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Articles 31 - 53 of 53
Full-Text Articles in Entire DC Network
Reporter - April 22nd 1994, Rit Reporter Staff
Reporter - April 22nd 1994, Rit Reporter Staff
University Publications
Jessie Jackson Visits RIT; RIT Philosophers; Rusted Root and Romeo & Juliet; bowling?; hot spots; rugby
R.I.T. News & Events - April 21, 1994, University News Services, Rochester Institute Of Technology
R.I.T. News & Events - April 21, 1994, University News Services, Rochester Institute Of Technology
University Publications
No abstract provided.
The Bg News April 13, 1994, Bowling Green State University
The Bg News April 13, 1994, Bowling Green State University
BG News (Student Newspaper)
The BGSU campus student newspaper. April 13, 1994. Volume 76-Issue 135.
Friday Report - Vol. 03, No. 16 - April 8, 1994, University Of Massachusetts Boston
Friday Report - Vol. 03, No. 16 - April 8, 1994, University Of Massachusetts Boston
1991-1996, Friday Report
No abstract provided.
Reporter - April 1st 1994, Rit Reporter Staff
Reporter - April 1st 1994, Rit Reporter Staff
University Publications
body piercing; hot spots; reshaping the family
Lecture-Recital Set For April 7: Traditional, Contemporary Japanese Music Focus Of Program, Bob Aaron
Lecture-Recital Set For April 7: Traditional, Contemporary Japanese Music Focus Of Program, Bob Aaron
Press Releases 1990-1999
No abstract provided.
April 1994
Shake, Rattle & Roll
Vol. III, no. 11 previewed the Crossroads 1994 music festival.
Vol. 17 No. 1 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 1 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
March 1994
Shake, Rattle & Roll
Vol. III, no. 10 focused on the hard rock and rap scenes in Memphis (e.g., Al Kapone and Son of Slam), as well as a spotlight on FreeWorld.
Vol. 17 No. 1 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 17 No. 1 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Prefatory Note, Leo Schelbert
Prefatory Note, Leo Schelbert
Swiss American Historical Society Review
No abstract provided.
February 1994
Shake, Rattle & Roll
Vol. III, no. 9 featured post-Phineas Newborn Memphis pianists—Donald Brown, James Williams, Harold Mabern, and Mulgrew Miller—and guitarist Little Jimmy King.
Ethnomusicologist To Lecture At Ud On Latin American Music
Ethnomusicologist To Lecture At Ud On Latin American Music
News Releases
News release announces that ethnomusicologist Mac H. Brandt will discuss Latin American music in its sociocultural context in a lecture.
January 20, 1994 Cal Poly Report, Public Affairs Office
January 20, 1994 Cal Poly Report, Public Affairs Office
Cal Poly Report
No abstract provided.
Winter 1994, 90.9 Wmpg Fm
Summer 1994, 90.9 Wmpg Fm
The Uses Of Rubato In Music, Eighteenth To Twentieth Centuries, Sandra P. Rosenblum
The Uses Of Rubato In Music, Eighteenth To Twentieth Centuries, Sandra P. Rosenblum
Performance Practice Review
Tempo rubato is a disregard of certain notated properties of rhythm and tempo for the sake of expressive performance. There are two basic types of rubato practices. Contrametric rubato involves a solo melody moving in subtly or equally redistributed note values (sometimes with added notes) against a steady pulse in the accompaniment. Structural or agogic rubato involves the simultaneous retardation or acceleration of tempo of the entire performing body. Theories on rubato practice from Lodovico Zacconi (1592) to Marian Sobieski and Jadwiga Sobieska (1960) are considered, as is use of rubato by composers from Giovanni da Cascia in the 14th …
Hillbilly Music & Early Live Radio Programming In Bowling Green & Glasgow, Kentucky: Country Music As A Local Phenomenon, James Nelson
Hillbilly Music & Early Live Radio Programming In Bowling Green & Glasgow, Kentucky: Country Music As A Local Phenomenon, James Nelson
Masters Theses & Specialist Projects
In this study, the author examines the development of country music in the area surrounding Bowling Green and Glasgow, Kentucky, from approximately 1930 to 1960 and its relation to the newly emerging medium of radio. Emphasis is placed on several performers whose careers were linked to the radio stations which began to broadcast in Bowling Green and Glasgow during the 1940s.
In the past, country music scholarship has tended to focus on phonograph records as a source of material for study and as the primary means of musical transmission. As a result, the careers of many of the lesser known …
Syncretism And Adaptation In Rasiya, A Braj Folksong Genre, Peter L. Manuel
Syncretism And Adaptation In Rasiya, A Braj Folksong Genre, Peter L. Manuel
Publications and Research
Under the impact of the mass media, capitalist socio-economic relations, and other aspects of modernity, many Indian folk music genres have declined visibly and even disappeared, and it may be tempting to conclude that folk music as a whole has suffered in the twentieth century. However, a number of significant folk music genres have not only survived but flourished in the twentieth century, in some cases by virtue of their ability to syncretize elements of other traditions. One such genre is rasiya, which, in its various substyles, is the most popular and widespread folk music genre of the Braj region. …
Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel
Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel
Publications and Research
No abstract provided.
January 1994
Shake, Rattle & Roll
Vol. III, no. 8 featured Wendy Moten and the Village People.
Vantage Point - Show Notes - 1994, David Unumb
Vantage Point - Show Notes - 1994, David Unumb
Vantage Point Documents
No abstract provided.