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Articles 31 - 33 of 33
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A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell
A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell
LSU Doctoral Dissertations
This document is a partial catalog of what is readily available to violinists for studies relating to twentieth-century repertoire. More studies in this area exist throughout the world, so those presented here are intended merely as a starting point. The document also contains factual information about the studies, as well as performance and theoretical analysis and biographical information about the composers. This information is designed to serve a variety of purposes. The factual and biographical information may be used by the violinist to choose appropriate etudes for himself/herself or a student. Later, the in-depth analysis will assist players throughout the …
The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh
The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh
LSU Doctoral Dissertations
Fela Sowande (1905-1987) has a huge compositional output including orchestral and vocal works. However, his organ music outnumbered the totality of his compositions. His organ pieces represent a truly intercultural music in which distinct tripartite cultural idioms are evident—Nigerian, African American and European. Works of this nature serve as creative source materials for aspiring composers, performers, scholars, music educators, and students in Africa and the world. This composer, folklorist, and music educator was born into a well-known music family in Nigeria. He was active in radio broadcasting, Yoruba folklore and mythology, indigenous music research, Nigerian art music, performance, orchestral conducting, …
"Never Could Read No Road Map": Geographic Perspectives On The Grateful Dead, Daniel R. Culli
"Never Could Read No Road Map": Geographic Perspectives On The Grateful Dead, Daniel R. Culli
LSU Master's Theses
The Grateful Dead hold a unique niche in the musical, social, and cultural history of the United States. However, while the volume of available academic literature concerning the band is increasing, the Grateful Dead remain to be nearly ignored by academia and, to this point apparently, completely ignored by cultural geographers. This paper introduces the Grateful Dead into the field of geography. I analyze the geography of certain aspects of the band, such as its context in San Francisco, the carnival atmosphere of the entire phenomenon, the over 2300 tour dates, as well as the huge catalog of lyrics sung …