo Sum - I Perform, Therefore I Am: An Art-Based Community Engagement Project, Emily Eckel

Expressive Therapies Capstone Theses

This community engagement project set out to explore how the musicianship identity impacts a musician’s overall sense of self through participation in a mental health focused community orchestra. Currently, in the field of music therapy there is little emphasis on using orchestral music in active music making or connections between music and musicianship identity. This researcher combined the theories of community music therapy and resource-oriented music therapy to develop approaches to this investigation. Phase one consisted of researcher journaling and visual art making prior to and following orchestra rehearsals and one concert. Phase two consisted of a group mandala with …

How Choreometrics Reflects Self-Identity And Self-Concept Through Cultural Dance: A Developing Method, Naowarat Buddee

Expressive Therapies Capstone Theses

Abstract

This arts-based autoethnography research aims to analyze the researcher’s personal reflections of cultural embodied experiences through the connection of Thai cultural dance movements, cultural patterns, and expressive behaviors in Thai cultural contexts. These also reflected the researcher’s personal-identity and self-concept. As cultural dance has impacts on social structures and human behaviors both physically and psychologically in social interactions throughout the developmental lifespan, the researcher was inspired by the concept of Choreometrics to look closely at personal dance experiences in relation to Thai culture. This autoethnography is a case study of the researcher who identifies as Thai and reflects her …