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2011

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Decorative Renascence: Tracing Early Ceramic Designs Into The Late Prehistoric Period In The U.S. Southwest/Northwest Mexico, Michael T. Searcy Jan 2011

Decorative Renascence: Tracing Early Ceramic Designs Into The Late Prehistoric Period In The U.S. Southwest/Northwest Mexico, Michael T. Searcy

Faculty Publications

Cordell (1997) has characterized the late prehistoric period (A.D 1200-1450) in the U.S. Southwest/Northwest Mexico as one of crystallization when ―many specific forms, designs, symbols, or motifs can be traced to much earlier periods‖ but, "they came together in new ways". This paper traces the emergence of designs and motifs among earlier ceramic traditions, such as Mimbres and Ancestral Puebloan, and their later appearance on Salado and Casas Grandes pottery. I use design analysis to explore the spread of styles and symbols throughout time and space and show how these methods contribute to interpretations of interregional interaction and cultural continuity.


You Can't Go Home Again: The Place Of Tradition In "Firefly's" Dystopian-Utopia And Utopian-Distopia, R Brown Jan 2011

You Can't Go Home Again: The Place Of Tradition In "Firefly's" Dystopian-Utopia And Utopian-Distopia, R Brown

School of Art, Design and Architecture

Science fiction has long been a site in which utopian-dystopian visions have been articulated. This paper uses one exemplar of this genre as a springboard into a discussion of the desire for a return to origin and of flawed attempts to impose an image of that origin, with discursions into illustrations drawn from contemporary conditions. In opposition to the hegemonic and reductive tendencies inherent in such attempts, this paper proposes an alternative which engages with the everyday reality of life. Intrinsic to this proposition is that our traditions and utopias must be founded upon a continual (re)making in the everyday.