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2010

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The Effect Of Oral Performances In Audiences' Minds And Behaviour, Santosa Santosa Apr 2010

The Effect Of Oral Performances In Audiences' Minds And Behaviour, Santosa Santosa

Wacana, Journal of the Humanities of Indonesia

As a means of communicating thoughts, gamelan performances affect the way audiences construct their worldview. More than that, listeners in villages believe that performances can affect people's behaviour. Performances may be deeply influential in the creation of fundamental social values such as in-group integrity, feelings of unity and peace in the community. All this demonstrates that in villages, arts are not autonomous entities; people value the arts as an integral domain with other social activities.


The Elements Of American Vernacular In Three Selected Chamber Works Of Libby Larsen: Holy Roller; Barn Dances; And Trio For Piano And Strings, Mary Alice Domenica Apr 2010

The Elements Of American Vernacular In Three Selected Chamber Works Of Libby Larsen: Holy Roller; Barn Dances; And Trio For Piano And Strings, Mary Alice Domenica

Open Access Dissertations

The focus of this essay is a discussion of Libby Larsen's relationship with American vernacular musical expression in her piano chamber music works. This essay examines three works that are representative of the wide range of influences in her piano chamber music: Holy Roller for Alto Saxophone and Piano; Barn Dances for Flute, Clarinet, and Piano; and Trio for Piano and Strings for Violin, Cello, and Piano. They are inspired, respectively, by three different genres of American music: gospel, Western square dance, and jazz. In so doing, this essay discusses Larsen's use of musical quotations, idiomatic harmonic elements, and patterns …


Cseas Weekly Bulletin (April 26, 2010), Center For Southeast Asian Studies Apr 2010

Cseas Weekly Bulletin (April 26, 2010), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.


Skin Drums, Squeeze Boxes, Fiddles And Phonographs: Musical Interaction In The Western Arctic, Late 18th Through Early 20th Centuries, Paul R. Krejci Apr 2010

Skin Drums, Squeeze Boxes, Fiddles And Phonographs: Musical Interaction In The Western Arctic, Late 18th Through Early 20th Centuries, Paul R. Krejci

Anthropology

This dissertation explores the nature of early globalization in the Western Arctic with a focus on musical interaction between indigenous and foreign populations during the late 18th through the 20 th centuries. The region experienced an unprecedented amount of cultural contact represented by various cultural groups including Native Alaskan, Canadian, Chukotkan, European American, African American, Latin American, Asian American, Oceanic peoples and others. Numbering in the thousands, natives and non-natives developed continuous and long-term relations working as explorers, whalers, traders, missionaries, miners, hunters, trappers, seamstresses, educators, law enforcement officials, and scientists. The Western Arctic's ethnically diverse population, relatively harsh physical …


Volume Cxxvii, Number 18, April 9, 2010, Lawrence University Apr 2010

Volume Cxxvii, Number 18, April 9, 2010, Lawrence University

The Lawrentian

No abstract provided.


The Pan American (2010-04-08), Brian Silva Apr 2010

The Pan American (2010-04-08), Brian Silva

UTPA Archives - The Pan American Newspaper

Vol. 66, No. 24


Cseas Weekly Bulletin (April 5, 2010), Center For Southeast Asian Studies Apr 2010

Cseas Weekly Bulletin (April 5, 2010), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.


The Poetics Of The Ancestor Songs Of The Tz’Utujil Maya Of Guatemala, Linda O’Brien-Rothe Ph.D. Apr 2010

The Poetics Of The Ancestor Songs Of The Tz’Utujil Maya Of Guatemala, Linda O’Brien-Rothe Ph.D.

Journal of International and Global Studies

This essay attempts to define the relationship between a song tradition that survives in the Mayan highlands of Guatemala, and 16th century poetic Mayan literature. This song tradition of Santiago Atitlán, Guatemala is slowly disappearing as the socio-cultural context in which it flourished changes. By comparing the poetics of the song texts (including their rhythmic structure, versification, and use of poetic devices such as assonance, alliteration and onomatopoeia) to the poetics of the Popol Vuh, a K’iché Maya text probably copied from a manuscript that predates the Spanish invasion, a continuity is discovered that places the song texts squarely within …


Natalie Curtis Burlin, Michelle Wick Patterson Apr 2010

Natalie Curtis Burlin, Michelle Wick Patterson

University of Nebraska Press: Sample Books and Chapters

Natalie Curtis Burlin (1876–1921) was born to a wealthy New York City family and initially trained for a career as a classical concert pianist. But in 1903, she left her family and training behind to study, collect, and popularize the music of American Indians in the Southwest and African Americans at the Hampton Institute in the belief that the music of these groups could help forge a distinctive American identity in a time of dramatic social change. Michelle Wick Patterson examines the life, work, and legacy of Curtis at the turn of the century. The influence of increased industrialization, urbanization, …


Friends Of Musselman Library Newsletter Spring 2010, Musselman Library Apr 2010

Friends Of Musselman Library Newsletter Spring 2010, Musselman Library

Friends of Musselman Library Newsletter

Table of Contents: From the Director: In House Book Repair (Robin Wagner); Hobor Gives Library a Shopping Spree (Mike Hobor ’69, Robin Wagner, Kathy D’Angelo); Save the Date: Hidden Histories; Book Binding Terms; Basket from Sophomore Class (Andrew Ferreira ’12, Mary Evangeliste); What’s New in Special Collections: Battle of Pickett’s Charge, “Tartaria”, and Confederate Bond (Karen Drickamer); Exhibits (Mike Hobor ’69, John Kovaleski, Eileen Stillwaggon); Gettdigital: Journey to the Mediterranean (Katherine Downton); Librarians go Behind Scenes of Cyclorama (Christine Ameduri, Janelle Wertzberger, Meggan Emler Smith '04); Tribute to Robert Fortenbaugh '44 and Fortenbaugh Interns (Lina Smith Terjesen ’06); Hundreds of …


Issue 14, Spring 2010, Imagining America Apr 2010

Issue 14, Spring 2010, Imagining America

Newsletters - Imagining America

Highlights of Issue #14 (Spring 2010) include: an article featuring University of Washington, University of Oregon, and Portland State University; a director’s column on translocal communities of practice; an interview with Ron Krabill, University of Washington Bothell, on digital humanities; an interview with Tim Eatman, IA, on aspirations and decisions of early career publicly engaged scholars and artists; and a book review of Civic Engagement in the Wake of Katrina.


The Faculty Notebook, April 2010, Provost's Office Apr 2010

The Faculty Notebook, April 2010, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.


Aku Newsletter : Spring 2010, Volume 11, Issue 1, Aga Khan University Apr 2010

Aku Newsletter : Spring 2010, Volume 11, Issue 1, Aga Khan University

The Aga Khan University Newsletters

No abstract provided.


Report: The Illinois State University Faculty-Staff Newsletter, March 30, 2010, Illinois State University Mar 2010

Report: The Illinois State University Faculty-Staff Newsletter, March 30, 2010, Illinois State University

Illinois State University Report (1966-2012)

Illinois State University bi-weekly employee newsletter.


"Make A Joyful Noise Unto The Lord": Brass Bands And Cultural Identity In Tonga's Christian Kingdom, David Kammerer Mar 2010

"Make A Joyful Noise Unto The Lord": Brass Bands And Cultural Identity In Tonga's Christian Kingdom, David Kammerer

Mormon Pacific Historical Society

This dissertation considers music's role in constructing collective identity and generating social meaning, with the aim of yielding new insights into the workings of indigenous agency in cross-cultural encounters. In the Pacific nation of Tonga a unique set of socio-cultural forces has shaped a distinctive contemporary identity. Tonga's government comprises the only monarchy in the contemporary Pacific and represents the only Polynesian group that was not colonized in the political sense. Although Western ideas permeated Tongan culture over the past two centuries, these transformations occurred largely as a result of Tongan choices. The introduction of Christianity in the nineteenth century …


Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, University Of Connecticut. Department Of Music. Recitals And Concerts Mar 2010

Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, University Of Connecticut. Department Of Music. Recitals And Concerts

Concert Programs

No abstract provided.


Quaker Campus, February 11, 2010 (Vol. 96, Issue 15), Whittier College Feb 2010

Quaker Campus, February 11, 2010 (Vol. 96, Issue 15), Whittier College

Quaker Campus

No abstract provided.


Imagining “Indonesia”: Ethnic Chinese Film Producers In Pre-Independence Cinema, Charlotte Setijadi, Thomas Barker Jan 2010

Imagining “Indonesia”: Ethnic Chinese Film Producers In Pre-Independence Cinema, Charlotte Setijadi, Thomas Barker

Research Collection School of Social Sciences

In this paper, we aim to re-examine the roles of ethnic Chinese filmmakers in Indonesian cinematic history as a preliminary study in the reconsideration of the early years of the film industry. Here, we regard the simplification of history in the film industry as part of a broader attempt by nationalist and New Order ideologues to “appropriate” the origins of cinema and “ ” in Indonesia. On the same note, we argue that the narrative tradition that privileges “indigenous” filmmakers as the originators of asli (authentic ortrue) Indonesian culture on screen reflects the dominant yet narrow definition of nationalism as …


Course Catalog 2010-2011, Csusb Jan 2010

Course Catalog 2010-2011, Csusb

CSUSB Course Catalog

ACADEMIC CALENDAR 4 THE CSU SYSTEM 5 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 43 ACADEMIC REGULATIONS 46 MINORS 58 CERTIFICATE PROGRAMS 60 EXTENDED LEARNING 62 UNDERGRADUATE DEGREE PROGRAMS 64 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 370 Graduate Degree Programs FACULTY 537 APPENDIX 558 INDEX 565


History Newsletter, 2009-2010, University Of Arkansas, Fayetteville. Department Of History Jan 2010

History Newsletter, 2009-2010, University Of Arkansas, Fayetteville. Department Of History

History Newsletter

No abstract provided.


An Extraordinary Time Jan 2010

An Extraordinary Time

Daniel J. Curran (2002-2016)

2009 President's Report


Graduate Recital, Euphonium, Jeffrey A. Stentaford Jan 2010

Graduate Recital, Euphonium, Jeffrey A. Stentaford

Electronic Theses and Dissertations

This M.M. thesis, encompasses a variety of styles which showcase both the natural technical and vocal ability of the euphonium. It also demonstrates versatility, a trait that has enabled the continued success and development of this unique instrument. This thesis features a recently accepted addition to the euphonium repertoire, Euphonium Concerto by Jukka Linkola. Transcriptions, since the euphonium's conception, have been the pillar of its repertoire library. Transcriptions included in the thesis are Andante and Rondo by Antonio Capuzzi and Piece En Forme De Habanera by Maurice Ravel. Finally, it features traditional tunes from Newfoundland and Labrador, Canada, by the …


Kentucky Humanities Council Catalog 2010-2011, Department Of Library Special Collections Jan 2010

Kentucky Humanities Council Catalog 2010-2011, Department Of Library Special Collections

Kentucky Humanities Council Catalog

The Kentucky Humanities Council is an independent, nonprofit affiliate of the National Endowment for the Humanities committed to providing programs and services that facilitate an understanding and appreciation of Kentucky’s cultural heritage and future. The Council’s program catalog features scholars from across the Commonwealth who make presentations on a myriad of humanities topics. Later, costumed actors, who delivered dramatic monologues about Kentucky’s famous, infamous, and composite personalities, were added. The catalog has gone by various titles over the years: Kentucky Humanities Resource Center, Kentucky Humanities Council Speakers Bureau, Whole Humanities Catalog, and Humanities Catalog. This …


Dancecult Bibliography: Books, Articles, Theses, Lectures, And Films About Electronic Dance Music Cultures, Eliot Bates Jan 2010

Dancecult Bibliography: Books, Articles, Theses, Lectures, And Films About Electronic Dance Music Cultures, Eliot Bates

Publications and Research

Dancecult is a forum for the electronic dance music culture (EDMC) research network, whose doors opened in April, 2005. Presently, Dancecult manifests as a mailing list and rich informational website. With around 180 members (and growing) worldwide, Dancecult-l is an interdisciplinary mailing list for graduate students, scholars, and other parties interested in the study and documentation of EDMCs from proto-disco through post-rave formations. As a critical information exchange hub, Dancecult-l enables resource sharing and collaboration between international researchers of club cultures, raves, techno, electronica, doof, digital arts and other manifestations of EDMC. Members come from various different disciplines, operating in …


Response To Rice, Kofi Agawu Jan 2010

Response To Rice, Kofi Agawu

Publications and Research

Timothy Rice is concerned that ethnomusicology—field, discipline, area of study, constellation of diverse musico-intellectual pursuits—has some “serious problems.” It seems that we have either not been reading each other’s work, or not engaging with it sufficiently. Opportunities to develop some “theoretical muscle” have been missed. Specifically, some seventeen articles broaching the favorite theme of music and identity published in this journal between 1982 and 2005 failed to proceed in cumulative fashion. Rice wants to see ethnomusicology “grow in intellectual and explanatory power,” but this will not happen if subsequent writers refuse to engage their predecessors at a theoretical level. A …


Examining Narratives Of Place: Representations Of Xinjiang In Tourism And Geography Education, Michael Church Jan 2010

Examining Narratives Of Place: Representations Of Xinjiang In Tourism And Geography Education, Michael Church

Graduate Student Theses, Dissertations, & Professional Papers

This thesis examines how Xinjiang Uyghur Autonomous Region, located in northwest China, is represented in tourism and geographic education literature. The research demonstrates the limited and distorted place narratives of Xinjiang that are promoted by the government-backed tourist enterprise in China for consumption by English language speakers; as well as, the inadequate and uncritical representations of the region currently available to students in the United States. Qualitative content analysis methodology is employed to investigate the narrative representations of Xinjiang contained within tourist brochures, geography textbooks, and regionally appropriate curricular guides. The thesis includes a body of geographic lesson plans pertaining …


Thumri, Ghazal, And Modernity In Hindustani Music Culture, Peter L. Manuel Jan 2010

Thumri, Ghazal, And Modernity In Hindustani Music Culture, Peter L. Manuel

Publications and Research

If historians of Indian classical music have been obliged to rely primarily upon a finite and often enigmatic set of treatises and iconographic sources, historical studies of semi-classical genres like thumri and ghazal confront even more formidable challenges. Such styles and their predecessors were largely ignored by Sanskrit theoreticians, who tended to be more interested in hoary modal and metrical systems than in contemporary vernacular or regional-language genres sung by courtesans. It is thus inevitable that attempts to reconstruct the development of such genres involve considerable amounts of conjecture, and in some senses raise more questions than they answer. Nevertheless, …


GarifunaduáÜ : Cultural Continuity, Change And Resistance In The Garifuna Diaspora, Boyd Malcolm Servio-Mariano Jan 2010

GarifunaduáÜ : Cultural Continuity, Change And Resistance In The Garifuna Diaspora, Boyd Malcolm Servio-Mariano

Legacy Theses & Dissertations (2009 - 2024)

The Garifuna are a diasporic community that positions Yurumein (St. Vincent) at the center of its collective memory, and whose populations primarily reside in Belize, Guatemala, Honduras, Nicaragua, and, more recently, in urban centers in the United States. This multi-sited, historio-ethnographic study traces the group's socio-political struggles over time and space against cultural dislocation, ethnic oppression, and culturally destructive forces. It highlights how this population's core principles and forms, Garifunaduáü ("Garifunaness," or the "Garifuna way"), and particularly its central tenet of reciprocity "Aü bu, amürü nu" (roughly translated as "me for you and you for me"), functions on multiple levels …


Music And National Identity: A Study Of Cello Works By Taiwanese Composers, Yu-Ting Wu Jan 2010

Music And National Identity: A Study Of Cello Works By Taiwanese Composers, Yu-Ting Wu

Dissertations, Theses, and Capstone Projects

The purpose of this study is to explore the impact of folkloric elements in music by Taiwanese composers and to uncover the methods they treat regional materials under the influences of Western compositional techniques, hereby creating a new fusion within classical music. This study centers in the ethnic impact on modern Taiwanese music, and also provides an opportunity to probe the significance of the subject "nation" in the field of musical creativity.

In this dissertation, the discussion includes the development of traditional and Western music in Taiwan including the historical and cultural background, how music serves as an emblem of …


Hip Hip 101: A University Level Course Curriculum For Examining Hip Hop In The Modern World, David Ma Jan 2010

Hip Hip 101: A University Level Course Curriculum For Examining Hip Hop In The Modern World, David Ma

Master's Theses

Hip Hop 101 is a university level course curriculum intended for use by college level educators. It serves as a primer on hip-hop history and includes daily lesson plans that use multi-media tools to scaffold student learning. It was produced under the belief that hip-hop (its music and culture) deserve the time and examination as other longstanding disciplines.