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Articles 19081 - 19083 of 19083
Full-Text Articles in Entire DC Network
A Cognitive Theory Of The Aesthetic Experience, Gianluca Consoli
A Cognitive Theory Of The Aesthetic Experience, Gianluca Consoli
Contemporary Aesthetics (Journal Archive)
This paper aims at naturalizing the aesthetic experience on the basis of cognitive sciences. In traditional philosophical aesthetics, the aesthetic experience requires a specific attitude and a characteristic work of imagination. Today, cognitive sciences offer a rich set of empirically corroborated concepts useful in explaining these notions in naturalistic terms. This paper extends these concepts to explain how the aesthetic experience is integrated and how it affords knowledge.
From Environmental Aesthetics To Narratives Of Change, Nathalie Blanc
From Environmental Aesthetics To Narratives Of Change, Nathalie Blanc
Contemporary Aesthetics (Journal Archive)
Environmental aesthetics is a branch of philosophy that originated in the English-speaking world and is developing in France. It aims to take a new look at how relationships with the environment are constructed. Often addressed from a landscaping, technical or scientific angle, such relationships have remained largely unaddressed from a cultural perspective, i.e., one that includes a series of practices and values that represent a human group. In this article, I will address environmental aesthetics and how they point up tensions between fixed and static visual representations of the environment in the future and representations that can accommodate ordinary encounters, …
Defending Everyday Aesthetics And The Concept Of 'Pretty', Thomas Leddy
Defending Everyday Aesthetics And The Concept Of 'Pretty', Thomas Leddy
Contemporary Aesthetics (Journal Archive)
The paper defends everyday aesthetics against critiques inspired by Kant’s distinction between the agreeable and the beautiful, such as that of Christopher Dowling. It does this by focusing on analysis of the concept of the pretty. Following Carolyn Korsmeyer and A. C. Bradley, I posit a continuum for the aesthetic, from the pretty to the beautiful and finally to the sublime. After giving a history of the concept of 'pretty,' I consider its largely gendered nature and the feminist issues this raises. I conclude by arguing that limiting aesthetics to art or to art plus nature ignores the continuity between …