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Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals

Theses & Dissertations

The classic corrido is a part of Mexican tradition and is woven into Mexico's rich cultural history. Listeners have endeared corridos for generations simply for the storytelling. They characterize small Mexican communities and their iconic heroes and represent the hope and courage that they must have in the face of injustice, oppression or danger. The protagonist in the corrido, commonly possessing the characteristics of Robin Hood, is a constant theme. This hero character also meets with an untimely death, usually the result of betrayal. The heightening of the element of conflict and violent death has transformed the classic corrido into …

Volume 27, Number 4, December 2007 Olac Newsletter, Jain Fletcher, Jay Weitz, Barbara Vaughan, Amy K. Weiss

OLAC Newsletters

Digitized December 2007 issue of the OLAC Newsletter.

Letting Go Of Data In Aboriginal Australia: Ethnography On “Rubber Time", Sara Stevens Zur

The Qualitative Report

While attempting to investigate modes of musical transmission among the Yol ŋ u People in Northeast Arnhem Land Australia, questions regarding the meaning of the word “research” led to the decisive abandonment of data collection. Specifically, the processes of observation, recording, and other typical Western means of genera ting data seemed to be in direct opposition to the way knowledge was traditionally shared. The author critically examines her multiple attempts at conducting this research, and discusses why eventually giving up on the research led to a more profound understanding.

The Ticker, November 12, 2007

The Ticker

The Ticker is the student newspaper of Baruch College. It has been published continuously since 1932, when the Baruch College campus was the School of Business and Civic Administration of the City College of New York.

Ensemble Concert: Illinois State University Chamber Orchestra, November 1, 2007, Glenn Block

School of Music Programs

Center for the Performing Arts
Thursday Evening
November 1, 2007
8:00 p.m.

Boletín V.13:No.1 (2007), Fordham University Latin American And Latino Studies Institute

Boletín (Fordham University. Latin American and Latino Studies Institute)

No abstract provided.

The Musician Is The Messenger: Islam And Jaliya In Mandinka Music, Blake Walker

Independent Study Project (ISP) Collection

This paper explores the complex dynamics at play surrounding jalis, or professional praisesingers, in the culture of the Mandinka people of West Africa. Jalis, almost certainly present among the Mandinka prior to the arrival of Islam in the area, remain one of the strongest reminders of pre-Islamic culture in Mandinka society. However, the art and social roles of the jali have undergone numerous transformations in adapting, conforming to, and sometimes challenging Muslim cultural norms. This paper explores some of the means by which the two cultural fountainheads of Islam and West Africa are reconciled by jalis and other members of …

Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley

Independent Study Project (ISP) Collection

In the global world of the 21st Century, music is one of the few things that has the ability to cross physical as well as cultural borders, which is why my Independent Study Project (ISP) focuses on the role of hip-hop music in the youth culture in Kenya’s largest coastal city, Mombasa. Throughout history, music has proven its artistic power; inspiring people to resist oppression, challenge inequality, and even claim salvation.

This enduring characteristic of music is central to my ISP which explores the emergence of hip-hop in Kenya as well as the evolution of Ukoo Flani, one of the …

A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt

Independent Study Project (ISP) Collection

Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …

On Musical Cosmopolitanism, Martin Stokes

The Macalester International Roundtable 2007

No abstract provided.

The Dual Career Of “Arirang”: The Korean Resistance Anthem That Became A Japanese Pop Hit, E. Taylor Atkins

Faculty Articles, Papers, and Other Scholarship

“Arirang” is known worldwide as the quintessential Korean folk song. Its iconic status in contemporary Korea derives from its perceived role in strengthening Korean resolve to resist the cultural violence of the Japanese colonial occupation (1905–45). A musical “skeleton” capable of countless improvised variations and interpretations, some “Arirangs” explicitly assailed the Japanese and thus were censored by colonial authorities. However, in the 1930s and 1940s, precisely the time when assimilationist pressures in colonial Korea were intensifying, Japanese songsmiths, singers, and recording companies released “Arirang” renditions in prodigious quantities, sometimes in collaboration with Korean performers. “Arirang” became the most familiar song …

August 2007 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Serials Solutions Subject Search Report 2006-2007

Technical Services Reports and Statistics

Statistics on the total number of Serials Solutions subject searches at the University of Rhode Island Libraries by month for 2006-2007. Shows how many times the A-Z full text electronic journal list (at http://zu4tq4pb5v.search.serialssolutions.com/) was browsed by specific subjects.

Mediation, Improvisations, And All That Jazz, John W. Cooley

Journal of Dispute Resolution

In the present article, we will be exploring the subject of improvisation generally from the perspective of mediation and jazz as performance arts; the roles of the jazz musician, the mediator, and the mediation advocate as creative problem solvers; the elements of jazz in mediation; and the collective conversation in jazz as compared with the collective conversation in mediation.

May 2007 Commencement Program, Bowling Green State University

Commencement Programs

No abstract provided.

Ur Jazz Ensemble & Jazz Combo, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Rock Music Scholarship, Monica Berger

Publications and Research

My challenge is to take my master’s thesis, a lengthy annotated bibliography of academic monographs on rock in American culture, and make it come alive and, in the process, provide a sense of how the academic rock discourse has evolved.

April 2007: New Pascal Delivers Becomes Reality, Dacus Library

Dacus Focus

No abstract provided.

The Music Of Senegal: A Way Of Life In West Africa, Lucien Delabruere

Independent Study Project (ISP) Collection

“Music is in the veins and blood of the Senegalese people” (Bakayoko 2007). This paper aims to take a look into the reason for why this is. By examining the historical and present context of music in Senegal, one can better understand the social aspects of its music. In addition, analyses concerning the rhythmic and pedagogical importance will help provide a better picture for how we, as Westerners, can try to comprehend this rather undocumented subject.

Pro Musica Newsletter, Spring 2007, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

Why Concert Music Is Wonderful: Three Ways To Approach Western Art Music, Conrad Winslow

Rollins Undergraduate Research Journal

There are three modes of listening to music which correspond to increasing mental involvement. These listening methods are tools for appreciating concert music and enjoying the deep structure that great art music contains. Organized by level of accessibility and amount of investment on the part of the listener, they provide listeners a rudimentary Rosetta stone for enjoying and even understanding concert music.

Babelian Cosmopolitanism Or Tuning In To “Sublime Frequencies”, Puspa Damai

English Faculty Research

Jacques Attali, in his critically acclaimed book, Noise: The Political Economy of Music, cites one of Leibniz’s little known but “extraordinary” texts, “Drôle de pensée touchant nouvelle sorte de représentation,” in which the philosopher describes the “Palace of Marvels.” The Palace of Marvels is Leibniz’s idealization of a perfect political organization, which is built in such a way that the master of the house is able to hear and see everything that is being said and done in the premises without himself being perceived by his subjects. Leibniz’s vision of disciplinary society not only predates Bentham’s or Foucault’s subsequent versions …

Public Lecture 'Ghana And Pan-Africanism' By African Historian Scheduled March 20, Deborah Purnell

University of Mississippi News

OXFORD, Miss. - An authority on African history visits the University of Mississippi Tuesday (March 20) to deliver the address "Ghana and Pan-Africanism."

Schola Cantorum Spring 2007 Spain Concert Tour, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Mustang Daily, March 2, 2007

Cal Poly Student Newspaper

Student newspaper of California Polytechnic State University, San Luis Obispo, CA.

E-Portfolios In Music Teacher Education, Vicki Lind

Innovate: Journal of Online Education

No abstract provided.

Vol. 30, No. 1/2 (2007): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 30, No 1/2-March/June 2007 edition of the Pacific Studies Journal. Special Issue: Women Writing Oceania: Weaving the Sails of Vaka

Vol. 30, No. 1/2 (2007): Pacific Studies Full Issue; Special Issue: Women Writing Oceania: Weaving The Sails Of Vaka, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Ole Miss African Drum-Dance Ensemble Presents 'Rhythms Of Liberation' March 6, Deborah Purnell

University of Mississippi News

OXFORD, Miss. - The University of Mississippi joins the world in commemorating Ghana's 50th anniversary of independence Tuesday (March 6) with a spring concert featuring the Ole Miss African Drum-Dance Ensemble.

Program Review: Music & Performing Arts, University Of Nebraska At Kearney Department Of Music And Performing Arts Faculty

Academic Program Reviews

No abstract provided.