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Pacific Studies Vol. 35, No. 3 - December 2012 Full Issue

Pacific Studies

No abstract provided.

Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews

Masters Theses

The Bai people, a minority group in the People's Republic of China numbering at least 1.6 million, live mostly in the Dali Autonomous Prefecture in northwest Yunnan. Historically, Bai from the central region would gather annually at the base of Shibaoshan Mountain to sing partner style love songs in search for a suitable marriage partner; today, this time is marked by a three-day festival officially titled "Shibaoshan." The annual song competition invites skilled singers to spontaneously compose melodies in response to their counterpart, crafting lyrics to flatter or tease their singing partner. The study quantifies the close relationship between Bai …

Creating Light Music At The Festival Of Song: Politics, Personhood, And Cultural Production In Tirana, Albania (1944-Present), Nicholas Tochka

Stony Brook Theses and Dissertations Collection, 2006-2020 (closed to submissions)

Though different orders organize subjects in audibly distinguishable ways, only rarely have ethnomusicologists theorized how musical practice articulates to practices of government. Through a diachronic case study of Tirana, Albania, this dissertation interrogates how the production of popular music has supported the production of popular consent to illiberal regimes both socialist (1944-1992) and capitalist (1992-present). While previous ethnomusicological and musicological studies of eastern bloc musical practice have focused (respectively) on professionalized folk music and concert music, my research examines the composition, performance, and reception of the popular genre "light music" (Alb. muzik?_ e leht?_) at an annual song competition the …

Pacific Studies Vol 35, No. 3 - December 2012

Pacific Studies

No abstract provided.

Zumba® Fitness As A Cultural Mediator, Cole E. Durain

Theses and Dissertations - UTB/UTPA

This ethnography describes local experience as it pertains to aspects of music, dance, and fitness which are compiled into Zumba® Fitness classes of the Rio Grande Valley. While Zumba is not unique to this region, it is locally interpreted based on geo-cultural factors of the Texas-Mexico border region. A large part of Zumba’s success in the Valley can be attributed to the way music is used to identify with regional popular culture and becomes a catalyst for changing the way locals think about health. Research gathered through participant-observation shows that Zumba has become a cultural expression where participants perform both …

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey

Dissertations

Werner Jaegerhuber (1900-1953), a composer and leading ethnographer from Haiti, lived a life and career committed to bringing the folk music of Haiti to international recognition. His most significant work, Messe Folklorique Haïtienne, the background leading to its composition, performance of the work and a conductor’s analysis is the focus of this study. The folk music of Haiti consists primarily of Vodou melodies which are performed in Vodou ceremonies. Haiti’s long history of colonization, slavery, chronic economic struggle, African roots, and Catholic influence all play unique, but significant roles in the life of Werner Jaegerhuber and his passionate study. …

December 2012 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

The Development Of Mennonite Music In The Congo: A Study In Musical Thought, Jill Michelle Schroeder-Dorn

Dissertations

The purpose of this study was to examine musical thought among members of the Congolese Mennonite Church. Established and governed by missionaries, the music practices of the Church were initially modeled after Western services, which consisted of church choirs and four-part hymn singing. Congolese who chose to convert to Christianity had to adapt to a new musical system, which included not only properties of musical sound, but also concepts surrounding the music making experience, including what music is and what it has the power to accomplish. The church has now been in existence for over one hundred years, and musical …

Honoring Elders: Aging, Authority, And Ojibwe Religion. Book Review., Carlos Odria

Journal of Contemporary Anthropology

No abstract provided.

Year Of Ghana 2012-13 Reading List, Dewi J. Wilson

Research Guides & Subject Bibliographies

Reading list for Kennesaw State's "Year of Ghana" Celebration.

By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson

Performance Practice Review

Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical performance lacked an appropriate degree of musical sensitivity, the historical performance movement has truly come of age. In the arena of Western Art music, historical performance is now an essential component of musical training and education. Successful performers must be able to seamlessly function across the widest possible range of musical styles, accommodating an equally wide gamut of tastes, both individually and collectively.

In 1982, nine years earlier, Walter Ong’s Orality and Literacy: The Technologizing of the Word explored differences between oral and literate cultures. Of particular interest to …

A Link In A Chain:’ An Audiotopic Analysis Of Pete Seeger, 1955 – 1962, Christine A. Kelly

Northeast Popular Culture Association

The folk artist Pete Seeger has earned widespread acclaim for his music which has touched the lives of millions of fans in America and around the world. His songs, which at first glance are bits of seemingly simple Americana crooned by a banjo picker with a scratchy voice, are in fact packed with social commentaries. Whether they address racial or class inequalities, the tragedy of war, or the problems of American culture from materialism to suburban homogeneity, a protest spirit fills Seeger’s songs. The literature on Seeger to date has been preoccupied with this spirit, presenting Seeger as a politician …

Pro Musica Newsletter, Fall 2012, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

Tibetan Guozhuang In Diqing Autonomous Prefecture: A Comparative Musical Analysis, Christina Du Breuil

Independent Study Project (ISP) Collection

The song and dance traditions of the Tibetan peoples of Diqing Prefecture are numerous and varied. Of these traditions, Guozhuang is cited as one of the oldest and most centrally traditional pieces of folk heritage. However, Guozhuang varies even within Diqing Prefecture. This paper addresses the basic form and structure of Guozhuang as well as variations between Benzilan and Shangri-la Guozhuang, two places separated not only by geographical distance but also the encroachment of development on traditional culture.

Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla

Articles

The well-known horse-racing ballad ‘Skewball’ (hereafter, SB) has a well-established oral tradition in Ireland, with versions documented throughout the eighteenth-,nineteenth- and twentieth-centuries. The latest is a 1979 field-recording of Derry folksinger and storyteller, Eddie Butcher (Shields 2011:58-9). The ballad was also assimilated into African-American oral tradition, in which it was reconstructed and renamed ‘Stewball’ (Scarborough 1925:61-4; Lomax 1994:68-71), and was still being documented in American folk tradition as late as the 1930s (Flanders 1939:172-4). In common with countless other folk songs, SB was appropriated by broadside printers and subsequently enjoyed widespread public appeal throughout England in the early- to …

School Of Music Faculty/Staff Newsletter, September 2012, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Book Reviews, Criticism Editors

Criticism

A Definition of Tragedy (Oscar Mandel) (Reviewed by Seymour M. Pitcher, Harpur College, State University of New York)

The Founding of English Metre (John Thompson) (Reviewed by John Hazel Smith, Marquette University)

Curt Sachs: The Wellsprings of Music (ed. Jaap Kunst) (Reviewed by William P. Malm, University of Michigan)

Surrealism: The Road to the Absolute (Anna Balakian) (Reviewed by Haskell M. Block, Brooklyn College of the City University of New York)

Swift and Anglican Rationalism: The Religious Background of "A Tale of a Tub" (Phillip Harth, Wayne State University) (Reviewed by Chester H. Cable)

Politics in the Poetry of Coleridge …

Book Reviews, Criticism Editors

Criticism

The Sacred River: Coleridge's Theory of the Imagination (James V. Baker) (Reviewed by James Benziger, Southern Illinois University)

The Rational and Social Foundations of Music (Max Weber, trans. and ed. Don Martindale, Johannes Riedel, and Gertrude Neuwirth) (Reviewed by Richard A. Waterman, Wayne State University)

Literature and Belief: English Institute Essays 1957 (M. H. Abrams, ed.) (Reviewed by Emerson R. Marks, Wayne State University)

Literary Reviews and Essays (Henry James, ed. Albert Mordell) (Reviewed by Henry Popkin, Brandeis University)

Serials Solutions Subject Search Report 2011-2012, Andrée J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2011-2012. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

Course Catalog 2012-2013, Wellesley College

The Wellesley College Catalogs

No abstract provided.

College Of The Holy Cross Libraries Annual Report 2011-2012, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries.

"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue

Studies in Scottish Literature

Examines the musical sources and later published settings for Robert Burns's song "O, my luve is like a red, red rose," with particular focus on Niel Gow's setting "Major Graham's Strathspey."

Back To Burns, Fred Freeman

Studies in Scottish Literature

Argues that the published settings of the songs written and collected by the Scottish poet Robert Burns (1759-1796), especially the settings in George Thomson's series A Select Collection of Original Scottish Airs, conceal Burns's original intentions, and traces this to anti-Scottish critical prejudice that had driven the genuine folk tradition underground.

On Editing The Merry Muses, Valentina Bold

Studies in Scottish Literature

Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.

On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini

Studies in Scottish Literature

Discusses, and prints, two different verse-translations from Scots into Italian of Robert Burns's well-known song "O, My Luve is Like a Red, Red, Rose," with brief comment on earlier Italian Burns translations. .

Interpretations Of Student Engagement In The Context Of The Orff Schulwerk Music Classroom At The Dubard School For Language Disorders, Anna Rebecca Bondurant Halliday

Dissertations

The purpose of this multiple case study was to explore the lived experiences of four students with language disorders within the context of their Orff Schulwerk music class at the DuBard School for Language Disorders. In addition, the observational insights of their classroom teachers and the practitioner researcher were compared with the responses of the students in order to determine any discrepancies between the child’s awareness of his or her musical engagement and that of the observer. Using data collected from interviews, stimulated recall (Dempsey, 2010), and student generated artwork (Freeman & Mathison, 2009), I explored the lived experiences of …

August 2012 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

World Percussion Approaches In Collegiate Percussion Programs: A Mixed-Methods Study, Patrick Michael Hernly

USF Tampa Graduate Theses and Dissertations

As world percussion has grown in popularity in American colleges and universities, two main problems have emerged. The first problem is that no known source exists detailing how percussion instructors have incorporated world percussion into their collegiate teaching. A review of the literature has highlighted four main approaches to incorporating world percussion in collegiate percussion programs: applied study, group performance, travel experiences, and guest expert visits. The second problem is that systematic research on world percussion traditions has been carried out much more often by music education researchers, anthropologists, and ethnomusicologists than by percussionist-performers, so the relationship between theory and …

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …