Digital Commons Network^™

Senior Recital: Joseph S. Mcbrayer, Tenor, Joseph S. Mcbrayer, Brenda Brent

Bailey School of Music Concert Programs

This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Mr. McBrayer studies voice with Oral Moses.

Vol.42 N.20 December 11th 2014, Voice Media Ventures

Black Voice News

No abstract provided.

New Music Ensemble, Chapman New Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

The Diamond, December 11, 2014, Dordt College

Dordt Diamond

• Front Page: Students Rally to Raise Funds and Cut Hair; "Red Light, Green Light" Showing Held on Campus; Dordt Career Services Holds #25DaysofJobs
• News: Yik Yak App Evokes Mixed Responses; VanTol Meets Special Needs in Nicaragua; Digital Media Projects Hit the Big Screen; Vande Griend Gets Cheesy; Students of Dordt: Anya Kalsbeek; New Off-Campus Coordinator
• Opinion: Juan: Surface Tension; Narayan's Knowledge; The Kaiser Has Spoken; Jerusha Yerusha: Venting with Style
• Sports: Men's Basketball: Can They Make It Four?; Dordt Cross Country Performs at Nationals
• Arts and Entertainment: Dordt/Northwestern Student-Juried Art Show; Sound of Music Sing-A-Long Fundraiser; It's a Wonderful Life: …

“We Are Jamaicans. We Are Brothers”: History, Brotherhood, And Independence In Kerry Young’S Pao, Tzarina T. Prater

Anthurium: A Caribbean Studies Journal

Kerry Young’s first Novel, Pao, is written in the “voice” of a Chinese Jamaican, a voice that exhibits little if no syntactical or grammatical difference from those with whom he works and lives in the underworld of Chinatown in Kingston, Jamaica. Pao, our central protagonist, arrives to Jamaica in 1938, a time of tremendous social upheaval. The novel charts Pao’s growing political consciousness through his romantic relationships with: the “improper” black prostitute and madam, Gloria Campbell, who is the site of romantic love, and the “proper” Fay Wong, daughter of a grocery store chain owner and link to respectability. …

Towards “That Republic In Which Complexions Do Not Matter”: Derek Walcott’S Drums And Colours Fifty Years On, Harold N. Mcdermott

Anthurium: A Caribbean Studies Journal

Derek Walcott’s three hour pageant, Drums and Colours, commissioned to celebrate the inauguration of the West Indian Federation was first performed at the West Indian Festival, April 25 – May 1, 1958. Some feel that the nationalist and didactic thrust of this early drama blunted it value as art. It is, however, the opinion of this paper that this play provides one of the earliest conceptual maps for Walcott’s orchestration of key thematic occupations such as the quarrel with history, racial and cultural syncretism and the evolution of a distinctive West Indian theatre style. Fifty years after the breakup of …

December 10, 2014 Cal Poly Report, Public Affairs Office

Cal Poly Report

No abstract provided.

Occupy Wall Street, Mark Y. Herring

Dacus Library Faculty Publications

Perhaps someone can help me with this. Since the discovery of a library at the “Occupy Wall Street” site in New York, the library press has been nothing short of gaga. Like Neanderthals discovering fire, the library press has been all atwitter about the library, books, donations to same, and, of course, the destruction — OMG, no, please say it isn’t so! — of said library when the police moved in.

Xavier University Newswire, Xavier University (Cincinnati, Ohio)

All Xavier Student Newspapers

No abstract provided.

Pianist W. Terrence Spiller To Perform Jan 9. Benefit Recital At Cal Poly, Public Affairs Office

Press Releases

No abstract provided.

Senate Meeting, December 10, 2014, Academic Senate

Academic Senate Minutes

No abstract provided.

Senior Recital: Katie Riess, Trombone, Katie Riess, Mike Desousa, Mitchell Frey, Joseph Poole, Brandon Austin, Jason Kaplan, Brandon Boone, Brian Reid, Jonathan Pace

Bailey School of Music Concert Programs

This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Ms. Riess studies trombone with Wes Funderburk.

“I Can Take An Empty Space And Call It A Bare Stage”: Searching For A Through-Line In The Diverse Roles Of The Theatre Director, Bettina Mueller-Tuescher

Student Scholar Symposium Abstracts and Posters

While the director’s role in theatre is longstanding and well established, it is a position that can be approached from a variety of different angles, depending on the nature of the project. In an effort to discover and articulate a directorial philosophy that spans across my work, the first section of this thesis is a literature review discussing and analyzing the directorial beliefs, practices, and philosophies of two revolutionary directors in English-speaking theatre: Anne Bogart and Peter Brook. The second segment will be a reflection and analysis of my own performance as a director on three diverse projects in scale, …

Inside The Boudoir: Designing The World Of Lynn Nottage’Sintimate Apparel, Megan Parish

Student Scholar Symposium Abstracts and Posters

Scenic artistry and set decorating help build the world of a production and reinforce the themes woven into the plot of a script. For my project, I will be exploring the world of Lynn Nottage’s “Intimate Apparel.” This will include researching the historical context of the piece, which in this case is New York City at the turn of the century, alongside the role of the seamstress in society, in order to accurately convey the environment of this piece. Lynn Nottage’s piece is based in socioeconomic statuses, attitudes on race and femininity as well as women’s rights movements. Therefore, I …

Student Pianists In Recital, Leslie Jones, Tony Vallejo, Rachel Gossen, Tyler Johnson, Sarah Brown, Cole Jackson, Niki Black, Andrew Siles, Kimberly Levin, Varsenik Aslanyan, Mai Phuong Duong, Will Parker, Dahee Jung, Han-Na Jang, Brian Clemens, Bella Lucareli, Stephanie Caress, Sophia Bui, Ashley Shahbazi, Elliot Wulff

Printed Performance Programs (PDF Format)

No abstract provided.

Looking Again At James Currie's Inventory: The Other Side Of The Burns Correspondence, Patrick G. Scott, Joseph C. Durant

Faculty Publications

This article, based on editorial work in progress for the forthcoming Letters Addressed to Robert Burns, 1779-1796, briefly describes the larger project and then explores one of the major project sources, James Currie's inventory of the letters in Burns's possession at the time of his death, to show the range of his correspondence and how some of the brief inventory letter-summaries can be expanded by research. The article is based on a videorecorded presentation for Project Symposium no. 3: "Textual Landmarks," for the AHRC-funded project Editing Robert Burns for the 21st Century, Center for Robert Burns Studies, University of …

Stage Management Jobs And Qualifications, Sarah Stavich

Student Scholar Symposium Abstracts and Posters

As a theatre technology major with an emphasis in Stage Management I am interested in pursuing a carrier as a Stage Manager. However, I do not have a set company, place, or even type of production I would like to work for.

In this paper I will explore the qualifications and skills needed to be a professional Stage Manager for different types of productions. I will provide information about Stage Managers working on cruise ships, touring productions, music concerts, traditional theatrical productions, and non-traditional productions. I will research the certifications that are required and recommended for these positions, the experience …

Dreams Of A Motley Graduation Cap: A Proposal For Stand-Up Comedy In Higher Education, David Patterson

Student Scholar Symposium Abstracts and Posters

It is said that the most valuable tool an education at a liberal arts university is how it produces well rounded people with a better understanding of themselves and the world around them. To produce people not only aware of current issues, but with the toolbelt needed to assess them and shed new light. If this is true, then I propose that the goals of liberal arts university are synonymous with the goals of a comedian.

In this thesis, I mean to draw ties to the world of stand up comedy and within the world of liberal arts academia. I …

The Rape Of Blanche: An Examination Of Critical Analysis & Sexist Overtones, Audrey Thayer

Student Scholar Symposium Abstracts and Posters

The first people to ever listen to the words of A Streetcar Named Desire were two women, Margo Jones and Joanna Albus. Tennessee Williams read them an uncompleted first draft of the play. Margo Jones was “supportive of the play but urged him to rewrite it and to soften Blanche's hysteria. He listened, and ignored her” (Rader 199). The very first people who were privy to the violent, sensual, chaotic world of Blanche and Stanley were two women who found fault in Stella's character. They saw her hysteria, no doubt an unbecoming trait, as “far out,” or perhaps unbelievable. Much …

Kinetic Sculpture In Theatre And Live Entertainment, Francesca Muscolo

Student Scholar Symposium Abstracts and Posters

Technology dominates contemporary “theatre,” but the theatre is often the last industry to see innovations. Instead, the technical field operates on leftovers from entertainment, visual art, or industrial settings. The technological differences between these areas begin to blur; the differences lay only in their execution and intention. Some companies such as Cirque du Soliel, Diavolo, and Chunky Move blend technology and performance until the two become indivisible. This technology is being developed in an effort to lessen boundaries and create new opportunities that could not otherwise happen onstage.

Through this thesis I will develop a basic understanding of the machinery …

Walking In A Burnt Hole, Sophia Friedman

Student Scholar Symposium Abstracts and Posters

Holocaust stems from the Greek word “burnt hole,” but when the word Holocaust is mentioned today it refers to the rise of Nazi Germany in 1933 until the fall in 1945 (Skloot). More specifically, the Holocaust refers to the 11 million persecutions through concentration camps. The Holocaust is widely studied for various reasons, but the biggest reason is that “’we are seekers of understanding in the territory defined by those events” (Skloot 9). Through written work, such as poetry and plays, the Holocaust is brought to life in a more realistic way.

Through art we are able to connect to …

The Psychology Of Performance: A Growing Art, Shaina Hammer

Student Scholar Symposium Abstracts and Posters

Somehow, though Chapman University is relatively small, there is a great deal of distance between each of its academic fields; the actors don't know what the music building looks like, the musicians have no idea what the dramatists are up to, and no one has any idea where the dance classes are held. But not only do the students of Chapman University's College of Performing Arts not know one another, they don't understand one another. More than once I have encountered a student with the same self-confidence issue as another. Without a doubt, performance majors have a lot to talk …

Devising: Improving A Perceived Glistening Community!, Katie Laner

Student Scholar Symposium Abstracts and Posters

Theatre for social change has long relied on devising methods to create pieces reflecting current cultural and societal issues. Through exercises, games and workshops, theatre for social change devising practices are as distinct and numerous as the many different communities they work with. The leading pioneer, Augusto Boal, created Theatre of the Oppressed, which utilizes many kinds of practices meant to address local issues effecting a group of people who have suffered from repression or whose needs have been invisible from greater society.Since his initial groundbreaking theories and practices, many modern artists and groups have adapted and changed his methods …

“The Modern Performance Art Vs. Traditional Theatre: The Division Between The Contemporary And The Conventional”, Sally Woo

Student Scholar Symposium Abstracts and Posters

Performance art and theatre are both rooted in the same practices and ideas. Performance art is an art form that utilizes the human body as a tool for creating art. It has no boundaries and past performance pieces have proven that the options are limitless. The human body acts as a type of canvas in which the artist manipulates however they wish, whether it is on the body itself or the movement or placement. Theatre does the same thing, using people to tell stories that illuminate real life situations in a scripted and rehearsed manner. However, while theatre has become …

Understanding Theatre And Its Social Implications In A Modern Context, Sara Curtis

Student Scholar Symposium Abstracts and Posters

Theatre has been fighting for a proper place in society since its inception in Ancient Greece. Although the ancient civilizations of the western world adored theatre and incorporated it into their daily lives, in later years it struggled to find acceptance. Theaters and theatre professionals often received blame for the spread of disease and rises in miscreant behavior. This yoyo-like trend between acceptance and ostracism continued throughout the ages as theatre and the encompassing societies evolved and changed. Thusly, the theatre has always been a point of contention and discussion. Even to this day, critics and scholars alike theorize and …

Arts For Instigating Social Change: Truth Behind The Sinking Of The Mv Sewol, Ivy Kwon

Student Scholar Symposium Abstracts and Posters

Art appeals to the audience by delivering a message that results in a social change. Regardless of which form it is, it is the “means [by] which a society reminds itself of the stories it wants to remember.” The year of 2014 has seen a series of unexpected accidents worldwide that used arts to incite an issue. For instance, there was a tragic accident in South Korea that resulted sinking a ferry that carried 476 people. Among them were 300 high school students that were on their way to the field trip. From this accident, there were nearly 300 lives …

Staging Style: The Deconstruction And Reconstruction Of Theatrical Style, Peyton Ashby

Student Scholar Symposium Abstracts and Posters

Style. The term itself is used in a plethora of mediums and subjects. When speaking of a painter's style, like Monet, it is describing the technique used and own individualized ways of creating his painting. But what does this term mean in Theatre? The first thing that comes to mind is less of a clear definition of what "style" is, but rather what springs to mind are examples of style. Abstract or Realism are all familiar terms when style is mentioned, but there are many others, and just what exactly is style and how does it affect a piece of …

Mind+Body: An Ethnodrama About Adolescent And Young Adult Oncology, Jake Russell Thompson

Student Scholar Symposium Abstracts and Posters

The first thing many people think of as a “cancer patient” tends to be an elderly person, or perhaps a child too young to understand what’s happening — pink ribbons and fundraising walks, weak and feeble bodies too sick and delicate to function. These notions of a “quintessential cancer patient” are both limiting in their scope of what the disease actually is, and isolating to younger people going through it. For people who don’t fit this predetermined idea of the psychological, physical, and emotional development of a cancer patient (specifically, the seventeen to thirty-five age range), isolation becomes another side …

Exploring Unusual Post-Graduate Careers In The Arts, Caroline Hawkins

Student Scholar Symposium Abstracts and Posters

Post-graduation job searching arrives too quickly in most college seniors’ lives, and many of us find ourselves unprepared when the time comes to actually find a career we want to commit to for an extended period of time. To commence this daunting quest, I have decided to explore a few alternative possibilities and options for professions that are related to my passions of theatre and music, but that are a bit more unorthodox, unexpected, and “outside the box.” To aid me in my search, I will communicate with several professional experts in their fields, gaining skilled and experienced opinions. In …

Let Them Make Art: Why Unified Arts Festivals Are Beneficial For Independent Artists, Anton Gress

Student Scholar Symposium Abstracts and Posters

Artistic disciplines typically have two markets: corporate, and independent (mainstream and underground, if you will). The corporate market accounts for a small fraction of all artists and reaches the largest audience, while the independent market accounts for the vast majority of working artists, yet remains niche. The issue is marketing. Even the most successful independent artists cannot match the selling power of large companies. This project seeks to illustrate the potential of unified arts festivals to facilitate greater audience exposure for independent artists, and how this may benefit the artistic community.

The arts communities at Chapman University have a similar …