Digital Commons Network^™

Toward A Theory Of The Arts And Sustainability, Nancy Bertaux

Journal of Management for Global Sustainability

To make real progress on what can only be classified as environmental emergencies, we need a wide base of public consensus for action given that public motivation and involvement is a prerequisite for policymakers to implement what our scientists urge us to do. In this light, crucial thresholds of public motivation and involvement can be created by reaching into the hearts of individuals, an area of competitive advantage for the arts. Efforts to enhance understanding in this arena, however, must incorporate sufficient complexity given highly complex and inter-related challenges in sustainability. This article thus presents a theoretical framework for the …

Review Of The Song Collector By Erik Koto, Anna Morcom

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

Rodion Shchedrin's Five Concertos For Orchestra: Expressing Ensemble Virtuosity, Nadezda Potemkina

Electronic Theses and Dissertations Archive

This dissertation introduces the work of Russian composer Rodion Shchedrin (b. 1932), and examines his approach to the genre of concerto for orchestra. Chapter one provides a brief survey of the current state of research on concertos for orchestra, as well as the composer's biography, and an overview of his compositional style. Chapter two focuses on the 1960s, the period when the first two concertos were written. It begins with an outline of the cultural and political climate that might have influenced the two pieces, and proceeds with the analysis of the Concerto for Orcehstra no. 1, the most popular …

Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou

Présence Francophone: Revue internationale de langue et de littérature

Immigration is a reality which touches primarily the young in most country. This phenomenon must be undressed of its blaming considerations, in view of its incommensurable contribution in the development of many countries. If the United States of America arrived at the legalization of immigration, by instituting a lottery called “lottery visa”, it is that they are conscious of the benefit that this phenomenon can bring to their nation. Moreover, the United States is a nation built on the bases of the immigration to which they owe their power today. They are numerous these young people who set off to …

Vol. 40 No. 3 (2017): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 40, No 3-Dec 2017 edition of the Pacific Studies Journal.

Vol. 40 No. 3 (2017): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Um Professor Lectures On African Music At University Of Georgia, Anna Herd

University of Mississippi News

George Dor invited as fall speaker for the Institute for African Studies

A Glance At Astor Piazzolla's Histoire Du Tango: Lecture Recital, Elizabeth Ritter

Honors Projects

This project is a lecture recital including the performance of four musical works from different countries as well as a lecture Astor Piazzolla's Histoire Du Tango. The four pieces performed in this recital were Eldin Burton's Sonatina for flute and piano, the first movement of Astor Piazzolla's Histoire Du Tango, Hirota's Shikararete, and Bela Bartok's Romanian Folk Dances for piccolo and piano. Before performing the Piazzolla, there was a lecture which included the teaching of the musical aspects of the tango within this piece, a short biography of Piazzolla, and a historical look at the four movements of this piece. …

The "Missing Audience": A Query Into The Future Of The Orchestra And The Potential Benefits Of Bringing Live Classical Music To The Community Through Informal Performances, Natalie Wei-Ting Chang

LSU Doctoral Dissertations

In this dissertation, I discuss the traditional organizational model adopted by symphony orchestras in the United States as non-profit arts organizations that are struggling to maintain solvency within the current philanthropic, political, and digital contexts. As part of the discussion, I conduct field research within the local area of the city of Baton Rouge, Louisiana, in providing demonstrations of live and informal classical performance in various businesses and institutions while collecting data via surveys from willing adult participants (ages 18 and above) of all demographics, specifically lower income areas. The survey analysis gives important insights into public perception of symphony …

A Gift That Keeps Giving, University Of Dayton

News Releases

Future teachers, pastoral ministers and musicians in need of help to fund their University of Dayton educations will receive a boost thanks to a generous gift that will fund scholarships in those areas.

The anonymous donor's contribution establishes an endowed scholarship fund in honor of the Sisters of the Precious Blood, who are based in Dayton and many of whom received University of Dayton degrees in teacher education, pastoral ministry and music.

11-06-2017 La Charla Semanal Con El Centro, El Centro De La Raza

Newsletters

No abstract provided.

Haydn's "Creation," November 5, 2017, Glenn Block

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
November 5, 2017

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the …

José M. Maceda At 100, Arwin Q. Tan

Perspectives in the Arts and Humanities Asia

Excerpt: The U.P. Center for Ethnomusicology has dedicated an entire year—from January 31, 2017 to January 31, 2018—to celebrate the centenary of the birth of its founder, National Artist for Music Dr. José Montserrat Maceda. Recognized as one of the prime movers of ethnomusicology in Asia, Maceda’s lifelong work as philosopher, researcher, composer, and educator has been highly esteemed by ethnomusicologists, scholars, and artists from around the world. His particular interest in finding answers to questions regarding music led him to formulate philosophical perspectives and new theoretical constructs that addressed the structure and compositional concepts of western music, opening an …

Frightened By The Eagle; Recording Songs And Music From The Island Of Siberut, Mentawai Islands, Gerard A. Persoon, Reimar Schefold

Wacana, Journal of the Humanities of Indonesia

Singing is the most important element of the traditional music culture on Siberut, the largest of the Mentawai Islands (West Sumatra, Indonesia). There are various types of songs on the island. Some of them are related to the world of spirits and ancestors. These are mainly sung by shamans during healing ceremonies and rituals. Other songs are made up by men and women during their daily activities, when they are fishing out at sea or when they take a rest from collecting forest products. Various animals (birds, primates, reptiles) or natural forces (wind, thunder) provide inspiration for lyrics and melodies, …

Teaching, Natalie Zelensky

Colby Magazine

No abstract provided.

From North Korea To Catalonia: The Tenora, Suona And Jangsaenap, Nuria Bonet

School of Art, Design and Architecture

What do the Catalan tenora, the Chinese suona and the North Korean jangsaenap have in common? A comparison between these three double reed instruments might seem ludicrous at first, but they have intriguing similarities. I was first struck by the visual similarities between the bass keyed suona and the tenora, later discovering the shorter jangsaenap(see figure 1). Sonically, the three instruments are also remarkably similar: loud outdoor instruments with great lyrical potential. Why and how have such similar instruments developed in geographical locations as distant as Catalonia, and China and North Korea?

A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett

Charleston Library Conference

This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can …

Kaleidoscope⁶: 400 Students, 16 Ensembles, 75 Minutes, October 14, 2017, Lawrence University

Conservatory of Music Concert Programs

Fox Cities Performing Arts Center, Appleton, Wisconsin

Review: Fiddler's Dream: Old-Time, Swing, And Bluegrass Fiddling In Twentieth Century Missouri, Lee Bidgood

ETSU Faculty Works

No abstract provided.

Calundu's Winds Of Divination: Music And Black Religiosity In Eighteenth And Nineteenth-Century Minas Gerais, Brazil, Jonathon Grasse

Yale Journal of Music & Religion

Calundu was an African-derived religious practice known in colonial Brazil, most widely recognized in Minas Gerais during and following that region’s early eighteenth-century gold rush. Drumming, chant, and dance channeled healing and divinational powers brought about primarily through trance possession. Severely disrupted by Church intervention, descriptions of calundu found in Portuguese Inquisition testimony join the published observations by European travelers as windows into the social history of Minas Gerais, an important yet often overlooked cultural territory of Brazil. This region of gold, diamonds, and coffee formed one of the most intense, highly populated slave operations known in the Western Hemisphere. …

Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer

Yale Journal of Music & Religion

Drawing on fieldwork conducted in Cambodia and its diaspora since 2004, this article explores tensions that arise when individuals and institutions impose nation-state ideologies on music and ritual that predate the nation-state concept and transcend official state boundaries. In numerous contexts, musicians and dancers in Cambodia and Thailand perform offerings and blessings that honor their teachers and initiate artistic lineages. Due to broad influence from India and centuries of conflict and borrowing, these rituals—though not necessarily their musical content—have proliferated in these two countries. I describe these nearly identical rituals—called thvāy grū in Khmer and wai khruu in Thai—and their …

The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey

Yale Journal of Music & Religion

For the Afro-Brazilian musicians of popular Catholicism, or Congadeiros, who live precariously on the urban and rural margins of Brazil, ritual undergirds their struggles for subsistence, spiritual fulfillment, and racial equality. When Congadeiros create ritual, they enter into a tradition begun in the seventeenth century in Brazil by their enslaved African and Afro-descendant ancestors who intoned songs of redemption. In keeping with their ancestors’ evocations of dignity during slavery, worshipers in the present day embed multiple kinds of vested interests within ritual festivity to achieve racial equality. This article explores Congado, the ceremonies of these disenfranchised musicians, to …

Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile

Dissertations, Theses, and Capstone Projects

Over the past two decades, charter schools have become a hallmark of education reform in the United States. Concurrent with this movement is the increasing prominence of high stakes testing. While much research has sought to compare the effectiveness of charter schools and traditional public schools in terms of standardized assessments, scant attention has been paid to the role of arts and music in charter schools, and little has been done to distinguish the distinct strands of the charter school movement. Given what we know about the importance of music education and the growth of charter schools, it was the …

From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene

Dissertations, Theses, and Capstone Projects

Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …

Commentary: Wildlife Tourism As Crop Protection? Double-Goal Provisioning And The Transvaluation Of The Macaque In Postwar Japan, John Knight

Human–Wildlife Interactions

Human–wildlife interfaces are often sites of friction and conflict in the form of crop and livestock depredations that can lead to negative local attitudes towards the animals responsible. This paper examines the use of provisioning to reduce wildlife damage through diversion (‘diversionary feeding’) and to display the diverted animals for tourism. It focuses on a macaque (Macaca fuscata) provisioning initiative from the municipality of Ōita in western Japan that set out to achieve these two objectives of crop protection and tourism. Provisioning succeeded in establishing the macaques as a popular tourist attraction, but it has been far less …

Tidal Rhythms, September 24, 2017, Glenn Block

School of Music Programs

Center for the Performing Arts Concert Hall
September 24, 2017
Sunday Evening
7:00 p.m.

Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles

Sociology Faculty Articles and Research

Yesterday Renewal co-hosted an event with The Corbyn Effect at Momentum’s conference, The World Transformed, in Brighton. One of the speakers, Monique Charles, recently completed a PhD on grime music. In The Corbyn Effect she looks at the phenomenon of Grime for Corbyn, and we had coffee with her to talk about her work, Jeremy Corbyn, and the Labour Party.

Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1061. Paper titled “Iowa Fiddle Tunes” by Kathy Nau in which she writes about her project documenting fiddle tunes collected by Bill Hamilton of Winfield, Iowa. Includes annotated music for approximately 23 tunes.

Course Catalog 2017-18, Wellesley College

The Wellesley College Catalogs

No abstract provided.