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Let The Music Play

News Releases

No abstract provided.

Traditional Irish Music In New Jersey And New York, Peter L. Ford, Lawrence E. Mccullough

Studies on the Irish-American Experience in New Jersey and New York

No abstract provided.

Art Imitating Life: How Heteronormative Values Shape And Encourage The Censorship Of Jamaican Dancehall Music, Aleia Walker

Open Access Theses

In 2009, increasingly violent and sexually explicit lyrics led the Broadcasting Commission of Jamaica to issue directives severely censoring the broadcasting of dancehall music on radio and television. Dancehall music, a descendant of reggae, serves as a cathartic release for the working-class in Jamaica with lyrics and dances that focus on achieving primal pleasures. Since entering mainstream society, dancehall has been unappreciated by those outside of its following. This thesis seeks to understand the purpose of the offensive lyrics and the subsequent need for censorship by combining various gender theories with the analysis of lyrics, media, government documents, historical contentions …

“We Found Ourselves”—Music And Identity Among The Chinese American Diaspora In Miami, Yiyu Zhang

Open Access Theses

Chinese American communities have been part of the United States since the 19th century. Presently, their high rates of immigration have made them one of this country’s fastest growing communities. However, in Miami, only 0.3% of the population are Chinese Americans. In this local setting, music serves, in the words of Su Zheng, as an important “signifier that produces complex cultural meanings.” Because traditional music forms one of the most significant aspects of music in China, it is critical to explore the extent to which Chinese American musical culture has developed and changed. This thesis discusses the function of Chinese …

Every Town Is All The Same When You've Left Your Heart In The Portland Rain: Representations Of Portland Place And Local Identity In Portland Popular Lyrics, Meghan Andrea Kearney

Dissertations and Theses

This study looks at how place and local identity of Portland are described within music lyrics from Portland, Oregon popular indie-rock artists. Employing a constant comparative analysis on a set of 1,201 songs from 21 different popular Portland indie-rock artists, the themes of landscapes and climate were found to represent place, and themes of lifestyles and attitudes represented local identity. Reviewing the uncovered themes showed a strong connection between representations of place and local identity within lyrics and common stereotypes or understandings of the city of Portland and its indie-rock music scene. The results of this study illustrate how place …

The Piano Music Of Jose Montserrat Maceda, Frances Alfaras Niduaza

Electronic Theses and Dissertations Archive

The obscurity of Maceda's piano works led to this study; ergo this will contribute to their understanding and significance. His "Two Pianos, Four Winds," composed in 1996 for clarinet, bassoon, horn, trombone, and two pianos, will be the focus of this study. His other piano works, "Music for Five Pianos," (1994), "Music for Two Pianos and Four Percussions," (2000), and "Sujeichon - A Korean Court Music for Four Pianos," (2002), will be briefly discussed. In order to fully comprehend the conceptual framework of his compositions, one has to be cognizant of his discourse, i.e., the influences of Western European avant-garde, …

Mets: Flexibility V. Interoperability, Katherine N. Ralson

Library Philosophy and Practice (e-journal)

This paper examines whether projects making use of the METS metadata schema do so due to its flexibility or its interoperability. Projects listed in the METS Implementation Registry of the Library of Congress METS Official Web Site, as well as selected case studies are analyzed for the reason METS was used in their projects. Data gathered from these sources is consolidated and further analyzed using cluster analysis in order to answer the research questions: 1) Can it be said that METS is being selected for projects based primarily on one of two criteria: its flexibility or its interoperability?” And if …

Marshall University Music Department Presents A Senior Recital, Jason Arnoldt, Saxophone, Jason Arnoldt

All Performances

No abstract provided.

Arkansas Catalyst, December 2013, University Of Arkansas, Fayetteville

Arkansas Catalyst

No abstract provided.

Folk/Traditional Music Of West Virginia Arranged For Classical Guitar Ensemble, Júlio Ribeiro Alves

Music Faculty Research

My motivation for writing this book grew from my desire to better understand the people and the music heritage of West Virginia and to share the findings of my experience, with the guitar community, in the form of guitar ensemble arrangements.

Elements Of Traditional Folk Music And Serialism In The Piano Music Of Cornel Țăranu, Cristina Vlad

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The socio-political environment in the aftermath of World War II has greatly influenced Romanian music. During the Communist era, the government imposed regulations on musical composition dictating that music should be accessible to all members of society. Composers were therefore barred from writing works that were considered too complex or avant-garde for the standards of the nation. Many composers struggled with this official ideology because they wished to follow their own natural styles and desired to synchronize with Western compositional trends of the time, including aleatoric and twelve-tone serial music. Even before the government relaxed the restrictions on composition at …

Vol. 36 No. 3 (2013): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 36 No. 3 (2013): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 36, No 3-Dec 2013 edition of the Pacific Studies Journal.

Volume Cxxxi, Number 9, November 15, 2013, Lawrence University

The Lawrentian

No abstract provided.

Open Access: What And How In A Nutshell, Lynne M. Thomas

OA Week Conference

No abstract provided.

Women's Chorale And Schola Cantorum, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Cal Poly Arab Music Ensemble To Perform On Campus Nov. 16, Public Affairs Office

Press Releases

No abstract provided.

Institutional Governance Of New Program Development At Public Research Universities, Nathan Brad Miller

Department of Educational Administration: Dissertations, Theses, and Student Research

Central university administration is often involved with guiding new programs through university and state approvals. A number of factors affect these processes. No studies discuss the role of central administrators in program approvals, however. This study addresses the gap through interviews with 13 individuals responsible for new program approvals in the provost’s office of 12 Research University/Very High public institutions. Five primary themes emerged in the interviews. The themes were used to frame discussion on the purpose, barriers, and self-described roles of the participants. Partial findings from this research were reported in Miller (2013).

Adviser: Marilyn L. Grady

The Sounds Of Syria: Musical Instruments From The Azem Palace, Eric Kyle Lewis, Dr. Cynthia Finlayson

Journal of Undergraduate Research

During the days of the Ottoman Empire, the Azem Palace was the home of the local governor of Damascus. After World War I and Syrian independence, this residence was converted into Syria’s Museum of Popular Arts and Tradition. Now it contains clothing, furniture, and even musical instruments from Syria.1 However, funding deficits have prevented the staff at the Azem Palace to adequately document, display, and preserve museum items. Thus, Cynthia Finlayson of Brigham Young University’s Art History Department has begun a long-term project to improve the quality of the museum.

Sounds Of A People: An Ethnomusicological Study In Rio De Janeiro, Scott Harwood Homer, Dr. Ron Brough

Journal of Undergraduate Research

The music of Brazil has a rich heritage and great diversity. Its rhythms, developed by street musicians, are sophisticated and challenging. The people I met know well the songs they hear live and on the radio, and the musicians respond to this by constantly performing creative arrangements of what is formally called “Brazilian Popular Music” (MPB in Portuguese). The result is a culture in which music is a pleasurable part of daily life for most everyone.

Lawrence, Volume 94, Number 1, Fall 2013, Lawrence University

Alumni Magazines

No abstract provided.

Global Kentucky (Fall 2013), University Of Kentucky International Center

Global Kentucky

No abstract provided.

In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish

Doctoral

The study of style in Irish traditional music is very much in its infancy. Although current authors locate its beginnings in the 1980s, valuable information can be found from as far back as the eighteenth century. While style is a much-discussed topic, to date it has not been the subject of a major study. Through what is termed ‘the oral tradition’, much of the genre’s stylistic features are transmitted as implicit knowledge. This type of knowledge is difficult to measure, consciously use and share and while these difficulties have been highlighted in one EU-level report, they are also well known …

Ursinus Magazine, Fall 2013, Wendy Greenberg, Kathryn Campbell, Ellen Labrecque, Jennifer Meininger Wolfe, Bobby Fong, Erica Lamberg, Joshua C. Walsh

Ursinus Magazine, 1995–Present

Letter from the President • Princeton Review cites "exceptional academic record" • Teagle conferences examine "gateway" courses • Space exploration • Moliken named to National Field Hockey Coaches Association Hall of Fame • Studying the impact of concussions • Honor for environmental teaching • New Trustees • Music meets meditation • Father and son writing team • This app is therapy coach in your pocket • New Vice President for Finance and Administration • Romance and comedy: Bell, Book and Candle • 2013 Ursinus College Hall of Fame for Athletes • The arts • Drive and skill intact, football aims …

Inciting Social Change Through Film: Using Marcus Banks’S Definition Of Ethnographic Film To Discuss The Films Of Participant Productions, Marie Loeb

PSU McNair Scholars Online Journal

This article examines films produced by Participant Productions: Murderball, Good Night, and Good Luck, North Country, Syriana, and An Inconvenient Truth, using the three aspects— "intention", "event", and "reaction" as outlined by Marcus Banks (1992) to define an ethnographic film.

Faculty Mentor: Janice Haaken

Sandspur, Vol 120, No 03, September 19, 2013, Rollins College

The Rollins Sandspur

Rollins College student newspaper, written by the students and published at Rollins College. The Sandspur started as a literary journal.

Course Catalog 2013-14, Wellesley College

The Wellesley College Catalogs

No abstract provided.

The Music Identity Project, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

At MayDay Group Colloquium 24 in East Lansing, MI, Sandra Stauffer (2012) charged that: "If we want change, we need to start telling different stories . . . we work with beginning teachers, and we worry about teacher identities. We tell them a story...one that does not serve them well. A story that they will be prepared. Maybe we should tell stories of self-making, of re-making and replacing ourselves. Of preparation as a constantly evolving teacher story. Maybe then transformation can be the norm."

Sandy’s comments of transformation resonated strongly with the very project I was presenting at the same …

Musi 207h.01: World Music, James Randall

University of Montana Course Syllabi

No abstract provided.

Robert Burns, James Johnson, And The Manuscript Of "The German Lairdie", Patrick Scott

Studies in Scottish Literature

Reports, illustrates, and assesses a fragment of manuscript music now in the G. Ross Roy Collection at the University of South Carolina, for Burns's song "The German Lairdie," headed in Burns's hand, and possibly with the music in his hand also. A note with the fragment, which was exhibited as Burns's autograph in 1896, states that it had been sent by Burns to the Edinburgh editor and publisher James Johnson, for inclusion in his Scots Musical Museum.