Digital Commons Network^™

Performance Practice: Criticism, Summary, Discovery, Roland Jackson

Performance Practice Review

Promising new directions for performance research include: (1) firsthand experience with historical instruments; (2) reexamining musical sources; (3) exploring archival and literary material; and (4) establishing links with ethnic research.

Perceptions Of Walt Disney World: Antecedents To Return Visits, Tiffani A. Cosson

Honors Theses

Walt Disney World is an extremely popular tourist destination that attracts millions of visitors each year. Scholars have researched Walt Disney World and there are many different written articles on the subject, however there are very few that delve deep enough into the subject to generate quantitative data about visitors rather than only opinions about the parks. Due to its popularity and prominence in America, it is important to determine which demographic segment prefers to visit Walt Disney World. This can be used for both the parks themselves as a marketing tool, and consumers as well by knowing when the …

Characteristics Of Serial Title Changes And Recognition Of New Serial Works: Theoretical And Practical Implications, Mavis B. Molto

Library Faculty & Staff Publications

The paper reports findings from a study to identify characteristics of serials with title changes and then make recommendations for recognizing new works for these serials. Findings show title changes occur due to underlying subject, function, corporate, geographic, frequency, or format changes, with 80.8% of the changes being subject or function changes. It is recommended that reasons for title changes be determined from clear statements in text or elsewhere, and that new works be recognized based upon the requirements of a definition of a work. With the FRBR definition, a new work would be recognized only for a significant subject …

December 2011 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Religion And Spirituality In Late 20th Century Music: Arvo Part, Jonathan Harvey, And John Coltrane, Steven Wayne Gehring

Stony Brook Theses and Dissertations Collection, 2006-2020 (closed to submissions)

In this dissertation I focus on significant trends in music and spirituality in the latter half of the twentieth century as a legacy of dramatic transformations in religion and society. During this era, especially in the 1960s, a growing disaffection with traditional religion - as well as with traditional society in general - led many individuals to explore spirituality, either as a replacement for or as a byproduct of religion. I examine these trends in spirituality as a way of bringing to light the different ways composers and musicians have used their music to communicate a sense of spirituality. My …

Songs From A Distant Memory: A Study Of Bright Sheng's Four Movement For Piano Trio And Tibetan Dance, Angela On Yee Wong

Electronic Theses and Dissertations Archive

Bright Sheng (1955-) is a contemporary Chinese composer whose music spans Chinese and Western culture. The two piano trios chosen for this project, Four Movements for Piano Trio and Tibetan Dance, have not been thoroughly discussed and analyzed. Sheng's chamber music deserves academic attention because of his creative integration of Chinese and Western culture in his compositions. He fuses Chinese musical elements such as heterophony, pentatonic scales, and Chinese folksongs within the Western genres and structure. He vividly captures the spirit of Chinese music with a contemporary flavor, thus creating his own musical language. This paper will begin with an …

The American Homophilic School Of Composition, Rik Noyce

UNLV Theses, Dissertations, Professional Papers, and Capstones

A small enclave of gay composers in New York, led by Aaron Copland (1900-1990) and Virgil Thomson (1896-1989), established a distinct twentieth-century musical sound that became synonymous with America. Copland and Thomson were prominent among a group of gifted gay musicians and conductors in New York in the 1930s, 40s and 50s. While perhaps not self-identifying as gay, as the term had not yet been coined, they did however acknowledge, honor, and support one another's lives as being homosexual. Is it possible that something as seemingly unrelated as sexual preference could, in fact, impact a musical style?

In this document, …

The Mexican Identity And Music: Audioscapes And The Transnational Death Metal Band Brujeria, Michael D. Mena

Theses and Dissertations - UTB/UTPA

The California-based Mexican-American “activist” metal band Brujeria, uses a powerful, yet conflicting, blend of nihilism, anarchism, and racism with a dose of hyper-patriotism in its attempt to convey the voice of oppressed Mexicans on both sides of the border. While it is uncertain whether or not Brujeria is intentionally political, their live performances and song lyrics are highly critical of both the U.S. and Mexico regarding immigration policy, border-crossing, and other issues which have resonated among an international audience. In this paper I explore the conflicting notions of space, performativity, binationality and U.S. Mexico relations within the context of Brujeria …

Cuban Spectacular: A Night At The Tropicana, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

International Education Week Features Expo, Talent Showcase And Other Activities, Winthrop University

Winthrop News 2011

• Melford Wilson, political science, will describe the Arab Spring of 2011 and its implications for the nation and the world on Nov. 15.
• Meet Winthrop students from around the world and learn about their home countries at the International Expo on Nov. 17.

The Persistence Of "Dr. Watts" In The Core Culture African American Churches In The Memphis Area, Brent Virgil Buhler

Electronic Theses and Dissertations Archive

In the mid-eighteenth century, Rev. Samuel Davies introduces slaves to an now archaic form of English Hymnody,which became known as "Dr. Watts." Isaac Watts, Charles and John Wesley, John Newton,and Horatius Bonar, among others wrote many of these hymns. Nearly three hundred years later "Dr. Watts" continues atweekly worship services as an essential component in stabilizing, strengthening, and bringing peace and comfort to many core culture African Americans. The traditionis under-studied inmuch of theUnited States, especially in the Memphia Area. The purpose of this thesis is to confirm the musical characteristics, performance practices, and examine some of the motivations that …

The Cripple Of Inishmaan Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Cripple of Inishmaan by Martin McDonagh

Oct. 28-30 & Nov. 4-6, 2011

Directed by Mary G. Farrell

Scenic Design: Kathryn Kawecki

Lighting Design: Tim Cryan

Costume Design: Deborah Newhall

Sound Design: Paul Perry

Dialect Coach: Sheila Hogg

Cast: KATE - Danielle Demisay; EILEEN - Erin Fusco; JOHNNYPATEENMIKE - Ted Boyce-Smith; BILLY - Kevin Mark Lynch; BARTLEY - Patrick Mark Saunders; HELEN - Marisa Urgo; BABBYBOBBY - Daniel Caplin; DOCTOR MCSHARRY - Ryan Fink; MAMMY - Grace Curley

Tibetan Modernities: Notes From The Field On Cultural And Social Change, Robert Barnett And Ronald Schwartz, Eds.; Reviewed By Geoff Childs, Geoff Childs

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

Wandering With Sadhus: Ascetics In The Hindu Himalayas By Sonda Hausner; Reviewed By Mary Cameron, Mary Cameron

HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies

No abstract provided.

New Representations Of The “Golden Lineage”: The Mongolian Folk Rock Of Altan Urag, Jonathan Heins

Independent Study Project (ISP) Collection

This project will examine the ways in which the self-proclaimed Mongolian “folk rock” band, Altan Urag, combines elements of both traditional Mongolian and Western music and culture in order to recast and recreate Mongolian tradition. These new representations of Mongolian tradition occur within the context of a young and rapidly developing democratic nation which looks both deeply into its own past to construct a strong national sense of identity and looks increasingly outward to the international community with aspirations of establishing itself as a recognized and respected member of that community. Altan Urag’s new representations of Mongolian national heritage are …

Nimbus (Fall/Winter 2011), New College Alumnae/I Association

Alumnae/i Association Collection

No abstract provided.

“Los Huaynos Me Recuerdan A Mi Tierra”: La Música Radial De Cusco Y La Formación De Identidades Migrantes”, Violet Cavicchi

Independent Study Project (ISP) Collection

La experiencia migratoria de muchos peruanos de comunidades con identidades andinas marcadas que se mudan a la ciudad de Cusco crea un conflicto identitario que es distinto. Estas personas se enfrentan con nuevas influencias que complican su conceptualización de una identidad propia. Este estudio considera la manera en que un foro especifico de la música radial funciona como un espacio para trabajar estas influencias solapadas y construir un entendimiento de identidad regional en este nuevo contexto. El artículo empieza con un análisis del contexto histórico que establece este fenómeno y que explica la importancia de la radio y su música …

The Barzakh Of Flamenco: Tracing The Spirituality, Locality And Musicality Of Flamenco From South Of The Strait Of Gibraltar, Tania Flores

Independent Study Project (ISP) Collection

Flamenco performance – which scholars often describe in terms of the three dimensions of cante, or singing, baile, or dance, and toque, or instrumentation – is a complex synthesis of cultural influences across several centuries. In discussing the evolution of flamenco, scholars typically begin with the history of the gitanos, the subgroup of the Romani or Gypsy people that settled in Spain. Drawing upon a large body of ethnographic, historic and scientific evidence, scholars agree that the gitanos originated in the northwestern regions of contemporary India and

Pakistan – specifically, Rajasthan and the Punjab region (Iovita 275; …

Emma Bell Miles Symposium On Southern Appalachian Culture And Nature Program, University Of Tennessee At Chattanooga

Emma Bell Miles Symposium on Southern Appalachian Culture and Nature Proceedings

Program of the second annual Emma Bell Miles Symposium on Southern Appalachian Culture and Nature held at the University of Tennessee at Chattanooga on September 9 and 10, 2011.

Variation On A Traditional Theme: The Question Of Racial And Ethnic Diversity In Mla, Mark A. Puente, Susannah Cleveland

University Libraries Faculty Publications

Following the findings from the MLA Survey of Personnel Characteristics, 2009 that pointed to discrepancies between the racial and ethnic diversity of MLA members and the general population, an analysis of the diversity of MLA’s patron base and an assessment of other organizations' efforts at diversity are analyzed. Recommendations for efforts by MLA to address these discrepancies as well as justification for making such efforts follow.

Songs And Intellectuals: The Musical Projects Of Alain Locke, Alejo Carpentier, And Mário De Andrade, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.

Bibliography For Work In Hungarian Studies As Comparative Central European Studies, Louise O. Vasvári, Steven Tötösy De Zepetnek, Carlo Salzani

CLCWeb Library

No abstract provided.

Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Rewriting Histories and Identities in French Rap" Isabelle Marc Martínez analyzes aspects of French hip hop culture. As an example of resistant cultural manifestations, hip hop scenes all over the world develop strategies to subvert mainstream values and to replace them by new de-localized, contesting identities via intermedial and intertextual processes. In France during the 1990 rap was intended to reassess French national history and national self-perception. Foundational hip hop bands such as Assassin, Ministère AMER, IAM, and NTM aimed at discrediting official narratives concerning the French culture's colonial and social past. hip hop artists, who …

Semiotics, Habitus And Music In The Transmission Of Tibetan Culture In Toronto, John Robertson

Masters Theses

This ethnographic study explores the role of music in cultural transmission in the Tibetan community of Toronto, Canada. Beginning with an integration of Peircian semiotics, Bourdieu's habitus and musical semiosis, I then identify certain non-Tibetan cultural elements being encountered by those in the Toronto community which are potentially creating cognitive structures foreign to those which have their generative principles in pre-exile Tibetan past, and the ways in which Tibetans are transmitting (to varying degrees) cognitive schemata which identify these non-Tibetan elements and protect against their appropriation. After exploring elements which are not Tibetan, I turn to those which are: a …

Life Stories Of Four Conjunto Musicians: Adding To The Culturally Relevant Curriculum Of The Rio Grande Valley Schools, Andres Martinez

Theses and Dissertations - UTB/UTPA

This study examines music and culture and their importance in the learning process. As early as 1838, Horace Mann and later John Dewey (1916), Tim Brophy (1992) and others were expounding the benefits of music as a necessary element of the school curriculum. Julio Cammarota (2008), Geneva Gay (2000), Alan Singer (1994), Banks and Banks (1989) and others have argued for the importance of culture in the curriculum to enhance learning. Both elements have a unique place in the school curriculum. A brief history of the genre is presented beginning with the early years (mid 1800s), the development years (early …

Midwest Institute Of Opera: Die Zauberflöte, July 31, 2011, John Koch Artistic Director, Joshua Greene Conductor, Brenden Moffitt Director

School of Music Programs

Center for the Performing Arts
July 31, 2011
Sunday Afternoon
3:00 p.m.

Midwest Institute Of Opera: Die Zauberflöte, John Koch, Artistic Director, Joshua Greene, Conductor, Brenden Moffitt, Director

School of Music Programs

Center for the Performing Arts
July 30, 2011
Saturday Evening
8:00 p.m.

Temple Of Ancient Knowing: Music Therapy Portraits Of Globalized Indian Identity, Sangeeta Swamy

Expressive Therapies Dissertations

This dissertation study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), an arts-based, psychotherapeutic technique. The purpose was to examine how Indian music, in the context of CCMI, could evoke identity-based imagery and assess Indian identity in a globalized context. Five Indian men and women participated in CCMI sessions, and the qualitative methodology of portraiture was used in this study. The results provide support for the cultural or ethnic unconscious and suggest the potential for CCMI to access this internal, collective space. Results also indicate that CCMI may be used in a clinical …

Serials Solutions Subject Search Report 2010-2011, Andree J. Rathemacher

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2010-2011. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …